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The Age
3 hours ago
- Entertainment
- The Age
How SBS evolved from ‘clogs and cooking' into our most innovative broadcaster
For some Australians, it was the soccer that first prompted them to watch SBS. Others came for its flagship World News bulletin; current affairs programs such as Dateline, Insight and Living Black; or cult hits including South Park, Queer as Folk and Fat Pizza. And for many teenagers, its racy international films served as a reliable drawcard (and a gateway drug to the appreciation of arthouse cinema). But for Julia Zemiro, SBS was a lifeline to her home country. 'I was born in France and did all my primary education at a French school in Australia,' says the popular presenter, who has hosted several series and specials for the broadcaster including RocKwiz, Who Do You Think You Are?, Great Australian Walks and the Eurovision Song Contest. 'To have all those French films and TV shows was incredible. There was French radio but to see those images on TV made you feel even more connected.' This month, the Special Broadcasting Service – affectionately dubbed the 'Sex Between Soccer' network by viewers – marks its 50th anniversary. And there is much to celebrate: over the course of five decades, it has evolved from two experimental radio stations (2EA in Sydney and 3EA in Melbourne; EA standing for 'Ethnic Australia') into a radio network broadcasting in 68 languages, as well as six television channels. In 2014, its share of the TV audience was 5.2 per cent; last year, it was 9.3 per cent. And its SBS On Demand service has grown by 18 per cent over the past 12 months, with almost 2.25 million active accounts logging into the platform in April alone. 'SBS has been a constant companion of multiculturalism in Australia,' says the network's managing director, James Taylor. 'I'm reminded of the Noel Pearson Boyer Lecture from 2022, where he spoke about the story of Australia resting on three pillars: our First Nations heritage, the British institutional foundations and the multicultural gift of migration. I like to think that SBS sits at the intersection of these pillars by brokering understanding, belonging and mutual respect.' When SBS was launched by the Whitlam government in 1975, it had a narrow aim: to inform non-English speaking Australians of the Medibank public health system, now known as Medicare. Indeed, it was intended to operate for just three months, until its success prompted the government to acknowledge the value of a permanent multicultural broadcaster in a country with a booming migrant population. In 1980, SBS expanded into television, with the Fraser government appointing former ABC chair Bruce Gyngell as its first chief executive. 'I was horrified with the concept they had,' Gyngell later recalled. 'It sounded to me like a typical sort of ethnic station with dancing and clogs and exotic cooking and not much more than that. The sense of culture seemed to be totally absent.' What Gyngell wanted was a channel that would encourage migrants to feel embraced by their adopted country – and to foster a greater appreciation and understanding of their cultures among Australian-born citizens. Loading 'If SBS had never existed, we'd understand so much less about ourselves,' says Jenny Brockie, who hosted the acclaimed Insight program between 2001 and 2020. 'It encouraged us to celebrate our differences while recognising that we're all part of a community, which I think is its biggest contribution. And at a programming level, SBS has been a real innovator; it's a place where a lot of risks have been taken.' Insight is a good example: under Brockie, it evolved from a magazine format into a discussion forum. Each episode is devoted to a single topic, from domestic terrorism to the pain of betrayal, with a studio audience – as opposed to a panel of talking heads – sharing their views and experiences. This might seem like a recipe for Jerry Springer-style conflict but in reality, Insight is among the most thoughtful and illuminating programs on Australian television. 'Every single person in the room is nurtured by producers through extensive conversations over a long period of time,' says Insight's current host, Kumi Taguchi. 'We don't do gotcha moments; if somebody says they don't want to discuss a particular part of their experience, we never cross that line. We're transparent with our guests about who else will be in the room, and the fact there will be differing opinions, which helps build trust and understanding. About 80 per cent of the work is done behind the scenes before people even get into the studio.' 'We were allowed to be a bit more bold than we might have been on a commercial network.' Julia Zemiro Long before Taguchi joined SBS, she was an avid viewer of the network. 'It brought a new kind of quirkiness and irreverence to our screens,' she says. 'Everyone would talk about the late-night world movies, and it was the only station at the time to show South Park. I really like the way it pushed those boundaries.' Loading Zemiro agrees. 'We were allowed to be a bit more bold than we might have been on a commercial network,' she says. 