Latest news with #Perspex
Fashion Network
2 hours ago
- Entertainment
- Fashion Network
Elsewhere in Milan menswear: Ralph Lauren, Brioni, Corneliani, Church's
Easily the most elegant accessory display in Milan this weekend was at Church's, which welcomed people into the Piccolo Teatro Studio Melato, an avant-garde brick theater with soaring tubular galleries. Pride of place went to a 1929 Shanghai model, first acquired in Cincinnati and donated to the brand by the son of a grateful customer. Designed as a halfway house between a tasseled golf shoe and a brogue, the original Shanghai No. 1 — carefully protected in a Perspex box — even had Church's logo cut-out soles. A look that helped inspire a great new selection of devilishly aged versions of the Shanghai for today. The key to any great pair of Church's is the brand's famed factory in Northampton, the shoemaking capital of the UK. Recently renovated, the plant is also the source of new shoes made in singular pieces of leather — where the pattern of wingtips is etched by lasers. Few shoe marques anywhere can provide the patina of a pair of Church's — a fact underlined by two gents hand-finishing some classic wingtips on the stage of the theatre. One trimmed the side with small sharp knives and sandpaper; the other applied French polish and mirror gloss from Saphir. Asked how best to shine a great pair of shoes, one gently explained: 'Actually, it's best to use old white T-shirts that have been washed plenty of times. The roughness and impurity are gone, and you get a great finish.'
Fashion Network
11 hours ago
- Entertainment
- Fashion Network
Elsewhere in Milan menswear: Ralph Lauren, Brioni, Corneliani, Church's
Easily the most elegant accessory display in Milan this weekend was at Church's, which welcomed people into the Piccolo Teatro Studio Melato, an avant-garde brick theatre with soaring tubular galleries. Pride of place went to a 1929 Shanghai model, first acquired in Cincinnati and donated to the brand by the son of a grateful customer. Designed as a halfway house between a tasselled golf shoe and a brogue, the original Shanghai No. 1 — carefully protected in a Perspex box — even had Church's logo cut-out soles. A look that helped inspire a great new selection of devilishly aged versions of the Shanghai for today. The key to any great pair of Church's is the brand's famed factory in Northampton, the shoemaking capital of the UK. Recently renovated, the plant is also the source of new shoes made in singular pieces of leather — where the pattern of wingtips is etched by lasers. Few shoe marques anywhere can provide the patina of a pair of Church's — a fact underlined by two gents hand-finishing some classic wingtips on the stage of the theatre. One trimmed the side with small sharp knives and sandpaper; the other applied French polish and mirror gloss from Saphir. Asked how best to shine a great pair of shoes, one gently explained: 'Actually, it's best to use old white T-shirts that have been washed plenty of times. The roughness and impurity are gone, and you get a great finish.' The perfect patina in the perfect Piccolo Teatro Studio Melato. Good to learn something useful every day.
Fashion Network
11 hours ago
- Entertainment
- Fashion Network
Elsewhere in Milan menswear: Ralph Lauren, Brioni, Corneliani, Church's
Easily the most elegant accessory display in Milan this weekend was at Church's, which welcomed people into the Piccolo Teatro Studio Melato, an avant-garde brick theater with soaring tubular galleries. Pride of place went to a 1929 Shanghai model, first acquired in Cincinnati and donated to the brand by the son of a grateful customer. Designed as a halfway house between a tasseled golf shoe and a brogue, the original Shanghai No. 1 — carefully protected in a Perspex box — even had Church's logo cut-out soles. A look that helped inspire a great new selection of devilishly aged versions of the Shanghai for today. The key to any great pair of Church's is the brand's famed factory in Northampton, the shoemaking capital of the UK. Recently renovated, the plant is also the source of new shoes made in singular pieces of leather — where the pattern of wingtips is etched by lasers. Few shoe marques anywhere can provide the patina of a pair of Church's — a fact underlined by two gents hand-finishing some classic wingtips on the stage of the theatre. One trimmed the side with small sharp knives and sandpaper; the other applied French polish and mirror gloss from Saphir. Asked how best to shine a great pair of shoes, one gently explained: 'Actually, it's best to use old white T-shirts that have been washed plenty of times. The roughness and impurity are gone, and you get a great finish.' The perfect patina in the perfect Piccolo Teatro Studio Melato. Good to learn something useful every day.
