Latest news with #Pádraic
RTÉ News
17 hours ago
- Sport
- RTÉ News
Shane Walsh confident he's found his flow after injury issues
Shane Walsh believes that Galway played their best football of the year in the second half of their comeback win over Armagh and is hopeful they are hitting the high notes as the season enters its crescendo. Trailing by eight points at half-time in Kingspan Breffni, while Dublin and Derry were deadlocked in Newry, the prognosis looked grim for last year's All-Ireland finalists, who were in danger of exiting the All-Ireland championship in abject fashion. However, they rallied superbly in the third quarter, essentially wiping out the deficit by the 50th minute. "We went in at half-time knowing that they'd probably been a bit hot (on shooting) but we probably weren't executing our chances," Walsh said at the All-Ireland SFC knockout launch. "I think we were shot-for-shot (with them) in the first half. They might have had one extra shot. "We were saying we had the chances but Pádraic (Joyce) obviously wanted us to up the level and just bring a bit more intensity in the second half. It never felt like we were gone." The 2022 All-Star found his flow against Armagh after two relatively subdued and uneven performances against Dublin and Derry. While he slipped home a terrific individual goal in Celtic Park, Walsh was on the bench for the closing stages as Galway desperately scrambled to rescue their season. In Cavan, he racked up 0-07 from play - and 0-10 in total - in a bravura performance, putting the improved display down to re-discovering his confidence in front of goal after his injury issues. "When you come back from an injury in the middle of the year, it can be hard because you're chasing. The lads are moving at a certain level and there's a certain synchronisation that they have. "It's tough going and you're probably taking shots that you normally would score, you'd feel. But they're not coming off for you maybe because you haven't had that repetition or you haven't had that time that the rest of them have. "Then it can knock you. You can go into your shell a bit I suppose. I definitely felt that probably in the Dublin and Derry games a bit. "It was just great to have that backing of the lads in the dressing room to say to me like 'we back you no matter what' "And basically, that it's not a good thing for us if you're on the field and you're not taking the shots." One-to-one conversations with his manager - who was himself previously relied upon to get scores - were also a help in him recovering his form. "Having one-to-one meetings with Pádraic helped. People probably don't see that side of him too often in the media. He's quite black and white I suppose "But then when you get underneath it, you get, I suppose, the reminder that he was a player himself and he obviously had... well he probably didn't have too many confidence issues... "But at the same time he kind of passed on a couple of things to me. It stood to me going into the weekend." Joyce, characteristically blunt in his post-match interview, said Walsh's performance had been "outstanding" but that it was also "a long time coming, to be honest." The Galway manager has acquired a reputation for being unusually forthright about his players' performance in the media, famously passing up the opportunity to explain away the early substitutions of Walsh and Rob Finnerty in the league loss to Dublin as being due to slight injury niggles. "They missed about 2-10 between them," has since gone down as one of the more memorable quotes of Joyce's long period at the helm. "You'd probably be humoured by it as opposed to actually anything else," Walsh says. "Because you don't really see the Pádraic that we see all the time. You just see what he says to ye (the media). "We'd nearly be laughing and joking about it. He could be saying things about us to the media. And sure, we know where he's coming from. It's not as if we'd be saying that's a personal attack or anything like that." Are they nearly immune to it, at this stage? "I wouldn't say we're immune to it. We have to listen to him at the end of the day. He is the gaffer. But you know where he's coming from." Walsh indicates that Joyce's demeanour at half-time in the Armagh game showed how he had evolved over his time in charge. Whereas in his first two years, he might have been in teacup-throwing mood, on Saturday, the Galway boss was relatively composed in the dressing room. "His first minute or two was just to get a few things across and then the rest was just about bringing belief and confidence into the group. He's been doing that, in particular, since the Derry game. "We probably felt the two games that we played (in the group), we weren't getting to a level and confidence wasn't high. Whereas he was constantly reminding us how good we can be." The draw has thrown up a first championship meeting between Galway and Down since the 1971 All-Ireland semi-final. Walsh returns to a venue which was enveloped in a thick layer of fog the last time he played there - the 2024 All-Ireland club semi-final - and faces off against a manager in Conor Laverty who he last encountered when he was a selector for Cavan. "I remember he was eating the head off me against Cavan when we were playing them back in the league a couple of years ago. "Then, he came out smiling, giving me a hug after the game. I was like, I didn't know what to make of you about half an hour ago. You would have met him from time to time as well at different things. Nice fella." Either way, it's all knockout stages from here. No need to consider the permutations which Galway supporters were keeping a constant track of last weekend. When Galway were well behind against Armagh, it looked like their best bet was a Dublin victory and a score difference foot race with Derry. Were the players aware of the lie of the land in the second half? "I think management were. We weren't though. I remember asking along the sideline at one stage what the score was (in Newry). "They said, 'never mind, just win the game.'"
