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Troubled The Flash star Ezra Miller sparks concern with bizarre interview
Troubled The Flash star Ezra Miller sparks concern with bizarre interview

Daily Mail​

time10 hours ago

  • Entertainment
  • Daily Mail​

Troubled The Flash star Ezra Miller sparks concern with bizarre interview

Ezra Miller sat down for a rare - and rather bizarre - interview just a month after their surprise Cannes appearance. The 32-year-old troubled star - who uses they/them pronouns - talked about their future in acting as they revealed it was 'on tentative grounds' while sitting down with Italian outlet Lo Speciale Giornale on Thursday. Miller had posed on the red carpet for the first time in two years at the Filming Italy Sardegna Festival in Cagliari, Italy. The reclusive actor - who starred in the 2023 The Flash film - had a slew of legal issues from 2022 including assault charges and grooming allegations so they shocked many when they appeared at the most famous film festival at the premiere of Die, My Love in support of their friend Lynne Ramsey. While smoking a cigarette, they explained: 'I came to Cannes to support one of my closest friends in the world who is Lynne Ramsey — who I think is one of the greatest living filmmakers.' Miller went on to claim that they are writing a film with Ramsey, 55, which they claimed 'will likely be the first thing I do' in their return to Hollywood. They went on to peculiarly say: 'I've been writing a lot, because you can do that in solitude which has been friendly to me.' Miller went on to say that they would do anything for their filmmaker friend Ramsey despite Cannes being a 'tough re-entry point' to being in the limelight again before going on yet another bizarre tangent. They said: 'If you've been in the woods for three years, I do not recommend going straight to Cannes, where every photographer and every weirdo, every rich genocidal freak be there, you know what I mean?' This came just a month after they made am aforementioned surprise appearance at the Cannes Film Festival after years of laying low following their controversies. The troubled star showed up on the red carpet wearing a maroon tuxedo paired with a beret over their long hair but walked quickly, not stopping to be photographed. Miller was there to support director Ramsay for the premiere of her film Die, My Love starring Jennifer Lawrence and Robert Pattinson. The Flash actor previously worked with the director on the 2011 film We Need to Talk About Kevin. Miller has been keeping a low profile since The Flash — which ended up performing poorly in the box office — premiered in 2023. The previous year, they fled the spotlight after apologizing for their 'past behavior' and said they were seeking help for their 'complex mental health issues.' Before then, they made countless headlines as a result of multiple arrests and a series of distressing allegations, including allegedly grooming a teenage girl. Videos surfaced online in which the actor appeared to be assaulting innocent civilians, and there were disturbing reports that the star was allegedly housing young children in a home with 'guns and bullets strewn' around the property. They were arrested in Hawaii after allegedly attacking a couple at a karaoke bar in 2022. A month later, they were arrested again for allegedly injuring a woman by throwing a chair at her head. They were also accused of harassing a woman in Germany, allegedly hosting three young children and their mom in Vermont in an 'unsafe environment.' And they were also charged with felony burglary in the same state. However, in June 2023, a protective order issued against them in the state of Massachusetts was lifted, signaling an end to their legal troubles. The actor was previously accused of behaving inappropriately around a 12-year-old child and the minor's family. Miller has been keeping a low profile since The Flash — which ended up performing poorly in the box office — premiered in 2023; pictured in 2023 movie still The previous year, they fled the spotlight after apologizing for their 'past behavior' and said they were seeking help for their 'complex mental health issues'; pictured October 2021 in Paris Miller has been touring with the now-21-year-old indigenous, non-binary adult Tokata Iron Eyes in a band called Hundred In The Hand as recently as last month, per their Instagram posts. They allegedly met in 2016 when Tokata was 12 and Miller was 23. Tokata's parents since-lifted petition previously accused Miller of 'corrupting a minor' as well as 'cult-like and psychologically manipulative, controlling behavior.' Her father explained last year that he and his wife 'withdrew' the 'grooming' complaint filed in June 2022 and explained they were 'doing our level best to move on.' At the time, Miller said they were 'very grateful.' 'I'm encouraged by today's outcome and very grateful at this moment to everyone who has stood beside me and sought to ensure that this egregious misuse of the protective order system was halted.' They then slammed the press in their social media statement. 'I implore those members of the media who have recklessly spread false claims and failed to accurately report the truth and context of this story, to hold themselves to a higher standard and take the time to find the facts, rather than chasing the clicks.'

