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20+ Age-Defying Parent-Child Castings From Blue Bloods, ER, Ginny & Georgia, Golden Girls, Supernatural and More
20+ Age-Defying Parent-Child Castings From Blue Bloods, ER, Ginny & Georgia, Golden Girls, Supernatural and More

Yahoo

time19 hours ago

  • Entertainment
  • Yahoo

20+ Age-Defying Parent-Child Castings From Blue Bloods, ER, Ginny & Georgia, Golden Girls, Supernatural and More

As TV fans, we're no strangers to suspending our disbelief when it comes to embracing fantastical or implausible storylines from our favorite shows. But sometimes, it can be an equally enjoyable exercise to fall down a rabbit hole of reason. And that's what we're doing here today, embarking on a journey to answer the age-old question: Could this actor be their co-star's parent in real life? More from TVLine Every New Scripted Show Confirmed to Premiere in 2025 - Save the Dates! The Buccaneers Season 2 Premiere: Leighton Meester Makes Dramatic Entrance as [Spoiler]'s Mother Does Jensen Ackles' Countdown Hero Have BDE - Big Dean (Winchester) Energy? 'There Are Familiar Aspects,' Says Supernatural Vet The list below rounds up the 20 weirdest, wackiest, most bizarre parent-child castings due to unbelievable age gaps. So if you, too, just watched the Season 2 premiere of Apple TV+'s The Buccaneers and thought, 'Leighton Meester is playing mom to a 19-year-old woman?!,' you're in the right place. Our list has it all, from a Family Ties father who had only 14 years on his on-screen son, to a Golden Girl who defied all logic by actually being younger than her daughter. We've also got age-defying pairings from Six Feet Under, Supernatural, The Good Place, Blue Bloods, Orange Is the New Black, Schitt's Creek, The Cosby Show, George Lopez and more. But before you get scrolling, some housekeeping: Our round-up is sorted from widest to smallest age gap, and we're sharing how old the actors were at the time they first appeared alongside each other — not how old they are today. Also, we've steered clear of soap operas and timey-wimey time travel shows. (We are in a rabbit hole of reason, remember?!) Without further ado, it's time for you, dear reader, to fly the coop and review our sampling of TV's most bizarre parent-child castings — and as always, feel free to nominate others that come to mind! Meredith Baxter (35) and Michael Gross (35) played parents to Michael J. Fox (21) Age Gap: 14 years Michael Sheen (50) and Bellamy Young (49) played parents to Tom Payne (36) Age Gap: 14 and 13 years Frances Conroy (48) played mother to Peter Krause (35) Age Gap: 13 years Belita Moreno (52) played mother to George Lopez (40) Age Gap: 12 years Jeffrey Dean Morgan (39) played father to Jensen Ackles (27) Age Gap: 12 years Earle Hyman (58) played father to Bill Cosby (47) Age Gap: 11 years Janet Hubert (34) played mother to Karyn Parsons (23) Age Gap: 11 years Brian Cox (72) played father to Alan Ruck (61) Age Gap: 11 years Leighton Meester (39) plays mother to Kristine Frøseth (29) Age Gap: 10 years Mo'Nique (31) played mother to Countess Vaughn (21) Age Gap: 10 years Leslie Grossman (45) played mother to Kristen Bell (36) Age Gap: 9 years John Marshall Jones (34) played father to Essence Atkins (25) Age Gap: 9 years Gretchen Mol (37) played mother to Michael Pitt (29) Age Gap: 8 years Brianne Howey (31) plays mother to Antonia Gentry (23) Age Gap: 8 years Adina Porter (37) played mother to Rutina Wesley (29) Age Gap: 8 years Jane Curtin (75) played mother to Katey Sagal (68) Age Gap: 7 years Len Cariou (70) played father to Tom Selleck (65) Age Gap: 5 years Frances Fisher (52) played mother to Laura Innes (47) Age Gap: 5 years Jennifer Robertson (43) played mother to Tim Rozon (38) Age Gap: 5 years Elizabeth Rodriguez (32) played mother to Dascha Polanco (30) Age Gap: 2 years Estelle Getty (62) played mother to Bea Arthur (63) Age Gap: -1 year! Which parent-child castings surprised you the most? And which did we miss? Hit the comments with your thoughts! Best of TVLine Young Sheldon Easter Eggs: Every Nod to The Big Bang Theory (and Every Future Reveal) Across 7 Seasons Weirdest TV Crossovers: Always Sunny Meets Abbott, Family Guy vs. Simpsons, Nine-Nine Recruits New Girl and More ER Turns 30: See the Original County General Crew, Then and Now