Sunday World
18-05-2025
- Entertainment
- Sunday World
Aisling Bea stunned to find family links to 1916 rebellion on her dad's side
can't bea-lieve it | 'To discover my great grandfather was a leader in the Easter Rising has blown my mind' Aisling (41), who grew up in Co Kildare and is now an award-winning actor, screenwriter and comedian, traces her family's roots for the popular British TV show and zones in on both the paternal and maternal sides of her family. Now living in London with her producer husband Jack Freeman and their nine-month-old daughter, Aisling returned while heavily pregnant to Ireland to get help from her mother and aunt to trace her family tree. She reveals her real name is Aisling O'Sullivan and says she gets her stage name 'Bea' from her father called Brian, who tragically died when she was just three years old. 'For my dad's side of the family. I know a lot of anecdotes and things swirling around the sort of War of Independence and the Irish fight for freedom and self-determination, so I'd love to know more about that time in history and their place in it,' she says. Aisling dug out old photos for her episode of the show Aisling remembers going on family trips to her dad's home area of Ballyferriter in Co Kerry. It was there she learns that her paternal great grandfather Pádraic Ó Briain and his wife Ellen, had three young children, Sean, Maureen and Aisling's grandmother Eileen. Pádraic, who also used the name Paddy O'Brien, was a schoolteacher, but it also emerges he was the Secretary of the Irish Volunteers in Ballyferriter at the time of the outbreak of World War I. At the time of the Easter Rising in Kerry in 1916, 300 men would gather at the Volunteers' headquarters in Tralee to take part in the rebellion, including what has been documented as 'men from Ballyferriter and Dingle, led by Paddy O'Brien, a national school teacher'. Historian Dr Daithí Ó Corráin has more information for Aisling. 'They expected to take part in an armed rebellion against British rule in Ireland and Pádraic is right at the heart of what is the most pivotal moment in 20th century Irish history,' he explains. Aisling was pregnant at the time the show was made News in 90 Seconds - May 18th 'Pádraic and his men march through the night in terrible weather conditions 40 miles over a mountain pass [Conor Pass] to be on time on Easter Sunday, awaiting instructions.' Aisling is flabbergasted. 'I can't even imagine what it must have been like for those men marching all the way to Tralee, 40 miles at night, getting ready to stage a revolution against one of the biggest powers in the world at the time. 'There were probably so many thoughts in my great grandfather's head, but a deep belief in what he was going to be potentially fighting for. 'I'd be someone I suppose that would try and stand by what I believe in and that's very important to me, but this is a lot more life or death. It brings chills without a doubt,' she says. The Kerry Volunteers had been waiting for a German ship, the Aud, to offload 20,000 rifles and one million rounds of ammunition. But miscommunication led to the ship's discovery by the British. The guns and ammunition were meant to arm volunteers from not only Kerry, but also Limerick, Clare and Galway, leading to the abandonment of the Easter Rising in that region, with just Dublin staging the rebellion the following Monday. Aisling discovered that Pádraic's wife, Ellen, her great granny, died of TB at the age of 33 in 1920, leaving her great granddad to bring up three small children. She also finds out that Pádraic was a member of the Gaelic League, which promoted Irish language and culture, and was a passionate Gaelgeoir right until he died at the age of 78 in 1965. It also emerges that Ellen's mother, Aine O'Donoghue, was the first teacher on the Blasket Islands, when at the age of 19 she travelled there in 1864 to teach English. 