Ezra Miller gives bizarre interview about ‘tentative' Hollywood return after shocking Cannes appearance
Ezra Miller gives bizarre interview about ‘tentative' Hollywood return after shocking Cannes appearance

News.com.au

time17 hours ago

  • Entertainment
  • News.com.au

Ezra Miller gives bizarre interview about ‘tentative' Hollywood return after shocking Cannes appearance

Ezra Miller gave a rare — and peculiar — interview in which they addressed their return to Hollywood as well as their extremely surprising Cannes appearance earlier this year. The actor posed on the red carpet for the first time in two years at the Filming Italy Sardegna Festival in Cagliari, Italy, on Thursday and told Italian outlet, Lo Speciale Giornale, that their relationship to cinema is now 'on tentative grounds'. Miller — who had a slew of legal issues in 2022 — also spoke out about their blink-and-you-miss-it red carpet appearance at Cannes in May, during which they sprinted across the media line at the premiere of Lynne Ramsey's Die, My Love, reports The New York Post's Page Six. 'I came to Cannes to support one of my closest friends in the world who is Lynne Ramsey — who I think is one of the greatest living filmmakers,' Miller said of Ramsey, who previously directed Miller in 2011's We Need to Talk About Kevin. Miller claimed they're writing an unnamed film with Ramsey, and added, 'that will likely be the first thing I do' when returning to Hollywood. 'I've been writing a lot, because you can do that in solitude,' Miller remarked, 'which has been friendly to me'. They also said they'd 'do anything' for Ramsey, despite Cannes being a 'tough re-entry point' to the industry. 'If you've been in the woods for three years, I do not recommend going straight to Cannes, where every photographer and every weirdo, every rich genocidal freak be there, you know what I mean?' The Perks of Being a Wallflower star was memorably arrested and charged in Hawaii following two alleged incidents at a karaoke bar in March 2022, to which they pleaded no contest. Then, they were hit with a restraining order by two residents claiming they harassed and threatened them, which was later dropped. A month later, Miller was arrested on a second degree assault chair after they allegedly threw a chair and hit a woman during an encounter at a private residence. In June 2022, a parent accused Miller of grooming their child from the age of 12. Another parent came forward the same month with an allegation that Miller 'menaced their family one evening in their downstairs neighbour's home and acted inappropriately toward' a 12-year-old minor. No charges were filed against Miller and they later released a statement saying, 'I have been unjustly and directly targeted by an individual who the facts have shown has a history of such manipulative and destructive action'. That same month they were accused of allegedly housing a mother and her three children in an unsafe environment at a Vermont farm — though by August, Miller told cops the family hadn't lived there in months. Also in August 2022, Miller was accused of burglarising a Vermont home and allegedly stealing several bottles of alcohol. They pleaded guilty to misdemeanour unlawful trespass and was put on one-year probation. Miller issued an apology later that month and announced they were seeking treatment. 'Having recently gone through a time of intense crisis, I now understand that I am suffering complex mental health issues and have begun ongoing treatment,' they told Variety at the time. 'I want to apologise to everyone that I have alarmed and upset with my past behaviour. I am committed to doing the necessary work to get back to a healthy, safe and productive stage in my life.' During the interview with the Italian outlet on Thursday, Miller seemingly addressed the drama, waxing philosophical in a rambling set of comments. 'When we go through those crucibles, if we can survive, which was up in the air for me if I'm being real, we then have that capacity to see other people in their crucibles and just to reach towards them,' they said. 'I think that grows more and more rarefied in our world too. Like, the capacity to do that, the desire to do that, the willingness to do that,' they continued. 'We've become very consumed in notions of perception, self-perception, how we're perceived in the world. I really believe in digging past that and being a friend to people. And the people who did that for me, they have my lifelong devotion,' they explained. 'And also I'm grateful for the revelations of who was not that,' they said. 'When you work in this industry, you'll find yourself in deep, deep relation with a lot of people who do not give a single f**k about you, or your well-being, at all. And so, not that I don't hold a lot of remorse and lamentation for a lot of things that I did and a lot of things that happened in that time, but I'm really, really grateful for the lessons that came with that abyss.'

