Latest news with #MatKilau
New Straits Times
5 days ago
- Entertainment
- New Straits Times
#SHOWBIZ: Syafiq Yusof: There's no No.1 or 2, we're both up there
KUALA LUMPUR: Blood Brothers: Bara Naga director Syafiq Yusof has no problem if his blockbuster movie gets "dethroned" by animated science-fiction adventure Ejen Ali The Movie 2, which has collected RM55.1 million at the box office. In a news report yesterday, Syafiq said that he was "okay" with Ejen Ali The Movie 2 overtaking Blood Brothers in terms of ticket sales. "I'd welcome this. It's a sign that local films are doing really good," he said. "There's no Number 1 or 2 when it comes to movies, what is important is that we're both up there." Syafiq, the son of filmmaker Datuk Yusof Haslam and younger brother of actor and director Syamsul Yusof, said that it was always good to see all local movies do well at the box office, as this proved to all viewers that local movies were world class. Syamsul's Mat Kilau which was screened in 2022 is the country's top selling movie with RM97.4 million box office sales.
New Straits Times
14-06-2025
- Entertainment
- New Straits Times
#SHOWBIZ: Hit films run in Yusof Haslam's family [WATCH]
DATUK Yusof Haslam and his sons, Syamsul and Syafiq, could be known as Malaysia's First Family of Film. Yusof is known for his box-office toppers like the "Sembilu" film series, and police-procedural drama "Gerak Khas". Syamsul directed " Mat Kilau", "Evolusi KL Drift", "KL Gangster" and "Munafiq", and Syafiq has been riding high with "Sheriff", "Soloz" and "Blood Brothers". We caught up with Yusof and Syafiq, the younger of his two sons, in Taman Melawati, Hulu Klang, Selangor, in conjunction with Fathers Day. Syafiq: "While Fathers Day is international, every day is Fathers Day for me," Syafiq, 32, initially had no ambition to follow in his father's footsteps. "While in school, I liked skateboarding and wanted to excel in it. "After my Sijil Pelajaran Malaysia, , my father advised me to study film. "I watched my brother's films and found that his first film, 'Evolusi KL Drift', was really good, and different from the rest." Syafiq added: "There were fewer action films at that time, and that made Syamsul a groundbreaker. "I also watched my father's films and liked 'Gerak Khas The Movie'. At that time, action movies were rare, and teenagers in the 2000s loved them." Syafiq did not see much of his father's old movies, though. "As a kid I starred in my father's films like 'Maria Mariana'. "I was also in 'Roda-Roda KL' when I was in Form Four and Form Five." Syafiq, who also starred in 'Evolusi KL Drift The Series', said acting was not easy. "You have to take care of your body and appearance. I feel uncomfortable because I often eat at eateries". He has been following his father's films and dramas since his schooldays and often accompanied his father to film sets. "'Sembilu' and 'Gerak Khas' were shot in my house. I often saw my dad's filming process, and he introduced me to the crew." Syafiq said Syamsul was initially interested in film, and made short films that he appeared in. "I took a film course at KL Multimedia University in 2011 but did not complete it. I dropped out after a year, because my father wanted me to focus on movie making." Syafiq fell in love with the "Gerak Khas" series and films as he loves action movies. "What I love most about my father's films is that they are multiracial and reflect the spirit of 'Bangsa Malaysia'". When Syafiq first told Yusof about his interest in making movies, the founder of Skop Productions was delighted his son wanted to "join the club". He advised Syafiq to pursue a film degree like his elder brother. Was Yusof a "terrifying dad"? "He is serious at work, but a loving father." Syafiq said he was closer to his mother during his schooldays but bonded with his father during holidays. "Dad and I are a lot closer now. He encouraged me to mix with more people as it helps expand my career." Yusof also emphasised neatness, punctuality and hard work, he added. "Dad may look serious, but at heart he is talkative and friendly. I was never scared of him." Yusof also encouraged Syafiq to do well in school, and while Syafiq said that he was an "okay" student, he scored 5As in his SPM. "While my dad is my