Latest news with #Camel
Daily Mail
a day ago
- Automotive
- Daily Mail
Land Rover launches new model paying homage to 1980s classic 4X4 - and it's not cheap
Land Rover has unveiled a special-edition Defender to pay homage to a classic model that proved the incredible off-road capabilities of the British 4X4s in the 1980s by racing across some of the world's most gruelling terrains. New 'Trophy Edition' cars get accessories and a retro livery to match the Camel Trophy vehicles from some 40 years ago. The Camel Trophy was an off-roading competition that originated in 1980 with three Jeep-equipped German teams racing across the Amazon Basin. After that first event, organisers turned to Land Rover for support and the tobacco company, Camel, for primary sponsorship, hence the name. Races took place across various locations, including Indonesia, Papua New Guinea, Australia, Madagascar, Samoa, Siberia, Malaysia and a host of other testing landscapes. Over the course of 20 years, all types of Land Rover cars were provided for the annual adventure challenge - Range Rover, Land Rover Series III, Land Rover 90, Land Rover 110, Land Rover Defender, Land Rover Discovery and Freelander - with all vehicles appearing in the famous cigarette brand's distinctive 'Sandglow' colour scheme. And this is one of two livery options for the new Defender Trophy Edition, which makes its public debut at the Goodwood Festival of Speed next month. But it isn't going to be cheap... The new special edition model is only available as the mid-size, five-door, Defender 110. It features unique 20-inch alloy wheels and a choice of Camel Trophy-appropriate Deep Sandglow Yellow - or Keswick Green paint. Both options come with contrasting black bonnet, wheel arches and roof – and a black leather interior. The dashboard panel is painted to match the tone of the car's bodywork. Customers can also opt for a Trophy Edition accessory pack, which costs £4,995 and bolts on a roof rack, retractable roof ladder to make it easier to access objects stored overhead, an air-intake snorkel to tackle water-logged routes, and classic-style mud flaps. The pack even includes gloss black side panniers that provide 'extra space for muddy, wet or sandy items' you don't want to store in the boot. All versions of the new special edition car - which costs from £89,810 - come with black leather interior with accents to match the external bodywork Land Rover says Trophy Edition - which has dropped the 'Camel' name for obvious advertising reasons - celebrates the 'rich history of adventure challenges', adding that the iconic yellow vehicles of the past are 'synonymous with Defenders used on international Trophy-style events'. Without the optional accessory pack, prices start from £89,810 - a mark-up on the £62,795 asking price for a standard Defender 110. Britons will get to see it in the flesh for the first time at Goodwood during the Festival of Speed event taking place between 10 and 13 July. While it does come with a premium price tag, it's half the cost of the commemorative version produced by Land Rover Classic in 2021. The heritage arm of the British car firm made 25 examples of the old-school Defender inspired by the Camel Trophy, with liveries and modifications mimicking those of the expedition vehicles. Despite an eye-watering price tag of £195,000 per car, Land Rover sold out of the Works V8 Trophy line in three days. Consequently, the Classic department commissioned another 25 models to appease its high demand. And many of the original competition cars used in the event between 1981 and the final year in 2000 are still on the road today. Some competitors purchased their vehicles, meaning there are examples dotted across continents and, consequently, are highly sought after if proven to have covered genuine Camel Trophy miles. In March, Iconic Auctioneers sold a 1992 Defender 110 Camel Trophy - which participated in 1993 - for £34,875. This was despite it being in a rather sorry state of disrepair. Last year, Collecting Cars sold another genuine 1984 Camel Trophy Defender in far better condition for £31,500. However, experts say these cars are ripe for appreciation, with collectors eager to find ex-competition cars. In the 20-year history of the event, a UK team won it only once. In 1989, brothers Bob and Joe Ives took first place after tackling the 1,062-mile route through the Brazilian rainforest from Alta Floresta to Manaus in just three weeks driving a Defender 110. In recognition of their achievement, the brothers were awarded the Royal Automobile Club Segrave Trophy - an award reserved for outstanding transport achievements that has includes esteemed recipients such as Sir Stirling Moss, Sir Lewis Hamilton MBE and John Blashford-Snell OBE. The brothers went on to be off-road advisors for BBC's Top Gear and The Grand Tour special features on Amazon Prime.
