Latest news with #DarylHall
New York Post
6 days ago
- Entertainment
- New York Post
How much are tickets to see Daryl Hall on tour in 2025?
Vivid Seats is the New York Post's official ticketing partner. We may receive revenue from this partnership for sharing this content and/or when you make a purchase. Featured pricing is subject to change. Daryl Hall sees you. Now he hopes you see him. The 'Private Eyes' singer has shows scheduled all over North America with Squeeze lead singer Glenn Tillbrook from July through November. While on the road, the hitmakers have five (!) New York and New Jersey stops penciled in on their summer and fall itinerary. Advertisement First up, the duo hit Hammondsport, NY's Point of the Bluffs Vineyard on Sunday, July 13. After that, they'll swing into Port Chester, NY's Capitol Theatre on Thursday, July 17, Montclair, NJ's Wellmont Theater on Monday, July 21, Huntington, NY's Paramount Theatre on Wednesday, July 23 and Atlantic City, NJ's Ocean Casino Resort on Friday, July 25. These concerts are an extension of Hall and Tillbrook's brief spring 2025 tour. While on that run, the former Hall and Oates member played classics from his former group's catalog like 'Maneater,' 'Kiss on My List,' 'Rich Girl,' 'You Make My Dreams' and 'Sara Smile' as well as a few cuts from his solo career according to Set List FM. 'I am so excited to be playing with Daryl and his fabulous band this year,' Tilbrook said in a press release at the outset of the first leg of the jaunt. 'I look forward to reuniting with them and playing some of my favorite songs, Daryl songs and some other stuff that you'll love! Come down and don't break the furniture.' Advertisement If you'd like to see these two legends live, tickets are available for all 16 upcoming U.S. and Canada concerts the pair have scheduled. At the time of publication, the lowest price we could find on seats for any one show was $67 including fees on Vivid Seats. Luckily for East Coasters, that happens to be for the Atlantic City gig. Other shows have tickets starting anywhere from $77 to $175 including fees. For more information, our team has everything you need to know and more about Daryl Hall's 2025 tour below. Advertisement All prices listed above are subject to fluctuation. Daryl Hall ticket prices 2025 A complete calendar including all North American tour dates, venues and links to the cheapest tickets available can be found here: Daryl Hall tour dates Ticket prices start at July 11 at the Foxwoods Resort Casino in Ledyard, CT $88 (including fees) July 13 at the Point of the Bluff Vineyards in Hammondsport, NY $140.10 (including fees) July 15 at the Lowell Memorial Auditorium in Lowell, MA $103 (including fees) July 17 at the Capitol Theatre in Port Chester, NY $104 (including fees) July 19 at the Wind Creek Event Center in Bethlehem, PA $77 (including fees) July 21 at the Wellmont Theater in Montclair, NJ $113 (including fees) July 23 at The Paramount in Huntington, NY $150 (including fees) July 25 at the Ocean Casino Resort in Atlantic City, NJ $67 (including fees) Oct. 19 at the Grand Sierra Theatre in Reno, NV $120 (including fees) Oct. 22 at the Mountain Winery in Saratoga, CA $120.88 (including fees) Oct. 24 at the Meritage Resort in Napa, CA $132 (including fees) Oct. 26 at the Venetian in Las Vegas, NV $100 (including fees) Oct. 28 at the YouTube Theater in Inglewood, CA $91 (including fees) Oct. 30 at the Pechanga Resort Casino in Temecula, CA $175 (including fees) Nov. 1 at the Fantasy Springs Resort Casino in Indio, CA $145 (including fees) Nov. 4 at the Paramount Theatre in Denver, CO $138 (including fees) (Note: The New York Post confirmed all above prices at the publication time. All prices are in US dollars, subject to fluctuation and, if it isn't noted, will include additional fees at checkout.) Advertisement Vivid Seats is a verified secondary market ticketing platform, and prices may be higher or lower than face value, depending on demand. They offer a 100% buyer guarantee that states your transaction will be safe and secure and your tickets will be delivered prior to the event. Still curious about Vivid Seats? You can find an article from their team about why the company is legit here. John Oates solo tour Hall's former bandmate — whom he has a restraining order against now — is heading out on a quick solo tour of his own this year. As of now, the 77-year-old rocker has six performances lined up all over the East and West Coast this summer. Below, you'll find where you can see him live. Daryl Hall set list What has Hall been playing live recently? Here's a sneak peek at what he took to the stage at his most recent show in England on May 25, courtesy of Set List FM. Advertisement 01.) 