Latest news with #French-Algerian
El Chorouk
4 days ago
- Politics
- El Chorouk
French Newspaper Refuses to Publish Article on Algeria by 'Impartial' Historian
Malika Rahal, a French historian and writer of Algerian origin, exposed the lie of freedom of expression in France, revealing a secret she had kept for about three months. However, she was forced to disclose it after realizing that the freedom of the press, so lauded in France, is merely a lie. Malika Rahal revealed that she was commissioned to write an article for the French newspaper 'Libération' at the same time the newspaper intended to prepare a file on Algerian-French relations, which are experiencing one of their worst periods in over six decades. However, this left-leaning newspaper, known for its centrism and criticism of right-wing ideas, withheld publication of the article for reasons that remain unclear. The writer and historian Malika Rahal stated: 'I was commissioned to write an article in mid-March 2025, as part of a file published in 'Libération' on relations between France and Algeria, a file coordinated by researcher Paul Max Morand. After the first version, I was asked to produce a longer version to conclude the series.' She added: 'During discussions with the editorial board, objections were raised, but the explanations provided were deemed satisfactory. Nevertheless, the publication of the article was continuously delayed, without any explanation given to Paul Max Morand, the person in charge of the file, or to me (Malika Rahal). Its publication has now become pointless after more than a month since the last article in the series was published in April 2025.' The writer was forced to publish her article in another platform known for its anti-colonial and anti-colonialist stances, after realizing that the French newspaper was not serious about honoring its commitment to a distinguished historian and writer of Malika Rahal's caliber. This raises more than one question about the remaining credibility of values that France and other Western system countries have long defended, namely freedom of expression and the press. 'Relations in the Time of Retailleau and Gaza' The French newspaper did not clarify the reason for its reluctance to publish the article, which was titled 'Algerian-French Relations in the Time of Retailleau and Gaza.' However, its content indicates that those in charge of 'Libération,' which is considered one of the strongholds of French media not hostile to Algeria and immigrants in general, are no longer as they once were. Instead, it has become like other French newspapers, controlled by considerations that have nothing to do with freedom of expression. Among what was stated in Malika Rahal's article: 'French-Algerian relations have been in crisis since 2024 when France, like the United States, joined in affirming Morocco's (alleged) sovereignty over Western Sahara. One of the elements explaining this recognition is the role played by Morocco in normalizing relations with Israel (the Zionist entity) at the African Union level and at the Arab world level, where Morocco joined the Abraham Accords in 2020. Undoubtedly, other factors in French policy contribute to this recognition, but since that date, the previous model of bilateral relations no longer seems to work, with more violent tensions and unexpected reactions from both sides. On the French side, the intensity of statements and belligerent stances is inconsistent with the recent development of French society, but conversely, their impact on the people of this country can be devastating.' It seems that the newspaper's management could not tolerate some of the 'stings' contained in the article, such as the role played by the French Minister of Interior in undermining the multi-ethnic and multi-religious French society due to his racist statements and stances, as well as the struggle led by Algerians against French occupation, which ended long decades of colonial darkness and became an inspiration for many peoples in Africa, Asia, and Latin America, as Malika Rahal wrote. The article also touched upon the nature of French settler colonialism in Algeria, and its transfer of the equivalent of one million Europeans (Pieds-Noirs), which was one-tenth of the Algerian population, and what accompanied it of 'the genocidal ambition to eliminate the indigenous population, which is a constant feature in cases of settler colonialism, as colonizers seek to seize their lands and impose their status in the country,' in addition to the forced displacement and massacres suffered by Algerians at the hands of the French occupation army, which was ultimately defeated with Algeria gaining its independence and ending the illegal situation that gave the European group what it did not deserve at the expense of the legitimate rights of Algerians.