Toronto Sun
2 days ago
- Business
- Toronto Sun
Tobacco firm Reynolds rolls back DEI plans after activist attack
Published Jun 18, 2025 • 2 minute read A Reynolds American Inc. Camel brand cigarette. Photo by Daniel Acker / Bloomberg Reynolds American Inc., the 150-year-old maker of Camel cigarettes and Vuse vapes, said it is rolling back U.S. diversity, equity and inclusion programs, two weeks after anti-DEI crusader Robby Starbuck singled out the company for action. This advertisement has not loaded yet, but your article continues below. THIS CONTENT IS RESERVED FOR SUBSCRIBERS ONLY Subscribe now to read the latest news in your city and across Canada. Unlimited online access to articles from across Canada with one account. Get exclusive access to the Toronto Sun ePaper, an electronic replica of the print edition that you can share, download and comment on. Enjoy insights and behind-the-scenes analysis from our award-winning journalists. Support local journalists and the next generation of journalists. Daily puzzles including the New York Times Crossword. SUBSCRIBE TO UNLOCK MORE ARTICLES Subscribe now to read the latest news in your city and across Canada. Unlimited online access to articles from across Canada with one account. Get exclusive access to the Toronto Sun ePaper, an electronic replica of the print edition that you can share, download and comment on. Enjoy insights and behind-the-scenes analysis from our award-winning journalists. Support local journalists and the next generation of journalists. Daily puzzles including the New York Times Crossword. REGISTER / SIGN IN TO UNLOCK MORE ARTICLES Create an account or sign in to continue with your reading experience. Access articles from across Canada with one account. Share your thoughts and join the conversation in the comments. Enjoy additional articles per month. Get email updates from your favourite authors. THIS ARTICLE IS FREE TO READ REGISTER TO UNLOCK. Create an account or sign in to continue with your reading experience. Access articles from across Canada with one account Share your thoughts and join the conversation in the comments Enjoy additional articles per month Get email updates from your favourite authors Don't have an account? Create Account Reynolds, which was purchased by London-listed British American Tobacco Plc in 2017, will cease participation in the Human Rights Campaign Foundation's Corporate Equality Index which measures LGBTQ workplace practices, end sponsorship of Pride events, and end affirmative action programs that were mandated by President Joe Biden's administration, the company said in a letter to employees Wednesday that was shared with Bloomberg. Starbuck announced the rollback on social media and the company confirmed it worked with the activist on timing and communication after he launched his attack, although it said many changes were already under consideration. 'We respect differing opinions, but we are taking these steps because they are necessary to ensure the company's and our employees' success,' David Waterfield, president and CEO of Reynolds, said in the letter. Your noon-hour look at what's happening in Toronto and beyond. By signing up you consent to receive the above newsletter from Postmedia Network Inc. Please try again This advertisement has not loaded yet, but your article continues below. Reynolds American owns famous tobacco brands like Camel, Newport, Lucky Strike, Pall Mall, American Spirit, Grizzly & I exposed their woke policies but as a result of talks we held, they're now ENDING those policies. Specifics ⬇️ • No more Pride event donations… — Robby Starbuck (@robbystarbuck) June 18, 2025 Reynolds is among dozens of mostly American companies that have announced plans to scale back or end DEI programs over the last year, first under pressure from activists and other conservatives and more recently President Donald Trump. The president issued a series of executive orders in January that banned DEI in the federal government and seeks to identify 'illegal DEI' in companies and organizations. The company said in the letter that it dropped affirmative action programs, other than those for veterans or disabled employees, that were in effect under the Biden administration and removed by Trump. It also said that it will end mandatory trainings that focused largely on what it called 'DEI issues' and is reviewing healthcare policies related to gender affirming care for minor dependents. It does not currently offer coverage for gender affirming surgery for minors. This advertisement has not loaded yet, but your article continues below. The company will also end its allyship guide and instead maintain a 'focus on building a supportive workplace for all employees.' A Reynolds subsidiary gave $8.5 million to the super political action committee Make America Great Again Inc., according to federal records first reported by the Washington Post. The cigarette maker confirmed to Bloomberg that it also gave $1 million for the inauguration ball, which was attended by a company representative. Within days of starting his second term, Trump withdrew a proposed ban on menthol cigarettes and flavored cigars, boosting shares of tobacco companies. Reynolds' main manufacturing base is in Tobaccoville, North Carolina, where it has invested $200 million to increase manufacturing during 2024 and 2025. — With assistance from Sabah Meddings. NHL Columnists Editorial Cartoons Canada Basketball