'The Whole World's Better' 02.) 'Maneater' (Hall & Oates song) 03.) 'Dreamtime' 04.) 'Kiss on My List' (Hall & Oates song) 05.) 'Private Eyes' (Hall & Oates song) Advertisement 06.) 'Rich Girl' (Hall & Oates song) 07.) 'Walking in Between Raindrops' 08.) 'I'm in a Philly Mood' 09.) 'Too Much Information' Advertisement 10.) 'Everytime You Go Away' (Hall & Oates song) 11.) 'Sara Smile' (Hall & Oates song) 12.) 'I Can't Go for That (No Can Do)' (Hall & Oates song) Encore 13.) 'One on One' (Hall & Oates song) Advertisement 14.) 'Pulling Mussels (From the Shell)' (Squeeze cover) 15.) 'Bad Luck' (Harold Melvin & The Blue Notes cover) 16.) 'You Make My Dreams' (Hall & Oates song) Daryl Hall new music In June 2024, Hall released his sixth solo album, 'D.' The nine-track record, produced with Eurythmics frontman Dave Stewart, beautifully captures Hall's '80s heyday sound. Just a few of our favorite tunes include the lively 'The Whole World's Better,' toe-tapping 'Too Much Information' and feel-good 'Can't Say No To You' duet with Stewart. Make sure to stick around for the penultimate song, Hall's breathy 'Why You Want to Do That (To My Head),' too. When the sax solo kicks in around the 1:20 mark, you won't be able to resists its danceable charms. This one is a sneaky rump shaker. Want to hear for yourself? Click here to stream 'D.' Glenn Tillbrook Most recently, Tillbrook's group that brought the world 'Tempted' and 'Black Coffee In Bed' put out a pair of 'Best of Squeeze' live albums. While those are great, we high recommend giving the quirky 2022 EP 'Food For Thought' a spin. For our money, the funky 'The Very First Dance' and hard-charging 'Electric Trains' are more than worthy additions to the band's already impressive canon. 'Food For Thought' can be found in its entirety here. Classic rockers on tour in 2025 A number of huge acts from before the Clinton era are hoofing it once again this year. Here are just five of our favorite unmissable hitmakers from a time before the internet you must see live in the next few months. • Sting • Rick Springfield • Foreigner • Elvis Costello • Chicago Want to see who else is out and about? Check out our list of the all the classic rockers on tour in 2025 to find the show for you. This article was written by Matt Levy, New York Post live events reporter. Levy stays up-to-date on all the latest tour announcements from your favorite musical artists and comedians, as well as Broadway openings, sporting events and more live shows – and finds great ticket prices online. Since he started his tenure at the Post in 2022, Levy has reviewed a Bruce Springsteen concert and interviewed Melissa Villaseñor of SNL fame, to name a few. Please note that deals can expire, and all prices are subject to change
Telegraph
20-05-2025
- Entertainment
- Telegraph
Daryl Hall and Glenn Tilbrook: Proof that you can be too old to rock
At the midpoint of a set that at times tested the boundaries of endurance, on Monday night at the Royal Albert Hall, Daryl Hall played a yawningly indifferent version of Walking in Between Raindrops, a yacht-rock lowlight from his most recent album, D. At its eventual end, with something like chutzpah, he looked at the audience and said, 'I can tell that you liked that one'. Not where I was sitting, they didn't. Presumably tired of listening to new songs from an LP that failed to chart anywhere in the world, up on a balcony that wasn't full to begin with, this was the point at which people began exiting their seats, never to return. With his peripheral vision perhaps compromised by a straw fedora with a brim as wide as an industrial-size wok, from the stage, it may have been that Daryl Hall had no idea that the listless and consistently thinning crowd up in the gods were responding only to hits released in a previous century with his erstwhile partner John Oates. Like an elephant in a grand and beautiful room, at the Albert Hall, Oates's name went unmentioned. That the pair have