Irish Examiner
09-06-2025
- Entertainment
- Irish Examiner
The Waterboys review: New tunes and old classics in the mix at 3Arena
The Waterboys, 3Arena, Dublin,★★★☆☆ Mike Scott doesn't faff about, jumping straight into a flailing and urgent Be My Enemy, kicking out encouragement to the other Waterboys around him to keep up. To his left, visual foil and professional rock'n'roller Brother Paul chops at the organ keys like they've challenged him to a fight. Without breath or break they charge into Medicine Bow with Scott clanging out the changes on his Perspex guitar and personifying that 'typhoon on the rise'. The Waterboys go at it like a gang of young lads in a battle of the bands rather than a seasoned act. 'Nice to be back. Nice to be home,' honorary Dub Scott tells us before they hurtle on. This Is The Sea is recast ('Things happen, songs change,' says Scott) as mid-period Dylan with lyrics altered to allude to '1933' and 'a thousand ways to complain". It's fairly plain who he's aiming his ire at. The middle section presents their admirably ambitious concept album Life, Death and Dennis Hopper. Despite Scott and co picking the choicest cuts, including a rocking Hopper's On Top, The Who-like Transcendental Peruvian Blues, and a very groovy Michelle (Always Stay), and converting 3Arena into a psychedelic cinema to present them, audience reaction is more polite than rabid, presumably due to unfamiliarity. The Waterboys at 3Arena, Dublin. But while my mate Kate texts 'What's this?' and another nearby punter starts watching GAA on his phone, many more are turned on to some fine music. Job well done, Scott thanks us for listening, and returns to more familiar fare. The opening trumpets swell of Don't Bang The Drum reawakens the doubters and when the beat kicks in – rhythm section Eamon Ferris and Aongus Ralston are solid as the Brian Boru Bridge – the place goes bananas. Brother Paul gets his Keytar out for A Girl Called Johnny, throwing shapes like a man wrestling a particularly slippery fish but in a very funky way. Both he and fellow keyboardist James Hallawell lose it altogether for The Pan Within, duelling from across the stage before wrestling the same instrument to close it out. More cameras flash than for the last papal visit when Scott encores with The Whole Of The Moon, repeating the 'Too high, too far, too soon' refrain for maximum effect. But the best is saved for last as fiddle god Steve Wickham re-joins the band for a truly uplifting Fisherman's Blues, taking this reviewer all the way back to Shinrone in 1988. A game of two halves then, but two very good ones. Read More Iggy Pop review: Veteran rocker makes welcome return to Dublin for In The Meadows
Sunday World
08-06-2025
- Sunday World
Man died at work after falling through roof of agricultural shed, court told
Liam Doherty (43) fell approximately six-and-half metres onto a concrete floor in an agricultural shed 'Workers' lives matter,' said the family of a man who died from injuries he received when falling through a roof as he installed solar panels. Liam Doherty (43), Clougherna, Ballyliffin, Co. Donegal, passed away at the scene on August 14, 2023. He fell approximately six-and-half metres onto a concrete floor in an agricultural shed at Bellingham Farms, Milestown, Castlebellingham, Co. Louth. He was working at the time for Brian Kelly of Solar Power Ireland BK Limited. Mr Kelly (58), Lower Illies, Buncrana, Co. Donegal, and the company were each accused of four breaches of the Health & Safety Act. He is Managing Director of Solar Power Ireland BK Limited and signed pleas of guilty to the charges on his own and the company's behalf. During a sentence hearing at Dundalk Circuit Court evidence was given that neither a lanyard nor harness system were in operation when Mr Doherty fell through Perspex which was acting as a skylight. In a Victim Impact Statement written on behalf of the family by his sister Róisín, she said that not enough attention was paid to safety in this line of work. 'Workers' lives matter. We hope there are no more deaths like this.' Inspector Eddie Wall, Health & Safety Authority, said that the accident occurred at 1.59pm. CCTV footage at ground level captured some part of it. No footage was played in court. Photographs of the area were handed up. Mr Doherty stepped onto a clear Perspex sheet and fell approximately six-and-a-half metres to a concrete floor. Brian Kelly was present with his two sons all of whom were working having been subcontracted to install solar panels. No safety harness was used, Mr Wall continued. A prohibition notice was served. The scene was examined by an engineer on August 28. The roof was of corrugated fibre cement roof sheeting with Perspex at intervals as skylights. Neither a lanyard nor harness system was being used. There was no project supervisor nor safe system of work plans. It was not identified that Perspex should be treated as a hazard. The root cause of the accident was not having in place the appropriate safe systems of work. "The work could not be carried out without risk to health,' the engineer found. Clear Perspex and corrugated sheeting was a fragile roof material. This work, at height, involved a particular risk, the engineer's report stated. Dundalk Courthouse A post mortem report outlined that Mr Doherty died from multiple traumatic injuries from a fall from height at work. The court heard that Brian Kelly was interviewed under caution and attended with a pre-prepared statement. He said that he, his two sons and Liam Doherty were working. He assessed the roof. The Perspex sheets were not safe to be walked on without laths across them. Liam was the only person standing on the roof. One of his sons was operating a lift to hoist the solar panels onto the roof. He heard the noise of Liam falling through the skylight. They all rushed down. Mr Kelly continued that he didn't know why Liam 'moved into an area outside the work zone'. He said that he lost a lifelong friend. He missed him every day. He was utterly devastated and heartbroken and found it difficult to talk about. Cross-examined by counsel, Inspector Wall said that Mr Doherty was directing where the solar panels were to be left down. It was possible he backed on to one of the Perspex sheets. Nobody saw the incident. There were no previous convictions against either Brian Kelly nor the company. The family's Victim Impact Statement said that the loss of a son, brother and uncle had caused so much pain and suffering. Liam, who was single, called to the home house every day that he wasn't away. He supported his mother and his disabled brother. Life had become infinitely harder for their mother. Liam Doherty Today's News in 90 Seconds - 08 July 2025 Defence senior counsel Garnet Orange said that this was a desperately sad situation. The Doherty family suffered a terrible loss. This incident happened 'in the blink of an eye'. It was not negligence or recklessness at the highest level but closer to a tragic accident. Complacency had developed into work practices. Handed into court were documents showing the financial picture of a company described by Mr Orange as a profitable business but not hugely profitable. Insurance was not an issue of concern. The company was no longer trading at the same level. Judge Dara Hayes expressed his deepest sympathy to the Doherty family, some of whom were present for the hearing having travelled from Inishowen. "Your brother should still be with us and should not have died.' The judge continued there were clearly serious offences, breaches of the Health & Safety Act which is there to guard against complacency. He said he wanted to take time to consider how to deal with the case and adjourned sentencing to July 8. Funded by courts reporting scheme.
