Latest news with #Insight
The Age
3 hours ago
- Entertainment
- The Age
How SBS evolved from ‘clogs and cooking' into our most innovative broadcaster
For some Australians, it was the soccer that first prompted them to watch SBS. Others came for its flagship World News bulletin; current affairs programs such as Dateline, Insight and Living Black; or cult hits including South Park, Queer as Folk and Fat Pizza. And for many teenagers, its racy international films served as a reliable drawcard (and a gateway drug to the appreciation of arthouse cinema). But for Julia Zemiro, SBS was a lifeline to her home country. 'I was born in France and did all my primary education at a French school in Australia,' says the popular presenter, who has hosted several series and specials for the broadcaster including RocKwiz, Who Do You Think You Are?, Great Australian Walks and the Eurovision Song Contest. 'To have all those French films and TV shows was incredible. There was French radio but to see those images on TV made you feel even more connected.' This month, the Special Broadcasting Service – affectionately dubbed the 'Sex Between Soccer' network by viewers – marks its 50th anniversary. And there is much to celebrate: over the course of five decades, it has evolved from two experimental radio stations (2EA in Sydney and 3EA in Melbourne; EA standing for 'Ethnic Australia') into a radio network broadcasting in 68 languages, as well as six television channels. In 2014, its share of the TV audience was 5.2 per cent; last year, it was 9.3 per cent. And its SBS On Demand service has grown by 18 per cent over the past 12 months, with almost 2.25 million active accounts logging into the platform in April alone. 'SBS has been a constant companion of multiculturalism in Australia,' says the network's managing director, James Taylor. 'I'm reminded of the Noel Pearson Boyer Lecture from 2022, where he spoke about the story of Australia resting on three pillars: our First Nations heritage, the British institutional foundations and the multicultural gift of migration. I like to think that SBS sits at the intersection of these pillars by brokering understanding, belonging and mutual respect.' When SBS was launched by the Whitlam government in 1975, it had a narrow aim: to inform non-English speaking Australians of the Medibank public health system, now known as Medicare. Indeed, it was intended to operate for just three months, until its success prompted the government to acknowledge the value of a permanent multicultural broadcaster in a country with a booming migrant population. In 1980, SBS expanded into television, with the Fraser government appointing former ABC chair Bruce Gyngell as its first chief executive. 'I was horrified with the concept they had,' Gyngell later recalled. 'It sounded to me like a typical sort of ethnic station with dancing and clogs and exotic cooking and not much more than that. The sense of culture seemed to be totally absent.' What Gyngell wanted was a channel that would encourage migrants to feel embraced by their adopted country – and to foster a greater appreciation and understanding of their cultures among Australian-born citizens. Loading 'If SBS had never existed, we'd understand so much less about ourselves,' says Jenny Brockie, who hosted the acclaimed Insight program between 2001 and 2020. 'It encouraged us to celebrate our differences while recognising that we're all part of a community, which I think is its biggest contribution. And at a programming level, SBS has been a real innovator; it's a place where a lot of risks have been taken.' Insight is a good example: under Brockie, it evolved from a magazine format into a discussion forum. Each episode is devoted to a single topic, from domestic terrorism to the pain of betrayal, with a studio audience – as opposed to a panel of talking heads – sharing their views and experiences. This might seem like a recipe for Jerry Springer-style conflict but in reality, Insight is among the most thoughtful and illuminating programs on Australian television. 'Every single person in the room is nurtured by producers through extensive conversations over a long period of time,' says Insight's current host, Kumi Taguchi. 'We don't do gotcha moments; if somebody says they don't want to discuss a particular part of their experience, we never cross that line. We're transparent with our guests about who else will be in the room, and the fact there will be differing opinions, which helps build trust and understanding. About 80 per cent of the work is done behind the scenes before people even get into the studio.' 'We were allowed to be a bit more bold than we might have been on a commercial network.' Julia Zemiro Long before Taguchi joined SBS, she was an avid viewer of the network. 'It brought a new kind of quirkiness and irreverence to our screens,' she says. 'Everyone would talk about the late-night world movies, and it was the only station at the time to show South Park. I really like the way it pushed those boundaries.' Loading Zemiro agrees. 'We were allowed to be a bit more bold than we might have been on a commercial network,' she says. 