Latest news with #Rosetta
Yahoo
10-06-2025
- Yahoo
WWDC2025｜macOS Tahoe 26 將是最後一款支援 Intel 晶片的 Apple 電腦系統
Apple 在 WWDC 2025 的 keynote 後確認，新發表的 macOS Tahoe 26 將成為最後一款支援 Intel 晶片的 Apple 電腦系統。符合其更新條件的機型將能正常使用系統內的所有功能，而且在未來三年內都將獲得安全更新。也就是說，自 2020 年起 Mac 晶片從 Intel 遷移到 Apple Silicon 的整個過程將在 2028 年走到終點。 可以更新到 macOS Tahoe 26 的 Intel Mac 電腦包括有 2019 款 16 吋 MacBook Pro、2020 款 13 吋 MacBook Pro、2020 款 27 吋 iMac 和 2019 款 Mac Pro。另外根據官方說法，macOS Tahoe 26 和計畫中的下一版系統 macOS 27 仍舊都會內建 Rosetta 轉譯工具，方便使用者用 Arm 架構的晶片運行 x86 軟體。 更多內容： macOS Tahoe 26 主打 Spotlight 搜尋升級，還有「Liquid Glass」設計和全新電話 app 緊貼最新科技資訊、網購優惠，追隨 Yahoo Tech 各大社交平台！ 🎉📱 Tech Facebook： 🎉📱 Tech Instagram： 🎉📱 Tech WhatsApp 社群： 🎉📱 Tech WhatsApp 頻道： 🎉📱 Tech Telegram 頻道：
The Independent
10-06-2025
- The Independent
Apple's latest update for Macs will be the last for many computers
Apple 's MacOS Tahoe software update will be the last to support Intel-based Macs, completing the company's transition to its own Apple Silicon chips. The update cuts off support for many Macs, including those made as recently as the 2020 MacBook Pro, iMac, and Mac Pro models and many 2019 versions of the MacBook Pro. Computers that can download MacOS Tahoe will receive security updates for three years, ensuring protection against new hacks and cyber attacks. Apple will discontinue Rosetta technology, which allows Intel-based apps to run on newer computers, in the MacOS version to be released in 2027. The announcement was made at Apple 's Worldwide Developers Conference, where the company also showcased a new look for its software.
Engadget
09-06-2025
- Engadget
macOS Tahoe is the end of the line for Intel Macs
Apple announced a lot of new features in today's WWDC stream, but news from one follow-up meeting heralds the end of an era. MacOS 26, also known as macOS Tahoe, will be the last version of the operating system to work on Macs powered by Intel Processors. Tahoe-supporting Intel Macs will get full access to all the new features, and they'll still get security updates for the next three years. By 2028, though they'll be out of the Apple ecosystem. The first Apple Silicon processor launched in 2020. Since then, Apple has run all its hardware on its own Apple Silicon microchips, which are significantly more powerful than the Intel chips it had been using for most of the millennium. Apple Silicon's ARM-based architecture can perform more operations and use less battery power than the x86-based Intel processors. Many Intel-powered Macs have already aged out of updates, but today's update puts an expiration date on the last survivors. The announcement, which came during a Platform State of the Union (SOTU) following the main WWDC event, was aimed primarily at app developers. Apple is encouraging developers to plan for the post-Intel era and ensure the migration is as smooth as possible for themselves and their users. Both macOS 26 and the planned next version, macOS 27, will include the Rosetta translation process, which helps apps built for x86 run on ARM. After 27, Rosetta will remain in place to support legacy video games. Intel-powered Macs that will support Tahoe include the 2019 16-inch MacBook Pro, the 2020 13-inch MacBook Pro, the 2020 27-inch iMac and the 2019 Mac Pro.
