Latest news with #Hot100
Time Out Dubai
6 hours ago
- Entertainment
- Time Out Dubai
Teddy Swims in Dubai: Ticket details, date and more
One of the biggest stars of the modern music scene is set to perform in Dubai for the first time later this year. Teddy Swims, a GRAMMY-nominated, multi-platinum global sensation, will take to the stage at the Coca-Cola Arena in November. With a versatile style and unique voice that blends R&B, soul, hip-hop, and contemporary pop, Teddy Swims is heading on an international tour that makes a one-night-only stop in the UAE. The show, presented by All Things Live Middle East and supported by Dubai Calendar, will be held on Saturday November 22. Tickets will go on general sale at 10am on Tuesday June 24, but fans can bag the best seat in the house 24 hours earlier in the pre-sale from 10am on Monday June 23. Expect hits like the longest-charting Hot 100 hit in history Lose Control as well as The Door, Bad Dreams and songs from his upcoming I've Tried Everything But Therapy (Complete Edition) album. Although it's Teddy Swims' first time performing in Dubai, he's no stranger to the UAE having previously performed at the 2024 Abu Dhabi Grand Prix Yasalam After-Race Concerts. In the capital, he shared billing with South Korean DJ Peggy Gou, but this time he'll headline in his own right. Speaking ahead of the announcement of his Dubai date on the I've Tried Everything But Therapy Tour, Teddy Swims shared his excitement at returning to the UAE. He said: 'Last time I came to the UAE, I had the funnest time – taking in the most beautiful views with the most beautiful people this Earth has to offer.' 'I love you and I can't wait to get together and celebrate live music.' Thomas Ovesen, CEO of All Things Live Middle East, described what fans can expect when Teddy Swims arrives in November. He said: 'Teddy Swims is one of the most exciting voices in music today, and we're thrilled to be bringing him to Dubai for the very first time. 'His energy, soul, and connection with fans make his live shows unforgettable – and we're proud to give audiences here the chance to experience that magic at Coca-Cola Arena this November.' Teddy Swims Dubai tickets Tickets for the show start from Dhs295, while regular standing is priced at Dhs455 and fan pit standing is Dhs695. And if you snag a standing ticket, then you stand a chance of winning some exclusive signed merch from Teddy Swims himself. There will be two signed posters up for grabs, while one lucky fan could even walk away with a signed guitar. These prizes are part of the official 'fan party' experience and are only available to fan pits and regular standing ticket holders. The exclusive pre-show celebration includes early entry to the venue along with live entertainment from local artists, happy hour offers on food and drinks, and early access to merchandise. Those with fan pit tickets will enjoy double entry into the prize draw and stand a greater chance of winning some exclusive merch. From Dhs295. Sat Nov 22. Coca-Cola Arena, City Walk. You might also like… All the best concerts and gigs coming to Dubai next month and beyond There's a show for every taste Heading to a big gig? Here's where to eat and drink near the Coca-Cola Arena Your ultimate concert guide Where to watch live music in Dubai Soak up some melodies in bars and clubs across the city
Yahoo
19 hours ago
- Entertainment
- Yahoo
How Big a Deal for Sabrina Carpenter Is ‘Manchild' Debuting at No. 1?
