Latest news with #PetSounds
Yahoo
2 days ago
- Entertainment
- Yahoo
The Beach Boys' ‘Pet Sounds' Hits Highest Rank on Billboard 200 in Nearly 60 Years After Brian Wilson's Death
Following the death of The Beach Boys' Brian Wilson at age 82 on June 11, the group's catalog surged 184% in equivalent album units earned in the United States in the week ending June 12, growing to 31,000, according to Luminate. Plus, the act's classic 1966 album Pet Sounds reenters the Billboard 200 chart — and at its highest rank in nearly 60 years. Units comprise album sales, track equivalent albums (TEA) and streaming equivalent albums (SEA). Each unit equals one album sale, or 10 individual tracks sold from an album, or 3,750 ad-supported or 1,250 paid/subscription on-demand official audio and video streams generated by songs from an album. More from Billboard Young Singer Wins Over 'AGT' Judges With Ed Sheeran Cover Ozzy Osbourne's DNA Will Be Sold in Limited Edition Liquid Death Cans Kneecap Launch London Billboard Takeover Ahead of 'Witch-Hunt' Court Appearance On the Billboard 200, Sounds of Summer: The Very Best of The Beach Boys, released in 2003, jumps 180-52 (15,500 units; up 71%) and Pet Sounds reenters at No. 136 (11,000; up 1,335%). For the latter, it returns to the chart for the first time since July 2015, and to its highest rank since Feb. 18, 1968, when it ranked at No. 110. It peaked at No. 10 in 1966 and is one of 13 top 10 albums for the group. Overall on-demand official streams of the group's songs increased by 126% to 26.7 million, while their collected songs sold 19,000 (up 1,132%). The act's most-streamed song of the week was 'Wouldn't It Be Nice' (2.28 million; up 78%), while the top-selling song was 'God Only Knows' (4,000; up 3,382%). On the Digital Song Sales chart dated June 21, 'God Only Knows' debuts at No. 7, while 'Wouldn't It Be Nice,' the second-biggest-selling Beach Boys song of the week, debuts at No. 18. 'Woudn't It Be Nice' reached No. 8 on the Billboard Hot 100 in 1966, while its follow-up single, 'God Only Knows,' hit No. 39 later that same year. Both are from Pet Sounds. In total, The Beach Boys boast 35 top 40-charted hits on the Hot 100. The Beach Boys' catalog also makes waves on the LyricFind U.S. and Global charts, where 'God Only Knows' bows at No. 1. The LyricFind Global and LyricFind U.S. charts rank the fastest momentum-gaining tracks in lyric-search queries and usages globally and in the U.S., respectively, provided by LyricFind. The Global chart includes queries from all countries, including the U.S. The company is the world's leader in licensed lyrics, with data provided by more than 5,000 publishers and utilized by more than 100 services, including Amazon, Pandora, Deezer, Microsoft, SoundHound and iHeartRadio. According to LyricFind, lyric searches and usages of 'God Only Knows' jumped 1,238% in the U.S. and 1,519 globally week over week (June 9-15 vs. June 2-8). The U.S. chart features five Wilson-penned songs in all, with 'God Only Knows' followed by 'Wouldn't It Be Nice' (No. 2), 'Don't Worry Baby' (No. 4), 'Sloop John B' (No. 7) and 'Good Vibrations' (No. 9). Further increases for The Beach Boys catalog could occur in the tracking week ending June 19 (Luminate's tracking week runs Friday through Thursday each week), after a full week of impact is felt following Wilson's passing. Additional reporting by Kevin Rutherford Best of Billboard Chart Rewind: In 1989, New Kids on the Block Were 'Hangin' Tough' at No. 1 Four Decades of 'Madonna': A Look Back at the Queen of Pop's Debut Album on the Charts Chart Rewind: In 1990, Madonna Was in 'Vogue' Atop the Hot 100


The Wire
6 days ago
- Entertainment
- The Wire
How Visionary Beach Boys Songwriter Brian Wilson Changed Music
Menu हिंदी తెలుగు اردو Home Politics Economy World Security Law Science Society Culture Editor's Pick Opinion Support independent journalism. Donate Now World How Visionary Beach Boys Songwriter Brian Wilson Changed Music – and My Life Jadey O'Regan 39 minutes ago Brian Wilson's passing on June 11 marks the end of a long and extraordinary chapter in musical history. Brian Wilson at a Beach Boys reunion in New Orleans. Photo: Takahiro Kyono/Wikimedia Commons/CC BY 2.0. Real journalism holds power accountable Since 2015, The Wire has done just that. But we can continue only with your support. Contribute now Brian Wilson, leader, songwriter and producer of the