logo
#

Latest news with #Exhibition

Supporting both people with autism and the society, inclusive art exhibition at NSW Parliament House
Supporting both people with autism and the society, inclusive art exhibition at NSW Parliament House

SBS Australia

time5 days ago

  • Entertainment
  • SBS Australia

Supporting both people with autism and the society, inclusive art exhibition at NSW Parliament House

Artist Bowman Yu (right) with his father DAPA's Vincent Yu at DAPA Inclusive Art Exhibition 2025 at the NSW Parliament House. Credit: SBS Listen to SBS Japanese Audio on Tue, Thu and Fri from 1pm on SBS 3. Replays from 10pm on Tue, Thu and Sat on SBS1. Listen to past stories from our podcast. Download the free SBS Audio App and don't forget to visit SBS Japanese Facebook and Instagram page!

Eric Cantona and Ella Toone help meld football and art for Manchester festival
Eric Cantona and Ella Toone help meld football and art for Manchester festival

The Guardian

time5 days ago

  • Entertainment
  • The Guardian

Eric Cantona and Ella Toone help meld football and art for Manchester festival

'Everybody needs his own ritual or way of preparing,' says the former Dutch footballer Edgar Davids. 'Those minutes that you're in the tunnel is where we're going to start.' Davids is talking about a piece he has worked on alongside the artist Paul Pfeiffer in which the pair recreate the tension of the tunnel before a big game. The work will serve as the passageway into the 'set piece' of this year's Manchester international festival – Football City, Art United – where the beautiful game is moving off the pitch and into the artist's studio. 'It's now more important than ever to bring things together,' says Hans Ulrich Obrist, who has co-curated the exhibition alongside Josh Willdigg and the former Manchester United midfielder Juan Mata. 'There's a lot of separation and it's important to connect worlds that wouldn't necessarily talk to each other. It's exciting to do it with sport.' For Football City, Art United, Pfeiffer was paired with the former Juventus midfielder Davids, who has a significant art collection of his own and suggested recreating the intensity of the tunnel as players prepare to walk out into a stadium. 'He referred to it as the moment of greatest tension,' says Pfeiffer. 'Even more so than being on the field itself.' Visitors to the Aviva Studios in Manchester, where the exhibition is being held, will be immersed into a tunnel, with audio of crowd noise that Pfeiffer and his team recorded live at the San Siro stadium during the Milan derby earlier this year. Davids, who also played for both Milan sides during his career in Italy, was able to pull strings to get the artist's team pitchside. Pfeiffer calls it a mix of the 'preparation and interior space of the individual player' versus 'the sound of 100,000 fans permeating the wall'. There are 11 'pairings' in total, with footballers and artists put together according to interests. Arguably the most anticipated work for locals comes from the United fan favourite and Manchester United bete noire Eric Cantona, who alongside the British conceptual artist Ryan Gander explores the effects of fame on a player. The work features three parts: an automated spotlight that will pick out visitors at random so they can experience the 'isolating glare of celebrity'; a song performed by Cantona, Les Temps Passe or Time Passes, will play; and a number of match tickets from the French forward's final appearance at Old Trafford will be handed out to every 100th visitor replete with a message from him. Perhaps the most intriguing work is a collaboration between the Berlin and London-based artist collective Keiken and the England star Ella Toone. Visitors can step on to a podium and interact with a mask inspired by Toone's 'spirit animal', the shetland pony. 'The idea is that football is for everyone and art is for everyone,' says Obrist. 'We're here to create a bridge of possibilities. There are moments of epiphany in football and art, and hopefully we can create some in Manchester.' This is not the first time Obrist has embraced football. He was a passionate backer of Douglas Gordon and Philippe Parreno's film Zidane: A 21st Century Portrait, which he describes as a masterpiece. He has also had a long-running collaborative relationship with Mata, after the pair messaged each other on Instagram when the footballer began liking Obrist's studio visit posts. This year's project is the latest instalment of The Trequartista: Art and Football United, a multi-part exploration of the sport and artistic practice. Sign up to First Edition Our morning email breaks down the key stories of the day, telling you what's happening and why it matters after newsletter promotion After connecting with Mata, the Serpentine curator invited him to collaborate with the German-Indian artist Tino Sehgal at the 2023 Manchester international festival. The resulting work, This entry, features Mata alongside a trick cyclist, a freeform footballer, a violinist and a dancer. Obrist described the 2023 work as a teaserfor what's to come later this summer. The Honolulu-born, New York-based Pfeiffer's work often intersects with sport. He has used digital editing to make it seem as if a boxer is being hit by an invisible opponent and removed audio from NBA games, creating eerie portraits of players. As one critic put it, Pfeiffer 'strips away the pageantry' of sport and in so doing shows 'the pain and contradiction that draw people in'. The Swiss Uruguayan artist Jill Mulleady once met Diego Maradona, and she is using that chance encounter as the basis for a 'holographic illusion' of the footballer, which will recall his controversial 'hand of God' goal against England at the 1986 World Cup. Alvaro Barrington teams up with the 90s Brazil star Raí to create a 'large green felt banner' that will hang about the space, while the architects Stefano Boeri and Eduardo Terrazas have created a work on the floor of the Aviva Studios with the former Italian player Sandro Mazzola where visitors can recreate some of his goals. Other work includes the manga artist Chikyuu no Osakana Pon-chan recreating scenes from the life of the former Manchester United midfielder Shinji Kagawa; the Zidane co-creator Parreno and Marco Perego present a Sims-style video game where visitors can explore the 'physical geography' of the former Everton and Real Madrid manager Carlo Ancelotti. The US artist Suzanne Lacy, the Manchester City and Netherlands star Vivianne Miedema and the Angel City FC and New Zealand captain Ali Riley have created a film; Bárbara Sánchez-Kane and the former Mexican goalkeeper Jorge Campos have created a flamboyant mascot named Brody; and the British artist Rose Wylie worked with the Arsenal and England defender Lotte Wubben-Moy to turn moments from her daily life as a footballer into paintings. Football City, Art United is at Aviva Studios, Manchester from 4 July to 24 August