'As a viewer, you'd see things that were a bit sexy or dangerous. SBS showed soccer before anyone gave a shit about soccer. We could say things like, 'Colonialism isn't great' or 'These animals are suffering and we need to do something about it'. And with [music quiz show] RocKwiz, they just let us go for it and be creative, which is pretty rare.' Of course, SBS – which receives about one third of its funding from commercial sponsors and the rest from taxpayers – is not immune to the difficulties facing free-to-air broadcasters in 2025. This is largely due to technological advances, which spawned direct rivals such as Netflix, Stan* and Disney+. (Meanwhile, Google and Meta now account for an estimated 70 per cent of digital advertising spend.) But technology has also been a boon for the network, allowing it to maintain its multilingual programming while reaching new audiences through SBS On Demand and additional channels such as Viceland, World Movies, Food, WorldWatch and NITV. Karla Grant, a Western Arrernte woman, joined SBS in 1995 as a producer and reporter on ICAM, the network's first Indigenous affairs program. In 2002, she created the acclaimed Living Black, which she hosts to this day, and she is one of the main presenters on the National Indigenous Television channel, which became part of SBS in 2012. Loading 'SBS has been a leader in terms of Indigenous programming and storytelling, giving First Nations people a platform and a voice they don't have anywhere else,' Grant says. 'But NITV and Living Black also play a huge part in informing and educating our nation about First Nations issues, history and culture, which is something we want to share with the rest of the country and the world. It's an important role and I think we do it well.' Among the reporting Grant is most proud of is an investigation called Taken, which examined the growing number of Aboriginal and Torres Strait Islander children being removed from their homes by authorities. 'Everyone talks about the stolen generations as though they're a thing of the past,' she says. 'In fact, it's still happening today. We did a story about kids in detention, and how one boy had to drink from the toilet in his cell because the guard wouldn't let him have fresh water. A lot of people wrote to me saying, 'We had no idea this type of thing still happens, but it's an appalling breach of human rights'.' Over the past three decades, Grant has also told countless positive stories. Loading 'We shine a light on all the great things that are happening in our communities and the people who are making huge contributions to our country' she says. 'It's entertaining but it's also educating people at the same time.' The same could be said of many SBS dramas. East West 101, which was set in a major crime squad, explored issues of race and justice; Deep Water was based on unsolved gay hate murders in the 1980s; and New Gold Mountain captured the racial tensions of Victoria's goldfields in the 1850s. There have been warm-hearted comedies such as The Family Law, based on Benjamin Law's memoir of the same name; the groundbreaking documentary series Struggle Street, which detailed the reality of living in poverty in Australia; and the hit reality show Alone Australia, in which survivalists attempt to live by themselves for as long as possible in the wilderness. Among the network's best-known former presenters are newsreaders Lee Lin Chin and George Donikian; Margaret Pomeranz and David Stratton, who hosted The Movie Show between 1986 and 2004; and sports broadcasters Damien Lovelock and Les Murray. Craig Foster, who spent 18 years as SBS's chief football analyst, believes the network's purpose was best described by Murray, who died in 2019. 'Way back in the '80s, it was Les who rightly said that SBS is [an affirmation] of the value of pluralism and multiple ancestries,' Foster says. 'It didn't matter whether you spoke Turkish, Greek or Italian – that should be celebrated.' Foster recalls the semi-final between South Korea and Germany at the 2002 FIFA World Cup with a particular fondness. 'There were hundreds of thousands of people watching that game with immense passion,' he says. 'And it was SBS that not only understood that fact, it celebrated it. In effect, what SBS was saying is, 'We are all connected through this game and we respect you as equal Australians. Your parents might have been looked down upon, but we want you to know that we love it when you speak different languages and we love it when you wear your ceremonial dress. In other words, we get you'.' Anton Enus, who hosts the World News bulletins on Fridays and Saturdays, echoes this sentiment. 'I came here from South Africa in 1999 and SBS really helped me embrace this nation that was new to me,' he says. 'As a migrant, you also want to feel connected [to your home country], so you're always looking for someone who sounds like you or speaks your language. But another great thing about SBS is that it teaches you about other cultures you might not have any direct connection to. You might start watching an Italian movie and before you know it, you're completely sucked in because it's something totally different to what you'd get from Hollywood or the BBC.' For managing director Taylor, this is the raison d'etre for the network. 'I regard SBS as a national broadcaster that tells the stories of all Australians,' he says. 'The Australia you see when you tune into any one of our channels or platforms is the same Australia you see when you walk out your front door.'