Beach Boys, has passed away at age 82. He leaves behind a legacy of beautiful, joyous, bittersweet and enduring music, crafted over a career spanning six decades. While this news isn't unexpected – Wilson was diagnosed with dementia last year and entered a conservatorship after the loss of his wife, Melinda – his passing marks the end of a long and extraordinary chapter in musical history. A life of music Formed in the early 1960s in Hawthorne, California, the Beach Boys were built on a foundation of family and community: brothers Brian, Dennis and Carl Wilson, their cousin Mike Love and school friend Al Jardine. Growing up, the Wilson household was a turbulent place; their father, Murry Wilson, was strict and at times violent. Music was the one way in which the family could connect. During these early years Brian discovered the sounds that would shape his musical identity: Gershwin, doo wop groups, early rock and roll and, a particular favourite, the vocal group the Four Freshmen, whose tight-harmony singing style Wilson studied meticulously. It was an unexpected combination of influences for a pop band. Even from the Beach Boys' earliest recordings – the surf, the cars, the girls – the stirrings of the complexity and musical adventurousness Wilson is known for is audible. Listen to the unexpected structure of ' The Lonely Sea ' (1962), the complex chords of ' The Warmth of the Sun ' (1963) or the subtle modulation in ' Don't Worry Baby ' (1964). These early innovations hinted at a growing creativity that would continue to evolve over the rest of the 1960s, and beyond. The Beach Boys perform at the Ed Sullivan show in 1964. Photo: Wikimedia Commons/Public domain. A story of resilience In later years, Brian Wilson often appeared publicly as a fragile figure. But what stands out most in his story is resilience. His ability to produce such an expansive and diverse catalogue of work while navigating difficult family relationships, intense record label pressures, misdiagnosed and mistreated mental health conditions, addiction and much more, is extraordinary. Wilson not only survived, but continued to create music. He eventually did something few Beach Boys' fans would have imagined – he returned to the stage. Wilson's unexpected return to public performance during the Pet Sounds and SMiLE tours in the early 2000s began a revival interest in the Beach Boys, and a critical reconsideration of their musical legacy. This continues with a consistent release of books, documentaries, movies and podcasts about Wilson and the legacy of the Beach Boys' music. The focus of a thesis I grew up near Surfers Paradise on the Gold Coast in Queensland. Their early songs about an endless summer had a particular resonance to my hometown, even if, like Brian Wilson, I only admired the beach from afar. I chose to study the Beach Boys' music for my PhD thesis and spent the next few years charting the course of their musical development from their early days in the garage to creating Pet Sounds just five years later. The Beach Boys at a 2012 performance. Photo: Louise Palanker/Wikimedia Commons/CC BY-SA 2.0. I was fascinated by how a band could create such a groundbreaking volume of work and progress so quickly from the delightful, yet wobbly 'Surfin' to the complex arrangements of 'God Only Knows'. To understand their music, I spent years listening to Beach Boys' tracking sessions, take after take, to hear how their songs were so cleverly and delicately put together. What struck me just as powerfully as the music itself was the sound of Brian Wilson's voice in those recordings. Listening to Wilson leading hours of tracking sessions was to hear an artist at the top of their game – decisive, confident, funny, collaborative and deeply driven to make music that would express the magic he heard in his mind, and connect with an audience. One of the more unexpected discoveries in my analysis of the Beach Boys' music came from their lyrics. Using a word frequency tool to examine all 117 songs in my study, I found that the most common word was 'now'. In many cases, it appears in a conversational sense – 'Well, she got her Daddy's car, and she cruised through the hamburger stand now ' – but on a broader level, it perfectly encapsulates what Brian Wilson's music offered so many listeners. He created an endless present: a world where the sun could always be shining, where you could feel young forever