Newsweek
6 days ago
- Automotive
- Newsweek
Racing Bulls F1 Driver Slapped With 3-Place Grid Penalty For Canadian GP
Based on facts, either observed and verified firsthand by the reporter, or reported and verified from knowledgeable sources. Newsweek AI is in beta. Translations may contain inaccuracies—please refer to the original content. Racing Bulls Formula One driver Isack Hadjar has been hit with a three-place grid penalty for the 2025 Canadian Grand Prix. After qualifying in ninth position, the French-Algerian driver will now start the race from 12th on the grid. During the qualifying session at Circuit Gilles Villeneuve, Hadjar was informed Williams' Carlos Sainz was behind him but had aborted his lap. However, as the Spanish driver stormed past him, he realised he had impeded Sainz's flying lap. As expected, Hadjar has been penalised for the move despite it seemingly being a communication error from within the team. While speaking to the media after the race, Hadjar was visibly down about the situation. Isack Hadjar of France and Visa Cash App RB speaks to Sky Sports in the media pen during qualifying ahead of the F1 Grand Prix of Canada at Circuit Gilles-Villeneuve on June 14, 2025 in... Isack Hadjar of France and Visa Cash App RB speaks to Sky Sports in the media pen during qualifying ahead of the F1 Grand Prix of Canada at Circuit Gilles-Villeneuve on June 14, 2025 in Montreal, Canada. More"I never impede anyone, not even in practice," said Hadjar, "I got told Carlos had aborted his lap, and in fact he was still pushing. So, complete miscommunication from what I got told. It's a shame, it ruins his qualifying and probably a bit mine." Sainz, who will start the race in 17th, fumed to the media, stating: "Well, I don't care if I was fast. If in Q1 you arrive and there's a guy in the middle of the road that completely blows your qualifying away and that means that your weekend is destroyed. "I'm in P17 when I should be fighting for Q3 and top eight today, so I'm extremely disappointed. I saw him already in turn three to four, I was surprised he didn't get out of the way in three to four. I already lost a tenth or two with a dirty air, but I was like, 'okay, he's just playing the game of giving me dirty air.' "That's not impeding, but he's giving me dirty air of a tenth just to try, maybe he was on the cut and trying to give me dirty air on purpose. And then I realised going into Turn 5, he's not getting out of the way, I have to lift and I have to overtake him in the inside of six. Like if it's a race, obviously with a bad angle into six and seven. "I lost another two or three tenths there, so three or four tenths just in that lap, which is anyway a lap that is 20 milliseconds from Q2. That was the margin we had today. So, it's honestly very frustrating, but it's what it is." Why was Isack Hadjar penalised in Canada? The FIA released the following statement to explain why Hadjar was handed the three-place grid penalty for the Canadian Grand Prix. "Impeding Car 55 in turn 6. (Breach of Article 37.5 of the FIA Formula One Sporting Regulations. "Drop of 3 grid positions for the next Race in which the driver participates. "The Stewards heard from the driver of Car 6 (Isack Hadjar), the driver of Car 55 (Carlos Sainz), team representatives and reviewed positioning/marshalling system data, video, timing, team radio and in-car video evidence. "Car 6 was on an in-lap and was caught by Car 55, on a push lap, at the entry to turn 6. Although Car 6 attempted to move off the racing line to leave space for Car 55, the move was too late. The driver of Car 6 agreed that Car 55 was impeded. He explained that he had earlier been told by his team that Car 55 was approaching on a push lap but the team then told him that Car 55 had abandoned the lap. He said that although he saw Car 55 in his mirrors, he relied upon what he had been told by his team and when he realised the information was wrong he did his best to move out of the way. "The standard penalty for this infringement during Qualifying in the Penalty Guidelines is a 3 grid position penalty regardless of whether the incident was the fault of the driver or the team."
