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Black America Web
5 days ago
- Entertainment
- Black America Web
CeCe Winans Brings Gospel Power to NPR's Tiny Desk for Black Music Month
Source: Terry Wyatt / Getty Gospel icon CeCe Winans brought the spirit to NPR's Tiny Desk stage with a moving medley of her most beloved songs, turning the intimate setting into a soul-stirring worship experience. The special performance was part of NPR's Black Music Month celebration, which honors groundbreaking albums that have left a lasting imprint on music and culture. Winans' 1995 album Alone in His Presence , celebrating its 30th anniversary this year, was a defining moment in gospel music and continues to resonate across generations. NPR's Ashley Pointer praised Winans for her unmatched vocal power and ability to transcend boundaries. 'CeCe Winans' voice transcends genre, race, and generations, something incredibly rare in the gospel and Christian music realms,' she wrote. RELATED: Classic Gospel Songs That Still Excite The Black Church Her Tiny Desk set included a mix of fan favorites and deeply spiritual anthems. The call-and-response energy of 'Pray' brought instant joy, while the crowd audibly gasped at the first notes of 'Alabaster Box,' a track known for its emotional depth and powerful storytelling. The performance concluded with a heartfelt sing-along to 'Goodness of God,' a modern worship classic that underscored Winans' lasting connection with audiences. More than a nostalgic trip through her catalog, the performance was a celebration of Winans' legacy as one of gospel music's most influential voices. As NPR continues to spotlight the sounds that have shaped Black music history, CeCe Winans' enduring presence stands as a testament to the timeless power of faith-filled artistry. Check out the performance below: SEE ALSO CeCe Winans Brings Gospel Power to NPR's Tiny Desk for Black Music Month was originally published on Black America Web Featured Video CLOSE
Winnipeg Free Press
09-06-2025
- General
- Winnipeg Free Press
‘She's all of us': mural illustrates ties between city, grateful Ukrainian newcomers
Blue and yellow ribbons wrapping around the city's skyline show the deep connection between Ukraine and Manitoba in a new mural. Take Pride Winnipeg, a downtown non-profit that seeks to clean up and inspire civic pride, unveiled its newest mural, titled 'Pray for Ukraine' in the Exchange District on Monday. It pictures a Ukrainian woman in traditional clothing stoically gazing into the distance as butterflies and a dove — which symbolize hope, peace and rebirth — flutter around the Esplanade Riel and Canadian Museum for Human Rights. The installation at Exchange District BIZ at 492 Main St. was painted by Jennifer Mosienko, who's worked on more than 40 murals across the city. Mila Shykota, a 46-year-old Ukrainian newcomer and the brainchild behind the project, wanted to repay the generosity Winnipeggers have showed her and others with an art piece that intertwined the two cultures with the colours of Ukraine and Canada. 'I wanted to convey the longing for the motherland, that feeling when you're physically here but still worry about your home country,' said Shykota. 'This mural reflects the difficulties and hopes of all immigrants, and at the same, thanks Canada for the feeling of support.' More than 20,000 Ukrainians have made Manitoba home since the war began in 2022, federal numbers show. Shykota was living in Kyiv, Ukraine's capital city, and moved with her husband and daughter to Winnipeg after Russian forces invaded. She had visited Winnipeg multiple times in 2015, when her husband was studying at the University of Manitoba. She sees herself in the woman portrayed in the mural and believes it represents all Ukrainians who fled the war. 'She's all of us,' said Shykota. 'We all the feel the same way. We had to start our news lives from scratch.' Wednesdays Sent weekly from the heart of Turtle Island, an exploration of Indigenous voices, perspectives and experiences. Shykota, who has lived in Winnipeg for three years, began fundraising for the 20 x 30 mural after deciding it was the best way to show appreciation to her new city. The campaign raised $25,000 and she brought the idea to Take Pride Winnipeg, who connected her with Mosienko. The two worked together on the project for a year, refining the idea before Mosienko began the brush strokes. Painting it took nearly three months. The artist said it was an emotional experience for her because her husband and relatives are Ukrainian, and she grew up eating Ukrainian dishes and celebrating Ukrainian traditions. 'I hope it will mean a lot to the Ukrainian people that live here and the ones that are newcomers as well, that they can look at it and say 'we have a place here, too,'' Mosienko said.