Time of India
6 days ago
- Sport
- Time of India
How South Africa's coach trained players to finally shed the chockers tag by winning the WTC title vs Australia
For decades, South African cricket has battled a painful reputation—of faltering when it matters most. The label of 'chokers' haunted generations, from early World Cup exits to painful collapses in critical games. But that narrative took a historic turn when South Africa, under head coach Shukri Conrad, clinched the World Test Championship (WTC) title with a resolute victory over Australia. The transformation didn't happen overnight. It was a process rooted in mental toughness, self-belief, and calmness under pressure—key attributes Conrad instilled in his squad. A Mindset Shift Under Conrad As per The turning point in South Africa's mental fortitude came in December, during a nerve-wracking run chase against Pakistan. At 19 for 3 chasing 148, the team was on the brink once again. But Conrad, rather than panic, delivered a straightforward message: 'Do you want to be remembered as chokers?' That blunt but necessary intervention sparked a turnaround. South Africa scraped through with a two-wicket win—a win Conrad jokingly labeled the 'Camel classic,' a nod to the calming cigarette break he shared with players mid-crisis. by Taboola by Taboola Sponsored Links Sponsored Links Promoted Links Promoted Links You May Like 20 Most Expensive Cars In The World That message of staying composed stayed with the team through their WTC campaign. It resurfaced on the eve of the final days of the WTC final against Australia, where South Africa found themselves in a dominant position at Lord's—yet acutely aware of how easily things had fallen apart in the past. Focused on the Moment, Not the Outcome Ashwell Prince, South Africa's batting coach, credited Conrad's calm demeanor for the serene atmosphere in the dressing room during tense phases. Prince recalled how Conrad instructed players to stick to their routines: do the same warm-ups, approach the day as any other, and don't let the magnitude of the occasion overwhelm them. "The messaging has been the same throughout," Prince noted. "Make them believe that they can do it, and then just step out the way and allow them to go and do it." The emphasis was always on staying present—'play one ball at a time,' as Prince described the batting philosophy. Despite facing an Australian side stacked with elite bowlers, South Africa never let the past dictate the present. History Was Watching—But South Africa Looked Ahead Lord's has seen its share of final heartbreaks, and for South Africa, ghosts of past failures loomed large. From the infamous Test loss in 1992 against the West Indies to the heartbreak in the T20 World Cup final in 2023, the fear of history repeating itself was real. Yet the team made a conscious decision not to look too far ahead. Prince even hesitated to discuss Temba Bavuma's heroic innings before the match ended, aware that even the smallest assumption could tempt fate. Still, the signs were positive. From the steady partnership between Bavuma and Aiden Markram to Rabada's dominant bowling across the match, South Africa appeared to be writing a different ending. A Victory That Went Beyond the Scorecard Even before the final moments, South Africa's campaign had won admiration. They reached the final despite criticism over the perceived ease of their fixtures. But as Prince pointed out, the players were made aware of their own quality, not the noise outside. Conrad made it a priority to build confidence internally, not react to external doubts. "There was no talk about proving anybody wrong," Prince emphasized. The focus was on performance, not validation. In defeating Australia, South Africa didn't just win a title—they dismantled a decades-old narrative. The 'chokers' tag wasn't erased with one win, but it was undoubtedly challenged in the most emphatic way. And at the heart of that shift was a coach who believed in calm over chaos, and players who finally began to believe in themselves.