Sydney Morning Herald
3 hours ago
- Entertainment
- Sydney Morning Herald
How SBS evolved from ‘clogs and cooking' into our most innovative broadcaster
For some Australians, it was the soccer that first prompted them to watch SBS. Others came for its flagship World News bulletin; current affairs programs such as Dateline, Insight and Living Black; or cult hits including South Park, Queer as Folk and Fat Pizza. And for many teenagers, its racy international films served as a reliable drawcard (and a gateway drug to the appreciation of arthouse cinema). But for Julia Zemiro, SBS was a lifeline to her home country. 'I was born in France and did all my primary education at a French school in Australia,' says the popular presenter, who has hosted several series and specials for the broadcaster including RocKwiz, Who Do You Think You Are?, Great Australian Walks and the Eurovision Song Contest. 'To have all those French films and TV shows was incredible. There was French radio but to see those images on TV made you feel even more connected.' This month, the Special Broadcasting Service – affectionately dubbed the 'Sex Between Soccer' network by viewers – marks its 50th anniversary. And there is much to celebrate: over the course of five decades, it has evolved from two experimental radio stations (2EA in Sydney and 3EA in Melbourne; EA standing for 'Ethnic Australia') into a radio network broadcasting in 68 languages, as well as six television channels. In 2014, its share of the TV audience was 5.2 per cent; last year, it was 9.3 per cent. And its SBS On Demand service has grown by 18 per cent over the past 12 months, with almost 2.25 million active accounts logging into the platform in April alone. 'SBS has been a constant companion of multiculturalism in Australia,' says the network's managing director, James Taylor. 'I'm reminded of the Noel Pearson Boyer Lecture from 2022, where he spoke about the story of Australia resting on three pillars: our First Nations heritage, the British institutional foundations and the multicultural gift of migration. I like to think that SBS sits at the intersection of these pillars by brokering understanding, belonging and mutual respect.' When SBS was launched by the Whitlam government in 1975, it had a narrow aim: to inform non-English speaking Australians of the Medibank public health system, now known as Medicare. Indeed, it was intended to operate for just three months, until its success prompted the government to acknowledge the value of a permanent multicultural broadcaster in a country with a booming migrant population. In 1980, SBS expanded into television, with the Fraser government appointing former ABC chair Bruce Gyngell as its first chief executive. 'I was horrified with the concept they had,' Gyngell later recalled. 'It sounded to me like a typical sort of ethnic station with dancing and clogs and exotic cooking and not much more than that. The sense of culture seemed to be totally absent.' What Gyngell wanted was a channel that would encourage migrants to feel embraced by their adopted country – and to foster a greater appreciation and understanding of their cultures among Australian-born citizens. Loading 'If SBS had never existed, we'd understand so much less about ourselves,' says Jenny Brockie, who hosted the acclaimed Insight program between 2001 and 2020. 'It encouraged us to celebrate our differences while recognising that we're all part of a community, which I think is its biggest contribution. And at a programming level, SBS has been a real innovator; it's a place where a lot of risks have been taken.' Insight is a good example: under Brockie, it evolved from a magazine format into a discussion forum. Each episode is devoted to a single topic, from domestic terrorism to the pain of betrayal, with a studio audience – as opposed to a panel of talking heads – sharing their views and experiences. This might seem like a recipe for Jerry Springer-style conflict but in reality, Insight is among the most thoughtful and illuminating programs on Australian television. 'Every single person in the room is nurtured by producers through extensive conversations over a long period of time,' says Insight's current host, Kumi Taguchi. 'We don't do gotcha moments; if somebody says they don't want to discuss a particular part of their experience, we never cross that line. We're transparent with our guests about who else will be in the room, and the fact there will be differing opinions, which helps build trust and understanding. About 80 per cent of the work is done behind the scenes before people even get into the studio.' 