Latest news with #Hal&Harper
Sydney Morning Herald
4 days ago
- Entertainment
- Sydney Morning Herald
‘They've meant so much to me': His TV show is a hit but this filmmaker still cries in the shower
Eight years ago, aspiring filmmaker Cooper Raiff had an idea for a story about a pair of siblings bonded by their dysfunctional upbringing. Six years ago, the Texan native started writing about the characters, swiftly getting down an initial 100 pages. Three years ago, having sold his second feature, the romantic-comedy Cha Cha Real Smooth, to Apple TV+ for roughly $23 million, Raiff began turning the script into a television series. Two years ago, Raiff, who would play the younger sibling, Hal, cast Riverdale's Lili Reinhart as his character's elder sister, Harper, and Mark Ruffalo as the co-dependent pair's damaged father, Michael. Eighteen months ago, Raiff's production wrapped in Los Angeles, ending a hectic 50-day shoot. Five months ago, the show, Hal & Harper, debuted at the Sundance Film Festival, successfully selling to streaming services. Three weeks ago, Raiff cried in the shower because he was saying goodbye to the fictional family that had become all too real to him. 'I was crying because I was going to really miss Hal and Harper, and dad, too,' Raiff says. 'I've been with them for so long and they've meant so much to me. I'm bad at maths but I'm 28 now and they've been in my head and body for eight years now. That's a lot of life. It was hard to let go.' Loading Zooming in from separate locations in New York, Raiff and Reinhart are a smiling mix of wonder and surprise. They know they're a part of something special with Hal & Harper but the experience of making the series was so demanding they're still getting used to the work leaving them and going out to the world. 'Cooper, to me, never ever lost sight of the vision he had,' Reinhart says. 'It changed along the way, because it had to, but the feeling of it and the intensity in Cooper's eyes every day never changed because he was trying to stay true to what was inside his heart. How do you paint the inside of your heart and stay true to it? 'Something, somehow was guiding him and he was very locked in. Trying to talk to Cooper about anything else was useless. There was no conversation outside the show,' she adds, then addresses Raiff directly. 'Your whole life was consumed by this show, which is why it is so effective. I've never seen firsthand a heart be embodied like this. That's why I had a lot of trust.' Comprising eight roughly half-hour episodes, each written and directed by Raiff, Hal & Harper is an idiosyncratic gem of a series. In an era of neatly segmented shows, it's messy and ambitious and counterintuitive. It's very funny and very sad, often in such close proximity that you're not aware of one becoming the other. The comedy and the drama are their own storytelling siblings. Twenty-two-year-old Hal and 24-year-old Harper Williams are still emotionally intertwined from the childhood loss that left them with a wounded father, Michael, who struggled to support them emotionally. As Hal floats through his university degree and Harper struggles with her first job, the pair lean on each other. It is, as Harper has realised, an unhealthy dynamic. And then their father delivers news that shakes all three of them: his girlfriend, Kate (Betty Gilpin), is pregnant. Loading 'There are so many people I love who have watched this show, and a lot stop at a certain place and say, 'I'm going to get there but I'm not there yet',' Raiff says. 'When they do – well, people can't talk to me about the finale, so they just send me a selfie of them crying. Even my own dad, I'm still trying to sit him down and talk to him.' In many ways Hal & Harper brings the tenets of independent filmmaking to television, whether it's Raiff's ready use of natural light or a hectic production schedule in which the stripped-down crew and cast had to 'steal locations' (shoot without the relevant permits) when required. The call sheet, a production's daily schedule, was mostly 'a suggestion', jokes Reinhart. 'There is some sort of lightning-in-a-bottle magic to doing so much in a day. You're tired, your guard is down,' Raiff says. 'If there was a crying scene, it was very easy to cry. We had a scene that was meant to be funny but I started crying and someone said, 'I'm not sure that's the vibe.' And I said, 'That's my vibe right now!'' Lengthy sequences are told in montage form, set to Raiff's distinctive music choices, and there's also a bittersweet twist: in the extensive flashbacks to when Hal is aged seven and Harper nine, Raiff and Rinehart still play the characters. It is absurd but touching. The pair are oversized yet still too small for the circumstances they're struggling with. The influence the pair's uncertain childhood has on them as adults is made wrenchingly clear. 'My favourite day on set was the first time we played kids. I knew it was going to be emotional and funny but I didn't realise how much soul it would have. That's what Lili's eyes bring. Whatever she was doing as nine-year-old Harper is the most beautiful thing that's ever been put on camera.' Loading Raiff isn't afraid to dig into the emotional muck of his characters. Ruffalo's Michael is still roiled and uncommunicative and, like his children, he wants to say the right things but he doubts they'll actually apply. When push comes to emotional shove, father, son and daughter all painfully struggle to make sense of what they're grappling with. 'We're really good at talk therapy and I have friends who are very emotionally intelligent but that's very different, that processing trauma through your body,' Raiff says. 'Talking about your feelings is easier than actually feeling them.'