Makkah's Two Holy Mosques Architecture Exhibition unveils 1,400 years of sacred architecture
Makkah's Two Holy Mosques Architecture Exhibition unveils 1,400 years of sacred architecture

Arab News

time13-06-2025

  • Arab News

Makkah's Two Holy Mosques Architecture Exhibition unveils 1,400 years of sacred architecture

MAKKAH: Visitors to Makkah are being offered an unprecedented journey through Islamic architectural history, showcasing the remarkable evolution of the Grand Mosque and Prophet's Mosque across 14 centuries of development. The Two Holy Mosques Architecture Exhibition, housed in a renovated 1,200 sq. meter facility in the Um Al-Joud neighborhood, is presenting rare artifacts and architectural models that document the transformation of Islam's most sacred sites. The exhibition building itself exemplifies the fusion of traditional and contemporary Islamic design, with architectural elements deliberately echoing the Grand Mosque's distinctive style. According to the Saudi Press Agency, this design philosophy creates an immersive environment in which visitors experience visual and cultural connections to the sacred spaces. The exhibition building exemplifies the fusion of traditional and contemporary Islamic design, with architectural elements deliberately echoing the Grand Mosque's distinctive style. Following comprehensive upgrades, the General Presidency for the Affairs of the Grand Mosque and the Prophet's Mosque has launched the exhibition's trial operations phase. The modernization included complete technical infrastructure overhauls, contemporary presentation methods for historical artifacts, and sophisticated lighting systems that illuminate intricate details while enhancing the visitor experience. The exhibition's renewed mission extends beyond simple display, aiming to transmit the Two Holy Mosques' heritage to both Islamic communities and global audiences, the SPA said. Through interactive experiences and educational programming, the facility seeks to broaden understanding of Islamic architectural principles, while connecting contemporary visitors with their civilizational roots. Those interested in visiting can schedule appointments through the official booking portal at

Youth Serving Nonprofits Showcase Community Impact through Baltimore Children & Youth Fund's 2025 Community Exhibition
Youth Serving Nonprofits Showcase Community Impact through Baltimore Children & Youth Fund's 2025 Community Exhibition

Yahoo

time12-06-2025

  • Business
  • Yahoo

Youth Serving Nonprofits Showcase Community Impact through Baltimore Children & Youth Fund's 2025 Community Exhibition