It's a highly static week in the Billboard Hot 100's top 10 — with one very notable exception, courtesy of pop superstar Sabrina Carpenter. Helped by an excellent start on streaming, an action-packed music video and a good amount of physical sales on vinyl, Carpenter's new single 'Manchild' bows atop the Hot 100 this week, marking Carpenter's second No. 1 (after 2024's 'Please Please Please') and first debut atop the chart. Below it, each of last week's top nine on the Hot 100 dutifully move down one spot to make room for it. More from Billboard Young Singer Wins Over 'AGT' Judges With Ed Sheeran Cover Ozzy Osbourne's DNA Will Be Sold in Limited Edition Liquid Death Cans Kneecap Launch London Billboard Takeover Ahead of 'Witch-Hunt' Court Appearance How big a deal is the No. 1 bow for Carpenter? And how long do we anticipate 'Manchild' lasting on top? Billboard staffers answer these questions and more below. 1. 'Manchild' debuts at No. 1, becoming Sabrina Carpenter's second No. 1 and first to debut atop the chart. On a scale from 1-10, how big a deal would you rate this achievement for her? Christopher Claxton: I'd rate this a 9. Debuting at No. 1 is a major milestone — and has been anything but stupid, slow or useless. Sabrina's fan engagement has been steadily growing since she dropped Emails I Can't Send in 2023, and her continued chart success proves her rising mainstream appeal and streaming power. This is a huge step forward, and Carpenter clearly knows it: 'I can't tell you how much this means to me!!!!' she wrote on her Instagram Story, sharing Billboard's post announcing her No. 1. The fact that this marks her second No. 1 and her first to debut at the top shows real momentum in her career — and it's clear Sabrina Carpenter is a star. Hannah Dailey: I'd say 8. It's obviously very exciting, but not at all unexpected for her considering how far she's come over the past year. Kyle Denis: Maybe around 7. It's kind of wild to call a No. 1 Hot 100 debut a footnote, but it does feel as such in a year that found Sabrina wrapping up her Short N' Sweet victory lap with her first two Grammy wins and an arena tour extension. While I doubt 'Manchild' commands the same cultural gravity as the first three SNS singles when it's all said and done, this No. 1 debut definitely confirms Carpenter is not a one-era wonder. Her commercial pull as a Main Pop Girl™ is solidified; she's at that post-2018 Ariana Grande phase where all she has to do is blink and a No. 1 hit is practically guaranteed. Jason Lipshutz: An 8. Regardless of how high this new single had debuted on the Hot 100, Sabrina Carpenter would still be an A-list pop artist with plenty of interest in her upcoming music; as a relatively new superstar, however, Carpenter had only scored top 10 hits from one album, last year's Short n' Sweet, and hadn't proven that her commercial power would transcend that project. Now she has: with 'Manchild' debuting atop the Hot 100, Carpenter has maintained her momentum from her breakthrough 2024, kicking off a quick-turn new era in the strongest possible fashion. She didn't need a No. 1 debut — but a No. 1 debut is really, really good for her. Andrew Unterberger: An 8.5. If you haven't noticed, we don't have a lot of songs debuting at No. 1 these days — 'Manchild' is just the third this year, after Travis Scott's '4×4' and Morgan Wallen's Tate McRae-featuring 'What I Want,' and the first from an artist who's never done that before. It's another big level-up for Sabrina Carpenter, in an 18-month period with more such level-ups than we can still really count. 2. 'Manchild' debuts atop of what is otherwise a static top 10 – with every one of last week's top nine sliding down one spot to make room for it on top. On another scale of 1-10, how much would you say the top 10 could use its infusion of new blood? Christopher Claxton: I'd give it an 8 out of 10 — the top 10 definitely needed some fresh energy. Stagnation starts to feel predictable, and the charts have been looking the same for far too long. Fresh entries keep things exciting, and artists might need to start rethinking their rollout strategies and how they're engaging with their fanbases in order to break through. Sabrina Carpenter's debut at No. 1 isn't just a personal win — it's a win for all of us. We finally get to see some real movement and a shake-up in the Hot 100. Hannah Dailey: I guess I'll give it a 10. I think everyone is still waiting for the undisputed song of the summer to present itself, so any new contender entering the chat is exciting. Kyle Denis: 10. Desperately. Please. I'm begging. Let's get 'Mutt' and 'Love Me Not' in there. 'Am I Okay?' too. Hell, I'll even take 'Blue Strips.' Jason Lipshutz: A 7. Sure, 'Manchild' and 'What I Want,' the Morgan Wallen-Tate McRae team-up that topped the Hot 100 three weeks ago, are both new hits that will likely receive plenty of pop radio play and millions of streams as summertime wears on. Outside of those two singles and Jessie Murph's 'Blue Strips' at No. 18, every other song in this week's top 20 has been on the chart for double-digit weeks. Just as 'Manchild' kicks off a new Carpenter era, the song that started her last one, 'Espresso,' is still at No. 17 on the Hot 100! Here's to hoping that we get some more new tunes to shake up the upper tier of the chart over the next month. Andrew Unterberger: Gotta be at least a 9. If 'Manchild' falls out of the top 10 before 'Lose Control,' 'Die With a Smile' or 'Beautiful Things,' it'll be a 10. 