'When I was at school and I used to study the 1916 Rising, you think of it as a massive part of our Irish history, and that eventually everyone was involved,' she reflects. Read more 'But really a very small amount of people were involved. Most people weren't revolutionary, most people weren't about to give up their lives for the cause, but there were also a small amount of people like my great grandfather, who were absolutely willing to take up arms and fight for what they believed in and lost their lives for what they believed in. He was part of the Easter Rising, even if they didn't make it to that Monday. 'And it does make me really proud that he was part of that small group of people. 'I wish I could go back in time and tell him that your great granddaughter is not only going to love the language but is going to come back to where he is from with a British crew for a British TV show to study his life and his influence while she's pregnant with a little girl, whom I'm calling Saoirse, which is the Irish for freedom, in our language, and the idea of that genetic line has blown my mind a lot.' The comedian also tracks down her maternal side. Her mother Helen's maiden name is Moloney. 'My mother's side of the family are this big gang of very vocal alpha females, and that's probably the bit of my upbringing I've probably brought into every part of my work and life,' she says. 'On my mother's side, everything revolved around my grandmother, in particular. My grandmother was this sort of formidable pillar. "I remember Mammy being like 'oh she was one of the first women in the town to wear trousers', and then my mother was one of the first female professional flat-race jockeys of her era, and those small moments of like shunning the idea of what people think you should do — I'd love to know going back where did that come from.' She travels to Co Limerick, and traces her maternal lineage back to pre-Famine times, where she discovers that her great, great granddad James Sheehy was married to Martha Fitzgerald. Local historian Dr Richard McMahon reveals that in February 1841 the family home was broken into by a gang, who looted the house for guns and seriously injured James, leading to his death from the wounds inflicted on him. Martha was left to bring up five kids on the family farm of 40 acres, which they rented at the time. 'Martha has a fight on her hands now, she has lost her husband, she has five children, most farm holders are male, most farmers are male, so if you're a widow it's a very difficult situation,' stresses Dr McMahon. When the Famine started in 1845 not only did a million people starve and a million emigrate, but tenants were thrown off their farms as they could not pay rent. Aisling is taken aback to learn Martha's farm holding increased to 115 acres. 'That is hard to hear, I'll be honest, because having spent all of our childhood learning about the Irish famine in our history classes, you feel like anyone who, for many terrible situations, profited... It does make me feel a little bit shameful to be honest,' she admits. But Dr McMahon is more reassuring. 'It's a difficult one. There's elements of Martha which I think are very admirable, like her husband has been killed, she herself has gone through traumatic experience, so there's that sense of her as a fighter,' he tells her.