'We were allowed to be a bit more bold than we might have been on a commercial network.' Julia Zemiro Long before Taguchi joined SBS, she was an avid viewer of the network. 'It brought a new kind of quirkiness and irreverence to our screens,' she says. 'Everyone would talk about the late-night world movies, and it was the only station at the time to show South Park. I really like the way it pushed those boundaries.' Loading Zemiro agrees. 'We were allowed to be a bit more bold than we might have been on a commercial network,' she says. 'As a viewer, you'd see things that were a bit sexy or dangerous. SBS showed soccer before anyone gave a shit about soccer. We could say things like, 'Colonialism isn't great' or 'These animals are suffering and we need to do something about it'. And with [music quiz show] RocKwiz, they just let us go for it and be creative, which is pretty rare.' Of course, SBS – which receives about one third of its funding from commercial sponsors and the rest from taxpayers – is not immune to the difficulties facing free-to-air broadcasters in 2025. This is largely due to technological advances, which spawned direct rivals such as Netflix, Stan* and Disney+. (Meanwhile, Google and Meta now account for an estimated 70 per cent of digital advertising spend.) But technology has also been a boon for the network, allowing it to maintain its multilingual programming while reaching new audiences through SBS On Demand and additional channels such as Viceland, World Movies, Food, WorldWatch and NITV. Karla Grant, a Western Arrernte woman, joined SBS in 1995 as a producer and reporter on ICAM, the network's first Indigenous affairs program. In 2002, she created the acclaimed Living Black, which she hosts to this day, and she is one of the main presenters on the National Indigenous Television channel, which became part of SBS in 2012. Loading 'SBS has been a leader in terms of Indigenous programming and storytelling, giving First Nations people a platform and a voice they don't have anywhere else,' Grant says. 'But NITV and Living Black also play a huge part in informing and educating our nation about First Nations issues, history and culture, which is something we want to share with the rest of the country and the world. It's an important role and I think we do it well.' Among the reporting Grant is most proud of is an investigation called Taken, which examined the growing number of Aboriginal and Torres Strait Islander children being removed from their homes by authorities. 'Everyone talks about the stolen generations as though they're a thing of the past,' she says. 'In fact, it's still happening today. We did a story about kids in detention, and how one boy had to drink from the toilet in his cell because the guard wouldn't let him have fresh water. A lot of people wrote to me saying, 'We had no idea this type of thing still happens, but it's an appalling breach of human rights'.' Over the past three decades, Grant has also told countless positive stories. Loading 'We shine a light on all the great things that are happening in our communities and the people who are making huge contributions to our country' she says. 'It's entertaining but it's also educating people at the same time.' The same could be said of many SBS dramas. East West 101, which was set in a major crime squad, explored issues of race and justice; Deep Water was based on unsolved gay hate murders in the 1980s; and New Gold Mountain captured the racial tensions of Victoria's goldfields in the 1850s. There have been warm-hearted comedies such as The Family Law, based on Benjamin Law's memoir of the same name; the groundbreaking documentary series Struggle Street, which detailed the reality of living in poverty in Australia; and the hit reality show Alone Australia, in which survivalists attempt to live by themselves for as long as possible in the wilderness. Among the network's best-known former presenters are newsreaders Lee Lin Chin and George Donikian; Margaret Pomeranz and David Stratton, who hosted The Movie Show between 1986 and 2004; and sports broadcasters Damien Lovelock and Les Murray. Craig Foster, who spent 18 years as SBS's chief football analyst, believes the network's purpose was best described by Murray, who died in 2019. 'Way back in the '80s, it was Les who rightly said that SBS is [an affirmation] of the value of pluralism and multiple ancestries,' Foster says. 