IOL News
12-06-2025
- Automotive
- IOL News
Red Bull F1 rookie Isack Hadjar warned to stay away from senior team ‘curse'
Max Verstappen of Red Bull Racing. Photo: BackpagePix Image: BackpagePix It almost seems as if when a Formula 1 driver wants to damage their racing career, they need only sit in the second Red Bull seat, next to Max Verstappen. Evidence that played out since the start of this season suggests that the second seat may come with a 'curse' of sorts. And by curse, we're actually talking about a car that only Max Verstappen can handle. But now, nine races into a colourful rookie year tainted with highs and low, a season in which he's already snagged 21 points for the Racing Bulls, Isack Hadjar has been warned to stay away from the senior team. Hadjar's had a phenomenal rookie year, so much so that Racing Bulls CEO Peter Beyer suggested that they would 'handcuff' to keep him there until the end of the season. Despite his horrendous start in Australia, where he destroyed the car - even prompting Helmut Marko to call him an embarrassment. Video Player is loading. Play Video Play Unmute Current Time 0:00 / Duration -:- Loaded : 0% Stream Type LIVE Seek to live, currently behind live LIVE Remaining Time - 0:00 This is a modal window. Beginning of dialog window. Escape will cancel and close the window. Text Color White Black Red Green Blue Yellow Magenta Cyan Transparency Opaque Semi-Transparent Background Color Black White Red Green Blue Yellow Magenta Cyan Transparency Opaque Semi-Transparent Transparent Window Color Black White Red Green Blue Yellow Magenta Cyan Transparency Transparent Semi-Transparent Opaque Font Size 50% 75% 100% 125% 150% 175% 200% 300% 400% Text Edge Style None Raised Depressed Uniform Dropshadow Font Family Proportional Sans-Serif Monospace Sans-Serif Proportional Serif Monospace Serif Casual Script Small Caps Reset restore all settings to the default values Done Close Modal Dialog End of dialog window. Advertisement Next Stay Close ✕ Ad loading But the French-Algerian F1 rookie came back with a boom and showed the rest of the paddock that he's worth a shot at the top. While it may technically be a promotion, the F1 world, including Beyer, are against Hadjar moving to the senior team. The rookie racer pulled off an impressive P6 finish in his first ever F1 race at Monaco, earning praises from all over the paddock. 'For heaven's sake, don't take this talent away from us too soon. He should get to know the whole business by the end of 2026. Until then, we'll just have to handcuff him!,' Beyer told a German publication. Former world champion Nico Rosberg also warned the rookie of the move. 'If I was Hadjar now, if ever the team starts to mention (a promotion), I would literally decline,' Rosberg said while commentating at last weekend's Spanish Grand Prix. 'Decline as hard as you possibly can. 'Because he's doing such a great job there with the (Racing Bulls), he's in a great position,' Rosberg said. The second driver in the senior team, Yuki Tsunoda, has had a dismal season so far shortly after replacing Liam Lawson, who was demoted back to the Racing Bulls. Tsunoda only managed to score seven points in his seven races next to Verstappen, putting a nail in the coffin of Red Bull's Constructor hopes. But it's Horner's leadership that's really at the centre of Red Bull's success this year. The British boss never quite got it together since Adrian Newey's exit from the team. Verstappen has shown immense skill and composure, even with the difficult RB21 car, to give himself a fighting chance for the world title, even against the near-perfect McLarens, and will look to grab vital points at Sunday's Canadian Grand Prix. Horner's headache may only worsen at the end of this season, as their star driver was tipped to make an exit from Red Bull. It's not clear where Verstappen may go, but Aston Martin has been on a hiring spree recently, even scooping up Newey himself. Red Bull mechanic Calum Nicholas said he believes it may be Verstappen's last year. 'I think Max is going to win the Drivers' this year, and then I think he's going to call it a day,' Nicholas said.
Saba Yemen
11-06-2025
- Sport
- Saba Yemen
Manchester City signs French-Algerian player Rayan Cherki
Manchester - Saba: English club Manchester City has officially announced the signing of French-Algerian footballer Rayan Cherki from Olympique Lyonnais on a five-year contract until 2030. Cherki's move from Olympique Lyonnais marks the club's third signing of the new season, according to Anadolu Agency. The Citizens said in an official statement on their website: "Manchester City has completed the signing of Rayan Cherki from French club Lyonnais." The 21-year-old attacking midfielder signed a five-year contract, keeping him at the Etihad Stadium until the summer of 2030. Cherki excelled with Olympique Lyonnais last season, appearing in 44 matches across all competitions, scoring 12 goals and providing 20 assists. He made his debut for the French national team in the 5-4 loss to Spain in the UEFA Nations League semi-final. English press reports indicated that the deal was worth £34 million ($45.88 million). Cherki, who was born to a French father of Italian descent and an Algerian mother, will be available to play for Manchester City in the Club World Cup in the United States. City will begin their Club World Cup campaign in Group G against Wydad Casablanca on June 18, and will then face Al Ain of the UAE and Juventus of Italy. Cherki is the Sky Blues' third signing of the summer transfer window, following Algerian Rayan Ait-Nouri from Wolverhampton Wanderers and goalkeeper Marcus Bettinelli from Chelsea. The signing of Dutchman Tijani Reynders from Milan is expected to be announced later. Whatsapp Telegram Email Print