Yahoo
22-02-2025
- Entertainment
- Yahoo
TV tonight: a plucky period drama about sex, drugs and illicit clubs
9.15pm, BBC One A plucky period drama set in Soho's heady underworld that has been pitched as the feminist 'spiritual successor' to Peaky Blinders. It is the end of the first world war, and women refuse to give up the autonomy they've gained – so they establish themselves in the drug business growing in London's illicit clubs. Kate (Julianne Nicholson) is a single mother who, by the end of this first episode, finds herself with blood on her hands. Hollie Richardson 6.15pm, Channel 4 It's the last visit to the Beenys' Somerset pile and, naturally, 'build a vineyard' is the final thing on their to-do list. With hopes of one day cheering glasses of 'chambeeny' wine, Sarah lays truckloads of compost, while Graham designs the labels. HR 6.40pm, BBC One Master wind-up merchant McIntyre wraps up the current run of his family-friendly comedy blowout with a little help from Little Mix's Perrie Edwards and boybands McFly and Busted. Holly Willoughby is also on hand hoping she can put the right name to a face from her past in the 'Remember Me?' segment. Graeme Virtue 7pm, ITV1 It's back: Simon, Amanda, Alesha and Bruno return to glower and grin as a new series kicks off the talent show's 18th season. As before, there's a £250,000 prize and a Royal Variety slot to bag. Guest judge KSI will be stepping in for three Blackpool audition days while Bruno films Dancing With the Stars. Ali Catterall 9pm, BBC Four This Hebrides-set, Gaelic-language thriller has been sturdy, involving fare. In this week's double bill: the endgame as the pragmatic-to-a-fault DCI Halim looks to wrap up the case. Kat, however, is looking at Ruaraidh's furtive behaviour with suspicion and wondering if all hasn't yet been revealed. And she might just be right. Phil Harrison 9.30pm, ITV1 Former Ugly Betty star Vanessa Williams is currently playing scary fashion editor Miranda Priestly in The Devil Wears Prada in the West End – she joins Ross, along with Danny Dyer, who has a new film. Gordon Ramsay, Olympic star Keely Hodgkinson and Babygirl actor Harris Dickinson also appear. HR The Banshees of Inisherin, 9.15pm, Channel 4 'I just don't like you no more.' With these words, Brendan Gleeson's Colm sets in train an increasingly acrimonious series of events in Martin McDonagh's witty, bitter yarn, set on an island off the Irish coast in the early 1920s. The recipient is his erstwhile best friend Pádraic (Colin Farrell). An easygoing man, Pádraic is generally acknowledged as a bit dull but a despairing Colm's attempts to shun him turn surprisingly bloody. The civil war simmering away on the mainland is barely registered by the insular islanders, whose thwarted ambitions and dark secrets are given the weight of Greek tragedy by McDonagh. A superb cast also features Barry Keoghan and Kerry Condon. Simon Wardell Thelma, 10.10am, 8pm, Sky Cinema Premiere Shifting smartly from delightful to distressing and back again, Josh Margolin's debut feature centres on a spirited performance by June Squibb. She plays independent-minded 93-year-old grandmother Thelma, who is scammed out of $10,000 but then decides to hunt down the con artists herself. Co-opting the mobility scooter of her less gung-ho pal Ben (Richard Roundtree, in his final role), she pootles off across Los Angeles, raging against the dying of the light, in a comic paean to ageing on your own terms. SW Godland, 10.40pm, BBC Four Hlynur Pálmason's elemental period drama is a fascinating study in opposites. Coloniser v colonised, civilisation v nature, faith v human fallibility – these problems assail late 19th-century Danish priest and amateur photographer Lucas (Elliott Crosset Hove) as he treks across the big, bleak, beautiful landscape of Iceland one rainy summer to the site of his new church. His guide – and potential nemesis – is Ingvar Sigurdsson's Ragnar, who resents the incomer but is drawn to his religion, though Lucas seems to care more for his camera than his flock. SW Champions Trophy Cricket: Australia v England, 8.30am, Sky Sports Main Event Jos Buttler leads an under-pressure England in their first Group B match. They continue against Afghanistan on Wednesday. Premier League Football: Everton v Manchester United, 11am, TNT Sports 1 Followed by Aston Villa v Chelsea at 5pm on Sky Sports Main Event. Six Nations Rugby Union: Wales v Ireland, 1.15pm, BBC One Followed by England v Scotland at 4pm on ITV1. Italy v France is on Sunday at 2.15pm on ITV1.