The Age
4 days ago
- Entertainment
- The Age
‘They've meant so much to me': His TV show is a hit but this filmmaker still cries in the shower
Eight years ago, aspiring filmmaker Cooper Raiff had an idea for a story about a pair of siblings bonded by their dysfunctional upbringing. Six years ago, the Texan native started writing about the characters, swiftly getting down an initial 100 pages. Three years ago, having sold his second feature, the romantic-comedy Cha Cha Real Smooth, to Apple TV+ for roughly $23 million, Raiff began turning the script into a television series. Two years ago, Raiff, who would play the younger sibling, Hal, cast Riverdale's Lili Reinhart as his character's elder sister, Harper, and Mark Ruffalo as the co-dependent pair's damaged father, Michael. Eighteen months ago, Raiff's production wrapped in Los Angeles, ending a hectic 50-day shoot. Five months ago, the show, Hal & Harper, debuted at the Sundance Film Festival, successfully selling to streaming services. Three weeks ago, Raiff cried in the shower because he was saying goodbye to the fictional family that had become all too real to him. 'I was crying because I was going to really miss Hal and Harper, and dad, too,' Raiff says. 'I've been with them for so long and they've meant so much to me. I'm bad at maths but I'm 28 now and they've been in my head and body for eight years now. That's a lot of life. It was hard to let go.' Loading Zooming in from separate locations in New York, Raiff and Reinhart are a smiling mix of wonder and surprise. They know they're a part of something special with Hal & Harper but the experience of making the series was so demanding they're still getting used to the work leaving them and going out to the world. 'Cooper, to me, never ever lost sight of the vision he had,' Reinhart says. 'It changed along the way, because it had to, but the feeling of it and the intensity in Cooper's eyes every day never changed because he was trying to stay true to what was inside his heart. How do you paint the inside of your heart and stay true to it? 'Something, somehow was guiding him and he was very locked in. Trying to talk to Cooper about anything else was useless. There was no conversation outside the show,' she adds, then addresses Raiff directly. 'Your whole life was consumed by this show, which is why it is so effective. I've never seen firsthand a heart be embodied like this. That's why I had a lot of trust.' Comprising eight roughly half-hour episodes, each written and directed by Raiff, Hal & Harper is an idiosyncratic gem of a series. In an era of neatly segmented shows, it's messy and ambitious and counterintuitive. It's very funny and very sad, often in such close proximity that you're not aware of one becoming the other. The comedy and the drama are their own storytelling siblings. Twenty-two-year-old Hal and 24-year-old Harper Williams are still emotionally intertwined from the childhood loss that left them with a wounded father, Michael, who struggled to support them emotionally. As Hal floats through his university degree and Harper struggles with her first job, the pair lean on each other. It is, as Harper has realised, an unhealthy dynamic. And then their father delivers news that shakes all three of them: his girlfriend, Kate (Betty Gilpin), is pregnant. Loading 'There are so many people I love who have watched this show, and a lot stop at a certain place and say, 'I'm going to get there but I'm not there yet',' Raiff says. 'When they do – well, people can't talk to me about the finale, so they just send me a selfie of them crying. Even my own dad, I'm still trying to sit him down and talk to him.' In many ways Hal & Harper brings the tenets of independent filmmaking to television, whether it's Raiff's ready use of natural light or a hectic production schedule in which the stripped-down crew and cast had to 'steal locations' (shoot without the relevant permits) when required. The call sheet, a production's daily schedule, was mostly 'a suggestion', jokes Reinhart. 'There is some sort of lightning-in-a-bottle magic to doing so much in a day. You're tired, your guard is down,' Raiff says. 'If there was a crying scene, it was very easy to cry. We had a scene that was meant to be funny but I started crying and someone said, 'I'm not sure that's the vibe.' And I said, 'That's my vibe right now!'' Lengthy sequences are told in montage form, set to Raiff's distinctive music choices, and there's also a bittersweet twist: in the extensive flashbacks to when Hal is aged seven and Harper nine, Raiff and Rinehart still play the characters. It is absurd but touching. The pair are oversized yet still too small for the circumstances they're struggling with. The influence the pair's uncertain childhood has on them as adults is made wrenchingly clear. 'My favourite day on set was the first time we played kids. I knew it was going to be emotional and funny but I didn't realise how much soul it would have. That's what Lili's eyes bring. Whatever she was doing as nine-year-old Harper is the most beautiful thing that's ever been put on camera.' Loading Raiff isn't afraid to dig into the emotional muck of his characters. Ruffalo's Michael is still roiled and uncommunicative and, like his children, he wants to say the right things but he doubts they'll actually apply. When push comes to emotional shove, father, son and daughter all painfully struggle to make sense of what they're grappling with. 'We're really good at talk therapy and I have friends who are very emotionally intelligent but that's very different, that processing trauma through your body,' Raiff says. 'Talking about your feelings is easier than actually feeling them.'