Iran spars with France over dissident filmmaker's Cannes triumph
Iran spars with France over dissident filmmaker's Cannes triumph

The National

time25-05-2025

  • Entertainment
  • The National

Iran spars with France over dissident filmmaker's Cannes triumph

Iran hit out at France on Sunday for praising a dissident filmmaker whose tale of revenge against the Iranian state triumphed at the Cannes Film Festival. Jafar Panahi, a former prisoner in Iran, won the top prize in Cannes – the Palme d'Or – for his film It Was Just an Accident, which depicts five Iranians confronting a man they believed tortured them in jail. French Foreign Minister Jean-Noel Barrot praised the film as a "gesture of resistance against the Iranian regime's oppression". Tehran is under widespread sanctions for cracking down on dissent, most notably after anti-regime protests that followed the 2022 death of a young woman, Mahsa Amini, in police custody. That led to Iran's Foreign Ministry summoning France's top diplomat in Tehran on Sunday, state news agency IRNA reported. "Following the insulting remarks and unfounded allegations by the French Minister..., the charge d'affaires of that country in Tehran has been summoned to the ministry," it said. The state news agency had previously hailed Panahi's victory as having "made history for Iranian cinema", without delving into the film's contents. It was the first Iranian win in the Palme d'Or since Abbas Kiarostami received the honour for Taste of Cherry in 1997. Panahi, 64, was detained in Tehran's Evin prison for almost seven months on charges of spreading anti-government propaganda. He was released in 2023 two days after beginning a hunger strike. Panahi won a Golden Lion at the Venice Film Festival in 2000 for his filmThe Circle. In 2015, he won the Golden Bear in Berlin forTaxi Tehran, and in 2018, he won the Best Screenplay prize at Cannes forThree Faces. His latest film depicts an Iranian torture victim who believes he has encountered Peg Leg, a one-legged state interrogator responsible for mistreating him and many others. The National's film review described it as a production that "rages against the Iranian state".

Elle Fanning looks 70s chic in flared jeans and a floral headscarf at Sentimental Value photocall in Cannes
Elle Fanning looks 70s chic in flared jeans and a floral headscarf at Sentimental Value photocall in Cannes

Daily Mail​

time22-05-2025

  • Entertainment
  • Daily Mail​

Elle Fanning looks 70s chic in flared jeans and a floral headscarf at Sentimental Value photocall in Cannes