HKFP
7 days ago
- Business
- HKFP
Hong Kong Originals: The 85-year-old flask brand that bears witness to rise and fall of city's manufacturing era
As Hong Kong's economic boom faded and manufacturing moved to China, some long-established, family-run companies preserved their traditions as others innovated to survive. In our new series, HKFP documents the craftsmanship and spirit behind the goods that are still proudly 'Made in Hong Kong,' as local firms navigate the US-China trade war. Few guests staying at the Camlux Hotel in Hong Kong would know that a giant glass furnace once lay beneath where they are spending the night. The Kowloon Bay hotel was formerly the factory building of Camel, an 85-year-old local metal kitchenware brand. The company moved into the premises in 1986 and vacated the property in 2013. Four years later, Camel opened a hotel in its place as part of a government revitalisation plan for the industrial district. Speaking to HKFP at the hotel on Monday, Raymond Leung – Camel's third-generation director – said his grandfather, Leung Tsoo-hing, founded the company Wei Yit Vacuum Flask Manufactory in 1940 after seeing a demand for vacuum flasks. Back then, electricity was a luxury, and few households had fridges and kettles. An insulating container thus emerged as a common household item for keeping drinks hot or cold. 'Being Chinese, being Asian, we drink a lot of hot drinks,' the younger Leung said, adding that his grandfather – who had been exporting vacuum flasks from Hong Kong to Penang, Malaysia – 'wanted to create his own brand of thermal flasks.' The brand name 'Camel' was chosen to reflect the flask's function and the company's resilience. Camel became one of the few manufacturers to make flasks with an inner glass wall allowing the container better insulation than those with just a metal body, said Leung, 47. Over the years, Camel has sold vacuum flasks, coffee tumblers, water bottles, food jars and more, discontinuing some products and launching others as consumers' preferences shifted alongside the changing times. Its products are not only available at shops and department stores in Hong Kong but are also sold in Southeast Asia. Camel is the only vacuum flask brand still being manufactured in Hong Kong, Leung told HKFP. Throughout its 80-plus-year history, Camel has gone through landmark moments in Hong Kong's history, including the Japanese invasion during World War II, which halted its production, and the post-war manufacturing boom. When Leung's grandfather created the first vacuum flask prototype in the 1940s, its parts – from the glass walls to the rubber connecting pieces – were sourced in Hong Kong. Today, like many of the city's homegrown brands, part of Camel's production takes place across the border in mainland China – a move that is neither new nor avoidable, the director said. Former manufacturing hub Hong Kong saw its manufacturing heyday from the 1950s to the 1970s, with factories – concentrated in areas such as Sham Shui Po, Mong Kok, Kowloon City and Western – producing everything from clothes and toys to watches and electronics. Its rise as an export-oriented economy came amid World War II's destruction of industrial bases in Europe and America. Hong Kong seized the opportunity, resuming production and supplying goods to the world. The director's father, Philip Leung, studied engineering in the UK and later completed a postgraduate degree in glass technology. He returned to the city in the 1960s, when he was in his late 20s, to help with the family business. 'He wanted to bring back the knowledge from the Western world,' Raymond Leung said. Under Philip Leung's leadership, Camel ramped up its manufacturing, expanding its production of metal flasks, ice buckets, and plate covers to supply hotels around the world. In the 1980s and 1990s, Hong Kong's manufacturing industry began losing its edge to mainland China, as the latter modernised under the government's reform policies. Many companies in the city relocated their production across the border, attracted by cheaper labour and other costs, but the Leungs stayed put. While minor parts were sourced from mainland China, Camel products' main components were always made in-house. But over the decades, it became clear that it would not last. In 2006, Camel turned off its glass furnace, which was operating on the third floor of what is now the Camlux Hotel, for good. The company was unable to find enough people to operate the furnace after some of its workers passed away. 'Because it's a furnace, you can't turn it off. It has to run 24 hours, otherwise the glass will solidify,' Raymond Leung said. 'We didn't have enough people to fill a day's shifts.' 'It would've been a natural end to Camel, but we discussed it as a family, and my father wanted to persevere,' he added. 