Yahoo
10-06-2025
- Entertainment
- Yahoo
Lili Reinhart's queer indie series, 'Hal & Harper,' is hitting MUBI this fall
Sapphics, are you paying attention? You are going to want to know this: A new independent streaming series starring Lili Reinhart and Cooper Raiff is headed our way! On Monday, Deadline broke the news that streaming service MUBI acquired the rights to Hal & Harper, an eight-episode show centered around the titular codependent siblings, played by Reinhart and Raiff. Raiff also created, wrote, and directed the show. The series premiered at the Sundance Film Festival earlier this year, earning rave reviews from viewers who appreciated both the heart and the comedy at the core of the show. Notably, both Reinhart and Raiff also play the much younger versions of themselves in childhood flashbacks, adding a Pen15-like quality to those sequences. If that wasn't enough to have us looking forward to Hal & Harper, it's also got a stacked cast that includes some queer faves. Mark Ruffalo plays their father, Betty Gilpin plays his girlfriend, and Bottoms' Havana Rose Liu plays the girl Hal is interested in. Oh, and did we mention Harper has a girlfriend? The Sex Lives of College Girls star Alyah Chanelle Scott tackles that role, while Addison Timlin plays the coworker Harper is crushing on. MUBI has had a hand in distributing several well-received queer films in recent years, including Shiva Baby, Knife + Heart, and Benedetta. Hal & Harper is one of a few series they have coming up, with the acquisition being praised by those hoping independent TV is a viable way forward. "MUBI is the perfect home for our very specific family show. They're a singular platform that understands the art they're putting out," Raiff told Deadline. "I am in awe of what they've done recently, and am excited to be a part of the family." And if you're still on the fence about the whole thing, we'll just leave this here: — (@) Hal & Harper will premiere on MUBI sometime this fall.
Sydney Morning Herald
29-05-2025
- Entertainment
- Sydney Morning Herald
The best new TV shows to stream in June
Another month, another stack of streaming titles to add to your roster. There are shows that are going to hit some hard-to-reach spots, whether it's Stan's idiosyncratic sibling comedy Hal & Harper (with bonus dad energy from Mark Ruffalo) or Apple TV+'s hard-nosed arson drama Smoke. Let's get your watching squared away! Apple TV+ My top Apple TV+ recommendation is Smoke (June 27). One sure sign that the creative voices on a show genuinely enjoyed their collaboration is when they sign up to do it all again. That's the case with British star Taron Egerton (Rocketman) and American crime novelist and series creator Dennis Lehane (Mystic River), whose 2022 Apple TV+ crime drama Black Bird drew widespread praise. The pair have reunited for this investigatory thriller, which is inspired by true events in America's Pacific Northwest, where an arson investigator (Egerton) and a police detective (Jurnee Smollett, The Order) reluctantly team up to track down not one but two serial arsonists. The stacked supporting cast includes Rafe Spall (Trying), John Leguizamo (The Menu) and Greg Kinnear (Shining Vale). Loading Also on Apple TV+: Owen Wilson, good to see you! The Wedding Crashers star brings his deadpan delusions to Stick (June 4), a screwball sports comedy about a washed-up former professional golfer who seeks redemption via coaching a young prodigy. Created by screenwriter Jason Keller (Ford v. Ferrari), the limited series stars Wilson as the not entirely reliable Pryce Cahill, who is dodging divorce proceedings when he discovers teenage phenomenon Santi Wheeler (Peter Dager). Qualifying tournaments and goofy golf philosophy ensue, with Marc Maron (Glow) as an unconvinced sounding board. Meanwhile, Sydney Sweeney continues to diversify her Hollywood profile. Having already ticked off a romcom (Anyone But You), a horror flick (Immaculate), and a bad superhero movie (Madame Web), the coronated screen queen stars opposite Julianne Moore in the crime thriller Echo Valley (June 13). Written by Brad Ingelsby (Mare of Easttown) and directed by Michael Pearce (Beast), the feature begins with a tearful, bloodied Claire Garrett (Sweeney) arriving at the horse ranch of her estranged mother, Kate (Moore), claiming that she had to kill her abusive boyfriend in self-defence. When Kate covers up the crime, she becomes an accomplice even as Claire's actions on the night raise questions. May highlights: Should a security cyborg binge space soaps or protect its human clients? Sci-fi black comedy Murderbot had the answer, plus culinary thriller Careme brought Kitchen Confidential into the Napoleonic era. Netflix My top Netflix recommendation is The Survivors (June 6). Netflix has first-rate source material for its new Australian drama: a Jane Harper novel. The author of The Dry creates menacing mysteries that resonate, as is the case with this story of a small seaside town where a tragedy that left several people dead 15 years prior returns to the public eye when a new murder takes place. Confronting the town's collective amnesia is a young couple, Kieran (Charlie Vickers), the son of a local clan returned home with his young family, and his partner, Mia (Yerin Ha), who sees the community's failings. Adapting Harper's novel is Tony Ayres, whose previous shows include Stateless and Fires. Also on Netflix: Squid Game (June 27), the blockbuster South Korean series that helped change the definition of event television, comes to an end with its third season. These new episodes were filmed back-to-back with last December's second season, which culminated in a failed rebellion among the players of the dystopian competition that once again left player turned saboteur Seong Gi-hun (Lee Jung-jae) facing a very uncertain future. Creator Hwang Dong-hyuk will steer the show to its conclusion, safe in the knowledge that Squid Game fascination has not eased. The second season's first three days smashed Netflix viewing records. May highlights: Julianne Moore was compelling as a billionaire's controlling wife in Sirens, Tina Fey and Steve Carell starred in the bittersweet comedy The Four Seasons, and Conan O'Brien: the Kennedy Centre Mark Twain Prize for American Humour was an uproarious celebration. Stan * My top Stan recommendation is Hal & Harper (June 26). Mark Ruffalo is in his do-anything era. After big-screen turns as a cad in Poor Things and a pompous interplanetary dictator for Mickey 17, the former Marvel star comes back to Earth in this bittersweet comic drama. Ruffalo plays a suburban single father whose child-raising techniques have resulted in stunted, co-dependent lives for his now 20-something children, Hal (Cooper Raiff, the show's writer and director) and Harper (Lili Reinhart, Riverdale). The pair's attempts to understand where they're at, and engage with their emotionally shifty dad, form the basis of this limited series. Raiff turned heads with his last movie, Apple TV+'s idiosyncratic rom-com Cha Cha Real Smooth, so there's real promise here. Loading Also on Stan: There are currently many shows about London's fictional crime gangs, including Stan's Gangs of London, so thankfully the setting for this latest British organised crime drama moves north to Liverpool. This City is Ours (June 4) stars Sean Bean (Snowpiercer) as Ronnie Phelan, a drug dealer who has cornered the city's narcotics business and built an empire. Wealth and age have Ronnie thinking of retirement, but that soon creates chaos and instability when he leans towards his right-hand man, Michael Kavanagh (James Nelson-Joyce, A Thousand Blows), over his impatient son, Jamie (Jack McMullen, Hijack). The unofficial mediation process, as fans of this genre well know, is violent and vengeful. May highlights: The murder mystery is never more fun than when Natasha Lyonne's rogue detective is solving them on Poker Face, plus The Walking Dead devotees got a new season of post-apocalyptic New York with the return of Dead City. Disney+ My top Disney+ recommendation is The Bear (June 26). I love this outstanding show's scheduling commitment – late June every year, a new season appears. The fourth instalment of Christopher Storer's celebrated comic-drama about an obsessive chef turning his family's Chicago sandwich spot into a fine-dining restaurant has plenty to resolve. The third season ended with a crucial newspaper review leaving Carmy Berzatto (Jeremy Allen White), once more, torn between satisfaction and torment, while the bills mount and the staff start to fray. All the 'yes, chef!' cast return, plus a further appearance by Jamie Lee Curtis as Carmy's troubled mother, Donna. I wouldn't be completely surprised if the show recalibrated after the third season and leant more into its drama. Loading Also on Disney+: Having previously flooded Disney+ with spin-off superhero series, the Marvel Cinematic Universe has tapped the breaks these past two years. Quality over quantity has been the goal. The latest offering is Ironheart (June 25), a six-part comic-book drama about young scientist Riri Williams (Dominique Thorne), who was introduced in the 2022 blockbuster Black Panther: Wakanda Forever as the creator of her own Iron Man-like suits. Williams returns to her hometown of Chicago, where her belief in technology comes up against magic in a show that leans into community struggle and personal responsibility. May highlights: The accolades continued for Andor, the Star Wars show that matters, while Tucci in Italy was a truly delicious food and travel documentary. Max My top Max recommendation is Mountainhead (June 1). Succession hive assemble! The tech billionaires are far richer and far less regulated than everyone's favourite toxic media moguls in the new feature film from Succession creator Jesse Armstrong. The British satirist, whose inspired dialogue can cause whiplash, charts a weekend retreat for a quartet of digital titans – played by Steve Carell (The Four Seasons), Ramy Youssef (Ramy), Jason Schwartzman (Asteroid City), and Cory Michael Smith (May December) – just as new AI features on one of their platforms is stoking violence and economic panic around the world. A crisis? No, it's an opportunity. Armstrong, who also directs, dissects his delusional new subjects with one tech bro nightmare after another. Also on Max: Mariska Hargitay is one of television's most enduring stars. Since 1999, she's played Olivia Benson, the unyielding New York detective investigating sexual crimes