3. The new song is thought to be the advance single from Sabrina Carpenter's recently announced summer album . Does the song take her in any particularly exciting or interesting new directions to you, or is it more a consolidation of established strengths? Christopher Claxton: 'Manchild' is clever and catchy, but it feels more like a continuation of Sabrina Carpenter's current lane than a bold new chapter. She's leaning into what works with Jack Antonoff, but I'm hoping she pivots more fully into pure pop on Man's Best Friend, in the vein of tracks like 'Nonsense' and 'Feather.' There's still a hint of country in the delivery of 'Manchild' that feels like a leftover from her Short n' Sweet era — and at this point, she's more than ready to leave that behind. Hannah Dailey: Honestly, I don't think 'Manchild' shows us any side to Sabrina that we haven't seen before. From its flippant tone to its country influences and tongue-in-cheek lyrical themes, everything about 'Manchild' feels like a strong continuation of what she was honing on Short n' Sweet – which isn't necessarily a bad thing. Kyle Denis: 'Manchild' definitely feels like a purposeful extension of SNS's country-lite pop sound, which isn't particularly exciting or interesting, but probably necessary. Not to bring up Grande again, but 'Manchild' feels like a spiritual sibling of 'Focus,' the 2015 Hot 100 top 10 that initially served as the lead single for 2016's Dangerous Woman LP. While I highly doubt 'Manchild' faces the same fate as 'Focus,' it certainly feels like Carpenter is consciously retreading tried-and-true ground before offering something more markedly difficult on Man's Best Friend – much like 'Focus' reheated Grande's 'Problem' nachos. Jason Lipshutz: Whereas Short n' Sweet hits like 'Espresso' and 'Taste' offered up danceable pop, the single that Carpenter released in between them, 'Please Please Please,' was defined by a singular amalgamation of country, synth-pop, alternative and even disco. 'Manchild' functions similarly as a sonic gumbo — part '80s synths, part country-fried guitar, part modern pop hooks, and all imbued with Carpenter's quick-drip wit. Her ability to synthesize different styles, while still maintaining her sense of self, is part of the reason why Carpenter has broken through as a singer and songwriter. I can't wait to see how else she pulls that trick off on Man's Best Friend. Andrew Unterberger: The evolution to me is less in the song than in the music video, which feels like a continuation of the sort of surreal party videos that Diane Martel did for Miley Cyrus in the mid-'10s. It's Carpenter's best yet and feels like a new part of her superstar identity being unlocked. 4. Considering we're not even a year removed from her LP and that songs from that album era are still populating the Billboard Hot 100, some might have wondered if this was a little soon for Carpenter to launch an entirely new album campaign. Does the initial 'Manchild' success refute any such notions, or is it still way too early to make any judgments there? Christopher Claxton: It's a fair question. 'Manchild' has seen quick success, but that doesn't necessarily mean it wasn't too soon to launch a new album rollout. Sabrina Carpenter is clearly striking while the iron's hot — and so far, it's working. She's everywhere right now, fresh off major collaborations with Dunkin', Fortnite and more. The momentum she's built over the past year hasn't slowed down, and while Short n' Sweet is still producing Hot 100 hits, it seems like she's aiming to add even more to that list. The real question is whether introducing new tracks will push her older songs off the charts — or if she'll simply claim even more spots. You could view this new rollout in two ways: either it's premature, or it's a savvy move that leverages her current visibility and cultural relevance. Right now, I'd say it's the latter, but ultimately, it's too early to make a definitive call: Whether 'Manchild' is just a flashpoint or the beginning of a sustained new era depends on what follows. But all signs point to Sabrina understanding the moment — and running with it. Hannah Dailey: I personally would have liked to see her take more time to develop a more solidified next chapter and evolve artistically before launching a new album, but I do agree with her when she says there's no real reason to slow down if the inspiration is still flowing. My only holdup is that 'Manchild' is so Short n' Sweet-coded – it would truly fit so effortlessly on the tracklist – which could dampen Man's Best Friend's chances of standing out on its own and cast it more as a Short n' Sweet Part 2. But is that such a bad fate if the success of 'Manchild' is any indication of the numbers MBF will pull regardless? Perhaps not. Kyle Denis: I would say it's not too soon for a new SC album campaign – and the initial 'Manchild' success backs me up. While SNS was a massive album era, it feels finished. We got three gargantuan singles, several tracks had quasi-viral moments across socials, and she's currently on a break before the final leg of her accompanying tour. Between the 'Manchild' success and the already mind-numbing discourse inspired by the Man's Best Friend album