'So we had to source the glass from the mainland. [It was] better than just quitting,' he said. The company now checks the glass and all its other raw materials before assembling the products in its factory in Hung Hom. Meanwhile, at Camel's other factory in San Po Kong, workers are in charge of cutting large pieces of metal and moulding plastic. Moving on Leung said Camel's reality was no different from many brands, whether in Hong Kong or abroad. 'Even something like BMW and Mercedes, which are synonymous with Germany, it's very rare you can make a complete product without some kind of [overseas] supplier,' he said. The director, however, says the company still tries to promote Hong Kong 'as much as possible.' Over the past two years, Camel has hosted design competitions inviting the public to submit Hong Kong-themed illustrations. The winning designs were printed onto Camel's signature flasks and added to the company's product collection. Last year's first-place prize went to a red, white and blue design – a nod to the traditional Hong Kong nylon canvas bags – that featured the city's icons, including a pawn shop sign, a cha chaan teng cup, and the city's tram. 'Doing the competitions is a way for us to engage more local talent,' Leung said. People have asked Leung if Camel, with such a long history, would reissue some of its 'nostalgic' products – like the big flasks for households that were common in the past. The director said he 'wasn't completely against' the idea, but he preferred the company to innovate new products instead. In recent years, Camel has launched coffee tumblers and sports water bottles inspired by new trends in the market. 'You can't always go back to your archive,' Leung said. 'You have to move on.' Original reporting on HKFP is backed by our monthly contributors. Almost 1,000 monthly donors make HKFP possible. Each contributes an average of HK$200/month to support our award-winning original reporting, keeping the city's only independent English-language outlet free-to-access for all. Three reasons to join us: 🔎 Transparent & efficient: As a non-profit, we are externally audited each year, publishing our income/outgoings annually, as the city's most transparent news outlet. 🔒 Accurate & accountable: Our reporting is governed by a comprehensive Ethics Code. We are 100% independent, and not answerable to any tycoon, mainland owners or shareholders. Check out our latest Annual Report, and help support press freedom.
HKFP
07-06-2025
- Business
- HKFP
Japanese photographer Miyuki Kume on her decades-long fascination with Made in Hong Kong products
When Japanese photographer Miyuki Kume moved to Hong Kong in late 1993, she fell in love with the city. It was the delicious Cantonese cuisine that first captured her heart, but what kept her in the city for more than three decades was her passion for collecting Made in Hong Kong goods. It all began when Kume started buying ceramic plates and bowls from local shops and markets 'as a simple habit of making myself happy,' the photographer told HKFP. Her work for a Japanese travel magazine had brought her to Lascar Row in Sheung Wan. The outdoor street market, full of antiques, opened Kume's eyes to products and designs she had never seen in Japan before. She began planning little treasure-hunting trips to different areas in Hong Kong, sneaking into narrow lanes 'like a stray cat,' Kume described. However, when she reviewed her collection, she realised that most of the kitchenware she had purchased was labelled 'Made in China.' Knowing that Hong Kong still had a few industrial sites – albeit operating on a much smaller scale than in previous decades – Kume became determined to track down products that were made locally. She was in luck. The photographer first stumbled upon a book by design scholar Matthew Turner, titled Made in Hong Kong: A History of Export Design in Hong Kong. It served as an introductory guide to household items and toys manufactured in Hong Kong for Kume, who developed a habit of checking the label or stamp of each item of interest to see where it was manufactured. It was 'natural' for her to want to find locally made products, Kume said, drawing a comparison to Hongkongers seeking out Made in Japan goods while travelling. 'Hongkongers are used to seeing these household items. As a foreigner, it's easier for me to spot the characteristics of locally made products,' she said. 3,000-piece collection One of the earliest Hong Kong-made products Kume found was a blue-green vacuum flask by Camel. The brand, founded in 1940 and still operating in Kowloon Bay, caught Kume's attention with its colourful designs. She has since begun hunting for unique vacuum flasks produced in Hong Kong. So far, Kume has collected around 300 vacuum flasks from Camel and other local brands such as Gold Coin and Ox Head. But these flasks are only part of her 3,000-piece vintage collection stored at home, which also includes Chinese-made products she collected in the earlier days. As her collection expanded over the years, Kume decided to keep a better record by photographing the items. Her extensive collection