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Newsweek
12-06-2025
- Entertainment
- Newsweek
Fans React To WWE Star Tiffany Stratton's Wild First Pitch
Based on facts, either observed and verified firsthand by the reporter, or reported and verified from knowledgeable sources. Newsweek AI is in beta. Translations may contain inaccuracies—please refer to the original content. WWE Women's World Champion Tiffany Stratton threw the first pitch at Thursday's New York Mets home game against the Washington Nationals. Her toss was compared to some of the most infamous celebrity MLB first pitches. Stratton's throw sailed over the left-handed batters' box and one-hopped the backstop, well out of reach for Mets outfielder Jared Young, who was the ceremonial catcher. The Mets chose Stratton to throw the first pitch after her recent successful title defense as the WWE Women's Champion. She won the title in January and has made many successful defenses. The former United States national team gymnast joined the SmackDown brand in 2024 after a dominant run in NXT. Stratton debuted in WWE in November 2021 after winning weightlifting and bodybuilding championships following her gymnastics career. Infamous Celebrity First Pitches Stratton's throw brought to mind other ceremonial first pitches that went wrong. One of the most infamous also happened at a Mets home game at Citi Field. Rapper 50 Cent missed the plate by an unbelievable margin when he threw the first pitch at a May 2014 game in Queens. That gaffe remains a major celebrity lowlight on the mound a decade later. LAS VEGAS, NEVADA - APRIL 19: Tiffany Stratton holds up her belt as she celebrates her victory over Charlotte Flair in their WWE Women's Championship match during WrestleMania 41 at Allegiant Stadium on April 19,... LAS VEGAS, NEVADA - APRIL 19: Tiffany Stratton holds up her belt as she celebrates her victory over Charlotte Flair in their WWE Women's Championship match during WrestleMania 41 at Allegiant Stadium on April 19, 2025 in Las Vegas, Nevada. More More news: WWE News: Steve Austin Reveals Real-Life Vince McMahon Confrontation You can see how social media reacted below: She can do moonsault but struggle to throw a ball. Make it make sense. 😂🤷🏻♂️ — Francisco (@fciscol7) June 12, 2025 You can wrestle just not throw a good first pitch — Nicholas Abel (@Voltron_1973) June 12, 2025 — MY OH MY Sports Cards and Collectibles (@MYOHMYCards) June 12, 2025 She still Throws better than she Wrestles — Brody Alphonso (@AlphonsoBrody) June 12, 2025 It's Whiffy Time 😆 🤣 😂 — RONAMAN ☘️☘️🎺🪗🩺🏀 (@ronaman35) June 12, 2025 105 velocity 20 control — Jahmeir D. ✭ (@JDCowboys2) June 12, 2025 Might need more practice ⚾ — Evan Guthrie (@EvanGuthrie) June 12, 2025 Tiffany Stratton joins the list of all-time bad MLB ceremonial first pitches. Not quite Baba Booey but not far off, either. At least it was at a Mets game. They're used to seeing throws like that. 😂 — Eh, what's up Doc (@rabbitSZN2) June 12, 2025 While 50 Cent's throw is a benchmark for bad ceremonial first pitches, he is not alone. "Call Me, Maybe" singer Carly Rae Jepsen spiked a ball directly into the turf in 2013 at Tropicana Field before a Tampa Bay Rays game. Other Sports Stars and Celebrities Miss the Mark Stratton is not the only combat sports star to go viral for a bad first pitch. UFC legend Conor McGregor had a moment to forget at Wrigley Field in 2021. He launched a fastball to the backstop, far beyond the right-handed batters' box. The throw bounced off the brick wall and sharply towards the first base dugout. On international soil, five-time Grammy Award winner Mariah Carey tossed a ball into the turf well in front of the plate in 2008. Wearing high heels and 2000s attire, Carey threw the first pitch at the Tokyo Dome before a game between the Yomiuri Giants and Rakuten Eagles. Her offering did not even make it halfway to the catcher. Ceremonial first pitches come with significant pressure, and some celebrities handle the moment better than others. More WWE News: For more on WWE, head to Newsweek Sports.