20+ Age-Defying Parent-Child Castings From Blue Bloods, ER, Ginny & Georgia, Golden Girls, Supernatural and More
20+ Age-Defying Parent-Child Castings From Blue Bloods, ER, Ginny & Georgia, Golden Girls, Supernatural and More

Yahoo

time20 hours ago

  • Entertainment
  • Yahoo

20+ Age-Defying Parent-Child Castings From Blue Bloods, ER, Ginny & Georgia, Golden Girls, Supernatural and More

As TV fans, we're no strangers to suspending our disbelief when it comes to embracing fantastical or implausible storylines from our favorite shows. But sometimes, it can be an equally enjoyable exercise to fall down a rabbit hole of reason. And that's what we're doing here today, embarking on a journey to answer the age-old question: Could this actor be their co-star's parent in real life? More from TVLine Every New Scripted Show Confirmed to Premiere in 2025 - Save the Dates! The Buccaneers Season 2 Premiere: Leighton Meester Makes Dramatic Entrance as [Spoiler]'s Mother Does Jensen Ackles' Countdown Hero Have BDE - Big Dean (Winchester) Energy? 'There Are Familiar Aspects,' Says Supernatural Vet The list below rounds up the 20 weirdest, wackiest, most bizarre parent-child castings due to unbelievable age gaps. So if you, too, just watched the Season 2 premiere of Apple TV+'s The Buccaneers and thought, 'Leighton Meester is playing mom to a 19-year-old woman?!,' you're in the right place. Our list has it all, from a Family Ties father who had only 14 years on his on-screen son, to a Golden Girl who defied all logic by actually being younger than her daughter. We've also got age-defying pairings from Six Feet Under, Supernatural, The Good Place, Blue Bloods, Orange Is the New Black, Schitt's Creek, The Cosby Show, George Lopez and more. But before you get scrolling, some housekeeping: Our round-up is sorted from widest to smallest age gap, and we're sharing how old the actors were at the time the first appeared alongside each other — not how old they are today. Also, we've steered clear of soap operas and timey-wimey time travel shows. (We are in a rabbit hole of reason, remember?!) Without further ado, it's time for you, dear reader, to fly the coop and review our sampling of TV's most bizarre parent-child castings — and as always, feel free to nominate others that come to mind! Meredith Baxter (35) and Michael Gross (35) played parents to Michael J. Fox (21) Age Gap: 14 years Michael Sheen (50) and Bellamy Young (49) played parents to Tom Payne (36) Age Gap: 14 and 13 years Frances Conroy (48) played mother to Peter Krause (35) Age Gap: 13 years Belita Moreno (52) played mother to George Lopez (40) Age Gap: 12 years Jeffrey Dean Morgan (39) played father to Jensen Ackles (27) Age Gap: 12 years Earle Hyman (58) played father to Bill Cosby (47) Age Gap: 11 years Janet Hubert (34) played mother to Karyn Parsons (23) Age Gap: 11 years Brian Cox (72) played father to Alan Ruck (61) Age Gap: 11 years Leighton Meester (39) plays mother to Kristine Frøseth (29) Age Gap: 10 years Mo'Nique (31) played mother to Countess Vaughn (21) Age Gap: 10 years Leslie Grossman (45) played mother to Kristen Bell (36) Age Gap: 9 years John Marshall Jones (34) played father to Essence Atkins (25) Age Gap: 9 years Gretchen Mol (37) played mother to Michael Pitt (29) Age Gap: 8 years Brianne Howey (31) plays mother to Antonia Gentry (23) Age Gap: 8 years Adina Porter (37) played mother to Rutina Wesley (29) Age Gap: 8 years Jane Curtin (75) played mother to Katey Sagal (68) Age Gap: 7 years Len Cariou (70) played father to Tom Selleck (65) Age Gap: 5 years Frances Fisher (52) played mother to Laura Innes (47) Age Gap: 5 years Jennifer Robertson (43) played mother to Tim Rozon (38) Age Gap: 5 years Elizabeth Rodriguez (32) played mother to Dascha Polanco (30) Age Gap: 2 years Estelle Getty (62) played mother to Bea Arthur (63) Age Gap: -1 year! Which parent-child castings surprised you the most? And which did we miss? Hit the comments with your thoughts! Best of TVLine Young Sheldon Easter Eggs: Every Nod to The Big Bang Theory (and Every Future Reveal) Across 7 Seasons Weirdest TV Crossovers: Always Sunny Meets Abbott, Family Guy vs. Simpsons, Nine-Nine Recruits New Girl and More ER Turns 30: See the Original County General Crew, Then and Now