artwork, I think people have genuinely – and gladly – bought into a new Sabrina Carpenter album campaign. Jason Lipshutz: Carpenter coming back so quickly is a stroke of brilliance for an artist trying to establish herself as one of the defining pop voices of the 2020s. Instead of taking a break in 2025 and resting on her laurels following the Short n' Sweet success, Carpenter has come roaring back with a new hit for the summer, a new album for the fall and (hopefully) plenty of follow-up singles to take her into 2026. Her ambition and release strategy reminds me a bit of her pal Taylor Swift, who, every time you think she's going to take a breather, has instead stomped on the gas pedal, and gotten even bigger. Andrew Unterberger: It's definitely still a risk — even with the early success of 'Manchild,' and the fact that it doesn't look to be falling apart in its second week. It still comes down to whether she can bring enough new on this album era to not feel like she's repeating herself or spinning her wheels. But if she can do that, the potential upside is enormous: Becoming one of the biggest pop stars in the world in your breakout year and then matching (or even topping) that in year two is the kind of stuff that legendary careers are built from. 5. Make a prediction: How many total weeks will 'Manchild' spend atop the Hot 100? Christopher Claxton: I give it 3-5 weeks. Hannah Dailey: It's splashy, catchy and taking off on TikTok – all good signs that 'Manchild' will spend at least two weeks at the top, maybe even more. My official prediction is four. Kyle Denis: Less than five total weeks. Or maybe forever since the top 10 is so relentlessly stagnant. Jason Lipshutz: Let's say 4. 'Manchild' is competing with songs like 'Ordinary,' 'Luther' and 'Die With a Smile' that have a lot more radio buy-in… but as Carpenter proved last year, she can dominate at radio, too! As 'Manchild' grows across platforms, I think it'll ultimately log a nonconsecutive month at No. 1. Andrew Unterberger: I'll say two. But I think it'll stay in the top 10 for a very long time. Best of Billboard Chart Rewind: In 1989, New Kids on the Block Were 'Hangin' Tough' at No. 1 Janet Jackson's Biggest Billboard Hot 100 Hits H.E.R. & Chris Brown 'Come Through' to No. 1 on Adult R&B Airplay Chart
Yahoo
a day ago
- Entertainment
- Yahoo
BLACKPINK's Rose now has the longest-charting song on Billboard Hot 100
19 Jun - Step aside Jimin. There is a new record-holder in town and her name is Roseanne Park. BLACKPINK's Rose has now broken the record with her 2024 hit, "APT.", as the song became the longest-charting K-pop song on Billboard's Hot 100 singles chart. The song, which features pop star Bruno Mars, ranked at no. 24 this week, marking its 34th consecutive week and officially surpassing BTS member Jimin. Jimin previously held the record for his single "Who", that is until it was tied with Rose last week. "APT." made its debut on Billboard's Hot 100 back in late October 2024 at no. 8, and peaked at no. 3 in January this year. On the other hand, the singer will soon be seen with the rest of her BLACKPINK sisters as they launch their "Deadline" tour in South Korea beginning 5 July.
New York Post
a day ago
- Entertainment
- New York Post
Lou Christie, famous for Billboard No. 1 single ‘Lightnin' Strikes,' dead at 82
Singer Lou Christie, famous for Billboard charting singles 'Lightnin' Strikes' and 'Rhapsody in the Rain,' died Wednesday at age 82, according to his family. Christie died at home in his native Pittsburgh following a short illness of an undisclosed nature, Francesca, his wife, told The Hollywood Reporter. 'It is with deep sorrow that we share the passing of our beloved brother, Lou Christie, who left us after a brief illness,' the Sacco family said in a post on the singer's Instagram Wednesday. Advertisement Christie, here on stage in the United Kingdom in 1970, passed away at his Pittsburgh home Wednesday at the age of 82, according to his family. Getty Images 'He was cherished not only by his family and close friends, but also by countless fans whose lives he touched with his kindness and generosity, artistic and musical talent, humor and spirit. His absence leaves a profound void in all our hearts,' the message read. Born Lugee Alfredo Giovanni Sacco in 1943, the falsetto crooner grew up in Pittsburgh suburb Gelnwillard — moving to New York right after high school, in 1961, to pursue a career in the music industry. Advertisement Christie had two minor hits in 1963 — 'The Gypsy Cried,' which made it to No. 24 on the Hot 100 in March, and 'Two Faces Have I,' which peaked at No. 6 in June of that year, according to Billboard. In 1966, Christie had his breakthrough with 'Lightnin' Strikes,' which reached No. 1 on the Billboard Hot 100 in February. Lou Christie performing in New Jersey in 2013. WireImage Lightning struck again the next month with the controversial 'Rhapsody in the Rain,' which peaked at No. 16 — but initially faced limited radio play due to its then-raunchy lyrics. Advertisement Christie provocatively sang, 'We were makin' out in the rain/ And in this car, our love went much too far,' which was considered over-the-top suggestive by radio listeners in 1966. The lyrics were changed to 'We fell in love in the rain/ And you and I were feelin' no pain.' Christie is survived by two children and his wife Francesca.