USA Today
07-06-2025
- Entertainment
- USA Today
Doobie Brothers celebrate new album with intimate, feel-good concert
Doobie Brothers celebrate new album with intimate, feel-good concert Show Caption Hide Caption Doobie Brothers' founding drummer dies more than 50 years after band started John Hartman, the founding drummer of 70's rock band the Dobbie Brothers, has died at 72. Associated Press NEW YORK — The Doobie Brothers haven't lost their stride. The genre-melting rock 'n' rollers released new album 'Walk This Road' June 6, which they toasted with an intimate, sold-out concert at Irving Plaza that evening. Playing to a raucous crowd of just over 1,000 people, the jazz- and soul-infused band debuted a smattering of fresh tunes, from the breezy, good-natured 'Call Me,' to the bluesy 'Learn to Let Go,' a silky showcase for singer/keyboardist Michael McDonald's inimitable vocals. 'This is kind of our record release party, so we're celebrating and we're so glad you're here with us,' cofounder Patrick Simmons said, noting the challenge of swapping in a multitude of instruments between songs in such a tiny venue. 'We're moving slow up here, because everything's coming from that corner up there. But you know, we're just having fun.' Highlights of the roughly hour-and-a-half-long set included 'Without You,' featuring a scorching guitar break as Simmons, Tom Johnston and John McFee all jammed and swayed in sync at the lip of the stage. Marc Russo's swirling saxophone enraptured the audience on 'Here to Love You' and 'Long Train Runnin',' while Ed Toth's dexterous drums helped propel country-fried fan favorites 'Black Water' and 'Jesus is Just Alright With Me.' 'We thank you all for coming down here,' Johnston said, before launching into familiar hit 'Listen to the Music' to close out the night. 'You sound so good and we appreciate it. We're going to sing one last song, and if you'd like to sing along, we've love to have you, alright?' Interview: Doobie Brothers on new album, tour, hall of fame: 'You have to think beyond your age' The Doobie Brothers' Manhattan stop was an appetizer before their upcoming North American tour, which kicks off Aug. 4 in Detroit. The Coral Reefer Band, who toured and recorded with the late Jimmy Buffett, will join the grizzled foursome on their six-week trek. 'We're all in our 70's now,' Simmons told USA TODAY in a recent interview. 'I used to think that was old. I do feel it, but it's hard to believe we're out here doing it at this age, and in my head I'm still 16. You have to think beyond your age. It's a life adventure. The Doobie Brothers 2025 setlist 'Take Me in Your Arms (Rock Me a Little While)' 'Here to Love You' 'Dependin' on You' 'Walk This Road' 'Rockin' Down the Highway' 'It Keeps You Runnin'' 'Call Me' 'Minute by Minute' 'Learn to Let Go' 'Angels & Mercy' 'Without You' 'Jesus is Just Alright' 'What a Fool Believes' 'Long Train Runnin'' 'China Grove' 'Black Water' 'Amazing Grace' 'Takin' It to the Streets' 'Listen to the Music' Contributing: Melissa Ruggieri
Metro
31-05-2025
- Entertainment
- Metro
EastEnders legend who appeared in most iconic moment 'returning after 20 years'
There have been countless surprise returns to EastEnders over the past few months, and it appears another one may be just around the corner. Show legend Michelle Ryan is reportedly set to return to her role as Zoe Slater after 20 years, according to The Sun. A source told the publication: 'Bosses have repeatedly reached out to Michelle over the years, but the timing has never been quite right. 'People are still talking about her character, so it's a real coup to bring her back. 'She feels like now is the perfect moment — and there was an exciting script on the table.' EastEnders had no comment to make when approached by Metro. Zoe Slater was involved in one of EastEnders' biggest storylines when she found out that Kat Slater (Jessie Wallace) wasn't her sister, but her mother. She left the Albert Square after becoming entangled in Dirty Den's murder. Earlier this year, actress Michelle gave fans hope that a return to Albert Square may be on the cards when she posted a throwback picture to Instagram. Sharing some character headshots, she wrote: 'I was just sent these two photos from the square that were taken when I was 17/18, that's early 2000's! They were actually never used for cards to be signed (although I'm being told that some people have them, I didn't realise). 'Wishing everyone on the square a very Happy 40th Birthday! What an achievement for a show to run for that long! 'Many great memories. Congratulations to everyone.' Soundtracking the post with Blondie's Call Me, she added: 'Don't read into the song chosen, it's playing in the cafe.' She also raised excitement when she shared pictures alongside Little Mo Slater legend Kacey Ainsworth. Replying to comments asking her to return to Walford, Michelle pointed out that the decision was down to the producers. With mum Kat set to get engaged to soulmate Alfie Moon (Shane Richie) in upcoming scenes, could Zoe be set to crash the wedding? Actress Jessie Wallace is keen to see the return happen, calling for Michelle to come back on the We Started Here podcast. More Trending 'I'd love it if she came back,' she said, adding: 'I think it would be great for Kat and Zoe. 'I think it would be brilliant if she just turned up and went, 'Hello, Mum!'' View More » Stacey Slater star and podcast host Lacey Turner revealed that the idea had given her goosebumps, before asking: 'Can we make that happen?'