Drake who? In his Toronto return, Kendrick Lamar rose above the drama to deliver a career-spanning spectacle
Drake who? In his Toronto return, Kendrick Lamar rose above the drama to deliver a career-spanning spectacle

Hamilton Spectator

time6 days ago

  • Entertainment
  • Hamilton Spectator

Drake who? In his Toronto return, Kendrick Lamar rose above the drama to deliver a career-spanning spectacle

Rogers Centre, Toronto, June 12, 2025 We all love a bit of drama. A bit of conflict. As humans, we thrive on it. For over a year, music fans have feasted on the bitter discord between Kendrick Lamar and Drake , obsessing over each sensational new development in what's been touted as the greatest rap beef of the 21st century. So it should come as no surprise that Lamar's arrival in Toronto on Thursday night — his first venture north of the border since the feud erupted last spring — to perform on the city's biggest stage was touted as another triumph for the Compton rapper, or framed as a juicy opportunity to provoke his rival on his home turf. But inside Rogers Centre, the spectre of Drake was hardly discernible. Lamar didn't mention him, nor did make reference to the feud even once during a nearly three-hour show. Instead, Lamar chose the high road, providing fans with an electric, career-spanning spectacle that felt less like a victory lap than a joyous celebration of a hip hop superstar operating at the peak of his powers. 'I see Toronto ain't playing tonight,' a smiling Lamar exclaimed midway through the show, following a rousing performance of 'Family Ties,' his 2021 collaboration with Baby Keem that sparked the first of several enthusiastic 'Kendrick' chants from the tens of thousands in attendance. And though Lamar chose not to fan the flames of conflict on Thursday, there were plenty of fireworks, both literal and figurative, provided by both Lamar and his co-headliner SZA, in an expensive extravaganza that sagged a little at times, but mostly soared. I'll admit that I was somewhat skeptical ahead of Thursday's show — the first of Lamar and SZA's back-to-back gigs in Toronto. Something about seeing a hip hop show at a baseball stadium felt wrong, somehow. With a capacity of 50,000, Rogers Centre is more than double the size of Scotiabank Arena, where Lamar typically performs when he comes to Toronto. As I filtered into the stadium and took my seats, I was surprised at the makeup of the crowd: the vast majority of fans appeared to be under 25, and many were teenagers, some sitting with their parents, munching popcorn or admiring their newly purchased merch. Between the main show and the opening DJ set from Mustard, the vibe felt more like a comic convention than a hip hop show. All that changed when the lights went down and a black Buick GNX was rolled slowly toward the middle of the sprawling stage, as the menacing horns of 'wacced out murals' blasted through the stadium's booming speakers. Lamar, the superstar Compton rapper who's been embroiled in a year-long feud with Drake, The audience leapt to the feet immediately as Lamar emerged from the car, kicking the show off with furious medley of upbeat songs from across different eras of his storied career — 'squabble up' from 2024's 'GNX,' 'King Kunta' from 2015's 'To Pimp A Butterfly,' and 'ELEMENT' from 2017's 'DAMN.' After about 10 minutes, the audience erupted for a second time as SZA — who more than once has cancelled Toronto shows at the last minute — emerged from beneath the stage on a rising platform to perform '30 for 30,' a standout collaboration with Lamar from her recent album 'Lana.' It was a thrilling moment, buoyed by the natural chemistry between the two artists, their voices duelling and eventually dovetailing in the song's final chorus. As Lamar exited the stage, SZA was joined by a troupe of dancers to perform three songs from her beloved debut album, 'Ctrl,' her voice nearly drowned out by the thousands of fans singing along at the top of their voices. The rest of the show proceeded in this unique fashion: a miniset by Lamar followed by a miniset from SZA, with collaborations peppered in between. SZA (left) and Kendrick Lamar (right) perform at MetLife Stadium in East Rutherford, New Jersey in May. In an era where co-headlining tours are commonplace, pairing Lamar and SZA together for the Grand National Tour stands out as a particularly brilliant move. Longtime collaborators, both artists are currently riding a wave of unprecedented commercial and critical success: Lamar's record-breaking diss track 'Not Like Us' recently won five Grammys, while SZA's 2022 album 'SOS' recently spent its 85th week on the Billboard Top 10. But more importantly, Lamar and SZA feel remarkably compatible: Lamar, at 37, the slippery shape-shifter and lyrical savant. SZA, at 35, the master craftswoman of irresistible hooks that seamlessly fuse hip hop and R&B. Both standing tall as their musical peers slowly recede from cultural relevancy, whether by self-sabotage ( Kanye