2 days ago
- Entertainment
Jeezy reflects on the legacy of his commercial debut, the classic 'Thug Motivation 101'
NEW YORK -- NEW YORK (AP) — When Jeezy released his commercial debut two decades ago, he prepared a contingency plan in case his musical aspirations weren't achieved. 'You don't know if you're going to be around in 20 years,' said the drug dealer-turned-rap legend. 'The streets change fast. But it's also a safe haven, too, 'cause it was like, 'OK, well, if it doesn't work, maybe I can go back.'' But there would be no need: 'Let's Get It: Thug Motivation 101' was met with monumental success. The album, deemed a classic by critics and fans, detailed the Atlanta rapper's navigation of the drug trade and street life. It debuted at No. 2 on the Billboard 200 with singles like 'Soul Survivor' featuring Akon — which reached No. 4 on the Hot 100 — and 'Go Crazy,' featuring a Jay-Z verse many consider one of his greatest. With distinctive ad-libs as memorable as his vivid storytelling, Jeezy displayed his gift of motivation, inspiring a vast cross-section of fans. 'The music and the words resonated so well because they came from a real place. I wasn't trying to entertain — I was trying to reach," said the 'My President' rapper, who has built a business empire consisting of real estate and partnerships. In honor of the album's 20th anniversary, Jeezy is launching his 'TM:101 Live' tour on June 27 in Miami, encouraging fans to come sharply dressed for the upscale performances. The Color of Noize Orchestra will back him, along with guest DJ Drama from their acclaimed 'Trap or Die' mixtape. Jeezy spoke with the Associated Press about the album's legacy, social media discourse surrounding him and ex-wife Jeannie Mai, and his infamous snowman shirts that were banned at schools over accusations of promoting drug culture. This conversation has been edited for clarity and brevity. JEEZY: I just had this feeling that — if I could just get it out — that it would be life-changing for me. So, there was a lot of things I was up against at that time and I must say personally, that was probably the most adversity I ever faced. … I tore my vocal cords because I had polyps on my vocal cords and didn't know it. And then around the same time, I was hit with Bell's palsy. And around that time, the album got leaked. If you're doing something to change your life and you know that the only other avenues are prison or death, you're just like, 'This gotta work.' JEEZY: Samuel L. Jackson told me something a long time ago — a great friend of mine — he just said the snowman represents people that were demonized, and it was bigger than me. … It was this imagery of something that I was inspiring to be. And to know that they would suspend kids from school and keep them from wearing something that would represent that tells me that the message was loud and clear. … 'We got a people's champ.' JEEZY: It's like a tree: It grows where it's soft at, not where it is hard. It's just like over time, leaves fall off, branches fall off but the tree continues to grow. Everybody don't have the same vision or goals. And if you allow them, they'll sink the ship — or they'll chop down the tree. JEEZY: I just live my life, man. You know, joy, peace, and freedom, brother. I don't know these people, so I can't even feel no type of way. That's on them — I got better things to do. I've got goals, dreams, aspirations, so I don't get caught up in it, 'cause I don't go for the good, either. … I'm not reading the comments to see what somebody said about me good, because none of it matters. JEEZY: I do want to shout out LISC (Local Initiatives Support Corporation) which is my partner on my nonprofit space. They're amazing. We're actually focusing in on prostate cancer, and then also helping the inner city youth with education, entrepreneurship. ... I'd like to shout out the Urban League of Atlanta, and we have the Young CEOs program. It's great to put out projects, it's great to do tours. But it's also great to help your people in the process.
