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Boston Globe
an hour ago
- Entertainment
- Boston Globe
The 15 best TV shows of the year so far
'Adolescence' (limited series, Netflix) Where to begin? The long, cinematic camera takes that make you feel like you've intruded on a reality already in progress? The searing performances from Stephen Graham, Owen Cooper, Erin Doherty, and a stable of largely unknown UK actors? This tight, four-episode drama, about an adolescent (Cooper) accused of killing a female classmate, is a gut punch that diagnoses a world of contemporary problems without ever feeling like a sociological treatise. Jessica Biel and Elizabeth Banks in "The Better Sister." JOJO WHILDEN/Jojo Whilden/Prime ' ' (season 1, Amazon Prime Video) The apple doesn't fall far. TV luminary David Milch's daughter, Olivia Milch, created this high-grade pulp drama with Regina Corrado, a key writer on David Milch's series 'Deadwood' (speaking of peak TV). Jaggedly funny and compulsively watchable, it follows two adult sisters (Jessica Biel and Pittsfield native Advertisement 'Black Mirror' (season 7, Netflix) A funny thing happened to Charlie Brooker's future-shock sci-fi anthology series on the way to 2025. It now feels more wickedly plausible than ever, and it therefore cuts closer to the bone. The season opener, starring Rashida Jones and Chris O'Dowd, is a soul-crushing masterpiece in which life and death become a matter of coverage tiers. It's still engineered to make you laugh until it hurts really, really bad. Matthew Goode in "Dept. Q" on Netflix. Jamie Simpson/Jamie Simpson/Netflix (season 1, Netflix) Scott Frank, who made chess exciting and sexy with his 2020 Netflix limited series ' Brian Tyree Henry in "Dope Thief." Apple TV+ 'Dope Thief' (season 1, Apple TV+) Brian Tyree Henry has been doing killer supporting work for a few years now on TV (' Advertisement ' ' (limited series, HBO) From the Department of Good Timing: At a moment when the principles of the civil rights movement are under attack, HBO released the third installment of a vital project that started back in 1987. These six chapters cover the period from the late 1970s to the present, exploring issues including fair housing, the war on affirmative action, the AIDS crisis, the Obama years, and more. It plays like a series of deeply reported feature stories. 'Forever' (season 1, Netflix) The Judy Blume renaissance continues with this series inspired by her 1975 novel about two teens dealing with raging hormones, societal expectations, and, yes, first love. Series creator Mara Brock Akil has moved the action to Los Angeles in 2018, where two Black high school athletes (Michael Cooper Jr. and Lovie Simone) fall head over heels and face highly realistic obstacles. Few series have so viscerally captured the pains of being a teenager. 'Inside the NBA' (TNT) Gone, but not forgotten. In fact, not exactly gone. TNT's freewheeling pregame and halftime show is the most spontaneous and entertaining sports enterprise on the air. Now Charles Barkley, Kenny Smith, Shaquille O'Neal, and ringmaster Ernie Johnson are moving (for NBA broadcast rights reasons) to ESPN and ABC, where the flavor promises to be a little different. But hopefully not too different. Here's hoping the new bosses let the mountainous Shaq tumble into some more Christmas trees. Advertisement Bella Ramsey in "The Last of Us." Courtesy of HBO ' ' (season 2, HBO) It takes nerve to kill off the main character early in the second season of a hit series. It takes skill and imagination to keep the train rolling along in the aftermath. You won't find a more assured mix of prestige and popular appeal than HBO's zombie apocalypse drama, which, of course, is about far more than a zombie apocalypse. And you won't find better evidence for the blurring of high and 'low' culture than the fact that one of HBO's best series is based on a video game. ' ' (season 2, Netflix) Palestinian-American actor/comedian ' ' (documentary, HBO) A penetrating study of what it means to have a popular alter ego, and what happens when that alter ego takes over. The late Paul Reubens, better known as Pee-wee Herman, makes for a controlling, passive-aggressive, but somehow still appealing subject as he thrusts and parries with filmmaker Matt Wolf. The end results, in two parts and about four hours, ask probing questions about identity, fame, and the many guises we try on to get ahead. Advertisement 'The Rehearsal' (season 2, HBO) Comedian Nathan Fielder's first-person docuseries has moved well beyond the point of stunting. The recently completed season culminates in a surreal plane flight, with Fielder at the controls and the plane full of actors, all coordinated to make a point about cockpit communication and preventable crashes. It makes for riveting television and deadpan advocacy, delivered in a self-conscious monotone that belies a passionate sense of purpose. 