West ), by self-imposed exile ( Frank Ocean ), by the seductions of capitalism ( Rihanna ) or by the stench of all-consuming solipsism ( Drake ). Still, following the excitement of the show's first half-hour, both the strengths and flaws the stadium setting became apparent. On the one hand, the show's production was spectacular. Flanked by gigantic screens displaying cutting-edge visuals, along with incredibly charismatic dancers, it was easy to get lost in the performance, even if you were far from the stage. Most arresting was the show's use of stunning pyrotechnics, with thick columns of flames climbing hundreds of feet toward the stadium's ceiling. (Lamar's performance of 'euphoria,' one of two Drake diss tracks he performed throughout the evening, featured more pyro than the entire Metallica show I saw last summer.) On the other hand, the sound in the stadium was frustratingly muddy, with the bass often overpowering Lamar's vocals, and an irritating echo making it difficult to make out banter between songs. The complex stage setup, which included stages that disappeared behind sliding screens, made it difficult to see the performers for stretches at a time, sometimes blocking them completely from view depending on your vantage point. But these issues didn't seem to spoil the fun for fans, who were absolutely dialed in for Lamar's midshow set, which featured some of his biggest hits ('Humble,' 'Backstreet Freestyle'), along with two deconstructed versions of songs from his 2012 debut 'Good Kid, M.A.A.D City.' Nor did the apparent sound issues deter fans from embracing the fun and pure absurdity of SZA's midshow set, during which she showed off both her range and eclectic style with a string of songs from 'SOS' and 'Lana.' For 'F2F,' she brought out a guitarist and bassist, briefly transforming the show into a millennial pop-punk fever-dream. For 'Kitchen,' she performed while riding a giant ant, as dancers dressed as giant praying mantises roamed the stage. ('She's such a stoner,' the woman next to me observed.) SZA performs at MetLife Stadium in East Rutherford, New Jersey in May. As the show entered its third hour, the novelty of Lamar and SZA trading sets began to wear off, and the audience energy began to ebb, even as the two artists trotted out some of their most beloved hits — Lamar's 'Money Trees,' SZA's 'I Hate U' and of course 'All the Stars.' It was nearly 11 p.m. when Lamar finally kicked the show back into a high gear with the hyphy banger 'TV off,' as the word 'MUUSSTTAAARD' echoed through the stadium amid exploding fireworks and billowing columns of flame. With the crowd's energy revitalized, Lamar finally launched into a long-awaited rendition of 'Not Like Us' — the chart-topping, record-breaking, multiple Grammy-winning diss track that doubled as knockout punch in Lamar's feud with Drake; a song that sparked a million think pieces, prompted an explosive defamation lawsuit and arguably changed the shape of hip hop forever. And yet, in the context of the Grand National Tour, 'Not Like Us' somehow transcended all the drama and baggage attached to it. There were no sly comments from Lamar, no cheeky visuals or ad-libs. In fact, Lamar said nothing at all. Instead, the tens of thousands in the arena simply bounced along to the track with the same verve and enthusiasm as they did for the half dozen major hits that Lamar performed earlier in the evening. Admittedly, there was something visceral about chanting along to the song's more inflammatory lines, taking part in the gleeful fun we've been witnessed from a distance for over year now. But it all felt somehow detached from Drake, while the feud felt suddenly contrived and overwrought. (Earlier in the evening, Lamar performed 'Poetic Justice,' a song that features Drake, while SZA performed a cover of his song 'Rich Baby Daddy,' a reminder of the Toronto's rappers ubiquitous, etherlike influence on hip hop.) Though 'Not Like Us' was certainly a highlight, the show reached its pinnacle earlier in the night with Lamar's performance of 'Alright,' a galvanizing, politically charged track from 2015 that became a rallying anthem of the Black Lives Matter movement, and which has taken on fresh relevance amid the ongoing protests against mass deportation in the U.S. ' And we hate popo, wanna kill us dead in the street for sure ,' the audience shouted along, in a moment that provided a much deeper sense of emotional catharsis than the lines ' c ertified lover boy, certified pedophile.' As 'Not Like Us' ended, some half-hearted 'one more time' chants bubbled up, but quickly faded away, as fans realized that, after over 50 songs, the show was finally coming to an end. Wearing a bright red jumper, SZA returned to the stage once to perform 'Luther' and 'Gloria,' both lovely duets off Lamar's most recent album. 'Love and faith, that's what this is all about,' she told the exhausted audience, who began filtering out of the stadium before the final song had even wrapped.