BALTIMORE, June 12, 2025 /PRNewswire/ -- On June 3, over 250 community members, leaders, and mentors gathered at Baltimore Unity Hall for the Baltimore Children & Youth Fund's (BCYF) second annual Community Exhibition. The evening was a celebration of the impact made by the city's youth serving nonprofits and an inside look into their plans for the future, including the launch of #bcreds. The new online program designed by BCYF specifically for grassroots and community-based organizations offers accessible, high-quality financial learning experiences across all devices. This high-energy event was the culmination of BCYF's 6-month city-wide learning series titled the learning lab, diligently designed to strengthen Baltimore's youth development ecosystem. Each event over the past six months was curated with one intention in mind: to explore innovative models and strategies that align with BCYF's city-wide initiative to build Baltimore's very own Youth Master Plan (YMP). With opening remarks from community leader and partner, Mayor Brandon Scott, attendees were welcomed into an immersive experience highlighting the grantees' accomplishments that would not have been possible without BCYF's financial support and capacity building programs. "This Community Exhibition is what happens when you invest in grassroots leaders and give the space, support, and respect that they need to be successful. Through the learning lab, BCYF has created a dynamic citywide experience with one thousand participants and 60 hours of programming with a focus on equipping youth and adult leaders with the skills, networks and tools to help them grow into better versions of themselves," Mayor Scott explained. "The results speak for themselves. They are building a capacity for these grassroots organizations making them more sustainable, more connected, and even more impactful." While grassroots leaders showcased their masterful storytelling skills upstairs developed through the learning lab, participants also indulged in an immersive gallery walk and live demonstrations for #bcreds downstairs. "Walking through the gallery and seeing just how much output and outcomes these youth serving organizations have been able to make within our community was extremely moving," one attendee recalled. "These organizations are not only protecting our future leaders through their programming, but they are introducing them to things like the arts, STEM, marketing, and yoga that they otherwise would have never experienced. As the community leaders shared their organizations success stories, many of their previous youth participants were in the audience. They shared how they have received scholarships, graduated college debt-free and returned to serve the same community that poured into them during their adolescence." Nonprofit and grassroots organizations were also invited to sign up for #bcreds to strengthen their capacity through short, skills-based learning opportunities focused on real-world topics like financial management, strategic planning, fundraising, and program design. The web-based learning program was thoughtfully designed with retention in mind, ensuring users actively absorb the material rather than simply read through it. The first #bcreds course is now available online, titled Making $ense: Reading Financial Statements for Nonprofits. The course teaches users how to read and analyze financial documents to increase their confidence as their organizations prepare for financial planning and growth opportunities. These self-paced training sessions are free and accessible to anyone serving Baltimore's youth, underscoring BCYF's commitment to not just building programs, but strengthening the organizations behind them. Events like the learning lab and platforms like #bcreds offer a national invitation for communities to rethink how learning, leadership, and community investment go hand in hand—positioning Baltimore as a model for innovation in nonprofit management and youth development. For more information about BCYF and the learning lab, visit For more information about #bcreds, visit About the Baltimore Children & Youth Fund:The effort to create a dedicated fund to support programs for Baltimore's young people was launched in 2015 by then-City Council President Bernard "Jack" C. Young — a response to the unrest in Baltimore following the death of Freddie Gray while in police custody, an event that sharply illuminated longstanding inequities in public funding in Black communities. Supported by Baltimore City residents' tax dollars, since 2020 BCYF has awarded over $31M to Baltimore programs serving children and youth. View original content: SOURCE Baltimore Children & Youth Fund

GG visits exhibition site
GG visits exhibition site

Otago Daily Times

time10-06-2025

  • Otago Daily Times

GG visits exhibition site

The vice-regal party inspects the under-construction New Zealand and South Seas exhibition buildings on Logan Park, Dunedin. — Otago Witness, 16.6.1925 Autumn travel worthwhile The first public engagement of the day yesterday for the Governor-General, Sir Charles Fergusson, was a visit to the Exhibition Buildings. The Governor-General and all the members of his party, including the Lady Alice Fergusson and Miss Fergusson, were met and welcomed by the chairman of directors (Mr J. Sutherland Ross) and most of the other directors. The party which inspected the huge buildings included all the chief officials of the Exhibition and many lady relatives and friends of directors and officials. Sir Charles was escorted by Mr Ross, who led the way through the Canadian and Australian building, the motor building, the Government court, the secondary industries court, the festival hall, the fernery and art gallery, the pavilion of provincial courts, the machinery hall, and, finally, the British court. Members of the Vice-regal party were evidently much interested and impressed with what they saw. Mr W. O'Connell (officer in charge of the local Tourist Office) has returned from a three weeks' tour of several of the South Island holidays resorts. Speaking yesterday to a Daily Times reporter, Mr O'Connell said there seemed to be a general impression that the month of May was too late for visiting the tourist resorts of the South Island, but during his tour to Queenstown, Pembroke, Mount Cook, Franz Josef Glacier, Buller Gorge and East Coast he experienced only two wet days. Moreover, the travelling, especially by motor car, was more pleasant during the mild May weather than in the hot summer. "What seems to strike one more particularly on this trip," said Mr O'Connell, "is the remarkable variety in the scenery and the special attractions that each resort offers. On the journey through the orchard country of Central Otago at this time of the year the autumn tints are very beautiful, especially round about Roxburgh and Clyde. The journey over the Crown Range to Pembroke is very interesting, and there is a fine view of Queenstown and the surrounding country to be seen from the top of the range. Pembroke," he continued, "is a resort which has become very popular during the last few years, and it is bound to become more so." Radical land policy The land policy of the Labour Party is directed to the destruction of all rights of private ownership in land. It is directed also to the abrogation of the law of inheritance. That this should be so is entirely consistent with the objective of the party, which is the socialisation of the means of production, distribution, and exchange. It would be absurd to say that the land should be "socialised" and, at the same time, to recognise the right of any individual to own land. The Labour Party is, therefore, proposing something that is in complete harmony with its objective when it includes in its policy a provision that "privately-owned land shall not be sold or transferred except to the State." All land, according to the Labour Party, must belong to the State. Consequently, its policy provides that whenever a man wishes to realise his land there can be no purchaser other than the State. The policy is a coherent one, directed to the one aim of making the community the sole owner of all land. — editorial — ODT, 11.6.1925 Compiled by Peter Dowden

DOWNLOAD THE APP

Get Started Now: Download the App

Ready to dive into a world of global content with local flavor? Download Daily8 app today from your preferred app store and start exploring.
app-storeplay-store