Elle Fanning looked 70s chic in flared jeans and a floral headscarf at the Sentimental Value photocall in Cannes on Thursday. The actress, 27, sported a white T-shirt which read 'Joachim Trier Summer', tucked into stylish £860 blue Gucci jeans. Elle was kitted out in Gucci as she teamed her look with a £320 belt and elevated her frame in £1,010 platform heels. The Maleficent star styled her long blonde tresses loose under a £430 silk floral headscarf. When asked about Elle's T-shirt at the press conference, Joachim said: 'I was stoked that you made that. Charli xcx gave a little hello to us and we are super grateful. 'I love her music, she's awesome. I know Elle's a fan too. The problem is, I've been working so much for the last three years I don't even know what a Joachim Trier summer is anymore. But I'd like to have one.' From A-list scandals and red carpet mishaps to exclusive pictures and viral moments, subscribe to the DailyMail's new Showbiz newsletter to stay in the loop. Elle, who takes on a leading role in the movie, was in good spirits as she waved to the crowds and posed for cameras at Palais des Festivals. She was joined by director Joachim Trier and co-stars Stellan Skarsgard, Renate Reinsve, Inga Ibsdotter Lilleaas and Anders Danielsen Lie. Elle pulled out all the stops to celebrate the release of the Norwegian-language film, titled Affeksjonsverdi in its original dialect. Affeksjonsverdi/Sentimental Value follows sisters Nora (Renate) and Agnes (Inga) as they reunite with their estranged and charismatic father Gustav (Stellan). A film director, he offers stage actress Nora a role in what he hopes will be his comeback film, but she turns it down and he instead offers it to a Hollywood star, played by Elle. The American actress is dropped in the middle of their complicated family dynamics as they try to navigate their newly rekindled relationship with their father. Elsewhere Barbara Palvin cut a cool figure in a navy and grey midi dress which boasted a stylish pleated skirt as she departed the Hotel Martinez. The model, 31, looked incredible in the number which boasted two large cut out showcasing her slim waist. Elle headed to her Sentimental Value photocall Affeksjonsverdi/Sentimental Value follows sisters Nora (Renate) and Agnes (Inga) as they reunite with their estranged and charismatic father Gustav (Stellan) Barbara added a cool coordinated cropped bomber jacket over the number and carried a black £2,450 Miu Miu handbag. She elevated her frame in a pair of black slingback heels and opted for a pair of long semi-sheer black stockings. Styling her long brunette tresses loose, the Victoria's Secret Angel completed her ensemble with a pair of Ray-Ban sunglasses. Meanwhile Cara Delevingne cut a summery figure in a blue short sleeved shirt and stylish matching shorts. The model, 32, layered a white top beneath the cool co-ord and kept comfortable in a pair of black trainers. Cara carried her belongings in a white Prada £2,500 handbag and shield from the sun behind a pair of trendy sunglasses. Styling her long blonde tresses up in a sleek do, the actress beamed as she stopped to pose for a selfie with waiting fans. Teri Hatcher was all smiles as she picked up a hot beverage as she departed the five-star hotel after attending The History of Sound premiere the night prior. The model, 31, looked incredible in the number which boasted two large cut out showcasing her slim waist Barbara added a cool coordinated cropped bomber jacket over the number and toted her belongings in a black £2,450 Miu Miu handbag Meanwhile Cara Delevingne cut a summery figure in a blue short sleeved shirt and stylish matching shorts The model, 32, layered a white top beneath the cool co-ord and kept comfortable in a pair of black trainers Cara carried her belongings in a white Prada £2,500 handbag She shield from the sun behind a pair of trendy sunglasses Cara styled her long blonde tresses up in a sleek do The stunner beamed as she stopped to pose for a selfie with waiting fans The Desperate Housewives star, 60, looked smart as she layered a black blazer over a matching sheer blouse and wide legged trousers. Styling her dark tresses in a neat up do, she added inches to her frame in a pair of black heels and carried a large coordinated handbag. Teri donned a pair of aviator sunglasses and accessorised with a pair of small silver earrings. This year's Cannes Film Festival is taking place in the wake of Trump´s vow to enact tariffs on international films. Cannes, where filmmakers, sales agents and journalists gather from around the world, is the Olympics of the big screen, with its own golden prize, the Palme d´Or, to give out at the end. Filmmakers come from nearly every corner of the globe to showcase their films while dealmakers work through the night to sell finished films or packaged productions to various territories. 'You release a film into that Colosseum-like situation,' says Brazilian director Kleber Mendonça Filho, who´s returning to Cannes with 'The Secret Agent, a thriller set during Brazil ´s dictatorship. 'You´ve got to really prepare for the whole experience because it´s quite intense - not very far from the feeling of approaching a roller coaster as you go up the steps at the Palais.' Teri Hatcher was all smiles as she picked up a hot beverage as she departed the five-star hotel after attending The History of Sound premiere the night prior The Desperate Housewives star, 60, looked smart as she layered a black blazer over a matching sheer blouse and wide legged trousers Cara looked in good spirits as she headed out and about along the sea front Cara beamed as she stepped out from the Hotel Martinez The star headed towards the crowd of waiting fans as she posed for photos The actress kept cool in her blue co-ord Trump sent shock waves through Hollywood and the international film community when he announced on May 4 that all movies 'produced in Foreign Lands' will face 100 percent tariffs. The White House has said no final decisions have been made. Options being explored include federal incentives for U.S.-based productions, rather than tariffs. But the announcement was a reminder of how international tensions can destabilize even the oldest cultural institutions. The Cannes Film Festival originally emerged in the World War II years, when the rise of fascism in Italy led to the founding of an alternative to the then-government controlled Venice Film Festival. In the time since, Cannes´ resolute commitment to cinema has made it a beacon to filmmakers. Countless directors have come to make their name. This year is no different, though some of the first-time filmmakers at Cannes are already particularly well-known. Kristen Stewart (The Chronology of Water), Scarlett Johansson (Eleanor the Great) and Harris Dickinson (Urchin) have all unveiled their feature directorial debuts in Cannes´ Un Certain Regard sidebar section. Many Cannes veterans have returned, including Tom Cruise (Mission: Impossible - The Final Reckoning), Robert De Niro - who received an honorary Palme d´Or 49 years after Taxi Driver premiered in Cannes - and Quentin Tarantino, who paid tribute to low-budget Western director George Sherman.