constructive critic, he is never harsh in his criticism. In fact, he is very supportive and gives me lots of tips." Yusof said he was very happy with Syafiq's achievements: "He exceeded my expectations. "My advice: A story must be come from the heart. That is what viewers want." Yusof said that Syafiq has a vision, that is, to be different from his father. "It is good that he is not a copier. He steps out outside his comfort zone. This is evident in 'Desolasi', which is out of the ordinary." Yusof lists Syafiq's films "Saya Amat Mencintaimu (SAM)", "Desolasi", the "Abang Long Fadil" films and "Sheriff" as his favourites. "He is very meticulous. That's why his films do well,. "Best of all, I did not encourage him to be a filmmaker. It was his own decision." Yusof said that Syafiq's decision to become a filmmaker came at a time when local films were "not doing well". "I told him originality could make a difference," said Yusof, whose "Gerak Khas" series also spawned a spin-off by Syafiq titled "Gerak Khas Undercover". Yusof describes Syafiq's movies as "urban" while Syamsul's movies are more "commercial". "My elder son loves to act and sing. Syafiq prefers to work behind the camera, but he did appear in a few of my movies and series. "My favourite memory of him in my movies is a deleted scene: He was a baby being carried by one of the supporting actresses." Previous Next
New Straits Times
13-06-2025
- Entertainment
- New Straits Times
#SHOWBIZ: Hit films run in Yusof Haslam's family
DATUK Yusof Haslam and his sons, Syamsul and Syafiq, could be known as Malaysia's First Family of Film. Yusof is known for his box-office toppers like the "Sembilu" film series, and police-procedural drama "Gerak Khas". Syamsul directed " Mat Kilau", "Evolusi KL Drift", "KL Gangster" and "Munafiq", and Syafiq has been riding high with "Sheriff", "Soloz" and "Blood Brothers". BABY We caught up with Yusof and Syafiq, the younger of his two sons, in Taman Melawati, Hulu Klang, Selangor, in conjunction with Fathers Day. Syafiq: "While Fathers Day is international, every day is Fathers Day for me," EXCEL Syafiq, 32, initially had no ambition to follow in his father's footsteps. "While in school, I liked skateboarding and wanted to excel in it. "After my Sijil Pelajaran Malaysia, , my father advised me to study film. "I watched my brother's films and found that his first film, 'Evolusi KL Drift', was really good, and different from the rest." ACTION Syafiq added: "There were fewer action films at that time, and that made Syamsul a groundbreaker. "I also watched my father's films and liked 'Gerak Khas The Movie'. At that time, action movies were rare, and teenagers in the 2000s loved them." Syafiq did not see much of his father's old movies, though. "As a kid I starred in my father's films like 'Maria Mariana'. "I was also in 'Roda-Roda KL' when I was in Form Four and Form Five." BODY Syafiq, who also starred in 'Evolusi KL Drift The Series', said acting was not easy. "You have to take care of your body and appearance. I feel uncomfortable because I often eat at eateries". He has been following his father's films and dramas since his schooldays and often accompanied his father to film sets. "'Sembilu' and 'Gerak Khas' were shot in my house. I often saw my dad's filming process, and he introduced me to the crew." SHORTS Syafiq said Syamsul was initially interested in film, and made short films that he appeared in. "I took a film course at KL Multimedia University in 2011 but did not complete it. I dropped out after a year, because my father wanted me to focus on movie making." Syafiq fell in love with the "Gerak Khas" series and films as he loves action movies. "What I love most about my father's films is that they are multiracial and reflect the spirit of 'Bangsa Malaysia'". CLUB When Syafiq first told Yusof about his interest in making movies, the founder of Skop Productions was delighted his son wanted to "join the club". He advised Syafiq to pursue a film degree like his elder brother. Was Yusof a "terrifying dad"? "He is serious at work, but a loving father." HOLIDAYS Syafiq said he was closer to his mother during his schooldays but bonded with his father during holidays. "Dad and I are a lot closer now. He encouraged me to mix with more people