on Law & Order: Special Victims Unit. The 61-year-old has always been open about the void in her own life – when Hargitay was just three her mother, Hollywood bombshell Jayne Mansfield, died in a car accident; Hargitay was asleep in the vehicle's back seat. My Mum Jayne (June 28) is a documentary about Hargitay's attempts to delve into her mother's personal and public legacy. Hargitay, who directs, calls it a, 'a labour of love and longing'. Amazon Prime Video My top Amazon Prime recommendation is We Were Liars (June 18). Shows about the young and privileged are timeless: wealth porn, aristocratic beauty, and unfulfilled privilege have powered everything from Gossip Girl to Elite. The latest variant is an adaptation, by Julie Plec (The Vampire Diaries), of E. Lockhart's 2014 best-selling young adult novel about a teenager, Cadence Eastman (Emily Alyn Lind, the Gossip Girl reboot), trying to fill in the trauma-induced gap in her memory connected to a summer she spent at her family's island compound with her cousins and best friends. Something bad obviously happened, but the truth gets twisted in a narrative that leans more towards psychological thriller than pouty melodrama. Loading Also on Amazon Prime: Adding to the conspiratorial thriller genre – think Condor, Deep State and Rabbit Hole – Countdown (June 25) is a law enforcement drama about an LAPD detective, Mark Meachum (Jensen Ackles), assigned to a task force responding to the murder of a government official. Once the investigators start to unwind the plot, the stakes are very much raised. Derek Haas, who kept procedural television afloat with both Chicago Fire and Chicago P.D., is responsible for a series that should add to Amazon Prime's Reacher -led stable of tough guy TV. May highlights: The Marvellous Mrs Maisel crew put their mark on the ballet world with Etoile, while a new season of Nicole Kidman's Nine Perfect Strangers continued to do heads in (including our critic). ABC iview My top iview recommendation is Bay of Fires (June 15). The first season of this Australian drama was the anti- SeaChange: at-risk finance CEO Stella (co-creator Marta Dusseldorp) and her children are given new identities and relocated to a small Tasmanian town, only to discover that it's full of suspicious criminals, a budding cult and other untrustworthy former government assets. If the debut season required Stella to fight for survival, with a tone that mixed heightened black comedy and thriller tension, the second instalment finds her trying to hold together the fractious coalition she built. It's a very different kind of local politics. This is a chance for the ABC to build a series that doesn't just endure, it evolves. May highlights: It was a month of hardy crime dramas that crisscrossed Britain – The One That Got Away was a gritty Welsh mystery, while Bergerac rebooted the Channel Islands detective, plus feel-good reality series The Piano hit all the right notes. SBS On Demand My top SBS On Demand recommendation is Families Like Ours (June 20). Much like the British drama Years and Years, which viewed that nation's fictional dystopian descent through the lens of an everyday Manchester clan, this Danish drama tackles the vastness of climate change through an ordinary family's struggle. A what-if set in the not-quite near-future, it's driven by the need to evacuate Denmark as rising sea levels will flood the nation. Certainty ends as the country's millions of citizens explore immigration options or forced relocation, facing separation and a loss of a lifestyle taken for granted. The co-writer and director is Thomas Vinterberg (The Celebration, Another Round), who has stressed that his focus is more personal than political. May highlights: A dedicated team of German police detectives made The Black Forest Murders a gripping investigation drama, while an iconic character got a new twist in the period adventure Sherlock & Daughter. Other streamers My top recommendation for the other streaming services is Binge's Mix Tape (June 12). A romantic second chance couched in the past's unquenchable promise and the siren's song of beloved teenage tunes, this Irish-Australian limited series tells a then-and-now story. In 1989, in Britain a connection is slowly forged between teenagers Alison (Florence Hunt) and Daniel (newcomer Rory Walton-Smith), only for them to be irrevocably separated. Cut to the current day and both have built lives of their own, only for Daniel (Jim Sturgess) to discover that Alison (Teresa Palmer) is living in Sydney. What they do next – with a soundtrack of vintage classics – is in the hands of writer Jo Spain (Harry Wild), who adapted Jane Sanderson's 2020 novel of the same name, and director Lucy Gaffy (Irreverent). Loading Also: The Agatha Christie mystery-industrial complex rolls onwards with the BBC's new three-part adaptation of a 1944 novel from the doyenne of detective fiction. Towards Zero (June 3) is very much classic Christie, albeit with an impressively credentialled cast, set at a 1930s British country estate where the imperious order maintained by Lady Tressilian (Anjelica Huston) is interrupted by visitors and then a murder. It falls to Inspector Leach (Matthew Rhys) to interview the assembled suspects and sift the clues.
