Latest news with #ArtGalleryofNSW
7NEWS
20 hours ago
- Entertainment
- 7NEWS
Landmark exhibition Yolngu power comes to the Art Gallery of NSW
One of Australia's most internationally renowned arts communities is now on show at the Art Gallery of NSW. The exhibition, Yolngu Power: the art of the Yirrkala, features almost 300 works by 98 Aboriginal artists connected to Yirrkala in the Northern Territory's Arnhem Land. The collection traces the history of art from the world-renowned community and showcases the continuation of and diversity within practice from the 1940s to today. Coinciding with Yolngu Power, The Mulka Project is also premiering a major new commission in the Art Gallery's Nelson Packer Tank. The first look has been given to Yalu, an immersive light and sound experience designed to bring the colours and songs of Yolngu country to the former wartime oil bunker underneath the gallery. The exhibition opened today, June 21, and will run until October. The Art Gallery of NSW said: 'The exhibition is presented in partnership with the Aboriginal-owned art centre, Buku-Larrŋgay Mulka Centre located in Yirrkala. 'The art centre was established as an act of Yolngu self-determination in the 1970s, in the midst of the land rights movement. 'Decades earlier, artists at Yirrkala were among the first Indigenous Australians to employ art as a political tool, most notably through the Yirrkala Bark Petitions of 1963, which were sent to the Australian Parliament to assert Yolngu custodianship of Country. 'Yolngu people have painted sacred designs on the body and objects since time immemorial. 'Known as miny'tji these designs are not merely decorative, they are important patterns that denote the interconnection between Yolŋu people, law and Country. 'Through these visual languages, artists from Yirrkala have shared art as a means of cultural diplomacy — as a respectful assertion of power in its diverse forms, from sovereignty to influence, authority and control, to energy, strength and pride.' NSW Arts Minister John Graham said the exhibition was an incredible opportunity for both NSW locals and tourists. 'This exhibition will be a rare opportunity in Sydney to experience the power and generosity of the artists of Yirrkala, one of Australia's most revered arts communities,' he said. 'I urge locals and visitors to make their way to the Art Gallery of New South Wales this winter for this exceptional exhibition that celebrates the artists of Yirrkala whose contribution to both Australian and international art, is profound.' Art Gallery of NSW director Maud Page said she was 'immensely proud' of the gallery's history with the Yirrkala community. 'We are delighted to come together again to present our major winter exhibition, Yolngu power: the art of Yirrkala,' she said. Yolngu power: the art of Yirrkala spotlights Yirrkala artists spanning multiple generations and art forms including bark paintings, drawings, prints, and sculpture in both wood and metal, alongside video works and immersive digital installations. Exhibition curator and Art Gallery of New South Wales head of First Nations, Cara Pinchbeck said: 'Yolngu power explores the distinct shifts in practice instigated by artists as a means of asserting power through art over time. 'This power takes diverse forms, from the power inherent in the sacred designs of miny'tji and the cultural inheritance of artists, to the transformation of natural and reclaimed materials into exceptional artworks and the sentience of Country as it is enlivened by seasonal change.' Yolngu power: the art of Yirrkala will be on display at the Art Gallery of NSW, in the Ainsworth Family Gallery in Naala Badu from June 21 to October 6, 2025. Tickets are now on sale alongside tickets for the Archibald, Wynne and Sulman Prizes 2025 exhibition.
SBS Australia
2 days ago
- Entertainment
- SBS Australia
Yolnu power: major exhibition showcases works of Yirrkala Aboriginal artists
Yolnu power: major exhibition showcases works of Yirrkala Aboriginal artists Published 20 June 2025, 8:38 am A major exhibition is showcasing the work of one of Australia's most internationally renowned art communities. Yolnu power: the art of Yirrkala, features 95 Aboriginal artists connected to Yirrkala in the Northern Territory's Arnhem Land. The exhibition at the Art Gallery of New South Wales aims to showcase the continuation and diversity of the community's artistic practice from the 1940s to today.
