Latest news with #NorthCarolina
CNN
13 minutes ago
- Health
- CNN
Kylian Mbappé released from hospital after being treated for gastroenteritis
Real Madrid star Kylian Mbappé has been released from hospital after being treated for gastroenteritis, the club announced on Thursday. Real Madrid had said earlier on Thursday that the 26-year-old had been admitted to hospital after suffering from 'an acute case of gastroenteritis.' The Spanish club said he would undergo tests and 'follow the appropriate course of treatment.' Later in the day, Los Blancos said that Mbappé had left hospital and returned to the team's training complex in Palm Beach where he would 'continue with specific medical treatment and will gradually return to team activity.' Gastroenteritis is an infection of the intestines that can cause diarrhea, pain or cramping in your abdomen, nausea or vomiting, and sometimes fever, as described by the National Institute of Diabetes and Digestive and Kidney Diseases. Mbappé missed Real Madrid's opening game at the FIFA Club World Cup on Tuesday in Miami where it drew 1-1 with Al-Hilal of Saudi Arabia. Real's next game at the tournament is against Mexican side, Pachuca, on Sunday in Charlotte, North Carolina. Its final group game is against Salzburg on June 26 in Philadelphia. The Club World Cup is Real's first competition under new head coach Xabi Alonso who replaced Carlo Ancelotti at the end of the season. In Mbappé's debut campaign with Real Madrid last season, the French captain scored 43 goals in 56 matches, winning the UEFA Super Cup and the FIFA Intercontinental Cup along the way – as well as the European Golden Boot as Europe's top scorer – but missed out on the La Liga title by four points and was knocked of the Champions League by Arsenal in the quarterfinals.
The Guardian
3 hours ago
- Entertainment
- The Guardian
Arson, sex shops, livestreamed funerals: Wednesday's Karly Hartzman on the wild stories in her southern gothic rock
To step into Karly Hartzman's home is to see the contents of her brain shaken out. There is a fireplace mantel covered in dolls and figurines; a wooden rack filled with cassette tapes; an old doll's house filled to the brim with fabric scraps; a few overflowing bookshelves. As the 28-year-old leader of the indie-rock band Wednesday greets me at the door, she realises a few new additions have just landed through the letterbox, some books about the history of hardcore and punk: she has been listening to both a lot and is eager to educate herself. Hartzman is a collector by nature, a habit that is also at the heart of her songwriting. Equally inspired by the southern rockers Drive-By Truckers and the shoegaze greats Swirlies, Wednesday's sound combines heartfelt twang with walls of pummelling sound. Hartzman's lyrics are highly narrative, inflected with striking, gnarly details. Listen to the band's breakthrough album, 2023's Rat Saw God, and you will hear about urine-coloured soda, roadside sex shops, accidental arson and teens getting high on Benadryl. The band's forthcoming sixth album, Bleeds, refines their sound, never letting the raw noise overshadow Hartzman's knack for melody and unique stories. 'This is what we've been working towards this whole time,' she says. She calls the band's singular sound an 'unavoidable' result of the members' individual tastes. By now, she says: 'We know what a Wednesday record sounds like, and then we make it.' Although Pitchfork declared Wednesday 'one of the best indie-rock bands around', Hartzman keeps a low profile in her home town, the small North Carolina city of Greensboro. She recently moved back from nearby Asheville, where she lived on a bucolic property known as Haw Creek that was home to various local musicians. In person, Hartzman is thoughtful, expressive and more reserved than you might expect from her riotous performances. As we drive around Greensboro, she points out her teenage haunts, such as the cafe she used to frequent when she skipped school. As a kid, she resented being told what to do, but never let that get in the way of an education. 'I was very methodical,' she says about cutting class. 