The Guardian
22-02-2025
- Entertainment
- The Guardian
TV tonight: a plucky period drama about sex, drugs and illicit clubs
9.15pm, BBC One A plucky period drama set in Soho's heady underworld that has been pitched as the feminist 'spiritual successor' to Peaky Blinders. It is the end of the first world war, and women refuse to give up the autonomy they've gained – so they establish themselves in the drug business growing in London's illicit clubs. Kate (Julianne Nicholson) is a single mother who, by the end of this first episode, finds herself with blood on her hands. Hollie Richardson 6.15pm, Channel 4 It's the last visit to the Beenys' Somerset pile and, naturally, 'build a vineyard' is the final thing on their to-do list. With hopes of one day cheering glasses of 'chambeeny' wine, Sarah lays truckloads of compost, while Graham designs the labels. HR 6.40pm, BBC One Master wind-up merchant McIntyre wraps up the current run of his family-friendly comedy blowout with a little help from Little Mix's Perrie Edwards and boybands McFly and Busted. Holly Willoughby is also on hand hoping she can put the right name to a face from her past in the 'Remember Me?' segment. Graeme Virtue 7pm, ITV1 It's back: Simon, Amanda, Alesha and Bruno return to glower and grin as a new series kicks off the talent show's 18th season. As before, there's a £250,000 prize and a Royal Variety slot to bag. Guest judge KSI will be stepping in for three Blackpool audition days while Bruno films Dancing With the Stars. Ali Catterall 9pm, BBC Four This Hebrides-set, Gaelic-language thriller has been sturdy, involving fare. In this week's double bill: the endgame as the pragmatic-to-a-fault DCI Halim looks to wrap up the case. Kat, however, is looking at Ruaraidh's furtive behaviour with suspicion and wondering if all hasn't yet been revealed. And she might just be right. Phil Harrison 9.30pm, ITV1 Former Ugly Betty star Vanessa Williams is currently playing scary fashion editor Miranda Priestly in The Devil Wears Prada in the West End – she joins Ross, along with Danny Dyer, who has a new film. Gordon Ramsay, Olympic star Keely Hodgkinson and Babygirl actor Harris Dickinson also appear. HR The Banshees of Inisherin, 9.15pm, Channel 4 'I just don't like you no more.' With these words, Brendan Gleeson's Colm sets in train an increasingly acrimonious series of events in Martin McDonagh's witty, bitter yarn, set on an island off the Irish coast in the early 1920s. The recipient is his erstwhile best friend Pádraic (Colin Farrell). An easygoing man, Pádraic is generally acknowledged as a bit dull but a despairing Colm's attempts to shun him turn surprisingly bloody. The civil war simmering away on the mainland is barely registered by the insular islanders, whose thwarted ambitions and dark secrets are given the weight of Greek tragedy by McDonagh. A superb cast also features Barry Keoghan and Kerry Condon. Simon Wardell Thelma, 10.10am, 8pm, Sky Cinema Premiere Shifting smartly from delightful to distressing and back again, Josh Margolin's debut feature centres on a spirited performance by June Squibb. She plays independent-minded 93-year-old grandmother Thelma, who is scammed out of $10,000 but then decides to hunt down the con artists herself. Co-opting the mobility scooter of her less gung-ho pal Ben (Richard Roundtree, in his final role), she pootles off across Los Angeles, raging against the dying of the light, in a comic paean to ageing on your own terms. SW Godland, 10.40pm, BBC Four Hlynur Pálmason's elemental period drama is a fascinating study in opposites. Coloniser v colonised, civilisation v nature, faith v human fallibility – these problems assail late 19th-century Danish priest and amateur photographer Lucas (Elliott Crosset Hove) as he treks across the big, bleak, beautiful landscape of Iceland one rainy summer to the site of his new church. His guide – and potential nemesis – is Ingvar Sigurdsson's Ragnar, who resents the incomer but is drawn to his religion, though Lucas seems to care more for his camera than his flock. SW Champions Trophy Cricket: Australia v England, 8.30am, Sky Sports Main Event Jos Buttler leads an under-pressure England in their first Group B match. They continue against Afghanistan on Wednesday. Premier League Football: Everton v Manchester United, 11am, TNT Sports 1 Followed by Aston Villa v Chelsea at 5pm on Sky Sports Main Event. Six Nations Rugby Union: Wales v Ireland, 1.15pm, BBC One Followed by England v Scotland at 4pm on ITV1. Italy v France is on Sunday at 2.15pm on ITV1.