The Age
29-05-2025
- Entertainment
- The Age
The best new TV shows to stream in June
Another month, another stack of streaming titles to add to your roster. There are shows that are going to hit some hard-to-reach spots, whether it's Stan's idiosyncratic sibling comedy Hal & Harper (with bonus dad energy from Mark Ruffalo) or Apple TV+'s hard-nosed arson drama Smoke. Let's get your watching squared away! Apple TV+ My top Apple TV+ recommendation is Smoke (June 27). One sure sign that the creative voices on a show genuinely enjoyed their collaboration is when they sign up to do it all again. That's the case with British star Taron Egerton (Rocketman) and American crime novelist and series creator Dennis Lehane (Mystic River), whose 2022 Apple TV+ crime drama Black Bird drew widespread praise. The pair have reunited for this investigatory thriller, which is inspired by true events in America's Pacific Northwest, where an arson investigator (Egerton) and a police detective (Jurnee Smollett, The Order) reluctantly team up to track down not one but two serial arsonists. The stacked supporting cast includes Rafe Spall (Trying), John Leguizamo (The Menu) and Greg Kinnear (Shining Vale). Loading Also on Apple TV+: Owen Wilson, good to see you! The Wedding Crashers star brings his deadpan delusions to Stick (June 4), a screwball sports comedy about a washed-up former professional golfer who seeks redemption via coaching a young prodigy. Created by screenwriter Jason Keller (Ford v. Ferrari), the limited series stars Wilson as the not entirely reliable Pryce Cahill, who is dodging divorce proceedings when he discovers teenage phenomenon Santi Wheeler (Peter Dager). Qualifying tournaments and goofy golf philosophy ensue, with Marc Maron (Glow) as an unconvinced sounding board. Meanwhile, Sydney Sweeney continues to diversify her Hollywood profile. Having already ticked off a romcom (Anyone But You), a horror flick (Immaculate), and a bad superhero movie (Madame Web), the coronated screen queen stars opposite Julianne Moore in the crime thriller Echo Valley (June 13). Written by Brad Ingelsby (Mare of Easttown) and directed by Michael Pearce (Beast), the feature begins with a tearful, bloodied Claire Garrett (Sweeney) arriving at the horse ranch of her estranged mother, Kate (Moore), claiming that she had to kill her abusive boyfriend in self-defence. When Kate covers up the crime, she becomes an accomplice even as Claire's actions on the night raise questions. May highlights: Should a security cyborg binge space soaps or protect its human clients? Sci-fi black comedy Murderbot had the answer, plus culinary thriller Careme brought Kitchen Confidential into the Napoleonic era. Netflix My top Netflix recommendation is The Survivors (June 6). Netflix has first-rate source material for its new Australian drama: a Jane Harper novel. The author of The Dry creates menacing mysteries that resonate, as is the case with this story of a small seaside town where a tragedy that left several people dead 15 years prior returns to the public eye when a new murder takes place. Confronting the town's collective amnesia is a young couple, Kieran (Charlie Vickers), the son of a local clan returned home with his young family, and his partner, Mia (Yerin Ha), who sees the community's failings. Adapting Harper's novel is Tony Ayres, whose previous shows include Stateless and Fires. Also on Netflix: Squid Game (June 27), the blockbuster South Korean series that helped change the definition of event television, comes to an end with its third season. These new episodes were filmed back-to-back with last December's second season, which culminated in a failed rebellion among the players of the dystopian competition that once again left player turned saboteur Seong Gi-hun (Lee Jung-jae) facing a very uncertain future. Creator Hwang Dong-hyuk will steer the show to its conclusion, safe in the knowledge that Squid Game fascination has not eased. The second season's first three days smashed Netflix viewing records. May highlights: Julianne Moore was compelling as a billionaire's controlling wife in Sirens, Tina Fey and Steve Carell starred in the bittersweet comedy The Four Seasons, and Conan O'Brien: the Kennedy Centre Mark Twain Prize for American Humour was an uproarious celebration. Stan * My top Stan recommendation is Hal & Harper (June 26). Mark Ruffalo is in his do-anything era. After big-screen turns as a cad in Poor Things and a pompous interplanetary dictator for Mickey 17, the former Marvel star comes back to Earth in this bittersweet comic drama. Ruffalo plays a