'It didn't matter whether you spoke Turkish, Greek or Italian – that should be celebrated.' Foster recalls the semi-final between South Korea and Germany at the 2002 FIFA World Cup with a particular fondness. 'There were hundreds of thousands of people watching that game with immense passion,' he says. 'And it was SBS that not only understood that fact, it celebrated it. In effect, what SBS was saying is, 'We are all connected through this game and we respect you as equal Australians. Your parents might have been looked down upon, but we want you to know that we love it when you speak different languages and we love it when you wear your ceremonial dress. In other words, we get you'.' Anton Enus, who hosts the World News bulletins on Fridays and Saturdays, echoes this sentiment. 'I came here from South Africa in 1999 and SBS really helped me embrace this nation that was new to me,' he says. 'As a migrant, you also want to feel connected [to your home country], so you're always looking for someone who sounds like you or speaks your language. But another great thing about SBS is that it teaches you about other cultures you might not have any direct connection to. You might start watching an Italian movie and before you know it, you're completely sucked in because it's something totally different to what you'd get from Hollywood or the BBC.' For managing director Taylor, this is the raison d'etre for the network. 'I regard SBS as a national broadcaster that tells the stories of all Australians,' he says. 'The Australia you see when you tune into any one of our channels or platforms is the same Australia you see when you walk out your front door.'
CNA
a day ago
- Entertainment
- CNA
Insight 2025/2026 - Southeast Asia's Scam Empire
44:46 Min There is a human trafficking crisis in Southeast Asia, with victims forced to work in scam centres. How do these scam centres operate, and what is being done to stamp them out? Insight investigates. Insight 2025/2026 About the show: INSIGHT is a one hour long hard current affairs programme that aims to open the minds of viewers to the political, social and economic realities facing today's societies. Every week, a team of producers will bring forward compelling arguments, impartial analysis and penetrating insights into topical issues of the day. What's on the menu are topics of concerns that have set the region talking as well as changing trends and events which impact Asia and beyond. INSIGHT will get you closer to the heart of the issues with insightful interviews and engaging conversations, bringing to you the real story from behind extraordinary experiences.
Time Business News
a day ago
- Business
- Time Business News
bezes.com Launches New Market Insight Tool
a trading platform focused on forex and cryptocurrency markets, has announced the launch of its new Market Insight feature—a comprehensive data and analysis module designed to help traders make more informed, strategy-driven decisions. This latest addition strengthens commitment to supporting its users with timely, actionable intelligence across multiple asset classes. The newly introduced Market Insight tool delivers real-time updates, analytical summaries, and trend overviews drawn from both traditional financial news sources and blockchain-native data. It combines expert-curated content with algorithmically enhanced summaries to provide traders with deeper context for volatile market conditions. Forex and crypto markets operate around the clock and respond instantly to global economic developments, geopolitical shifts, and on-chain activity. With the Market Insight module, aims to give traders a clearer perspective on what drives price movement, helping them reduce guesswork and build more confident strategies. The feature includes real-time macroeconomic highlights, key central bank updates, major policy changes, sentiment shifts, and price-impacting headlines across multiple markets. For cryptocurrency traders, the tool adds chain-based metrics such as wallet activity spikes, token flow movements, and social sentiment patterns. All data is presented in a clean, accessible format that minimizes information overload while maintaining analytical depth. The Market Insight feature is fully embedded into the platform, offering traders unified access to relevant news and data without leaving the trading interface. Users can filter insights by asset type, currency pair, timeframe, or volatility level to tailor the experience to their preferred strategy. Cross-asset analytics allow users to compare macroeconomic triggers in forex markets with corresponding price reactions in digital