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Boston Globe
13-06-2025
- Boston Globe
First light to last light: The arc of a perfect summer day in Gloucester
There's no shame in settling down on either beach for the morning, then packing up your beach chairs and following the sun. But if you're feeling more ambitious, Gloucester has plenty to fill the day. By the time you've walked the length of Good Harbor Beach, Cape Ann Coffees will be opening at 6 a.m. At the other end of the harbor, Mom's Kitchen starts dishing pancakes and eggs at 5 a.m. What can we say? Fisherfolk start early. Get Starting Point A guide through the most important stories of the morning, delivered Monday through Friday. Enter Email Sign Up A trail map to Dogtown stands at the parking lot on Dogtown Road. David Lyon While the rest of Gloucester is waking up, walk off the breakfast carbs by hiking the trails in Dogtown. Every town deserves a mysterious, spooky wood, and Dogtown is Gloucester's. Site of the 17th-century settlement, the ghost town sits atop a glacial moraine. Trees and shrubs have overgrown the vast boulder field since this inland village was abandoned about 200 years ago as Gloucester sought its living from the sea. Yet cellar holes and patches of ornamental flowering plants and fruit trees persist as silent witnesses to lives once lived here. The 'Babson Boulder Trail″ is the most popular way to explore Dogtown. Look for massive stones inscribed with inspirational words — 'Truth,″ 'Kindness,″ 'Prosperity,″ and so on. They are the work of Depression-era unemployed stone cutters hired by Gloucester native Roger Babson. Advertisement This contemporary wetu sits next to the 1710 White-Ellery saltbox on the Cape Ann Museum Green campus in Gloucester. David Lyon Gloucester may be one of America's oldest European settlements, but the English were hardly the first to live here. At the Cape Ann Museum Green campus, located between Dogtown and the Route 128 traffic circle, a contemporary art wetu (a traditional Indigenous dwelling) and a stone mush8n (a stone version of an Indigenous dugout canoe) nod to earlier occupants of the land. The brightly painted wetu contrasts with the weathered clapboards of the adjacent 1710 White-Ellery saltbox house. Although the downtown location of the museum remains closed for renovation until 2026, CAM Green offers tours of the White-Ellery House and mounts changing exhibitions in its soaring, light-filled gallery building. Carvings on the "Babson boulders" in Dogtown exhort passersby to admirable actions. David Lyon By now you've probably caught on that Gloucester is a pretty special place. So it's no surprise that the glorious light has long drawn artists to town. Starting in the mid-19th century, artists have flocked to Rocky Neck, a small peninsula poking out into Gloucester Harbor. It claims to be 'one of America's oldest working art colonies.″ Rocky Neck in Gloucester is a well-established art colony. David Lyon Rocky Neck is a compact spit, easily walked from the municipal parking lot on Rocky Neck Avenue. Check out the former studio of Marsden Hartley at 9 Rocky Neck Ave., now a private home. He spent summers here in the 1930s and often painted the glacial moraine of Dogtown. The former studio of A.W. Buhler at 17 Rocky Neck Ave. is now a gallery. Buhler is best remembered for his painting 'Man at the Wheel,″ the inspiration for Gloucester's iconic Fisherman's Memorial statue. Take a short detour to 2 Clarendon St. to see the house that Edward Hopper painted as 'The Mansard Roof.