suburban single father whose child-raising techniques have resulted in stunted, co-dependent lives for his now 20-something children, Hal (Cooper Raiff, the show's writer and director) and Harper (Lili Reinhart, Riverdale). The pair's attempts to understand where they're at, and engage with their emotionally shifty dad, form the basis of this limited series. Raiff turned heads with his last movie, Apple TV+'s idiosyncratic rom-com Cha Cha Real Smooth, so there's real promise here. Loading Also on Stan: There are currently many shows about London's fictional crime gangs, including Stan's Gangs of London, so thankfully the setting for this latest British organised crime drama moves north to Liverpool. This City is Ours (June 4) stars Sean Bean (Snowpiercer) as Ronnie Phelan, a drug dealer who has cornered the city's narcotics business and built an empire. Wealth and age have Ronnie thinking of retirement, but that soon creates chaos and instability when he leans towards his right-hand man, Michael Kavanagh (James Nelson-Joyce, A Thousand Blows), over his impatient son, Jamie (Jack McMullen, Hijack). The unofficial mediation process, as fans of this genre well know, is violent and vengeful. May highlights: The murder mystery is never more fun than when Natasha Lyonne's rogue detective is solving them on Poker Face, plus The Walking Dead devotees got a new season of post-apocalyptic New York with the return of Dead City. Disney+ My top Disney+ recommendation is The Bear (June 26). I love this outstanding show's scheduling commitment – late June every year, a new season appears. The fourth instalment of Christopher Storer's celebrated comic-drama about an obsessive chef turning his family's Chicago sandwich spot into a fine-dining restaurant has plenty to resolve. The third season ended with a crucial newspaper review leaving Carmy Berzatto (Jeremy Allen White), once more, torn between satisfaction and torment, while the bills mount and the staff start to fray. All the 'yes, chef!' cast return, plus a further appearance by Jamie Lee Curtis as Carmy's troubled mother, Donna. I wouldn't be completely surprised if the show recalibrated after the third season and leant more into its drama. Loading Also on Disney+: Having previously flooded Disney+ with spin-off superhero series, the Marvel Cinematic Universe has tapped the breaks these past two years. Quality over quantity has been the goal. The latest offering is Ironheart (June 25), a six-part comic-book drama about young scientist Riri Williams (Dominique Thorne), who was introduced in the 2022 blockbuster Black Panther: Wakanda Forever as the creator of her own Iron Man-like suits. Williams returns to her hometown of Chicago, where her belief in technology comes up against magic in a show that leans into community struggle and personal responsibility. May highlights: The accolades continued for Andor, the Star Wars show that matters, while Tucci in Italy was a truly delicious food and travel documentary. Max My top Max recommendation is Mountainhead (June 1). Succession hive assemble! The tech billionaires are far richer and far less regulated than everyone's favourite toxic media moguls in the new feature film from Succession creator Jesse Armstrong. The British satirist, whose inspired dialogue can cause whiplash, charts a weekend retreat for a quartet of digital titans – played by Steve Carell (The Four Seasons), Ramy Youssef (Ramy), Jason Schwartzman (Asteroid City), and Cory Michael Smith (May December) – just as new AI features on one of their platforms is stoking violence and economic panic around the world. A crisis? No, it's an opportunity. Armstrong, who also directs, dissects his delusional new subjects with one tech bro nightmare after another. Also on Max: Mariska Hargitay is one of television's most enduring stars. Since 1999, she's played Olivia Benson, the unyielding New York detective investigating sexual crimes on Law & Order: Special Victims Unit. The 61-year-old has always been open about the void in her own life – when Hargitay was just three her mother, Hollywood bombshell Jayne Mansfield, died in a car accident; Hargitay was asleep in the vehicle's back seat. My Mum Jayne (June 28) is a documentary about Hargitay's attempts to delve into her mother's personal and public legacy. Hargitay, who directs, calls it a, 'a labour of love and longing'. Amazon Prime Video My top Amazon Prime recommendation is We Were Liars (June 18). Shows about the young and privileged are timeless: wealth porn, aristocratic beauty, and unfulfilled privilege have powered everything from Gossip