Time Out
09-06-2025
- Entertainment
- Time Out
Yoshitomo Nara
If eyes truly are the windows to the soul, then the intensely staring, delinquent characters created by Yoshimoto Nara have a lot going on inside. As one of the best-known (and best-selling) Japanese artists of our time, Nara has earned this massive retrospective at the Hayward Gallery. It's his largest ever UK exhibition by far: spanning not only his paintings, but also drawings, installations, and sculpture across a four-decades-long career. On entering, you're confronted with a rickety wooden house, complete with a patchwork corrugated iron roof and glass windows revealing a homey room scattered with drawings. Rock music whirs from the TV and empty beer cans litter one corner: this feels like a place of peace, a sanctuary where Nara's interests and comforts intersect. Here, we're introduced to his punkish tendencies – not only in his musical tastes (in some works, he plays up to his inner fangirl, scribbling 'thank you for Ramones' around a rough coloured-in cartoon), but also in attitude. This is an artist that is all about playing with innocence – like sticking cigarettes in children's mouths – and protest, scrawling slogans about ending nukes in capital letters and adding pacifist symbolism to clothing. Nara is known for his kawaii, manga-esque figures which might look lost and sad as much as naughty and demonic. Some are loud, brash: like his collection of solid-lined paint marker drawings on paper. Others, like After the Acid Rain, 2006, appear innocent until you read the name. You realise those wide eyes are not glittering to look pretty: they're desperate, helpless. It's usually his drawings which are spikier, more political, but his quieter, more nuanced painting is the most impressive. Midnight Tears, 2023, is a show stopper: all rainbow-like dappled hair and glistening, jewel-like eyes, it's iridescent in its layering of colour and paint, as though you're seeing it through a light fog in its softness of brush. What works well about this exhibition is that it really lets the work speak for itself: extra context is only given on every other label, and it's arranged via loose themes, allowing you to make subtle connections and trace the growth in Nara's practice. It's perhaps most obvious in his sculptural work: Pray, 1991, a cat-like figure made from rough papier-mâché and acrylic, is rough and heavy, as though it's been bandaged up in a rush. The sublimely smooth lacquered heads in Fountain of Life, stacked up on top of a teacup and gently weeping real water, could be a different artist entirely – if it weren't for the tell-tale downcast eyes and childlike softness. At points, it can all start to feel like you're seeing the same thing again and again. But it's the subtleties which make it worthwhile. Nara's play with western pop culture and darker themes alluding to climate change and nuclear war, all packaged up into a sugary-sweet package, is a real joy to look at. But it's his painterly skill, when seen up close, which is the real treat.
Time of India
25-05-2025
- Entertainment
- Time of India
When 'Eat, Pray, Love' author Elizabeth Gilbert drew the line between being 'childlike' and 'childish'. Why it could change your life?
It's not every day that a bestselling author reframes something as fundamental as your relationship with wonder. But in a quietly powerful moment on The Marie Forleo Podcast back in 2015, Elizabeth Gilbert—yes, the Elizabeth Gilbert of Eat, Pray, Love fame—did just that. She wasn't selling a book, planning another world trip, or decoding spirituality this time. Instead, she was decoding you. Or more precisely, the part of you that still believes in magic—but often gets confused about how to use it in the real world. Childlike Wonder vs. Childish Whining 'You have to be childlike in the pursuit of your life, but you cannot be childish,' Gilbert said, with the kind of clarity that stays with you. Her voice didn't preach, but it pressed gently—like someone holding up a mirror and asking you to really look. Being childlike , she explained, is about wide-eyed wonder. It's a return to awe, curiosity, and the ability to greet each moment as if it's the first of its kind. In contrast, being childish is what happens when entitlement kicks in: 'I didn't get what I wanted, so I quit.' It's a tantrum dressed up as adult disappointment. Play Video Pause Skip Backward Skip Forward Unmute Current Time 0:00 / Duration 0:00 Loaded : 0.00% 0:00 Stream Type LIVE Seek to live, currently behind live LIVE Remaining Time - 0:00 1x Playback Rate Chapters Chapters Descriptions descriptions off , selected Captions captions settings , opens captions settings dialog captions off , selected Audio Track default , selected Picture-in-Picture Fullscreen This is a modal window. Beginning of dialog window. Escape will cancel and close the window. Text Color White Black Red Green Blue Yellow Magenta Cyan Opacity Opaque Semi-Transparent Text Background Color Black White Red Green Blue Yellow Magenta Cyan Opacity Opaque Semi-Transparent Transparent Caption Area Background Color Black White Red Green Blue Yellow Magenta Cyan Opacity Transparent Semi-Transparent Opaque Font Size 50% 75% 100% 125% 150% 175% 200% 300% 400% Text Edge Style None Raised Depressed Uniform Drop shadow Font Family Proportional Sans-Serif Monospace Sans-Serif Proportional Serif Monospace Serif Casual Script Small Caps Reset restore all settings to the default values Done Close Modal Dialog End of dialog window. by Taboola by Taboola Sponsored Links Sponsored Links Promoted Links Promoted Links You May Like Play War Thunder now for free War Thunder Play Now Undo At a time when burnout is chronic and cynicism trendy, Gilbert's insight is a gentle rebellion. 