Time Out
11-06-2025
- Entertainment
- Time Out
How Bangkok taught Lounys rhythm and contrast
555. No, not the number – though it might as well be the punchline. It's how we laugh in Thai: ha ha ha. It's also how Lounys, a French-Algerian artist now living in Bangkok, occasionally sneaks humour into his work – a wink to the absurd, a code-switch between languages, cultures and emotions. Born in Paris with Algerian and Berber roots, Lounys is what happens when you fold a handful of cities into one mind: New York, Los Angeles, Miami, a few stops across Europe and now Thailand. His art has appeared across Bangkok, cropping up in galleries and pop-up shows like visual outbursts – provocative, dense, unfiltered. Drawing on satirical cartoons and caricatures, Lounys sketches out modern survival as a warped spectacle. Political figures are stretched, social archetypes distorted, but always with a knowing eye. There's something dreamlike in his method – automatic, compulsive, channelling the spirit of 1920s surrealism while humming with the colour-fuelled energy of pop art. We asked him a few questions, naturally – about the move, the city, the sprawl of it all. He tells us he's adapting to Bangkok, slowly. The food, the pace, the people. Bangkok: too hot to hold, too alive to ignore – just like his work. Looking back, how would you describe the different chapters of your artistic journey so far? What felt like turning points along the way? 'My journey's been instinctive – no map, no mentor, just motion. One chapter was solitude, another dialogue. The shift came when I stopped chasing the art world and started building my own. That's when it all began to find me.' You've spent years creating in Bangkok – how has the city shaped the way you think, see and make art? ' Bangkok taught me rhythm and contrast. It's chaotic, spiritual, neon and decaying all at once. That tension fed into my work. I learned to follow instinct and embrace imperfection, like the city does.' 'In Bangkok, sacred and pop blend so easily it never feels like a clash.' Are there moments, corners or textures in Bangkok that you keep returning to in your work? 'Yes – torn posters, rusted gates, soi dogs asleep in shrines, temples wrapped in scaffolding. I'm drawn to what's overlooked. It speaks to time, to resilience. I don't copy it exactly, but the texture, the spirit, slips into my work.' How has your relationship with the city's art scene changed since you first started out? ' When I arrived, I felt outside of everything – an observer. But by constantly creating and showing up, I found my rhythm. Now I feel part of a parallel current – not fully in the 'mainstream', but visible and supported by local creatives and international eyes.' What shifts have you noticed within the local creative community – whether in spirit, structure or support? ' There's more boldness now. Young artists aren't waiting for permission – they're experimenting, self-organising, making space without asking. Things feel more open, more horizontal. But there's also a hunger for meaning, not just noise.' 'The future belongs to those who create it themselves, on their own terms, with integrity and courage.' From my understanding, your work often weaves tradition into the contemporary – how do you navigate that mix in a place like Bangkok, where the past and present constantly collide? ' Tradition isn't fixed – it moves. I let that mix happen on its own, sometimes as a gesture, a texture or a symbol that slips in.' Do you sense a move towards newer, more experimental forms in Bangkok's art spaces? If so, where do you see your work in that mix? 'Definitely. There's a real openness now to cross-genre and multi-sensory, even anti-art gestures. My work isn't experimental in form but in spirit. It's grounded in painting yet takes in collage, street energy, memory and sometimes scent or sound. I don't chase trends, I stay honest.' Bangkok sits at the edge of so many influences – how do you bring both Thai and global elements into your visual language without losing either? ' By staying present. I'm a guest here but live deeply in Thailand. My work absorbs everything – streets, galleries, talks, rituals – mixed with my North African roots. The key is letting it flow naturally, not forcing it.' Is art a space for you to reflect or respond to what's happening socially or politically in Thailand, or is it something more inward? ' For me, art is deeply personal but always connected. I don't illustrate politics, I process feeling. When a moment stirs me – joy or injustice – it finds its way into the work. Art lets me respond poetically, never didactically.' 'I hope the next generation holds on to the freedom and generosity that make the Thai scene so unique – the absence of ego, the spirit of play.' You can now step inside his world – not just as a spectator, but as a collaborator. In his workshops, held regularly with little fanfare, you're handed a curious task: paint within the lines he's taped onto canvas, lines that carry the unmistakable rhythm of his hand. Participants – kids, adults, anyone with a brush and a bit of curiosity – paint within the lines. Once the tape peels away, what's left is a quiet collision – your colour, his form. An unspoken conversation made visible. It's an invitation to loosen control and co-create, with no need for prior skill or pretension. For those intrigued, he's reachable via Line (@lounys) or Instagram DM (@lounys). And if you're more voyeur than participant, catch him live-painting at Bardo Social Bistro and Bar on June 28 – a glimpse into the process, raw and unscripted, unfolding in real time.