″ Or just wander the galleries and shops, including the sleek gallery and wine bar called Salted Cod Arthouse, and pop into any open studios. You will see a lot of paintings of boats, harbors, and broader seascapes. Gloucester is, after all, also America's oldest working fishing port. Advertisement Edward Hopper modeled the image in "The Mansard Roof″ on this Rocky Neck home. David Lyon Downtown knits together Gloucester's maritime and artistic histories. As you wrap around the head of the inner harbor, you'll pass the site where Hopper painted 'Tall Masts″ in 1912. Hopper was hardly the first artist to be entranced by Gloucester's waterfront. One of your first stops on a walking tour along the harbor will be a three-story Gothic Revival stone house on a high hill above the working port. Looking almost like a waterfront watchtower, it was designed by Fitz Henry Lane, the Gloucester-born artist whose radiant images of glowing sky and restless seas first drew other painters to the seaport. He lived and worked here from 1849 until his death in 1865. Just feet away, Alfred Duca's evocative 1996 bronze statue shows the painter perched on a rock, sketchbook in hand, looking out on the harbor. Advertisement The Fisherman's Memorial, often called ‶Man at the Wheel,″ stands on Western Avenue in Gloucester. David Lyon Also on Harbor Loop, just below the Lane House, Maritime Gloucester is a living museum of the city's saltwater history. In the Dory Shop, Geno Mondello continues to build historic Gloucester fishing dories when he's not tending his 200 lobster traps. One of the founders of Maritime Gloucester, Mondello says it takes five to six weeks to build a boat. Just below the shop, the oldest operating marine railway in the country still hauls ships out of the water for repairs, just as it has since 1849. At an adjacent pier, the pinky schooner Ardelle offers daily public sails until October. The Ardelle offers daily harbor sails from the Maritime Gloucester wharf. David Lyon A little farther west along the harbor, Seven Seas Wharf has served the fishing industry for more than 350 years. It's still used to stow and repair nets, fuel up for offshore trips, and unload lobsters and fish. The Gloucester House Restaurant dominates the wharf. Enjoy seafood in the rough from the takeout window of Blue Collar Lobster Company while looking out at the fishing vessels and Cape Pond Ice. Poignant tributes are cut into the blocks at the base of the Fishermen's Wives Memorial. David Lyon Continue west to 18 Western Ave., the building that Hopper painted in watercolors in 1926 as 'Anderson's House″ (owned by the Museum of Fine Arts Boston). The dwelling sits just above the Town Landing at the end of Pavilion Beach. It's a short walk along Western Avenue to the 'Man at the Wheel″ statue based on Buhler's painting. It's the focus of the Fisherman's Memorial, where bronze plaques list the names of those lost at sea. Keep walking across Blynman Bridge (also painted by Hopper) to the more recent statue of the Fishermen's Wives Memorial, which notes the sacrifices of fishermen's wives and families. This side of the bridge is planted with striking flower beds that flourish in the diffuse seaside light. Advertisement The family depicted in the Fishermen's Wives Memorial looks out to sea, waiting. David Lyon Be sure to return to Pavilion Beach for sunset. It doesn't face perfectly west, but the setting sun illuminates the wet beach with a shimmering slick of color. Clouds above the city blaze with red and gold. The opposing horizon beyond the Eastern Point Light glows rosy pink. Suddenly, darkness falls. Then you can call it a day. Patricia Harris and David Lyon can be reached at . Sunset lights the sky and glistens on the sands of Gloucester's Pavilion Beach. David Lyon If you go … Cape Ann Motor Inn 33 Rockport Road 978-281-2900, Double room $295 Cape Ann Coffees 86 Bass Ave. 978-282-1717, Mon.-Sat. 6 a.m.-1 p.m. Baked goods, sandwiches $3.50-$10.75 Mom's Kitchen 29 Commercial Ave. 978-282-4444, Thu.-Tue. 5 a.m.-noon. Eggs, griddle fare, and sandwiches $4-$13 Salted Cod Arthouse 53 Rocky Neck Ave. 978-282-0917, Open daily 11:30 a.m-10 p.m. Wine bar menu of small plates, soups, flatbreads, and panini $6-$16 Blue Collar Lobster Company at Gloucester House Restaurant 63 Rogers St. 978-283-1812, Open daily 11:30 a.m.-8 p.m. Chowder, snacks, and seafood $8-$42, lobster market price Dogtown Park at access lot on Dogtown Road off Cherry Lane and follow Dogtown Babson Boulder Trail Map: Rocky Neck Art Trail map: CAM Green 13 Poplar St. 978-283-0455, Open Wed.-Sun. 10 a.m.-5 p.m., free Maritime Gloucester 23 Harbor Loop 978-281-0470, Gallery and aquarium open Fri.-Mon. 10 a.m.-4 p.m., adults $15; seniors, military, students, teachers $10 David Lyon can be reached at