The Guardian
21-02-2025
- Entertainment
- The Guardian
The Banshees of Inisherin to Thelma: the seven best films to watch on TV this week
'I just don't like you no more.' With these words, Brendan Gleeson's Colm sets in train an increasingly acrimonious series of events in Martin McDonagh's witty, bitter yarn, set on an island off the Irish coast in the early 1920s. The recipient is his erstwhile best friend Pádraic (Colin Farrell). An easygoing man, Pádraic is generally acknowledged as a bit dull but a despairing Colm's attempts to shun him turn surprisingly bloody. The civil war simmering away on the mainland is barely registered by the insular islanders, whose thwarted ambitions and dark secrets are given the weight of Greek tragedy by McDonagh. A superb cast also features Barry Keoghan and Kerry Condon. Saturday 22 February, 9.15pm, Channel 4 Shifting smartly from delightful to distressing and back again, Josh Margolin's debut feature centres on a spirited performance by June Squibb. She plays independent-minded 93-year-old grandmother Thelma, who is scammed out of $10,000 but then decides to hunt down the con artists herself. Co-opting the mobility scooter of her less gung-ho pal Ben (Richard Roundtree, in his final role), she pootles off across Los Angeles, raging against the dying of the light, in a comic paean to ageing on your own terms. Saturday 22 February, 10.10am, 8pm, Sky Cinema Premiere Hlynur Pálmason's elemental period drama is a fascinating study in opposites. Coloniser v colonised, civilisation v nature, faith v human fallibility – these problems assail late 19th-century Danish priest and amateur photographer Lucas (Elliott Crosset Hove) as he treks across the big, bleak, beautiful landscape of Iceland one rainy summer to the site of his new church. His guide – and potential nemesis – is Ingvar Sigurdsson's Ragnar, who resents the incomer but is drawn to his religion, though Lucas seems to care more for his camera than his flock. Saturday 22 February, 10.40pm, BBC Four We're in Vienna in 1877, and Empress Elisabeth of Austria (Vicky Krieps) is bored rigid. Railing against the restrictions of her role as wife to Emperor Franz Joseph (Florian Teichtmeister), though still carrying around the baggage of privilege, she seeks a way out through dieting, excessive horse riding and flirting with her instructor (Colin Morgan). But the itch to escape won't be eased. Marie Kreutzer's costume drama is a fabulous, cheekily anachronistic tale of female agency (or the lack of it) with the luminous Krieps a mesmerising presence. Monday 24 February, 11.20pm, Film4 Sign up to What's On Get the best TV reviews, news and features in your inbox every Monday after newsletter promotion Daphne Matziaraki and Peter Murimi's affecting documentary tells the story of a seemingly intractable land dispute in Kenya. As a drought persists, pastoralist tribes who migrate with their cattle across the Laikipia plateau come into conflict with commercial ranchers and wildlife reserve owners over grazing rights. The colonial history of land appropriation is the backdrop to increasingly entrenched attitudes, but a focus on individual farmers provides a valuable personal dimension. Tuesday 25 February, 10pm, BBC Four Questions of Black masculinity and gender identity are explored sensitively in Dionne Edwards's London-set film. Coming out of prison, Travis (Natey Jones) tries to settle back into domestic life with his partner, aspiring musical theatre actor Candice (an all-singing Alexandra Burke), and grumpy teenage daughter Kenisha (Temilola Olatunbosun). But when Candice gets the titular dress for her audition for a Tina Turner play, Travis can't resist trying it on. However, roleplay masks a deeper need in him that begins to put stress on the family unit. A promising first feature from a film-maker to watch. Friday 28 February, 11.05pm, BBC Two Focusing on a grand passion that is buffeted by the chilly realities of the Soviet era, Paweł Pawlikowski's bittersweet drama traces a couple of decades in the relationship of Wiktor (Tomasz Kot), a composer at a Polish state-sanctioned folk ensemble, and one of his young singers, the ambitious, lively Zula (Joanna Kulig). Shot in crisp black-and-white, which gives the film a nostalgic, romantic feel – particularly in its Paris sections – the film asks what love is strong enough to persist across political divides and the stresses and strains of ordinary life. Friday 28 February, 2.15am, Film4