'I was writing and reading and doing work – I was doing my own school, on my terms.' She credits her taste in music to a few crucial sources: her parents, who played Counting Crows and the singer-songwriter Edwin McCain around the house; her older sister, who got her into Warped tour punk (Paramore were an early favourite); and a longtime friend who introduced her to shoegaze and post-hardcore bands such as My Bloody Valentine and Unwound. When she started college, Hartzman admired her friends who played in bands, but she wasn't interested in taking music lessons. Then she saw the band Palberta – a playful indie-rock trio whose members traded instruments every few songs – and felt inspired by the messy, uncomplicated style of playing the three women shared. 'They were doing something that sounded awesome and very easy,' she says. 'After that show, I bought my friend's guitar off him.' Hartzman's earliest recordings were solo; she got a formal band together only when her sister asked her to perform at her birthday party. From there, Wednesday rotated through a few members before settling into a stable lineup: Xandy Chelmis on steel guitar, Ethan Baechtold on bass and piano, Alan Miller on drums and MJ Lenderman on guitar. They started playing house shows and tiny spots with friends' bands and folks they met in local DIY scenes. Wednesday's shows could be raucous, rowdy affairs, but their home lives centred around the quietude of Haw Creek, surrounded by streams and open fields – the kind of place where they could go fishing in the morning, then practice in the living room later on. 'We lived on acres of land,' she says. 'Nothing will ever beat that.' Hartzman lived at Haw Creek with Lenderman who, alongside his work in Wednesday, found meteoric success last year for his fourth solo album, Manning Fireworks. He and Hartzman started dating before Lenderman joined Wednesday – Hartzman was a fan of his music, playing it over the speakers at the coffee shop where she worked before they met. After six years together, they broke up amicably in 2024. Hartzman chalks it up to the usual big-picture differences that emerge in adulthood. In your early 20s, she says: 'You're just like: 'Oh, I like this person, I'll date them.' But then, when you're 28, you have to be like: 'Does this person have the same intentions in life?'' Hartzman was interested in marriage and kids; Lenderman was not quite on the same page, she says. But, from the beginning, 'I've known, even if we're not romantic for ever, we're creative collaborators for ever'. Lenderman will be on future records; while he won't perform on their next tour, Hartzman insists it's nothing personal; between Wednesday and his solo career, his touring schedule has been relentless and 'he needs a break'. The songs on Bleeds were written before the breakup, although some of them hint at the deteriorating relationship. The Way Love Goes started as an apology for not being fully present. 'When I wrote it, I was like: 'But I'm gonna fight for this,'' she says. 'Of course, by the time we recorded it, that was not the situation.' Wasp, meanwhile, describes the bitter self-recrimination she felt towards the relationship's end. 'My body just kind of gave up on me,' she says. 'I was really dissociated because I didn't want to break up, but I was having to accept that we needed to.' Bleeds is haunted by images of loss and violence: a washed-up body, a livestreamed funeral, a car crash, a knife fight. Hartzman doesn't see it necessarily as a dark record; she sees it as chasing good stories and telling the truth. 'Death is around at every point,' she says. 'If you don't acknowledge that, you're lying.' She is drawn to mixing the cartoonish and the creepy: 'I think that's just a southern gothic attitude,' she says, describing her taste as 'a little bit scary, but there's a heart of gold underneath'. Much of Hartzman's songwriting draws on her memories of youthful debauchery, like sneaking out late then teaching Sunday school. She is also a keen collector of stories, keeping an eye out for strange characters and unbelievable happenings. 'If someone has a story where they're, like: 'Oh my God, this was so embarrassing,' or: 'This is kind of a secret,'' her ears prick up. (She always asks for permission and changes names and identifying details to protect the innocent.) From Bleeds, the drowning victim on Wound Up Here (By Holdin' On) comes from a friend's story from his days as a rafting guide in West Virginia; Carolina Murder Suicide was inspired by a true-crime podcast. But Hartzman's songs still feel intimate, told in first person through a singular lens, treating their subjects with compassion. Rat Saw God took the band to new heights, landing on many publications' year-end lists. But as she looks towards the release of Bleeds, Hartzman is committed to keeping her personal life steady. It helps that while 'the shows have changed a lot' – getting bigger and bigger – 'my life at home has been so consistent'. This year, she ditched her smartphone, got off social media and built herself a charmingly retro, Y2K-style personal website. The apps were zapping her focus; then, a profile of Lenderman was published with details of their breakup. 