Boston Globe
06-06-2025
- Entertainment
- Boston Globe
‘Breath of Life': Exploring the beauty and power of C.B. Fisk's majestic organs
Gloucester is most associated with fishing, of course, and, artistically, with painting (Fitz Henry Lane, John Sloan, Edward Hopper, Marsden Hartley, Stuart Davis, Milton Avery, Joseph Solman) and poetry (Charles Olson, Vincent Ferrini, and don't forget T.S. Eliot's 'The Dry Salvages'). But in musical circles, thanks to Fisk, Gloucester is a world capital. The show includes models and photographs of Fisk organs that are near (Cambridge and Wellesley), far (Pennsylvania, Ohio, Iowa, and Minnesota), and quite far (Hong Kong and Japan). Opus 153, Wesley United Methodist Church, Muscatine, Iowa, 2019. Dana Sigall Advertisement As 'Breath of Life' very appealingly demonstrates, a pipe organ is about much more than the sounds it creates, regardless of how stirring or beautiful those sounds might be. Before an organ can make music, its own making variously draws on architecture, art, carpentry, acoustics, and engineering. Even when silent, it's a thing of beauty: a piece of magnificent sculpture that doubles as art installation. Fisk designates each of its organs with an opus number, the way musical composition are so designated. That seems altogether fitting. Opus 171, for example, is a continuo organ, much smaller than its more imposing brethren. That doesn't mean any less care went into its making. It's fashioned of white oak, walnut, boxwood, rosewood, curly maple, cherry, tin, and aluminum. Advertisement Opus 150, Christ Church, Philadelphia, 2018. Dana Sigall In addition to organ models and photographs, 'Breath of Life' includes drawings, decorative artwork for the organs, a pair of pipes (one the size of a chopstick, the other big enough to sit on a launching pad at a mini-Cape Canaveral), song books from the 18th and early 19th centuries, and a plaster cast of A vitrine displays a sampling of organ parts and tools used in their making. They're small wonders of elegance and utility, with names no less beautiful than the items themselves: 'languid,' 'reed tongue,' 'wooden beater and mandrel,' 'cut up knife,' 'toe cone,' 'toe hold gauge,' 'burnisher.' Opus 78, House of Hope Presbyterian Church, Saint Paul, Minn., 1979. Photo by Len Levasseur The show's wall texts are highly informative. Even so, this is the rare exhibition where visitors could forgo explanation and, simply gawking at what's on display, do so with pleasure and edification. That's how attractive the models and photographs and related materials are. In CAM Green's light-filled, white-walled exhibition space, the models look radiant. The organs are unique, like a fingerprint — or person — the design of each determined by the nature of the space it's sited in and the needs of the church or concert hall that commissioned it. Opus 110, located in Yokohama, Japan, is familiarly known as 'Lucy.' Opus 141, in Niiza, Japan, has blue lacquering. The pipes for Opus 146, in Glendale, Ohio, are arranged to form wing shapes — on wings of song, so to speak. Advertisement Opus 141, St. Paul's Chapel, Rikkyo University, Niiza, Japan, 2014. Scott Shaw The nine models are on a scale of 1:16: ¾ of an inch to 1 foot. 'They look like dollhouses to me,' a visitor was overheard to say during a recent visit. Fair enough, but lucky the dolls that get to live in such houses. 'Breath of Life' has a Fisk-selected soundtrack. It consists of organ music, of course. This is a very rare exception to the rule that music accompanying an exhibition is extremely annoying. Here it's not a distraction but an enhancement. For purists who prefer their music in person, there are organ performances in the exhibition space on Wednesdays from 1 to 1:30 p.m. A final note: The renovation of CAM's downtown campus continues, with reopening scheduled for this March. BREATH OF LIFE — C.B. FISK, DESIGNERS & BUILDERS OF PIPE ORGANS At Cape Ann Museum, CAM Green Campus, 13 Poplar St., Gloucester, through June 29. 978-283-0455, ext. 110, Mark Feeney can be reached at