recently fallen out, badly and publicly, over the sale of publishing rights, only added to the air of decline that seemed to me to be stinking up this loveliest of venues. It wasn't that Hall didn't play some of his best-known hits, it's that he didn't play them very well. Rich Girl seemed alarmingly shrill, while a clatteringly elongated I Can't Go for That (No Can Do) outstayed its welcome. In truth, signs that this might not be a smooth night arrived as early as the second song, when the usually irresistible Maneater was derailed by a vocal that sat too far behind the beat and some way off key. With Daryl Hall just 18-months away from his 80th birthday, a polite way of putting it would be to say that his voice is not what it once was. Speaking impolitely, I'd say that his once world-class larynx is today worth less than toffee. Notwithstanding the muscle and finesse of his undoubtedly accomplished six-piece band, at times, it was difficult to watch. Particularly painful was a duet, during the encore, of the Squeeze favourite Pulling Mussels (From the Shell) with the evening's support act Glenn Tilbrook. A mere babe in arms, at 67-years-old, Tilbrook's own voice had no problem recalling the pitch and clarity of a pop classic he co-wrote and recorded more than four decades ago. (He had no trouble, either, singing gems such as Tempted and Black Coffee In Bed during his own set.) Warbling away by his side, both figuratively and literally, Daryl Hall sounded as though he was drowning. By the time the musicians onstage unfurled a well-received and deftly executed You Make My Dreams, the evening's closing song, it was too late to do much more than graft a phoney happy ending onto a concert that warranted nothing of the kind. With entire rows by then empty, both upstairs and down, evidently, not everyone was buying it. Emerging into the London night, I caught an exchange between two less-than-happy customers. 'It wasn't great,' said one, 'but you have to give it to him, still playing live at 78.' After a moment's consideration, the reply came. 'Yeah – but do you?' Daryl Hall is on tour in the UK until Friday;
The Guardian
19-05-2025
- Entertainment
- The Guardian
Daryl Hall review – despite strained vocals, this 80s pop legend isn't totally out of touch
Hall & Oates sold a gazillion records and deserve every dollar. Their songs of the 1970s and 80s are pure pleasure; sun-kissed, smooth and mellow. It is a music of high noon, no shadows. But what happens when twilight comes? Daryl Hall is 78. The partnership with John Oates, 77, has reached a messy end, with lawyers involved. Now he is on the road, under his own name, playing the songs of his gilded youth in a more tarnished age. He strolls on to the Glasgow stage in a broad-brimmed hat and spends much of the set seated at a grand piano. His voice is not what it was in the same way as the Colosseum is not what it was: what remains is an interesting ruin. Where once his singing was a wonder of clarity, stamina and control, he now struggles. Sometimes, trying for high notes, he places a hand at the top of his chest, as if the effort is a strain. His slick six-piece band do a lot of heavy lifting on backing vocals. He has made an addition to the lyrics of Sara Smile that feels telling: 'After all these years … time is talking to me.' Yet there is beauty in this brokenness. Everytime You Go Away is a highlight because the feeling of bruised experience in his voice suits the subject of the song – a sad letting-go. The big feelgood moments come from his sidemen. Shane Theriot's guitar solos on Private Eyes and Rich Girl are undeniably cool, though not as cool as Charlie DeChant, a glitzy wizard with long white hair and a gold-sequined jacket who started playing with Hall & Oates in 1976. To see him shuffle forward and perform the insouciant sax break on Maneater is to witness a little moment of pop magic. Such virtuosity magnifies rather than hides the diminishment in Hall's voice. It feels at times like he is the weak link in his own great music. Perhaps he should do a Dylan: rework the songs radically so that he can do them justice. But would his fans go for that? Daryl Hall plays Royal Albert Hall, London, 19 May. Then tours the UK until 25 May
The Herald Scotland
18-05-2025
- Entertainment
- The Herald Scotland
Is Daryl Hall too tied to his past tunes?