assets. For example, traders can observe how interest rate policy changes influence USD pairs and stablecoin flows simultaneously, offering more cohesive decision-making opportunities. The integration of news, on-chain metrics, and technical commentary into a single dashboard gives both beginner and experienced users the tools they need to analyze market drivers at a glance. One of the key goals of Market Insight is to help traders streamline their daily routine. The feature offers daily summaries, session recaps, and pre-market outlooks, allowing users to begin their trading day with a clear view of global market sentiment. Content is updated in real time and enhance by machine learning algorithms that identify notable events, pattern shifts, and potential breakout zones. The tool also offers curated commentary from experienced analysts to supplement automated insights with human perspective. Whether users trade during the Asian, European, or North American sessions, the platform intelligently highlights relevant regional developments and expected volatility windows, helping traders prepare for what matters most. This launch marks the first phase of broader initiative to build a suite of intelligence tools aimed at giving users a competitive edge. Future versions of the Market Insight platform are expect to include AI-driven forecast models, personalized event tracking, and deeper integration with user behavior and portfolio exposure. The infrastructure supporting Market Insight is design for scalability, allowing to expand the tool's coverage, accuracy, and interactivity as market demand grows. is a global trading platform providing access to forex and cryptocurrency markets. With an emphasis on speed, innovation, and trader-focused technology, the company delivers tools that support analysis, execution, and strategy development. Serving a global client base, continues to enhance its ecosystem through real-time infrastructure, data integration, and advanced trading features. TIME BUSINESS NEWS
Yahoo
12-06-2025
- Business
- Yahoo
‘Amazing Race Canada' Maker Insight Productions Promotes Trio To Co-Chief Content Officer Roles
EXCLUSIVE: Canada's Insight Productions has promoted a trio of execs to Co-Chief Content Officer. Erin Brock, Lindsay Cox and Mark Lysakowski have all assumed the role, effective immediately, with the three overseeing the Amazing Race Canada and Big Brother Canada producer's output. Alongside CEO and Chairman John Brunton, they will also steer strategic planning and expansion plans. All three continue to report to Brunton. More from Deadline 'Law & Order Toronto: Criminal Intent' Producer Cameron Pictures Hires Karen Tsang From Pier 21 From Wrexham To The Rink: Edmonton Oilers Docuseries 'The Great Ones' Coming From Ryan Reynolds' Maximum Effort David Bezmozgis Sets Principal Photography For Film Adaptation Of Crimea-Set Novel 'The Betrayers' - Cannes Market Between them, the trio oversee the likes of Big Brother, now in its 12th season; The Amazing Race (11 seasons of Canada's highest-rated Canadian series of all time); Canadian Idol; Canada's Ultimate Challenge; The Tragically Hip: A National Celebration; The JUNO Awards; Battle of the Blades; Stronger Together and Tous Ensemble. In further news, Alison Popowich, who assists with corporate strategy and planning, has been named Director of Corporate Affairs. 'With heartfelt thanks to the best, most dedicated team in the business, these promotions position Insight to do our best work domestically as we continue to expand our international development and production slates, and our business around the world,' said Brunton. Insight recently announced casting is underway for Paramount+ series Canada Shore (working title), the local version of MTV's Jersey Shore. Brock is serving as showrunner. Today's news also follow Brunton and Michel St-Cyr, executive producer and founding shareholder of Groupe Fair-Play, partnering their companies to develop and produce projects in both official Canadian languages across multiple genres including formats, variety, live specials, competition reality, and social experiment, potentially shooting English and French versions concurrently. The partnership, initiated and overseen by Brunton and Cox, sees the two companies developing original content to expand their footholds domestically and internationally. Best of Deadline Everything We Know About Netflix's 'The Thursday Murder Club' So Far 2025 TV Series Renewals: Photo Gallery 2025-26 Awards Season Calendar: Dates For Tonys, Emmys, Oscars & More