as it helps expand my career." Yusof also emphasised neatness, punctuality and hard work, he added. "Dad may look serious, but at heart he is talkative and friendly. I was never scared of him." SPM Yusof also encouraged Syafiq to do well in school, and while Syafiq said that he was an "okay" student, he scored 5As in his SPM. "While my dad is my constructive critic, he is never harsh in his criticism. In fact, he is very supportive and gives me lots of tips." HAPPY Yusof said he was very happy with Syafiq's achievements: "He exceeded my expectations. "My advice: A story must be come from the heart. That is what viewers want." Yusof said that Syafiq has a vision, that is, to be different from his father. "It is good that he is not a copier. He steps out outside his comfort zone. This is evident in 'Desolasi', which is out of the ordinary." SAM Yusof lists Syafiq's films "Saya Amat Mencintaimu (SAM)", "Desolasi", the "Abang Long Fadil" films and "Sheriff" as his favourites. "He is very meticulous. That's why his films do well,. "Best of all, I did not encourage him to be a filmmaker. It was his own decision." ORIGINAL Yusof said that Syafiq's decision to become a filmmaker came at a time when local films were "not doing well". "I told him originality could make a difference," said Yusof, whose "Gerak Khas" series also spawned a spin-off by Syafiq titled "Gerak Khas Undercover". Yusof describes Syafiq's movies as "urban" while Syamsul's movies are more "commercial". "My elder son loves to act and sing. Syafiq prefers to work behind the camera, but he did appear in a few of my movies and series. "My favourite memory of him in my movies is a deleted scene: He was a baby being carried by one of the supporting actresses."
![[Watch] Highway Kung Fu: When Mat Kilau Met Wong Fei Hung](/_next/image?url=https%3A%2F%2Fwww.therakyatpost.com%2Fwp-content%2Fuploads%2F2025%2F05%2FUntitled24-7.jpg&w=3840&q=100)
![[Watch] Highway Kung Fu: When Mat Kilau Met Wong Fei Hung](/_next/image?url=https%3A%2F%2Fall-logos-bucket.s3.amazonaws.com%2Ftherakyatpost.com.png&w=48&q=75){kind=small}
Rakyat Post
31-05-2025
- Entertainment
- Rakyat Post
[Watch] Highway Kung Fu: When Mat Kilau Met Wong Fei Hung
Subscribe to our FREE An unusual spectacle unfolded at a Malaysian highway rest stop on a regular afternoon, in what could have been mistaken for a scene from a martial arts film. In front of a toll plaza, two unlikely combatants engaged in what locals would later dub 'Mat Kilau vs. Wong Fei Hong.' The scene began with a shirtless man, wearing what appeared to be a sarung, wielding what observers identified as a sai (a fork-like martial arts weapon), performing dramatic spins that would make any silat master proud. His opponent, a man in casual attire, took a fighting stance with raised fists, displaying what social media users noted as trained martial arts footwork, though he made no aggressive moves. The contrast between the sarung-clad man's elaborate spinning with his sai and his opponent's measured stance created an almost comedic scene at the usually mundane toll plaza. Chakra, Sai, and Viral Fame But this wasn't your typical roadside confrontation. The theatrical nature of their movements – especially the shirtless warrior's signature spin move that social media commenters joked 'consumed 60% chakra' – suggested something more akin to an impromptu street performance than a serious altercation. Just as the situation could have escalated, a hero emerged in the form of a calm mediator wearing a grey shirt. His timely intervention brought the theatrical standoff to a peaceful conclusion, embodying the Malaysian spirit of harmony that often prevails in such situations. The incident, captured on video and shared across social media, quickly became a source of amusement for Malaysians, who appreciated the multicultural aspect of the scene – a perfect representation of Malaysia's diverse martial arts heritage, albeit in an unconventional setting. Though it ended without any real conflict, it left behind a viral moment that had Malaysians chuckling at the unexpected fusion of traditional martial arts and modern highway rest stop drama. Share your thoughts with us via TRP's . Get more stories like this to your inbox by signing up for our newsletter.