'As a viewer, you'd see things that were a bit sexy or dangerous. SBS showed soccer before anyone gave a shit about soccer. We could say things like, 'Colonialism isn't great' or 'These animals are suffering and we need to do something about it'. And with [music quiz show] RocKwiz, they just let us go for it and be creative, which is pretty rare.' Of course, SBS – which receives about one third of its funding from commercial sponsors and the rest from taxpayers – is not immune to the difficulties facing free-to-air broadcasters in 2025. This is largely due to technological advances, which spawned direct rivals such as Netflix, Stan* and Disney+. (Meanwhile, Google and Meta now account for an estimated 70 per cent of digital advertising spend.) But technology has also been a boon for the network, allowing it to maintain its multilingual programming while reaching new audiences through SBS On Demand and additional channels such as Viceland, World Movies, Food, WorldWatch and NITV. Karla Grant, a Western Arrernte woman, joined SBS in 1995 as a producer and reporter on ICAM, the network's first Indigenous affairs program. In 2002, she created the acclaimed Living Black, which she hosts to this day, and she is one of the main presenters on the National Indigenous Television channel, which became part of SBS in 2012. Loading 'SBS has been a leader in terms of Indigenous programming and storytelling, giving First Nations people a platform and a voice they don't have anywhere else,' Grant says. 'But NITV and Living Black also play a huge part in informing and educating our nation about First Nations issues, history and culture, which is something we want to share with the rest of the country and the world. It's an important role and I think we do it well.' Among the reporting Grant is most proud of is an investigation called Taken, which examined the growing number of Aboriginal and Torres Strait Islander children being removed from their homes by authorities. 'Everyone talks about the stolen generations as though they're a thing of the past,' she says. 'In fact, it's still happening today. We did a story about kids in detention, and how one boy had to drink from the toilet in his cell because the guard wouldn't let him have fresh water. A lot of people wrote to me saying, 'We had no idea this type of thing still happens, but it's an appalling breach of human rights'.' Over the past three decades, Grant has also told countless positive stories. Loading 'We shine a light on all the great things that are happening in our communities and the people who are making huge contributions to our country' she says. 'It's entertaining but it's also educating people at the same time.' The same could be said of many SBS dramas. East West 101, which was set in a major crime squad, explored issues of race and justice; Deep Water was based on unsolved gay hate murders in the 1980s; and New Gold Mountain captured the racial tensions of Victoria's goldfields in the 1850s. There have been warm-hearted comedies such as The Family Law, based on Benjamin Law's memoir of the same name; the groundbreaking documentary series Struggle Street, which detailed the reality of living in poverty in Australia; and the hit reality show Alone Australia, in which survivalists attempt to live by themselves for as long as possible in the wilderness. Among the network's best-known former presenters are newsreaders Lee Lin Chin and George Donikian; Margaret Pomeranz and David Stratton, who hosted The Movie Show between 1986 and 2004; and sports broadcasters Damien Lovelock and Les Murray. Craig Foster, who spent 18 years as SBS's chief football analyst, believes the network's purpose was best described by Murray, who died in 2019. 'Way back in the '80s, it was Les who rightly said that SBS is [an affirmation] of the value of pluralism and multiple ancestries,' Foster says. 'It didn't matter whether you spoke Turkish, Greek or Italian – that should be celebrated.' Foster recalls the semi-final between South Korea and Germany at the 2002 FIFA World Cup with a particular fondness. 'There were hundreds of thousands of people watching that game with immense passion,' he says. 'And it was SBS that not only understood that fact, it celebrated it. In effect, what SBS was saying is, 'We are all connected through this game and we respect you as equal Australians. Your parents might have been looked down upon, but we want you to know that we love it when you speak different languages and we love it when you wear your ceremonial dress. In other words, we get you'.' Anton Enus, who hosts the World News bulletins on Fridays and Saturdays, echoes this sentiment. 'I came here from South Africa in 1999 and SBS really helped me embrace this nation that was new to me,' he says. 'As a migrant, you also want to feel connected [to your home country], so you're always looking for someone who sounds like you or speaks your language. But another great thing about SBS is that it teaches you about other cultures you might not have any direct connection to. You might start watching an Italian movie and before you know it, you're completely sucked in because it's something totally different to what you'd get from Hollywood or the BBC.' For managing director Taylor, this is the raison d'etre for the network. 'I regard SBS as a national broadcaster that tells the stories of all Australians,' he says. 'The Australia you see when you tune into any one of our channels or platforms is the same Australia you see when you walk out your front door.'