Girl to Elite. The latest variant is an adaptation, by Julie Plec (The Vampire Diaries), of E. Lockhart's 2014 best-selling young adult novel about a teenager, Cadence Eastman (Emily Alyn Lind, the Gossip Girl reboot), trying to fill in the trauma-induced gap in her memory connected to a summer she spent at her family's island compound with her cousins and best friends. Something bad obviously happened, but the truth gets twisted in a narrative that leans more towards psychological thriller than pouty melodrama. Loading Also on Amazon Prime: Adding to the conspiratorial thriller genre – think Condor, Deep State and Rabbit Hole – Countdown (June 25) is a law enforcement drama about an LAPD detective, Mark Meachum (Jensen Ackles), assigned to a task force responding to the murder of a government official. Once the investigators start to unwind the plot, the stakes are very much raised. Derek Haas, who kept procedural television afloat with both Chicago Fire and Chicago P.D., is responsible for a series that should add to Amazon Prime's Reacher -led stable of tough guy TV. May highlights: The Marvellous Mrs Maisel crew put their mark on the ballet world with Etoile, while a new season of Nicole Kidman's Nine Perfect Strangers continued to do heads in (including our critic). ABC iview My top iview recommendation is Bay of Fires (June 15). The first season of this Australian drama was the anti- SeaChange: at-risk finance CEO Stella (co-creator Marta Dusseldorp) and her children are given new identities and relocated to a small Tasmanian town, only to discover that it's full of suspicious criminals, a budding cult and other untrustworthy former government assets. If the debut season required Stella to fight for survival, with a tone that mixed heightened black comedy and thriller tension, the second instalment finds her trying to hold together the fractious coalition she built. It's a very different kind of local politics. This is a chance for the ABC to build a series that doesn't just endure, it evolves. May highlights: It was a month of hardy crime dramas that crisscrossed Britain – The One That Got Away was a gritty Welsh mystery, while Bergerac rebooted the Channel Islands detective, plus feel-good reality series The Piano hit all the right notes. SBS On Demand My top SBS On Demand recommendation is Families Like Ours (June 20). Much like the British drama Years and Years, which viewed that nation's fictional dystopian descent through the lens of an everyday Manchester clan, this Danish drama tackles the vastness of climate change through an ordinary family's struggle. A what-if set in the not-quite near-future, it's driven by the need to evacuate Denmark as rising sea levels will flood the nation. Certainty ends as the country's millions of citizens explore immigration options or forced relocation, facing separation and a loss of a lifestyle taken for granted. The co-writer and director is Thomas Vinterberg (The Celebration, Another Round), who has stressed that his focus is more personal than political. May highlights: A dedicated team of German police detectives made The Black Forest Murders a gripping investigation drama, while an iconic character got a new twist in the period adventure Sherlock & Daughter. Other streamers My top recommendation for the other streaming services is Binge's Mix Tape (June 12). A romantic second chance couched in the past's unquenchable promise and the siren's song of beloved teenage tunes, this Irish-Australian limited series tells a then-and-now story. In 1989, in Britain a connection is slowly forged between teenagers Alison (Florence Hunt) and Daniel (newcomer Rory Walton-Smith), only for them to be irrevocably separated. Cut to the current day and both have built lives of their own, only for Daniel (Jim Sturgess) to discover that Alison (Teresa Palmer) is living in Sydney. What they do next – with a soundtrack of vintage classics – is in the hands of writer Jo Spain (Harry Wild), who adapted Jane Sanderson's 2020 novel of the same name, and director Lucy Gaffy (Irreverent). Loading Also: The Agatha Christie mystery-industrial complex rolls onwards with the BBC's new three-part adaptation of a 1944 novel from the doyenne of detective fiction. Towards Zero (June 3) is very much classic Christie, albeit with an impressively credentialled cast, set at a 1930s British country estate where the imperious order maintained by Lady Tressilian (Anjelica Huston) is interrupted by visitors and then a murder. It falls to Inspector Leach (Matthew Rhys) to interview the assembled suspects and sift the clues.