eventually led to the publication of her first book, Hong Kong Department Store, in October 2024. The 196-page book is divided into four chapters. The first explores the world of made-in-Hong Kong products; the others focus on household items made by local artisans, unique Made in China products found in Hong Kong, and various items produced in the city during British colonial rule. In addition to showcasing her collection, the book also features stories of local brands and artisans, interviewed by the Japanese photographer herself. To promote her book, she also had an exhibition, held concurrently in two locations in Kowloon from October to November. It highlighted her eclectic collection, from ceramic tea cups and glass flower vases to plastic chairs and enamel basins. Kume, who learned Cantonese through watching television dramas and reading local newspapers, said she spent a lot of time building rapport with the artisans before convincing them to be interviewed. Many of them were very busy, while some had rejected her invitation because they thought she was doing a paid advertisement. After visiting the shops repeatedly, some shop owners were moved by her persistence and agreed to be featured in her book. The book, which is available in Chinese and Japanese, can serve as a guide for Japanese tourists who enjoy shopping for antique goods in Hong Kong, Kume said. She added that she had hoped to include a fifth chapter focusing on Japanese goods from the Showa period that can be found in Hong Kong, but it was left out due to page constraints. East meets West After being a collector for more than three decades, Kume finds it difficult to summarise the characteristics of Hong Kong-made products. The items reflect the 'design of the city,' Kume said, pointing to Hong Kong's unique position as a place where East meets West. She said she was very impressed by Hong Kong artisans who 'digested' designs from all around the world and added their own flair, giving rise to the distinctive local designs and products. 'There is no place in the world that can have access to Eastern and Western goods so easily,' Kume said. One of Kume's favourites, which she said would never be up for sale, is a panda-shaped radio produced by the company Sonix in Hong Kong during the 1960s. The funky, asymmetrical design — using the channel and volume knobs as eyes and featuring a playful smirk — was very 'evocative of the era,' Kume said. Another reason Kume loves vintage Hong Kong-made goods is their durability and the fact that one can often find beautiful pieces at relatively low prices. Kume used to be able to find affordable Made in Hong Kong products in good condition at shops and markets in older districts of the city. In recent years, however, the prices of these items have risen, and instead of searching on the streets, Kume now conducts her treasure hunts online. The photographer once discovered ceramic pieces from Hong Kong in an online shop based in Malta, which came as a total surprise. She later realised that it was due to Malta being part of the Commonwealth, and that Hong Kong-made products can also be found in other countries that were formerly under British rule. Some Hongkongers may still be able to find old products made in the city, handed down from their grandparents or even earlier generations. Kume urged people to hold on to these items, as they will 'disappear' soon. After publishing her first book and hosting a small exhibition last year, Kume has set her sights on writing a sequel. She said she must race against time to interview as many of Hong Kong's old artisans as possible to ensure their oral histories are recorded and passed on to future generations. 'I think it is my responsibility to listen to and document their stories because I have access,' she said. 'Made in Hong Kong' museum She has no plans to retire in the city due to the high rent, the photographer said. Kume, who refused to disclose her age, said she would likely return to her home in Japan in the future to take care of her ageing mother. While she does not intend to relocate in the coming few years, Kume said she would not be able to bring her entire Made in Hong Kong collection with her. This is primarily because Japan is prone to earthquakes, and her ceramics collection would not survive. Thermal flasks, on the other hand, would not be a problem, Kume said. 'I will have a smaller, but more curated collection.' Kume has considered the possibility of donating her collection when she moves back home, but the collector has a bigger dream — to donate her cherished items to a Made in Hong Kong museum. Although museums in the city have hosted exhibitions about locally made products before, just a corner in a museum is 'not enough,' she said. 'I've always thought that Hong Kong should have a Made in Hong Kong museum. The public can donate what they have at home, and we can have everything there. I think we have enough items for an independent museum.'