Sydney Morning Herald
3 hours ago
- Entertainment
- Sydney Morning Herald
How SBS evolved from ‘clogs and cooking' into our most innovative broadcaster
For some Australians, it was the soccer that first prompted them to watch SBS. Others came for its flagship World News bulletin; current affairs programs such as Dateline, Insight and Living Black; or cult hits including South Park, Queer as Folk and Fat Pizza. And for many teenagers, its racy international films served as a reliable drawcard (and a gateway drug to the appreciation of arthouse cinema). But for Julia Zemiro, SBS was a lifeline to her home country. 'I was born in France and did all my primary education at a French school in Australia,' says the popular presenter, who has hosted several series and specials for the broadcaster including RocKwiz, Who Do You Think You Are?, Great Australian Walks and the Eurovision Song Contest. 'To have all those French films and TV shows was incredible. There was French radio but to see those images on TV made you feel even more connected.' This month, the Special Broadcasting Service – affectionately dubbed the 'Sex Between Soccer' network by viewers – marks its 50th anniversary. And there is much to celebrate: over the course of five decades, it has evolved from two experimental radio stations (2EA in Sydney and 3EA in Melbourne; EA standing for 'Ethnic Australia') into a radio network broadcasting in 68 languages, as well as six television channels. In 2014, its share of the TV audience was 5.2 per cent; last year, it was 9.3 per cent. And its SBS On Demand service has grown by 18 per cent over the past 12 months, with almost 2.25 million active accounts logging into the platform in April alone. 'SBS has been a constant companion of multiculturalism in Australia,' says the network's managing director, James Taylor. 'I'm reminded of the Noel Pearson Boyer Lecture from 2022, where he spoke about the story of Australia resting on three pillars: our First Nations heritage, the British institutional foundations and the multicultural gift of migration. I like to think that SBS sits at the intersection of these pillars by brokering understanding, belonging and mutual respect.' When SBS was launched by the Whitlam government in 1975, it had a narrow aim: to inform non-English speaking Australians of the Medibank public health system, now known as Medicare. Indeed, it was intended to operate for just three months, until its success prompted the government to acknowledge the value of a permanent multicultural broadcaster in a country with a booming migrant population. In 1980, SBS expanded into television, with the Fraser government appointing former ABC chair Bruce Gyngell as its first chief executive. 'I was horrified with the concept they had,' Gyngell later recalled. 'It sounded to me like a typical sort of ethnic station with dancing and clogs and exotic cooking and not much more than that. The sense of culture seemed to be totally absent.' What Gyngell wanted was a channel that would encourage migrants to feel embraced by their adopted country – and to foster a greater appreciation and understanding of their cultures among Australian-born citizens. Loading 'If SBS had never existed, we'd understand so much less about ourselves,' says Jenny Brockie, who hosted the acclaimed Insight program between 2001 and 2020. 'It encouraged us to celebrate our differences while recognising that we're all part of a community, which I think is its biggest contribution. And at a programming level, SBS has been a real innovator; it's a place where a lot of risks have been taken.' Insight is a good example: under Brockie, it evolved from a magazine format into a discussion forum. Each episode is devoted to a single topic, from domestic terrorism to the pain of betrayal, with a studio audience – as opposed to a panel of talking heads – sharing their views and experiences. This might seem like a recipe for Jerry Springer-style conflict but in reality, Insight is among the most thoughtful and illuminating programs on Australian television. 'Every single person in the room is nurtured by producers through extensive conversations over a long period of time,' says Insight's current host, Kumi Taguchi. 'We don't do gotcha moments; if somebody says they don't want to discuss a particular part of their experience, we never cross that line. We're transparent with our guests about who else will be in the room, and the fact there will be differing opinions, which helps build trust and understanding. About 80 per cent of the work is done behind the scenes before people even get into the studio.' 'We were allowed to be a bit more bold than we might have been on a commercial network.' Julia Zemiro Long before Taguchi joined SBS, she was an avid viewer of the network. 'It brought a new kind of quirkiness and irreverence to our screens,' she says. 'Everyone would talk about the late-night world movies, and it was the only station at the time to show South Park. I really like the way it pushed those boundaries.' Loading Zemiro agrees. 'We were allowed to be a bit more bold than we might have been on a commercial network,' she says. 