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Time of India
4 days ago
- Entertainment
- Time of India
‘Raanjhanaa' turns 12: Dhanush leads special screening, Sonam Kapoor skips; full house celebration in Mumbai
'Raanjhanaa' continues to hold a special place in the hearts of fans even 12 years after its heartfelt release. On its 12th anniversary, the team behind the film reunited for a special screening in Mumbai, which was held at PVR Lido. The screening saw a full house. It was attended by key members of the original crew, including Dhanush , director Aanand L. Rai, writer Himanshu Sharma, lyricist Irshad Kamil , and actor Mohammed Zeeshan Ayyub. Dhanush stole the spotlight with his presence. The female lead in the film, Sonam Kapoor , was notably absent from the event. Her co-stars Swara Bhaskar and Abhay Deol also missed the celebration. However, actress Kriti Sanon, who will soon be seen alongside Dhanush in their upcoming film Tere Ishk Mein, joined the evening and added to the buzz. 'And it's a Full House." The production house shared a video from the event on Instagram, captioning it, 'And it's a Full House #WorldOfRaanjhanaa.' Sonam Kapoor reshared the clip in her stories, showing her support from afar. An epic romantic tale 'Raanjhanaa' was a romantic drama set in Benaras, exploring themes of unrequited love, sacrifice, and heartbreak, and it was released in 2013. Dhanush played the intense and emotional Kundan, who falls for Zoya (Sonam Kapoor), only to find she loves another man, Akram (Abhay Deol). by Taboola by Taboola Sponsored Links Sponsored Links Promoted Links Promoted Links You May Like 2025 Top Trending local enterprise accounting software [Click Here] Esseps Learn More Undo The movie had memorable songs composed by A.R. Rahman, including 'Tum Tak' and 'Banarasiya.' Following the success of 'Raanjhanaa,' the creative team is reuniting for a new romantic drama titled Tere Ishk Mein, once again bringing together Dhanush, Aanand L. Rai, and Himanshu Sharma, with Kriti Sanon in a lead role. On the other hand, Dhanush has the most awaited upcoming thriller film, 'Kuberaa,' which is releasing on June 20, and the expectations are quite high for the movie. Kuberaa Pre-Release Event Postponed After Air India Plane Crash Tragedy
The Hindu
21-04-2025
- Entertainment
- The Hindu
Seeing Red: How an iPhone 16 Pro Max brought a dark comedy to life
The Mumbai Academy of Moving Image (MAMI) continues its mission to make filmmaking accessible to all with 'MAMI Select: Filmed on iPhone,' showcasing emerging talent across India. This year's selection includes Seeing Red, a darkly comedic short film directed by Shalini Vijayakumar, which premiered at PVR Lido in Mumbai and was shot entirely on an iPhone 16 Pro Max – a testament to the evolving possibilities of mobile storytelling. Seeing Red centres on three women who are haunted by a ghost visible only to them while their family remains blissfully unaware. This premise unfolds into a clever satire of patriarchal norms in 1980s India, blending wit, dark humor, and a subtle message of female empowerment. The film is one of four standouts chosen for the MAMI Select initiative, highlighting diverse voices from across the country. The visual aesthetic is striking. Ms. Vijayakumar masterfully utilizes the iPhone's camera to create a warm, earthy palette dominated by ochres, maroons, and muted greens – reflecting the gritty realism of a middle-class South Indian household. Low-key lighting and eye-level shots foster a sense of intimacy and equality between viewer and subject, while capturing rich background detail that grounds the narrative in its specific context. She leverages the iPhone's computational photography capabilities, including its sensor-shift stabilisation, ProRes recording, and cinematic mode, to create this distinctive aesthetic. The deliberate choice to eschew traditional filmmaking equipment highlights both the accessibility and potential of mobile technology in cinematic creation. Speaking after the premiere, Ms. Vijayakumar revealed the film's genesis: drawing inspiration from her mother's childhood stories — particularly a memorable tale about an uncle who could communicate with ghosts — she sought to create a work rooted in personal experience and cultural memory. She subverts a common trope of Tamil cinema, the 'mass shot' (typically used for dramatic hero entrances and often rendered in high-frame-rate 4K), by employing it ironically to underscore the women's vulnerability and fear – a deliberate visual commentary on power dynamics. For tighter compositions demanding precision, Ms. Vijayakumar utilized the iPhone's 120mm equivalent lens, meticulously controlling narrative elements within each frame. Veteran filmmaker Vetri Maaran mentored Vijayakumar, offering crucial guidance that refined the script's realism and thematic resonance. His suggestion to replace a character initially conceived as an upper-caste Hindu priest with an outsider tasked with exorcising the ghost amplified the film's underlying message of social commentary. 'MAMI Select: Filmed on iPhone' represents more than just a technical demonstration; it's a platform for diverse narratives and disruptive filmmaking practices, proving that compelling stories can emerge from unexpected tools. Ms. Vijayakumar hopes audiences will simply engage with the experience, a sentiment encapsulating the film's playful yet poignant spirit. Seeing Red is one of four standout films chosen for this year's 'MAMI Select: Filmed on iPhone' initiative to showcase emerging Indian filmmakers and their linguistic, regional, and narrative diversity. The 2025 lineup also features Amrita Bagchi's Tinctoria (Hindi): A psychological thriller about fashion, ghosts, and colonial guilt; Rohin Raveendran Nair's Kovarty (Malayalam): A magical realist romance in the Alleppey backwaters; Chanakya Vyas's Mangya (Marathi): A coming-of-age tale about grief, a boy, and his rooster. All four used the iPhone 16 Pro Max and the M4 Max-powered MacBook Pro to shoot, edit, and push visual boundaries.