Alpha review – Julia Ducournau's disjointed body horror is an absolute gamma
Alpha review – Julia Ducournau's disjointed body horror is an absolute gamma

The Guardian

time19-05-2025

  • Entertainment
  • The Guardian

Alpha review – Julia Ducournau's disjointed body horror is an absolute gamma

Strident, oppressive, incoherent and weirdly pointless from first to last … Julia Ducournau's new film Alpha has to be the most bewildering disappointment of this year's Cannes competition; even an honest lead performance from Mélissa Boros can't retrieve it. I admit I was agnostic about her much-acclaimed Palme d'Or winner Titane from 2021 but that had an energised purpose lacking in Alpha and Ducournau's excellent 2016 debut Raw is still easily her best work. Body-horror – the keynote of Ducournau's films – is still arguably the genre here, or maybe body-horror-coming-of age. We are in a kind of alternative present or recent past; some of the film appears to take place before France adopted the euro in 2002, or perhaps in this imagined world, the euro didn't happen. Thirteen-year-old Alpha (Boros), from a Moroccan-French family, royally freaks out her mother (Golshifteh Farahani) one evening by coming back from a party with the letter A tattooed on her arm. (This incidentally indicates a kind of badass rebellious attitude that she never really displays again.) With a dirty needle? A shared needle? Her mother, a doctor, is beside herself because her hospital is now overwhelmed with infection cases of a bizarre new disease, which turns the sufferer into a marble-white statue. However, despite the near-riot developing outside the hospital, Ducournau doesn't show any restrictive hygiene practices and appears to suggest that society ultimately pretty much copes with the white-marble disease, with unstressed doctors and nurses in the same hospital smilingly dealing with a row of patients. This fictional situation could therefore be said to gesture at Aids or Covid, although it is not particularly compelling or scary either on its own literal terms or as metaphor. It could relate to respectable society's horror of drug addicts – who include Alpha's emaciated smackhead brother Amin (Tahar Ramin) whom Alpha's mom once very rashly allowed to babysit the five-year-old Alpha in some scuzzy rented room while patently out of it – he is evidently intended to be some sort of magically sacrificial figure. As for Alpha, her tattoo, and her leaking bandage, earn her some bullying ostracism from the class, who are themselves angrily preoccupied with the disease, and the various infections of misogyny and homophobia are arguably also being satirised. But the madly, bafflingly overwrought and humourless storytelling can't overcome the fact that everything here is frankly unpersuasive and tedious. Every line, every scene, has the emoting dial turned up to 11 and yet feels redundant. Ducournau surely has to find her way back to the cool precision and certainty of Raw.

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