'People were putting their own two cents on that shit,' she says with an eye roll. 'I was like: oh, it would feel so good to get off that.' She has changed how she listens to music, too, jettisoning the algorithm to favour recommendations from friends and blogs. 'It's been so rewarding.' On her site, she shares monthly journal entries and roundups of the music and media she is enjoying. She answers reader-submitted questions about everything from learning guitar to her relationship with religion. She also has a PO box where listeners can send letters; she replies to as many as she can. It's important for her to be in touch with the people who love her music, she says, and she wants to give them something special. But this method represents, for her, a 'closeness on my own terms' – a way of preventing the always-on burnout faced by many musicians on the rise. Her ability to tune out industry pressure surprises even those closest to her. Lenderman 'is always wondering: 'How do you not feel that kind of pressure of expectation?'' she says. 'But my need to write is so important to me, more than any reception.' As well as making her own merch from customised thrift store T-shirts, in her precious downtime, Hartzman has been writing and spending time with local friends – they are fond of a laundromat-cum-bar called Suds & Duds. She has never lived outside North Carolina – and doesn't plan to. 'I love it,' she says. 'It feels like home to me. And that feeling is addicting.' Folks here know her face because they watched her grow up, or grew up alongside her, not because her band recently played The Late Show (although she did get recognised recently by a Wednesday listener at her grandmother's retirement home). Most of what happens in her songs 'could happen anywhere', she says. 'I'm not trying to say, necessarily, that I had a different upbringing or lifestyle than most teenagers.' But she is telling her story truthfully – 'and, in reality, it happened here'. Hartzman understands why other artists might move to a major city to find artistic success, but she is glad to be rooted in such a distinctive place. 'I don't like the feeling of: 'I'm in the cultural centre of the universe and what I do here will pervade the rest of culture,'' she says with a shrug. 'I like the idea of coming in from the edge.' Bleeds is released via Dead Oceans on 19 September
Yahoo
5 hours ago
- Yahoo
1 killed after being struck by semi while changing tire on shoulder of I-80 in Poweshiek County
POWESHIEK COUNTY, Iowa — A North Carolina man was killed after he was struck by a semi while he was changing a tire on a semi-trailer on the shoulder of Interstate 80. 1 in custody following evacuation of EMC Events Center downtown According to the Iowa State Patrol, at around 7 a.m. Thursday a semi hauling a section of a wind turbine eastbound on I-80 experienced a tire issue and pulled over near the 184-mile marker near Grinnell. The driver of the semi's pilot vehicle, identified as 55-year-old Brenton Fergia from North Carolina, also pulled over and parked his vehicle behind the semi-trailer. The ISP said that Fergia got out of his vehicle and began to work on changing the semi's problem tire when another eastbound semi crashed into the pilot vehicle, which subsequently struck Fergia. According to a crash report, Fergia was transported to a hospital but later died from his injuries. An investigation into the crash is ongoing, the ISP said. Iowa News: 1 killed after being struck by semi while changing tire on shoulder of I-80 in Poweshiek County Extreme heat builds in this weekend Three more measles cases confirmed in eastern Iowa WHO 13 Farm Report: Thursday, June 19th Iowa State Fair announces 'animated' butter cow companion sculpture Copyright 2025 Nexstar Media, Inc. All rights reserved. This material may not be published, broadcast, rewritten, or redistributed.