'I believe you can be childlike and mature at the same time,' she said, inviting us all to carry a backpack filled with both wonder and wisdom . The Grown-Up Path to Magic Gilbert's reminder couldn't be timelier. In an age of productivity hacks and personal branding, we often forget the original joy of learning, trying, failing, and laughing through it all. Life, after all, isn't a performance—it's a practice. And maturity, Gilbert suggests, doesn't have to mean losing your sense of wonder. It means anchoring it in responsibility. You Might Also Like: Sapiens author Yuval Noah Harari warns about the rise of autonomous intelligence: 'AI is not a tool, it is an agent' 'You can embody both childlike wonder and mature responsibility simultaneously,' she said. That line alone is worth framing on a wall—or better yet, carrying in your heart. So often, the narrative of adulthood is synonymous with loss—loss of spontaneity, loss of playfulness, loss of belief in the unseen. But Gilbert argues for a reunion. That your ability to marvel is not childish. In fact, it's one of the most profound tools for resilience, reinvention, and even healing. A Life That Still Believes in Magic Let's not forget who's speaking here. Elizabeth Gilbert isn't merely a memoirist. Her life and work—spanning from fiction and essays to the deeply personal Big Magic —have consistently nudged readers toward self-discovery without shame or fluff. She's traveled the world, challenged societal norms, and stood vulnerable in front of millions of readers. Her words don't just sound good—they come from a life tested by grief, growth, and global adoration. When she talks about 'being ready to be amazed,' it's not just romantic rhetoric. It's a daily discipline. A conscious uncynical stance in a complicated world. You Might Also Like: 'Rich Dad Poor Dad' author Robert Kiyosaki compares mass layoffs by Trump and Musk to a 1974 horror classic: Why, and where to watch it So, What Now? Gilbert's insight begs a question worth asking yourself every morning: Am I approaching this day with childlike wonder or childish resistance? Are you letting awe lead you through your creative blocks , your life transitions, your hardest conversations? Or are you throwing tantrums about what you didn't get, whom the world didn't give you, and why things aren't fair? In an age when personal growth often sounds like a self-help algorithm, Elizabeth Gilbert gives us something beautifully analog: a human reminder that we don't have to choose between growing up and staying enchanted. We can do both. And maybe, just maybe, that's where the real magic begins.
Economic Times
25-05-2025
- Entertainment
- Economic Times
When 'Eat, Pray, Love' author Elizabeth Gilbert drew the line between being 'childlike' and 'childish'. Why it could change your life?
Elizabeth Gilbert's conversation with Marie Forleo in an old podcast spotlighted the powerful distinction between childlike wonder and childish entitlement. According to Gilbert, being childlike fuels creativity and resilience, while being childish breeds frustration and blame. It's not every day that a bestselling author reframes something as fundamental as your relationship with wonder. But in a quietly powerful moment on The Marie Forleo Podcast back in 2015, Elizabeth Gilbert—yes, the Elizabeth Gilbert of Eat, Pray, Love fame—did just that. She wasn't selling a book, planning another world trip, or decoding spirituality this time. Instead, she was decoding you. Or more precisely, the part of you that still believes in magic—but often gets confused about how to use it in the real world. 'You have to be childlike in the pursuit of your life, but you cannot be childish,' Gilbert said, with the kind of clarity that stays with you. Her voice didn't preach, but it pressed gently—like someone holding up a mirror and asking you to really look. Being childlike , she explained, is about wide-eyed wonder. It's a return to awe, curiosity, and the ability to greet each moment as if it's the first of its kind. In contrast, being childish is what happens when entitlement kicks in: 'I didn't get what I wanted, so I quit.' It's a tantrum dressed up as adult disappointment. At a time when burnout is chronic and cynicism trendy, Gilbert's insight is a gentle rebellion. 'I believe you can be childlike and mature at the same time,' she said, inviting us all to carry a backpack filled with both wonder and wisdom. Gilbert's reminder couldn't be timelier. In an age of productivity hacks and personal branding, we often forget the original joy of learning, trying, failing, and laughing through it all. Life, after all, isn't a performance—it's a practice. And maturity, Gilbert suggests, doesn't have to mean losing your sense of wonder. It means anchoring it in responsibility. 'You can embody both childlike wonder and mature responsibility simultaneously,' she said. That line alone is worth framing on a wall—or better yet, carrying in your heart. So often, the narrative of adulthood is synonymous with loss—loss of spontaneity, loss of playfulness, loss of belief in the unseen. But Gilbert argues for a reunion. That your ability to marvel is not childish. In fact, it's one of the most profound tools for resilience, reinvention, and even healing. Let's not forget who's speaking here. Elizabeth Gilbert isn't merely a memoirist. Her life and work—spanning from fiction and essays to the deeply personal Big Magic —have consistently nudged readers toward self-discovery without shame or fluff. She's traveled the world, challenged societal norms, and stood vulnerable in front of millions of readers. Her words don't just sound good—they come from a life tested by grief, growth, and global adoration. When she talks about 'being ready to be amazed,' it's not just romantic rhetoric. It's a daily discipline. A conscious uncynical stance in a complicated world. Gilbert's insight begs a question worth asking yourself every morning: Am I approaching this day with childlike wonder or childish resistance? Are you letting awe lead you through your creative blocks, your life transitions, your hardest conversations? Or are you throwing tantrums about what you didn't get, whom the world didn't give you, and why things aren't fair? In an age when personal growth often sounds like a self-help algorithm, Elizabeth Gilbert gives us something beautifully analog: a human reminder that we don't have to choose between growing up and staying enchanted. We can do both. And maybe, just maybe, that's where the real magic begins.