'As a viewer, you'd see things that were a bit sexy or dangerous. SBS showed soccer before anyone gave a shit about soccer. We could say things like, 'Colonialism isn't great' or 'These animals are suffering and we need to do something about it'. And with [music quiz show] RocKwiz, they just let us go for it and be creative, which is pretty rare.' Of course, SBS – which receives about one third of its funding from commercial sponsors and the rest from taxpayers – is not immune to the difficulties facing free-to-air broadcasters in 2025. This is largely due to technological advances, which spawned direct rivals such as Netflix, Stan* and Disney+. (Meanwhile, Google and Meta now account for an estimated 70 per cent of digital advertising spend.) But technology has also been a boon for the network, allowing it to maintain its multilingual programming while reaching new audiences through SBS On Demand and additional channels such as Viceland, World Movies, Food, WorldWatch and NITV. Karla Grant, a Western Arrernte woman, joined SBS in 1995 as a producer and reporter on ICAM, the network's first Indigenous affairs program. In 2002, she created the acclaimed Living Black, which she hosts to this day, and she is one of the main presenters on the National Indigenous Television channel, which became part of SBS in 2012. Loading 'SBS has been a leader in terms of Indigenous programming and storytelling, giving First Nations people a platform and a voice they don't have anywhere else,' Grant says. 'But NITV and Living Black also play a huge part in informing and educating our nation about First Nations issues, history and culture, which is something we want to share with the rest of the country and the world. It's an important role and I think we do it well.' Among the reporting Grant is most proud of is an investigation called Taken, which examined the growing number of Aboriginal and Torres Strait Islander children being removed from their homes by authorities. 'Everyone talks about the stolen generations as though they're a thing of the past,' she says. 'In fact, it's still happening today. We did a story about kids in detention, and how one boy had to drink from the toilet in his cell because the guard wouldn't let him have fresh water. A lot of people wrote to me saying, 'We had no idea this type of thing still happens, but it's an appalling breach of human rights'.' Over the past three decades, Grant has also told countless positive stories. Loading 'We shine a light on all the great things that are happening in our communities and the people who are making huge contributions to our country' she says. 'It's entertaining but it's also educating people at the same time.' The same could be said of many SBS dramas. East West 101, which was set in a major crime squad, explored issues of race and justice; Deep Water was based on unsolved gay hate murders in the 1980s; and New Gold Mountain captured the racial tensions of Victoria's goldfields in the 1850s. There have been warm-hearted comedies such as The Family Law, based on Benjamin Law's memoir of the same name; the groundbreaking documentary series Struggle Street, which detailed the reality of living in poverty in Australia; and the hit reality show Alone Australia, in which survivalists attempt to live by themselves for as long as possible in the wilderness. Among the network's best-known former presenters are newsreaders Lee Lin Chin and George Donikian; Margaret Pomeranz and David Stratton, who hosted The Movie Show between 1986 and 2004; and sports broadcasters Damien Lovelock and Les Murray. Craig Foster, who spent 18 years as SBS's chief football analyst, believes the network's purpose was best described by Murray, who died in 2019. 'Way back in the '80s, it was Les who rightly said that SBS is [an affirmation] of the value of pluralism and multiple ancestries,' Foster says. 'It didn't matter whether you spoke Turkish, Greek or Italian – that should be celebrated.' Foster recalls the semi-final between South Korea and Germany at the 2002 FIFA World Cup with a particular fondness. 'There were hundreds of thousands of people watching that game with immense passion,' he says. 'And it was SBS that not only understood that fact, it celebrated it. In effect, what SBS was saying is, 'We are all connected through this game and we respect you as equal Australians. Your parents might have been looked down upon, but we want you to know that we love it when you speak different languages and we love it when you wear your ceremonial dress. In other words, we get you'.' Anton Enus, who hosts the World News bulletins on Fridays and Saturdays, echoes this sentiment. 'I came here from South Africa in 1999 and SBS really helped me embrace this nation that was new to me,' he says. 'As a migrant, you also want to feel connected [to your home country], so you're always looking for someone who sounds like you or speaks your language. But another great thing about SBS is that it teaches you about other cultures you might not have any direct connection to. You might start watching an Italian movie and before you know it, you're completely sucked in because it's something totally different to what you'd get from Hollywood or the BBC.' For managing director Taylor, this is the raison d'etre for the network. 'I regard SBS as a national broadcaster that tells the stories of all Australians,' he says. 'The Australia you see when you tune into any one of our channels or platforms is the same Australia you see when you walk out your front door.'