Yahoo
5 hours ago
- Business
- Yahoo
Buc-ee's flap: See why NC activists are speaking out against state's 1st Buc-ee's location
Despite the cult following travel center chain Buc-ee's has amassed across the country, not everyone is excited about the construction of North Carolina's first location. NC activist group 7 Directions of Service has spoken out against the new location with demonstrations, statements and a 40-page report published May 27, 2025, titled "Buc-ee's Burden: How Mega Gas Stations Hurt Community Health and Wealth." The nonprofit, which focuses on cultural and land reclamation and indigenous leadership, among other things, lists four major issues the organization takes with Buc-ee's on a webpage devoted to NC's Occaneechi Path: Environmental impact - The 7 Directions website states that emissions from the concentration of just 200 running vehicles can create harmful conditions for breathing. With 25,000 estimated daily visitors, 7 Directions warns that the new Buc-ee's travel center will result in an "air pollution hot-spot" in a location that is home to schools and low-income neighborhoods. Threats to a historical indigenous site - "The entirety of the great Occaneechi Trading Path ran from Virginia to Alabama, and a significant section of the path in Mebane, NC is threatened by Buc-ee's," the 7 Directions website states. Unethical workplace practices - 7 Directions cites a Texas court's 2017 ruling against Buc-ee's, in which repayment provisions in employment agreements were likened to "indentured servitude." The website also references employee ratings on job websites including Indeed and Glassdor, which rank the chain "lower than most major corporations, even worse than Amazon." Fossil fuels - "An economy tied to fossil fuels is unpredictable and makes us vulnerable to foreign supply chain disruptions and conflicts," 7 Directions stated in its report. "Renewable sources like solar and wind are more reliable and cheaper, and transitioning to them will help us avoid the worst of the climate crisis." More information on the subject, including the 40-page report, can be found on the 7 Directions website at The Mebane Buc-ee's opening is planned for late 2026 or early 2027. The NC Buc-ee's site is located at 1425 Trollingwood-Hawfields Road, Mebane, NC 27302, near the merger of Interstates 85 and 40. Southern Living reported that the new location will measure in at a sprawling 75,000 square feet, with 120 fueling stations and more than 600 parking spaces planned. Mebane is about 200 miles east of Asheville on I-40. According to Google Maps, it will take about three hours to drive to the new Buc-ee's. The Mebane Buc-ee's will be the state's first location. Currently, the chain has stores in Alabama, Colorado, Florida, Georgia, Kentucky, Missouri, South Carolina, Tennessee and Texas. The Mebane Buc-ee's is one of a list of locations set to open across the country. USA TODAY Network reported that stores will open soon in the following locations: Goodyear, Arizona: June 2026 Benton, Arkansas: September 2026 Ocala, Florida: 2026 Brunswick, Georgia: July 2025 Monroe County, Georgia: Early 2026 Harrison County, Mississippi: 2025 Mebane, North Carolina: Late 2026 or early 2027 Huber Heights, Ohio: April 2026 Boerne, Texas: 2026 San Marcos, Texas: May 2026 Rockingham County, Virginia: 2025 Iris Seaton is the trending news reporter for the Asheville Citizen Times, part of the USA TODAY Network. Reach her at iseaton@ This article originally appeared on Asheville Citizen Times: When does the NC Buc-ee's open? Activists protest NC's first location
Forbes
6 hours ago
- Entertainment
- Forbes
Netflix's Crime Drama ‘The Waterfront' Was Inspired By Real Life Events
Holt McCallany and Maria Bello in 'The Waterfront' on Netflix. Series creator and showrunner Kevin Williamson drew inspiration from his father's past mistakes while writing the Netflix crime drama The Waterfront. The result is a gripping and dynamic tale about one family's misguided approach to resolving their financial troubles. Set in coastal North Carolina, the story of the prominent Buckley clan is told over eight episodes, each packed with twists, turns, and cliffhangers that will keep you hooked. It's one of the best new shows in years and is reminiscent of classic family dramas, The Sopranos and Ray Donovan, in that there is nothing the Buckleys will not do to preserve their legacy. Williamson, who has had a string of hit TV shows including Scream, Dawson's Creek, and The Vampire Diaries, sat down in an interview before the series premiered on June 19 to talk about his dad's mistakes, which cost the family dearly. First, he clarified that the Buckleys are fictional, but their circumstances are not entirely made up. The Buckleys are a wealthy family on the verge of losing their fishing empire. They've ruled Havenport, North Carolina, dominating everything from the local fishing industry to the town's restaurant scene. Jake Weary, Danielle Campbell, and Melissa Benoist in 'The Waterfront' on Netflix. Their once-profitable family business faces financial ruin when patriarch Harlan Buckley (Holt McCallany) suffers from two heart attacks. To keep the family businesses afloat, his wife Belle (Maria Bello) and son Cane (Jake Weary) attempt to sell some precious land, knowing Harlan would be devastated. They also get into the drug smuggling business with some very unsavory characters, including drug kingpin Grady, played brilliantly by Topher Grace. What was meant to be a temporary fix quickly becomes a nightmare they cannot escape. Harlan attempts to take control of the spiraling situation as the Buckleys' daughter, Bree (Melissa Benoist), who is an addict in recovery and has lost custody of her son Diller (Brady Hepner), soon finds herself entangled in a complicated relationship that could threaten the family's future. As Williamson explained, the events surrounding this fictitious family were inspired by his father's misdeeds. He took creative license to explore the lengths people will go to when their legacy is at stake. Williamson, who grew up in North Carolina, filmed the show in Southport, which is near Wilmington. He also filmed two of his biggest hit series, Dawson's Creek and I Know What You Did Last Summer, there. 