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Lost In Random: The Eternal Die (Nintendo Switch) Review
When I finished my initial preview of Lost In Random: The Eternal Die, my first thought was: 'When can I play this on the Switch?' While it's been something of a running joke that I'm CGM's resident Nintendo fanboy, there are just some games that are better suited to the hybrid handheld. However, as has always been the case, ports of most games on the Switch can be a bit of a dice roll, and some are better left off the system—looking at you, Mortal Shell… I was excited to dive deeper into Lost In Random: The Eternal Die, given everything I had experienced during my preview, but much like the world of Random, games on the Switch can be a bit chaotic. What's on offer is a stellar game, somewhat held back by the limitations of the system it's on. I touched on it during my preview, but I'll reiterate here for anyone who either didn't read it or can't be bothered. Taking place after the events of the original, Lost In Random: The Eternal Die casts players as Queen Alexandria, now trapped within the Black Dice she once used to rule the world of Random. There she is confronted by Mare the Knight—a chaotic, evil being that had been powering the Black Dice—and is trapped within his dark game. Alexandria must fight through his twisted labyrinth if she is to destroy not only Mare but the Black Dice once and for all; however, she's not alone. Joining her throughout her trails is her Living Dice Fortune, as well as a collection of new and familiar characters who will assist her on her quest. Like I said in my preview, it's an incredibly interesting story, particularly because of who is cast as the main character. Playing through Lost in Random, you mainly come to see Alexandria as an antagonist, but getting to see a different side of her adds a lot more complexity and depth to her. There are several ghosts from her past that shed a bit of light on her past and give the player some clues as to why she became the way she did. Even from a design standpoint, having Alexandria resemble the way she did in the prologue of Lost in Random casts her in an innocent and possibly redeeming light. I talked about the gameplay a little in my preview, but I was genuinely impressed by how well Lost In Random: The Eternal Die worked the more I got into it. I had said in my review of the previous game that the one thing that could have been better, and even on subsequent playthroughs, that sentiment remains true. The elements of chance that were intrinsic to both the story and gameplay are perfectly suited to an action roguelike, but it's amazing how much the more intricate elements of Lost in Random fit in here. In cased you missed it, Lost In Random: The Eternal Die works the dice-rolling, card-drawing mechanics from its predecessor in a much more straightforward, action rougelike way. At the start of every run, players are given one combat card, which acts as their special ability. Players will fight enemies not only using a combination of their weapon and magic, but by throwing Fortune as an AOE grenade—dealing different amounts of damage depending on the number rolled. I talked about it in some depth in my preview, but the way cards and relics work in tandem with each other adds such a unique layer of depth to progression that I found myself being far more considerate about my choices than I usually am in most dungeon-crawling roguelikes. Furthermore, the way certain relics will provide bonuses based on the numbers rolled by Fortune adds a really exciting element of risk vs. reward. Do you go for a safe relic that just increases attack power by 10 percent, or one that reduces damage by 40 percent every time you roll a six? Furthermore, while I was a bit saddened to learn that Board Game Arenas had been axed from this game, Lost In Random: The Eternal Die does find ways to utilize the dice mechanic in interesting ways outside combat. Certain reward rooms will act like little board games, where rolling Fortune will move a piece across a sequence or tiles, netting players health or relics for every space landed on. While still largely based on luck, these rooms can be an absolute lifesaver if you're really in a pinch, or make an already solid run even better. Of course, not everything is fully left up to the rule of Random. Players can utilize permanent upgrades by gathering Pip Dust or Cinders during their run. It was something I joked about early on that this game really puts an emphasis on The Eternal Die, because when you start playing, so much of the game can feel very random and somewhat unfair. But it manages to have that really satisfying sense of progressively getting stronger as you slowly start to read telegraphs and figure out how bosses operate. And now we get to the real meat of this review—how does Lost In Random: The Eternal Die function on the Nintendo Switch? For the most part, its pretty okay. Coming off playing the PC version at a crisp 1080p at 60fps I was naturally expecting a bit of a dip. But games like Hades manage to run pretty smoothly on the Switch, so I was optimistic about this one. While playing in handheld, the game ran at a fairly consistent 30fps with the visuals dropped to 720p, but there were some moments I could see the game trying to push a little above its framerate limitations—I imagine for the sake of gameplay fluidity. While on the dock, things get a little better with the visuals and framerate kicked up; however, in both modes, there can be some sporadic lag and framerate chug. While it's not particularly game-breaking at any time, it can detract from the experience somewhat. However, all that being said, the fast-paced nature of both combat and the game as a whole does make it the perfect handheld companion, much in the same way Hades, The Binding of Isaac or Enter The Gungeon always felt the most perfect on the Nintendo Switch. And while I did talk about it in my preview, I will say once more that the audio/visual design in Lost In Random: The Eternal Die is fantastic. The pared-down perspective still maintains a lot of the weird and interesting aesthetic of its predecessor, and it continues its brilliant use of colour and Burton-esque designs. Voicework for all the new characters is superb, maintaining the fun and whimsy that even these grotesque creatures have, and the music continues the sense of intensity and strangeness of its predecessor. The more I talk about Lost In Random: The Eternal Die, the more I want to play it. It strikes a perfect balance between challenging and chaotic—such is the nature of Random—and keeps you coming back for more. If you're willing to overlook a little bit of performance hiccups, then it's a worthy addition to any Switch library, and hopefully an indicator of a bright future for the series.