USA Today
4 hours ago
- USA Today
Brian Albert, Jennifer McCabe, more witnesses speak out after Karen Read verdict
In the hours since Karen Read was found not guilty of killing her Boston police officer boyfriend, John O'Keefe, several key witnesses from both trials have broken their silence on the verdict. Michael Proctor, the former Massachusetts State Police lead investigator on the case, who testified in the first trial and was later fired for misconduct stemming from the case, spoke out in interviews on ABC's "20/20" and NBC's "Dateline" that aired on June 18 and 19, respectively. A group of O'Keefe's friends, including Brian and Nicole Albert and Jennifer and Matt McCabe, also shared their thoughts in an interview with ABC News that aired on June 20. The group earlier called the verdict "a devastating miscarriage of justice" in a statement released to USA TODAY. Both Proctor and the Albert and McCabe families were at the center of the theory presented by Read's defense team about a possible police cover-up in O'Keefe's death. They have consistently denied the allegations. A Massachusetts jury on June 18 found Read not guilty of second-degree murder and leaving the scene of a collision resulting in death. She was found guilty of operating a vehicle under the influence and sentenced to one year of probation. Karen Read timeline Key dates in John O' Keefe murder case Brian Albert says he 'would have taken a bullet' for John O'Keefe In an interview with ABC News that aired on June 20, Brian Albert, a retired Boston police officer who owned the home where O'Keefe's body was found on the morning of Jan. 29, 2022, said he and his family "did the civic duty" in this case. "The criminal justice system has let us down at every turn, and yesterday was the final letdown," he said. Brian Albert also said the theories that he was involved in O'Keefe's death are "preposterous and silly." He responded to lingering questions about why he did not go outside on the morning O'Keefe's body was found, calling it "ridiculous." "I would have taken a bullet for John O'Keefe because he was a fellow cop," Brian Albert said. During the interview, Jennifer McCabe, who was with Read when O'Keefe's body was found, also spoke about the "hos (sic) long to die in cold" Google search she made that became a contentious piece of evidence in both trials. She has maintained that she made the search because Read asked her to after they found O'Keefe's body, while the defense alleged she made the search hours before he was found. "Doesn't matter how much I say about it, people will not believe it," she said. Michael Proctor says crude texts 'don't define me as a person' Proctor's personal text messages, many of which expressed crude comments about Read, came under scrutiny during the first trial. He was later fired for misconduct stemming from the case and broke his silence in a series of interviews after Read's verdict was announced, after he was not invited to take the stand in her second trial. He said in an interview with ABC News that he developed negative feelings toward Read "as the case went on." "When you have a fellow police officer around my age, two kids of his own, it generates emotion," he said. "And I expressed those emotions in a negative way, which I shouldn't've." Proctor added, "They are what they are, they don't define me as a person." In an interview on NBC's "Dateline," Proctor laughed at the theory that he was involved in a possible cover-up. "I laugh because it's such a ridiculous accusation," he said. "There's not one piece of evidence or fact to support that." Melina Khan is a national trending reporter for USA TODAY. She can be reached at
Winnipeg Free Press
5 hours ago
- Winnipeg Free Press
Investigator and jurors speak out about Karen Read murder trial in aftermath of not guilty verdict
Two jurors and the lead investigator in the murder trial of Karen Read have come forward to comment about the case since a jury returned a not guilty verdict earlier this week. Read, 45, was charged with second-degree murder by authorities who said she intentionally hit Boston police officer John O'Keefe with her car after dropping him off outside a party following a night of drinking in the suburbs. The high-profile case culminated in a not guilty verdict on murder, manslaughter and leaving the scene charges Wednesday. The jury found Read guilty of operating a vehicle while under the influence. The trial has centered in part on lead investigator Michael Proctor, who defense attorneys described as biased against Read from the beginning. The Massachusetts State Police trial board found Proctor guilty of sending crude and defamatory text messages about Read while leading the investigation into her. He was fired and has drawn ire from Read supporters who believe he played a key role in a cover-up to frame her. Proctor told NBC's 'Dateline' that the idea he is corrupt and framed Read is a 'ridiculous' accusation. He specifically said an accusation that he cracked Read's taillight to make it look like she backed into O'Keefe is 'absolutely not' true. 'I laugh because it's such a ridiculous accusation,' Proctor told the program. 'There's not one piece of evidence or fact to support that because it did not happen.' The judge in the case announced via court papers Wednesday that the jurors' names would be sealed from public view due to safety concerns. But one of the jurors, who identified himself only as 'Jason' in an interview with TMZ, said he did not believe Read collided with O'Keefe. He also said he did not think investigators planted taillight pieces at the scene to frame Read. 