The Spinoff
12-05-2025
- Entertainment
- The Spinoff
Review: Atomic 2.0 was just what we needed
The local femme rock supergroup, reviewed in two cities. Alex Casey in Christchurch I peeped the posters for last year's Atomic concert and was thrilled by the novelty concept: some of the most talented women in New Zealand music, rocking out to the likes of Blondie, Hole, Alanis Morissette and Patti Smith for a whole night? Love a tribute band, love seeing a women-heavy lineup, love the chance to see gaggles of Christchurch ladies dressed up in their finest leather and leopard. When I made it along to the very first night of Atomic 2.0 at the Isaac Theatre Royal last week, the crowd did not disappoint. Among the typical uniform of Christchurch puffer jackets, there were people wafting about in long Stevie Nicks robes and beads, plenty of tight black jeans and thick eyeliner, and that's before we even get onto the outfits on stage. Vera Ellen's red leather pants! Boh Runga's velour jumpsuit! Dianne Swann's shaggy blonde mop! The ensemble group comprising Atomic 2.0 was made up of musical director Julia Deans (Fur Patrol) Boh Runga (stellar*), Dianne Swann (When the Cat's Away), Vera Ellen, and Jazmine Mary, backed by Karen Hu (drums), Rebel Reid (guitar), Mareea Paterson (bass), and Ladyhawke's Ilayda Tunali (keys). Swann immediately demanded everyone get up and out their seats, and by the second song ('Call Me' by Blondie) the aisles were full of people boogying. The hits came thick and fast, with songs from The Pretenders, The Cranberries, Patti Smith and even a tribute to Shona Laing. Helmed by Julia Deans in Courtney Love cosplay, there was an air of joyous chaos to the whole thing. 'Undies? No undies?' Deans asked the whooping crowd while hiking her skirt up (later, when she sat down on the stage, a cackling crowd member stood in front to cover her crotch, just in case). With a few false starts and flubs, it had the energy of a shambolic talent show – just one where the contestants happen to be the most talented people in the country. A huge highlight of the night was when guitarist Rebel Reid took the microphone to sing 'Cherry Bomb' by The Runaways. 'This is the biggest crowd I've ever sung in front of,' Reid muttered shyly, before basically ripping the roof straight off the Royal with a belting cover. It was difficult not to well up when Boh Runga stood back in wonder with her glittering water bottle to let the crowd sing most of 'Nothing Compares 2 U'. Vera Ellen strutting around the stage like Mick Jagger to 'I'm Just a Girl' by No Doubt was also an appropriate serve of fierce and silly for the current moment. Atomic 2.0 was a hugely fun night out, but it did leave me pondering a (potentially tedious) thought, especially during New Zealand Music Month. Is it a bleak sign of the times that these musicians can only fill a room this big with their powers combined and an arsenal of nostalgia covers? How many of the people in the audience would go and see them performing their own songs? Maybe the Venn diagram is two separate circles. Maybe it doesn't matter at all. Maybe nothing compares 2 seeing a bunch of women making bank and rocking tf out. Claire Mabey in Wellington I want whoever is in charge of these things to send me back as any one of the women in Atomic. I haven't seen anything so cool in ages and don't expect to top Julia Deans and Vera Ellen guitar battling in this lifetime. Or Boh Runga's black leather pants, or Dianne Swann's VOICE. My god! What a revelation. I am ashamed I didn't know more about Swann before this night of rock Wellington crowd was a woman-strong mob featuring a lot of grey hair and tight pants. My friend and I arrived in the nick of time and I felt immediately young which was a pleasant sensation given I'd eaten too many fried potatoes at Damascus just minutes before, and am not young. The show got immediately underway and I remembered why I have long harboured a crush on Julia Deans. Why is she not Dame Julia Deans yet? Even from way in the back of the stalls she exudes such energy and obvious love for her art and craft, and for the women on stage and for the songs that have inspired them. Deans is the musical director of this genius concept: cover bangers and get a whole opera house full of mostly women singing, dancing and screaming out 'You deserve equal pay!' The supergroup opened with Joan Jett and the Blackhearts' 'I Hate Myself for Loving You' which reminded me just how magnificent Boh Runga is. The pipes, the style, the presence! A massive highlight was Runga singing 'Nothing Compares 2 U' by the late Sinead O'Connor, who Runga said was one of her favourite