Three Stars On a Saturday night in Glasgow - when half the world is watching Eurovision and the other half seems to be wining and dining in Finnieston - Daryl Hall has brought a skittish, uncertain energy to the Armadillo. Maybe it's first night nerves. This is the first date on a UK tour after all, though he has been recently playing in the States. Maybe there's a bit of 'divorced dad' restlessness at play in the wake of his sadly messy and rather bitter musical separation from his long-time partner John Oates. Whatever it is, it's not really helping. Three songs in, he's sitting at the piano, working his way through a couple of Hall & Oates 1980s hits, Kiss On My List and Private Eyes, but his heart doesn't seem to be in it. The 78-year-old sits at the piano and sings and scats his way through both with the air of a man who might prefer to be watching the Scissor Sisters across the road at the Hydro. On this evidence time has sandpapered some of the sweet edges off of Hall's voice. Always one of the great white soul singers, Hall now sings in a lower register, with less of the punch and power of his younger years. But the real issue seems to be that he feels a little tied to the songs that made his name when he'd rather be singing tunes from his latest album D or solo cuts such as Dreamtime or I'm in a Philly Mood. He even tells his audience he is going to be playing 'something for me, something for you,' at one point. Shouldn't they all be for the audience? 'I've got lots of cool songs,' he adds. He has and the audience is just as welcoming to new tunes such as Walking In Between Raindrops and Can't Say No to You, but the collective thrill that goes through the crowd when an old, familiar tune - Sara Smile, say, or Rich Girl - begins is hardly a surprise. It does help that his band bring a real Saturday night bar band feel to the occasion. They keep pushing forwards even in those moments when Hall seems to be idling. Shane Theriot on lead guitar and Porter Carroll Jr on percussion gussy up proceedings, although the real star is 79-year-old Charles DeChant, bedecked in gold lame jacket and looking like he has just walked out of a Muppets recording session with Dr Teeth and the Electric Mayhem. His saxophone lines are clean and clear and thrilling all night. The Armadillo has been made up to look like the set of Live From Daryl's House online music show this evening, so Hall should feel at home and as the evening wears on he does seem to settle in. There's a fine reading of I'm in a Philly Mood and the whole show goes up a gear on an extended version of the Hall & Oates song I Can't Go For That (No Can Do). Suddenly, everything comes together as Hall and his band retool an eighties hit into something that wouldn't sound out of place on Boz Scaggs's Silk Degrees, before Theriot and DeChant break into a call-and-response duet between guitar and sax. But that's the last song of the main set. Squeeze's Glenn Tilbrook - who had earlier rattled through a support slot accompanied by Hall's band - returns for the encore to sing with Hall on One On One and Squeeze's own Pulling Mussels (From the Shell) - conjuring up incongruous images of Daryl wearing a Kiss-Me-Quick hat and eating a 99 cone on the beach in Ayr - before the evening ends with a cover of Harold Melvin and the Blue Notes' tune Bad Luck - a nod to Hall's Philly roots. And then exit stage right, some 90 minutes after the set started. In Argyle Street the night is just beginning.
Perth Now
12-05-2025
- Entertainment
- Perth Now
'I never understood it': Daryl Hall hates that Hall and Oates were labelled yacht rock
Daryl Hall has branded yacht rock a "f****** joke" and says his band Hall and Oates were "misjudged" as the sub-genre. Originally the name of a 2005 comedy series by J.D. Ryznar, Hunter Stair, and Lane Farnham, yacht rock was often used to label soft rock acts of the mid-1970s to mid-1980s - but it's not a label the 'Maneater' hitmaker ever wants to be associated with. Speaking on the 'Broken Record' podcast, he bemoaned: 'This is something I don't understand. First of all, yacht rock was a f****** joke by two jerk offs in California and suddenly it became a genre. 'I don't even understand it. I never understood it.' The 78-year-old musician says people found it hard to put Hall and Oates in a box, so they would use the terms yacht rock and soft rock. He added: 'It's just R'n'B, with maybe some jazz in there. It's mellow R'n'B. It's smooth R'n'B. I don't see what the yacht part is.' Daryl went on: 'People misjudged us because they couldn't label us. 'They always came up with all this kind of c***, soft rock and yacht rock and all this other nonsense. And none of it, none of it really describes anything that I do really.' Other bands who were branded yacht rock included Toto, Steely Dan, and The Doobie Brothers. Meanwhile Daryl recently insisted he'll never work with John Oates again. The singer sued his former musical partner in 2023 to stop him from selling their stake in their publishing company, Whole Oats Enterprises - a move he branded "the ultimate partnership betrayal". He was unable to talk about the legal wrangle, but he admitted things had gone too far for them to reunite. He told the Sunday Times' Culture magazine in March: "That ship has gone to the bottom of the ocean. I've had a lot of surprises in my life, disappointments, betrayals, so I'm kind of used to it... 'I've been involved with some pretty shady characters over the years. That's where the problems start.' Daryl also admitted he feels frustrated that his prolific songwriting in Hall and Oates - who sold 60 million records - has largely gone unrecognised. He said: 'The songs with his lead vocal are the songs he wrote, and all the other ones, which is about 90 per cent, are the ones I wrote... "It was very frustrating.'