Iconic 80s movie star looks unrecognizable 40 years after hit movie
Iconic 80s movie star looks unrecognizable 40 years after hit movie

Scottish Sun

time08-06-2025

  • Entertainment
  • Scottish Sun

Iconic 80s movie star looks unrecognizable 40 years after hit movie

The former child actor now has a very different job CHUNK TO HUNK Iconic 80s movie star looks unrecognizable as he steps out in LA 40 years after smash hit movie – do you recognise him? ICONIC 80s movie star Jeff Cohen looked totally unrecognizable this week as he stepped out in Los Angeles. Best known for playing Chunk, the beloved truffle-shuffler from the 1985 Spielberg-produced hit, The Goonies, Cohen looked world's away from his onscreen persona. Advertisement 6 Jeff looks unrecognizable from his Goonies days Credit: BackGrid 6 The former child star says that his career stopped when he went through puberty Credit: BackGrid 6 The Goonies will celebrate its 40th anniversary this year Credit: Alamy 6 Jeff's played Chunk in the iconic film Credit: Alamy Now 50, the one-time child star currently works as a successful entertainment lawyer. Dressed in a suit jacket, jeans, and a maroon fedora, Jeff was a far cry from the ice cream-obsessed, Hawaii-shirt-wearing-mischief-maker he played as a kid. Before leaving acting behind, Cohen appeared in hit TV shows like Family Ties, The Facts of Life, and Webster, but he says it was puberty that ended his Hollywood dream. "There were basically about four fat kids in town, so every time there was a fat kid role, you saw the same people at the audition," Jeff once shared. Advertisement Read more in Celebrity SO FINE! '80s singer known for hit song looks completely different in rare LA outing "It was survival of the fattest. But when I hit puberty, it was a career ender for me. I was transforming from Chunk to hunk and I couldn't get roles any more." He added: "It was terrible. My first love was acting, but puberty had other ideas. It was a forced retirement. I didn't give up acting. Acting gave me up." Cohen, who studied at UC Berkeley and later went to UCLA School of Law, co-founded Cohen Gardner LLP in 2002. Despite his fame as a child, he says clients have no problem taking him seriously. Advertisement "My clients get a kick out of the fact their lawyer is Chunk. They dig it," he said. "With my job, I'm dealing with legitimately famous people, so it's just silly and fun. "I'm usually only the fifth most famous person in the room at any one time." Cohen's memories of making The Goonies remain vivid. "It was great," he recalled. "For me, the best part about it was Richard Donner the director. He was big on letting the kids be kids and I think that's one of the reasons the movie stands up today." Advertisement He continued: "People still watch the movie themselves or watch it with their own kids. Even though it's very eighties in the fashions, it's still kids being kids. "Richard Donner wanted us to improvise, talk over each other, push and shove and kind of do our thing. The Goonies Andy actress Kerri Green is unrecognisable 37 years after the movie "I think that's one of the reasons people like it. It doesn't seem like kids acting. It's just kids being themselves, which Richard really encouraged. He wanted us to be comfortable." Recalling one particular moment with Donner, Jeff said: "In the scene where Sloth picks me up while I'm strapped to a chair, I was told he wasn't going to pick me up because John Matuszak's back hurt. Advertisement "But of course, John was so strong it was nothing to him, so he just picked me up and kissed me. My shock and horror was real. I wasn't that good an actor – that was actual terror on my face." Earlier this year, Jeff reunited with his co-stars to celebrate fellow Goonie Ke Huy Quan, who played Data, as he was honored at the TCL Chinese Theater. Cohen, along with Corey Feldman, Josh Brolin, Kerri Green, and screenwriter Chris Columbus turned out to support Quan, who won an Oscar last year for Everything Everywhere All at Once. Jeff, now Ke Huy Quan's entertainment lawyer, gave his friend a proud bear hug as the group relived their childhood memories on the red carpet. Advertisement 6 The cast got together to celebrate Ke Huy Quan Credit: Reuters