'I'm very familiar with North Carolina because I grew up about two hours from there. There was a real Dawson's Creek where I grew up.' He then described the impetus for this story. 'My dad was a fisherman, and I come from a long line of fishermen,' he said, clarifying that though this story and family are completely fictional, his dad's real-life troubles inspired it. 'My dad got into some trouble in the 1980s. He was a fisherman, and it was tough. The regulations and the government quotas that they were putting on the fishermen at the time…he just couldn't make a living. And for a lot of fishermen, the business went away. If you look at the percentages of where we were and where we are today, and now with the import business and how you can get fresh fish from other countries, the American fisherman is growing extinct. My dad was falling on rough times, and someone offered him a chance to make some money on the down-low by smuggling some drugs, and he did it.' Williamson paused as he reflected on his father. 'He was a very good man who was trying to support his family.' He explained that this was not a one-time incident and led to a multi-year prison sentence, of which he served 11 months in a minimum security prison. He reiterated that his father was a good family man who made mistakes. 'I think when it comes to feeding and supporting your family, you would do anything.' Williamson described this family drama as very much like Dawson's Creek in that both were inspired by his experience growing up on a creek in North Carolina. "I love stories where a family, in this case, the Buckley clan, hits hard times. In this story, they try to steer the ship in the other direction.' The drug smuggling world, they quickly learn, is like quicksand; you cannot just dip your toe in without your entire body getting immersed in the mess. To extricate themselves from Grady's unrelenting grip, they do some pretty horrendous things. Jake Weary and Melissa Benoist in 'The Waterfront' on Netflix. Harlan, his wife Belle, and their children Cane and Bree each cross moral lines when it comes to saving the family as they get deeper and deeper into the world of crime. For Williamson, this was an examination into humanity. 'I wanted to explore the duality of life. You know, we're not this or that. We're this and something else. There's a duality to us; we are light and dark. I wanted to explore that in the context of a family that's challenged with crisis, because I think everyone today is challenged in some way.' While not making excuses for his characters' choices, Williamson points to the financial challenges many people face. 'We live in the gig economy era, and everyone's looking for a side hustle just to make ends meet, and this family has a history in this world.' Each family member does something they never thought they would or could, but it's all for the good of the family. McCallany, Benoist, and Weary discussed their characters in a sit-down interview. Holt McCallany in 'The Waterfront' on Netflix. McCallany described Harlan as 'a very imperfect man in many ways,' but explained his good intentions. 'He does a lot of things that a lot of people would consider morally ambiguous, but at the same time, I think that he loves his family very deeply. They're the most important thing in the world to him. And so, at the end of the day, the decisions that he makes come from a place of love.' When asked to talk about her character, Bree, Benoist said she found a way to understand and relate to her. She's complex, and despite feeling betrayed by her family, when push comes to shove, she does something extreme to save them. 'I don't think she likes herself, and I think that's a force for a lot of her behavior. The entire time that we were shooting this, I found myself defending her time and time again because I could see that this person was in so much pain. She has a lot of her father in her, and she so desperately wants to be loved and accepted by her family.' Bree's motivation, added Benoist, was her son. 'She wants to atone for all these terrible things that she's done to him. She's trying to make up for all of that. Not just with him, but the rest of her family as well. She has a cross to bear.' As for Cane, who got the family into this drug-smuggling mess, Weary said, 'He's a victim of circumstance and now he's trying to repair his family's legacy.' When asked whether there would be another season, Williamson was quick to answer. 'I'm ready for a second season, because I think we're just getting started.' He wants to keep exploring that gray area between good and bad. 'I love the idea of good people doing bad things. The Buckleys are good people, but they cross the line and the line keeps moving in the show. Once you cross that line, can you come back, and is there salvation?'