Metro
08-05-2025
- Entertainment
- Metro
The Midnight Walk review - a terrifying stop motion horror adventure
They might not be realistic but the graphics in The Midnight Walk are some of the most impressively creepy of the year, in this surreal new stop motion adventure. Although it was not without its charms, we found South Of Midnight to be one of the more disappointing releases of the year. The bland and unoriginal gameplay was the main problem, but it was a real shame that the stop motion animation, used so prominently in the advertising, was only really evident in the cut scenes. The Midnight Walk does not suffer from that problem. It's a weird coincidence that they both have midnight in their name but in terms of gameplay and story the two games have nothing in common. As the latest from the makers of the very good Lost In Random and the very nearly good Fe, The Midnight Walk is a lot less action based and its storytelling much more opaque, In gameplay terms it's essentially a stealth puzzle game, played through a first person perspective in a surreal, and often terrifying, stop motion world. We'd like to explain what's going on in terms of the plot, but you're given very little clue at the start and trying to piece things together is all part of the fun. The purposefully unclear intro describes you as The Burnt One, last survivor of the end of the world. The game is filled with references to fire, from giant boxes of matches, that you use to light giant candles, to the fact that monsters can be distracted while they eat the flames. What this all means is not immediately clear, as you explore the surreal, forbidding world that looks like A Nightmare Before Christmas turned up to 11 (with other influences from Star War alumni Phil Tippet and his film Mad God). One of the only, literal, bright spots is a friendly little creature called Potboy, who has a flame burning in his head. Potboy can be ordered to move to any nearby location, which is the basis of many of the puzzles, as you use him to light the way and interact with machinery and objects blocking your progress. The puzzles are mostly simple stuff, with switches to press and objects to collect, but there are a few clever ones and the difficulty seems appropriate given the nature of the game. The other key gameplay element is avoiding patrolling monsters. These horrible creatures aren't realistic looking but since the whole game looks like some ultra creepy children's show they're actually scarier than just another zombie or demon. You can't fight them – as a character you have no intrinsic abilities at all – so instead you distract them with fire, which only lasts a few seconds, and hide in wardrobes that are dotted about the landscape. There are obvious comparisons to be made with Alien Isolation, but The Midnight Walk is much less freeform and, especially early on, avoiding the monsters is very contrived, as you tempt them down one path, jump in a wardrobe as they pass by, and exit stage left while they're not looking. That's not to say it's not tense and exciting, but it's very obvious that the game has been made with VR in mind, and while that's welcome, given how little support the PlayStation VR2 has had, the narrow paths, linear progression, and slow movement speed all point to a game that has been calibrated for VR rather than normal play – even though the majority of people are only going to experience the latter. This never becomes a serious problem, but the game does feel a little constrained by trying to be two things at once. If you do have PlayStation VR2 though it works an absolute treat and even uses eye-tracking to tell when your eyes are closed, which is a recurring theme as you close your eyes, either literally or at the press of a button, to open many of the closed doors before you or make objects appear. Everything in the game was moulded in clay first and then scanned in to become a 3D object, and it shows. The art style is more abstract than South Of Midnight but the general effect is much more interesting and unpredictable, as it rides that uncanny line between cartoonish fantasy and nightmarish vision. More Trending The setting may be left purposefully obscure at first, but the five main stories are fairly straightforward. They're as bleak as the art style but while occasionally touching they're not as profound as perhaps the developer imagined, so while they and the character of Potboy are engaging they don't elevate the game in quite the manner they needed to. It is probably only a coincidence that two titles using stop motion have been released in such quick succession, but it's an excellent way for games to stand out and a large part of the appeal is that The Midnight Walk doesn't look like anything else around, including South Of Midnight. Good graphics don't make for good games, and The Midnight Walk certainly would be a lot less interesting if it had a more realistic style, but it doesn't. So while it's overly expensive for an eight hour adventure you can still add this to the year's encouragingly long list of high quality and fiercely unusual indie oddities. In Short: One of the most visually distinctive games of the year, that proves you don't need realism or gore to be scary – in this enjoyable mix of stealth, puzzle-solving, and surreal horror. Pros: The visual style is consistently great and often genuinely scary. Some clever puzzles and the stealth elements are extremely tense. Excellent use of VR, if you have it. Cons: It's a bit too obvious the game was designed with VR in mind, with very narrow paths and uncomplicated layouts. Stealth gameplay doesn't evolve much over the course of the game. Not very long. Score: 7/10 Formats: PlayStation 5 (reviewed) and PCPrice: £32.99Publisher: Fast Travel GamesDeveloper: MoonHoodRelease Date: 8th May 2026 Age Rating: 16 Email gamecentral@ leave a comment below, follow us on Twitter, and sign-up to our newsletter. To submit Inbox letters and Reader's Features more easily, without the need to send an email, just use our Submit Stuff page here. For more stories like this, check our Gaming page. 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