Iconic 80s movie star looks unrecognizable as he steps out in LA 40 years after smash hit movie – do you recognise him?
Iconic 80s movie star looks unrecognizable as he steps out in LA 40 years after smash hit movie – do you recognise him?

The Irish Sun

time08-06-2025

  • Entertainment
  • The Irish Sun

Iconic 80s movie star looks unrecognizable as he steps out in LA 40 years after smash hit movie – do you recognise him?

ICONIC 80s movie star Jeff Cohen looked totally unrecognizable this week as he stepped out in Los Angeles. Best known for playing Chunk, the beloved truffle-shuffler from the 1985 6 Jeff looks unrecognizable from his Goonies days Credit: BackGrid 6 The former child star says that his career stopped when he went through puberty Credit: BackGrid 6 The Goonies will celebrate its 40th anniversary this year Credit: Alamy 6 Jeff's played Chunk in the iconic film Credit: Alamy Now 50, the one-time child star currently works as a successful entertainment lawyer. Dressed in a suit jacket, jeans, and a maroon fedora, Jeff was a far cry from the ice cream-obsessed, Hawaii-shirt-wearing-mischief-maker he played as a kid. Before leaving acting behind, Cohen appeared in hit TV shows like Family Ties, The Facts of Life, and Webster, but he says it was puberty that ended his Hollywood dream. "There were basically about four fat kids in town, so every time there was a fat kid role, you saw the same people at the audition," Jeff once shared. Read more in Celebrity "It was survival of the fattest. But when I hit puberty, it was a career ender for me. I was transforming from Chunk to hunk and I couldn't get roles any more." He added: "It was terrible. My first love was acting, but puberty had other ideas. It was a forced retirement. I didn't give up acting. Acting gave me up." Cohen, who studied at UC Berkeley and later went to UCLA School of Law, co-founded Cohen Gardner LLP in 2002. Despite his fame as a child, he says clients have no problem taking him seriously. Most read in Celebrity "My clients get a kick out of the fact their lawyer is Chunk. They dig it," he said. "With my job, I'm dealing with legitimately famous people, so it's just silly and fun. "I'm usually only the fifth most famous person in the room at any one time." Cohen's memories of making The Goonies remain vivid. "It was great," he recalled. "For me, the best part about it was Richard Donner the director. He was big on letting the kids be kids and I think that's one of the reasons the movie stands up today." He continued: "People still watch the movie themselves or watch it with their own kids. Even though it's very eighties in the fashions, it's still kids being kids. "Richard Donner wanted us to improvise, talk over each other, push and shove and kind of do our thing. The Goonies Andy actress Kerri Green is unrecognisable 37 years after the movie "I think that's one of the reasons people like it. It doesn't seem like kids acting. It's just kids being themselves, which Richard really encouraged. He wanted us to be comfortable." Recalling one particular moment with Donner, Jeff said: "In the scene where Sloth picks me up while I'm strapped to a chair, I was told he wasn't going to pick me up because John Matuszak's back hurt. "But of course, John was so strong it was nothing to him, so he just picked me up and kissed me. My shock and horror was real. I wasn't that good an actor – that was actual terror on my face." Earlier this year, Jeff reunited with his co-stars to celebrate fellow Goonie Ke Huy Quan, who played Data, as he was honored at the TCL Chinese Theater. Cohen, along with Corey Feldman, Josh Brolin, Kerri Green, and screenwriter Chris Columbus turned out to support Quan, who won an Oscar last year for Everything Everywhere All at Once. Jeff, now Ke Huy Quan's entertainment lawyer, gave his friend a proud bear hug as the group relived their childhood memories on the red carpet. 6 The cast got together to celebrate Ke Huy Quan Credit: Reuters 6 Jeff spoke fondly about director Richard Donner's approach to working with kids Credit: Getty

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