artists of all time. It was a stunning rendition – deeply felt. There was a lot of love for Wellington's own Vera Ellen in the room. It was Ellen who roused the Wellington crowd by saying 'You know you're allowed to sing along and dance, eh? Christchurch did.' Then she launched into Blondie's 'Heart of Glass' and the gun shy horde stood up and surged forward, joining Julia Deans who'd jumped off the stage to boogie on the floor with the fans. Shout out to the group of women who wore cowboy hats with neon lights – beautiful work. For me, Dianne Swann and Jazmine Mary were revelations. Swann sounds exactly like Marianne Faithfull and pierced my very heart with Faithfull's ' The Ballad of Lucy Jordan '; and her version of Patti Smith's 'Gloria' was wild. Jazmine Mary absolutely nailed 'Zombie' by the Cranberries. I was hoarse by the end of it and had only just enough voice left to belt out 'You Outta Know' by Alanis Morrisette (sung by Deans who also did so good to Courtney Love with 'Celebrity Skin' by Hole). Vera Ellen shone in the second half of the show ('welcome to the 90s segment,' quipped Deans) with 'I'm Just a Girl' by No Doubt (Gwen Stefani really was something back in the day) and with Sheryl Crow's evergreen 'If It Makes You Happy'. It was a night of excellence – the musicians were incredible: Karen Hu was sublime on drums, Rebel Reid epitomised rock goddess on guitar, Mareea Paterson's bass entered directly to the bloodstream, and Ilayda Tunali was phenomenal on keys. Eilish Wilson on saxophone was tremendous – what an instrument, what a shirt, what a player. Going by Alex's review it sounds like this show was tighter than the Christchurch version: Atomic 2.0 Wellington was slick, it was joyful and the musicianship really shone out. After an encore of Florence & The Machine's 'Dog Days Are Over' sung by Runga, a thousand elated bodies poured out of the Opera House into the rain, impervious to the damp and refreshed by rock. Can't wait for Atomic 3.0.
Yahoo
07-05-2025
- Entertainment
- Yahoo
Timothée Chalamet Goes Red Carpet Official With Kylie Jenner as He Accepts David Awards Honor: ‘I Feel a Deep Connection' to Italian Cinema
Yahoo is using AI to generate takeaways from this article. This means the info may not always match what's in the article. Reporting mistakes helps us improve the experience. Yahoo is using AI to generate takeaways from this article. This means the info may not always match what's in the article. Reporting mistakes helps us improve the experience. Yahoo is using AI to generate takeaways from this article. This means the info may not always match what's in the article. Reporting mistakes helps us improve the experience. Generate Key Takeaways Timothée Chalamet underlined the impact of Luca Guadagnino's 'Call Me by Your Name' on his career as he received Italy's David Award for Cinematic Excellence during the event's 70th edition on Wednesday evening at Rome's Cinecittá studios. 'Luca is probably the most important person in my career,' said Chalamet, who attended Italy's top film award show with girlfriend Kylie Jenner — marking the first time they've walked a red carpet together despite being linked for two years — and his father Marc Chalamet. When Chalamet earned his first best actor nomination in 2017 for Guadagnino's 'Call Me' at 22, he was the third-youngest nominee ever in that category. More from Variety 'I started out as a 20-year-old kid from New York who was having a hard time breaking out in the American film industry,' Chalamet said. 'My career happened overnight thanks to Luca Guadagnino and the chance he took on me playing in an Italian movie.' 'I have no familial bloodline that runs through Italy. I'm not related to anyone here, but I feel a deep connection to the cinema community here,' he added. 'If I hadn't pursued my dream of acting, I probably would have broken Francesco Totti's scoring record,' Chalamet continued, referring to the former captain of AS Roma soccer club, of which he is an ardent fan. 'Timothée Chalamet's European origins and American background make him one of the most unpredictable and talented protagonists of international cinema today, capable of being both an auteur performer and a star generating trends and styles,' said Piera Detassis, president and artistic director of the Academy of Italian Cinema. Among the frontrunners for this year's David di Donatello awards are Paolo Sorrentino's 'Parthenope,' Andrea Segre's 'The Great Ambition,' Maura Delpero's 'Vermiglio,' and Valeria Golino's 'The Art of Joy.' Best of Variety Sign up for Variety's Newsletter. For the latest news, follow us on Facebook, Twitter, and Instagram.