and you could visit that world any time you needed to. Jadey O'Regan with Brian Wilson, Enmore Theatre, Sydney 2010. Credit: Jadey O'Regan. In 2010, I had the remarkable experience of meeting Brian Wilson in his dressing room before his performance at the Enmore Theatre in Sydney. He was funny and kind. He sat at a small keyboard, taught me a harmony and for a moment, we sang ' Love and Mercy ' together. It was one of the most magical moments of my life. It is also one of Wilson's most enduring sentiments: 'love and mercy, that's what we need tonight'. Farewell and thank you, Brian. Surf's up. Jadey O'Regan, Senior Lecturer in Contemporary Music, Sydney Conservatorium of Music, University of Sydney This article is republished from The Conversation under a Creative Commons license. Read the original article. The Wire is now on WhatsApp. Follow our channel for sharp analysis and opinions on the latest developments. 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Irish Daily Mirror
6 days ago
- Entertainment
- Irish Daily Mirror
God Only Knows what modern music would be without Beach Boy Brian Wilson
I remember the first time I heard Brian Wilson, the classical composer of our time who died last week. I was about five and the Beach Boys were on TV, their headphones on, singing Barbara Ann around a mic. The harmonies were exquisite, unique. If I could sing around a mic like that for the rest of my life, I thought, I'd be happy forever. Beach Boy Brian meant the world to me, so it was a hard blow to hear of his death on Wednesday, especially so soon after another musical titan, Sly Stone. What he leaves behind is the legacy of his work, the heart and soul he put into it, songs that 'make people feel something inside', as Wilson said himself. That Barbara Ann moment was just the beginning of a lifelong musical love affair with Wilson. I got into the Beach Boys big time - I loved the early California surf stuff like Help Me Rhonda and Little Deuce Coupe, and I Get Around is the prototype punk song. In My Room is a swirly ballad, loved by Kurt Cobain. Yet it wasn't until I discovered Pet Sounds that I fully realised the depth of Wilson's genius. I credit Lewis Clohessy for introducing me to it. He's my friend Helen's dad and one of the nation's great culture vultures. Lewis knew I loved the Pixies and the Beatles and he said to me: 'Well, if you like both of those, you must listen to Pet Sounds.' When Paul McCartney said it inspired Sergeant Peppers Lonely Hearts Club, everyone took notice. God Only Knows is on it, which Macca called "the best song ever written". While much is made of Wilson's early influences such as Bach, Mozart, Gershwin and Bernstein, it was the Phil Spector production sound that was the most influential of all. Musically, it's obviously a triumph with its heavy-reverb combination of sound and layered vocals, inspired by Brian's favourite song Be My Baby by the Ronettes, which he used to listen to every day. Or: 'EVERY. DAY.' as his daughter Carnie pointedly recalled, in the documentary of his life I Just Wasn't Made For These Times, named after the track that sums up Brian more than any other. But it's the lyrics that get me: Brian Wilson is still the songwriter I most relate to, which sometimes feels like a strange thing to say, considering serious mental health conditions such as bipolar and schizo-affective disorder. He speaks to me like no-one else. I loved Brian's obsessions; the involved way he discussed music; his vulnerability; the funny way he had of talking out of the side of his mouth. He is the greatest influence on modern music today, inspiring bands such as the Ramones, The Pixies, the B52s, Weezer, Nirvana, even Fontaines DC. My favourite song is actually one of Brian's favourites too - Do It Again, from their 1969 album 20/20. I haven't even got to discussing their brilliant 1970's era, such as the brilliant Holland (music guru Dave Fanning's top choice) and Surf's Up. It was a dream come true when I interviewed Brian in 2018. He had cognitive issues, yet he was a fine conversationalist once the topic stayed on music. I still relish how he described I Get Around as "a rock n'roll salad". The last word will go to the great Tom Petty, who said of him: 'I think I would put Brian Wilson up there with any composer. I don't think you'd be out of line comparing him to Beethoven. His music is probably as good as any you could make.'