ABC News
06-06-2025
- Politics
- ABC News
New Art Gallery of NSW boss Maud Page finds her muse
Why Art Gallery of NSW's new head wants to tackle her role like a politician.
Sydney Morning Herald
18-05-2025
- Entertainment
- Sydney Morning Herald
The radical plan to finally give Gen Z a voice in Sydney's museums and galleries
As a university student, NSW Arts Minister John Graham would often attend theatre performances and realise he was the youngest person there. Even now, as the sector's state leader, Graham still sometimes finds himself 'at the younger end' of audience demographics, which is why NSW will become the first state to legislate to give a voice to Generation Z on the boards of leading cultural institutions. Under draft legislation before parliament, emerging arts leaders aged between 18 and 28 years will be eligible for a guaranteed seat on the board of the Sydney Opera House, Art Gallery of NSW, Powerhouse Museum, Australian Museum, State Library of NSW and Museums of History NSW. The bill was drafted after Graham became impatient for real-time demographic changes on the boards and trusts of the six institutions. If adopted, the laws will apply from October this year. 'There is a range of other views around mentoring and more gentle ways to [achieve those aims] but I don't accept that,' Graham told the Herald. 'I want these representatives on the board as equal participants. There are two goals: to bring on the next-generation audiences, and [to bring on] the next-generation cultural leaders.' The youth seat plan comes amid concern that arts boards across the country are stacked with too many corporate leaders and patrons without real-time arts experience. It follows the Creative Australia board's sacking of its freshly appointed Venice Biennale representative, Khaled Sabsabi, in February. Last year, Sara Mansour from Bankstown Poetry Slam became the Opera House Trust's youngest-ever board member, aged 30. She said it has given her valuable experience in the way cultural organisations deal with complex operational, financial and governance issues. 'Given young people make up over 30 per cent of NSW's population, I think this initiative from the arts minister is brilliant,' she said. 'It not only gives them a seat at the table – it allows them to be heard, and it is also enabling them to gain integral corporate governance and strategic experience that they then can take back to their own community to upskill at a grassroots level. '
The Age
18-05-2025
- Entertainment
- The Age
The radical plan to finally give Gen Z a voice in Sydney's museums and galleries
As a university student, NSW Arts Minister John Graham would often attend theatre performances and realise he was the youngest person there. Even now, as the sector's state leader, Graham still sometimes finds himself 'at the younger end' of audience demographics, which is why NSW will become the first state to legislate to give a voice to Generation Z on the boards of leading cultural institutions. Under draft legislation before parliament, emerging arts leaders aged between 18 and 28 years will be eligible for a guaranteed seat on the board of the Sydney Opera House, Art Gallery of NSW, Powerhouse Museum, Australian Museum, State Library of NSW and Museums of History NSW. The bill was drafted after Graham became impatient for real-time demographic changes on the boards and trusts of the six institutions. If adopted, the laws will apply from October this year. 'There is a range of other views around mentoring and more gentle ways to [achieve those aims] but I don't accept that,' Graham told the Herald. 'I want these representatives on the board as equal participants. There are two goals: to bring on the next-generation audiences, and [to bring on] the next-generation cultural leaders.' The youth seat plan comes amid concern that arts boards across the country are stacked with too many corporate leaders and patrons without real-time arts experience. It follows the Creative Australia board's sacking of its freshly appointed Venice Biennale representative, Khaled Sabsabi, in February. Last year, Sara Mansour from Bankstown Poetry Slam became the Opera House Trust's youngest-ever board member, aged 30. She said it has given her valuable experience in the way cultural organisations deal with complex operational, financial and governance issues. 'Given young people make up over 30 per cent of NSW's population, I think this initiative from the arts minister is brilliant,' she said. 'It not only gives them a seat at the table – it allows them to be heard, and it is also enabling them to gain integral corporate governance and strategic experience that they then can take back to their own community to upskill at a grassroots level. '