Yahoo
09-06-2025
- Science
- Yahoo
ESA at 50: looking back and launching forward
The European Space Agency marked its 50th anniversary in May, kicking off a landmark year of mission launches and strategic planning. With the ESA Ministerial Council set to meet in November, Director General Josef Aschbacher reflected on five decades of progress and outlined the agency's future in exploration, climate science, navigation, and global collaboration. Since its founding in 1975, ESA has contributed to a broad range of scientific and technological areas. One of its most notable moments came in 2014 with the Rosetta mission, when the Philae lander became the first human-made object to land on a comet. The event drew global attention and is considered a major milestone in robotic space exploration. Copernicus and Galileo ESA has also developed long-running programmes such as Copernicus and Galileo, which continue to serve scientific, environmental, and practical purposes. Copernicus, the European Union's Earth observation programme, uses satellite data to monitor environmental changes. According to ESA Director General Josef Aschbacher, 'Without those satellites that we have built - and Europe has built many of those - we would not understand the extent of climate change.' Ariane 6 rocket debuts successfully restoring Europe's space independence New objectives? Read more on RFI EnglishRead also:Vega-C launch marks milestone for Europe's space programmeEurope's new Ariane 6 rocket set for inaugural launch from French Guiana
Yahoo
24-05-2025
- Entertainment
- Yahoo
‘Young Mothers' Review: Belgium's Dardenne Brothers Adopt a Wider Focus for Their Most Humane Drama in More Than a Decade
Before turning their attention to ripped-from-reality social justice stories, Belgian brothers Jean-Pierre and Luc Dardenne got their start making short documentaries set in working-class housing projects. They brought that same immersive, observational approach with them to their fiction features, reflected in the long-take handheld camerawork, gritty street-level locations and casting of nonprofessional actors that have become their signature. And yet, it's doubtful that anyone would have mistaken a Dardenne film for a documentary … until now. 'Young Mothers' is the duo's most convincing film yet, owing largely to the way they have widened the focus from one or two characters in crisis — the sort of urgency that drove everything from 'Rosetta' to 'Tori and Lokita' — to a loose choral form. Instead of presenting a single, nail-biting dramatic situation, the Dardennes' no-less-engaging ensemble drama dedicates quality time to a quartet of young women — girls, really — under the care of a maternal assistance home in Liège. Deeply moving but never manipulative, 'Young Mothers' is the brothers' best film in more than a decades, since they tried incorporating movie stars Cécile de France and Marion Cotillard into their world. More from Variety Rai Cinema Celebrates 'Heads or Tails?' at Cannes and Readies for More Hits: 'Cinema Without Audience Doesn't Exist' 'Romería' Director Carla Simón on the Importance of Gender Equity in Filmmaking: Women Are 'Half of the World, We Should Tell Half of the Stories' Cannes Awards Predictions: Who Could Take the Palme d'Or - and Everything Else? Nearly all the faces here are unfamiliar — and every one is entirely persuasive. Reteaming with DP Benoit Dervaux and longtime editor Marie-Hélène Dozo, the siblings structure this latest, slightly unwieldy narrative as a series of more or less equally weighted dramas, interweaving the four cases as best they can (with a fifth example, played by Samia Hilmi, whose farewell party offers a ray of hope toward which the others can strive). The outcome requires a certain amount of multitasking from the audience, as with Michael Apted's 'Up' series or one of Frederick Wiseman's epic institutional portraits, in which every moment matters, but it's hard to say where things are headed exactly: toward tragedy, success or the status quo. Pregnancy is the common thread between these four teens, who otherwise represent very different instances of children bringing children into the world. Jessica (Babette Verbeek) anxiously waits beside a bus stop, hoping to recognize the birth mother who put her up for adoption as an infant. It's not until the steps away from the camera that we see this immature young girl is pregnant herself. She's already picked out the name for her baby, Alba, and swears she'd never abandon her — a commitment to breaking the cycle by someone who desperately craves her own mother's embrace. Ariane (Janaina Halloy Fokan) has practically the opposite problem: Her welfare-dependent single parent Nathalie (Christelle Cornil) pressured her to deliver, promising to help raise the child, but Ariane wants a better life for her baby. Ironically, this girl's maternal instincts are better than her mom's, who dates abusive men and drinks to extreme, and that sense of responsibility is what drives her to seek out a well-to-do foster couple who swear to teach the child music, offering a potential she never had. In most cases, the babies' fathers are completely out of the picture, although two of the home's residents are still negotiating how committed their boyfriends are willing to be. It's implied that Perla (Lucie Laruelle) hoped that having a kid would strengthen her relationship with Robin (Gunter Duret), only to have the peach-fuzz delinquent blow her off as soon as he gets out of juvie, leaving Perla with only a half-sister (Joely Mbundu) to rely on. By contrast, runaways Julie (Elsa Houben) and Dylan (Jef Jacobs) seem relatively stable, but both are former drug users, which poses its own challenges. Spelling out all these challenges surely makes the film sound far more miserable than it is. In fact, compared to the Dardennes' previous few features — and their Palme d'Or-winning masterpiece, 'The Child' — 'Young Mothers' is positively upbeat. The script is full of setbacks, but it's even better stocked with a sense of community, as characters step in to uplift one another. At the group home, the teens take turns preparing meals, and when one of them is overwhelmed or incapable, someone else invariably steps in to help. That's just one small example of the countless ways 'Young Mothers' celebrates an institution where supportive yet firm social workers (played by Adrienne D'Anna, Mathilde Legrand and Hélène Cattelain) are available around the clock to serve as exactly the kind of role models its residents lacked in their own lives. Obviously, Belgium is fortunate to have such a place; most countries don't. A comparable assistance program would surely make a difference in the United States, where pregnant teens no longer have the choice these characters did over whether to abort. Any movie on the subject of teenage pregnancy carries a polemical dimension of some kind, with a number of impactful recent examples — most notably, 'Never Rarely Sometimes Always' and 'Happening' — adopting a distinctly Dardennian style to drive their messages home. It's interesting then to see the Dardennes themselves taking a far more neutral tack, keeping things as open-ended as possible for the maximum range of reactions. The subject of abortion is frequently discussed, but the focus is exclusively fixed on characters who have brought their pregnancies to term. If there's a political statement to be extrapolated here, it's that instead of thinking of young mothers as being responsible for their children, we should start thinking of society as being responsible for its young mothers. Best of Variety The Best Albums of the Decade