Yahoo
7 days ago
- Entertainment
- Yahoo
Brian Wilson, Beach Boys Icon, Dead at 82
The man responsible for writing hits like "Surfin' USA," "California Girls," and "Wouldn't It Be Nice," has passed away. Brian Wilson, the co-founder of The Beach Boys, died at the age of 82, according to a statement published to the musician's website and social media pages. He made multiple albums with The Beach Boys in the 1960s, including Pet Sounds and Smile, before splintering off to release his own albums. His cause of death was not specified, but during his lifetime he struggled with an illness similar to dementia. In an Instagram post on his page, his family announced his death. "We are heartbroken to announce that our beloved father Brian Wilson has passed away," the post wrote. "We are at a loss for words right now. Please respect our privacy at this time as our family is grieving. We realize that we are sharing our grief with the world." Wilson was inducted into the Rock & Roll Hall of Fame in 1988 and has won three Grammys. This is a breaking story. Check back later for more updates. Brian Wilson, Beach Boys Icon, Dead at 82 first appeared on Men's Journal on Jun 11, 2025

7 days ago
- Entertainment
John Stamos reveals he broke news of Brian Wilson's death to Mike Love
John Stamos is opening up about the "heartbreaking" moment he revealed to Beach Boys co-founder Mike Love that his cousin and bandmate Brian Wilson had died. Wilson, whose family announced his death on Wednesday, was 82. "It's absolutely heartbreaking. I was with Mike at the airport ... when I got the text, and I had to tell him," Stamos told ABC Audio at Love's induction to the Songwriters Hall of Fame on Thursday in New York City. "And I've never seen him that quiet. He just shut down. You know, 84 years with his cousin." Brian Wilson, legendary Beach Boys singer-songwriter, dies at 82 "He loved his cousin. They loved each other," Stamos added about Love and Wilson's unique bond. Stamos, who has been performing with the Beach Boys on and off since 1985, honored Love at the Songwriters Hall of Fame ceremony. They also performed a medley of "California Girls," "I Get Around," "Kokomo" and "Good Vibrations." On the carpet, Stamos lauded Love's and Wilson's contributions to the Beach Boys' music. "He painted the cinematic tableau of California ... and it was all about love and positivity and optimism and joy," Stamos said about Love. "Mike is a songwriter's songwriter. Brian Wilson was the biggest genius that ever walked this earth. He was so big and he was so powerful that sometimes Mike got overlooked," Stamos said. Still, he noted that Wilson was always quick to say, "Mike wrote that, Mike did this, Mike did that." Love told ABC Audio that Wilson was "a mastermind" of the tracks. "If you were to listen to the tracks of 'Pet Sounds,' it's mind-blowing," he said. "You'd say, how the heck did he ever do that? But he did it, and then we slaved over the vocals." He continued, "If ... Brian came up with the track for 'California Girls,' I'd be out in the hallway writing the words." Love also reacted to the tributes many shared for Wilson this week, including one from Bruce Springsteen, who called the Beach Boys "America's greatest band." "I think that's a wonderful thing for him to say. He's The Boss," Love said. Love also reacted to Elton John's recent comments. "What Elton John recently said was that he believes 'Pet Sounds' will be the only album that will be played forever," he said. "That's pretty amazing, coming from Elton John."