'I don't really know if there was a cover-up or not. I know that's the big conspiracy about it but I don't really know. All I know is there was a lot of holes in their investigation,' the juror said. Another juror, Paula Prado, told local news stations her mind changed about the case over the course of the last three weeks. At first, she thought Read was guilty of manslaughter, but her opinion changed as the case progressed. 'As the weeks passed by, I just realized there was too many holes that we couldn't fill. And there's nothing that put her on the scene in our opinion, besides just dropping John O'Keefe off,' Prado told media. Massachusetts State Police said in a statement that it extends its 'sincerest condolences to the loved ones of Boston Police Officer John O'Keefe.' The statement said the events of the last three years have 'challenged' the department to review its actions and improve accountability and oversight. 'Under my direction as colonel, the state police has, and will continue to, improve in these regards. Our focus remains on delivering excellent police services that reflect the value of professionalism and maintain public trust,' Colonel Geoffrey Noble said in the statement. The jurors, state police and Proctor are not the first to speak out about the verdict. Upon leaving court, Read told a crowd of reporters and onlookers: 'No one has fought harder for justice for John O'Keefe than I have.' Her father, Bill Read, said on Wednesday that he was 'thankful that it's over.' He added: 'We always knew Karen was innocent. I'm glad she is free of this mess. Just a weight off our shoulders. The power of the state is immense, and we were able to fight it.' Some of the key witnesses in the trial also released a joint statement Wednesday in which they called the not guilty ruling a 'devastating miscarriage of justice.' The joint statement was issued by several people including Brian Albert, who owned the home where the party took place, and Jennifer McCabe, Albert's sister-in-law, who was with Read and O'Keefe on the night of O'Keefe's death. Norfolk County District Attorney Michael Morrissey said only: 'The jury has spoken.'
San Francisco Chronicle
7 hours ago
- San Francisco Chronicle
Investigator and jurors speak out about Karen Read murder trial in aftermath of not guilty verdict
Two jurors and the lead investigator in murder trial of Karen Read have come forward to comment about the case since a jury returned a not guilty verdict earlier this week. Read, 45, was charged with second-degree murder by authorities who said she intentionally hit Boston police officer John O'Keefe with her car after a night of drinking in the suburbs. The high-profile case culminated in a not guilty verdict on murder, manslaughter and leaving the scene charges Wednesday. The jury found Read guilty of operating a vehicle while under the influence. The trial has centered in part on lead investigator Michael Proctor, who defense attorneys described as biased against Read from the beginning. The State Police Trial Board found Proctor guilty of sending crude and defamatory text messages about Read while leading the investigation into her. He was fired and has drawn ire from Read supporters who believe he played a key role in a cover-up to frame her. Proctor told NBC's 'Dateline' that the idea he is corrupt and framed Read is a 'ridiculous' accusation. He specifically said an accusation that he cracked Read's taillight to make it look like she backed into O'Keefe is 'absolutely not" true. 'I laugh because it's such a ridiculous accusation,' Proctor told the program. 'There's not one piece of evidence or fact to support that because it did not happen.' The judge in the case announced via court papers Wednesday that the jurors' names would be sealed from public view due to safety concerns. But one of the jurors, who identified himself only as 'Jason' in an interview with TMZ, said he did not believe Read collided with O'Keefe. He also said he did not think investigators planted taillight pieces at the scene to frame Read. 'I don't really know if there was a cover-up or not. I know that's the big conspiracy about it but I don't really know. All I know is there was a lot of holes in their investigation,' the juror said. Another juror, Paula Prado, told local news stations her mind changed about the case over the course of the last three weeks. At first, she thought Read was guilty of manslaughter, but her opinion changed as the case progressed. 'As the weeks passed by, I just realized there was too many holes that we couldn't fill. And there's nothing that put her at the scene in our opinion, despite just dropping John O'Keefe off,' Prado told media. Massachusetts State Police said in a statement that it extends its 'sincerest condolences to the loved ones of Boston Police Officer John O'Keefe.' The statement said the the events of the last three years have 'challenged' the department to reviews it actions and improve accountability and oversight. 'Under my direction as colonel, the state police has, and will continue to, improve in these regards. Our focus remains on delivering excellent police services that reflect the value of professionalism and maintain public trust,' Colonel Geoffrey Noble said in the statement. The jurors, state police and Proctor are not the first to speak out about the verdict. Some of the key witnesses in the trial released a joint statement Wednesday in which they called the not guilty ruling a 'devastating miscarriage of justice.' The joint statement was issued by several people including Brian Albert, who owned the home where the party took place, and Jennifer McCabe, Albert's sister-in-law, who was with Read and O'Keefe on the night of O'Keefe's death. Norfolk County District Attorney Michael Morrissey said only: 'The jury has spoken.'