'Saturday Night Live' (season 51, NBC) Maybe it was the re-election of Donald Trump, or just the right meshing of cast and writers. Whatever the reason, 'SNL' felt energized this season, like a big league pitcher getting his fastball back. The 'White Potus' sketch melded pop culture heat with political satire. The Please Don't Destroy team found a groove with its digital shorts (go to YouTube and search for 'First Class'). Michael Che and Colin Jost refined their vibe of friendly antagonism on 'Weekend Update.' And a big, 50-year-old dog showed it can learn some new tricks. Seth Rogen in "The Studio." Apple TV+ ' ' (season 1, Apple TV+) Evan Goldberg and Seth Rogen's painfully funny send-up of the current movie business is certainly insidery, but it's also madcap, slapstick fun, a tasty poison pill and a lament for the difficulty of making art in a world defined by fast commerce. Throw in cameos from a weeping Martin Scorsese, a frustrated Sarah Polley, an enraged Ron Howard, and more, and you've got the satire that contemporary Hollywood deserves. Advertisement ' ' (season 3, HBO) At some point Mike White's formula of narcissistic tourists behaving horribly in paradise will wear out its welcome. But that point hasn't arrived yet. The writing and the acting — this season's standouts include Walton Goggins, Carrie Coon, Parker Posey, and the returning Natasha Rothwell — are still top-shelf, and the American idiots abroad motif carries a little extra oomph in this day and age. The coconut milk is off! What do you think the best show of 2025 is? Sound off in the comments and let us know.
Daily Telegraph
6 hours ago
- Entertainment
- Daily Telegraph
The big problem with F1: The Movie
Don't miss out on the headlines from On the Road. Followed categories will be added to My News. Formula 1 fans have so much access to the sport that a fictional production can't match the real highs of racing. The real thing feels far less predictable than Hollywood's drive to milk corporate sponsors and cash in on F1's popularity. All the parts were in place to make F1: The Movie unforgettable. MORE: The Aussie driving rite of passage dying out Damson Idris as Joshua Pearce, left, and Brad Pitt as Sonny Hayes in a scene from "F1 The Movie." Picture: Apple TV+ via AP There were superstar actors in Brad Pitt and Javier Bardem, ably supported by Kerry Condon and Damson Idris. A blockbuster director in Joseph Kosinski, fresh from the success of Top Gun: Maverick. Guidance from racing legend Lewis Hamilton and F1 chief executive Stefano Domenicali to make sure it didn't run off course. And unprecedented access to the drivers, cars, circuits and trackside action that make Formula 1 the pinnacle of motorsport. The last bit is where F1 fans might feel short-changed. F1 used to be elusive and exclusive. MORE: Australia in fight to beat Chinese batteries Damson Idris stars in F1: The Movie. Picture: Supplied Former boss Bernie Ecclestone was a magician who wowed onlookers without revealing his tricks, putting on a show while keeping the audience at a distance. But the sport has thrown open its doors to live broadcasts, social media, Netflix, podcasts and more that take us deep into the world of Grand Prix racing. We've gone from a couple of hours of racing every other week to an unprecedented level of access to racing's cast and crew. Racing fans can consume countless hours of content each week. MORE: Insane features in 'preposterous' new EV The Top Gun: Maverick treatment did not translate to F1. Picture: Paramount That's where F1: The Movie differs from Top Gun: Maverick. There's a lot of mystery surrounding fighter pilots, their jets and missions. Top Gun pulls viewers into a world off-limits to civilians. But F1 offers a fictionalised spin on a world its fans are intimately familiar with. Racing fans are spoiled. It's everywhere you look. And its real stories are better than what Hollywood scripted. Brad Pitt, right, plays an ageing racer called into action by Javier Bardem. Picture: Apple TV+ via AP F1: The Movie is about a struggling team owner (Ruben Cervantes, played by Javier Bardem) who turns to a retired racing star of the 1990s (Sonny Hayes, played by Brad Pitt) in a desperate ploy to win a race. There's friction from young teammate Joshua (played by Damson Idris) and team technical director Kate (played by Kerry Condon), before everyone works together to get their trophy. MORE: How Netflix changed F1 forever Damson Idris as Joshua Pearce, left, and Brad Pitt as Sonny Hayes in a scene from "F1 The Movie." Picture: Apple TV+ via AP It's a poor substitute for the real drama of F1. Fans will never forget the career-defining battle between Max Verstappen and Lewis Hamilton, culminating in the controversy of Abu Dhabi's season finale in 2021. Look at that pair. There's rich material in Verstappen's well-documented struggle with an abusive father, or the way Hamilton's raw talent drove him through adversity. There's Michael Schumacher's tragic skiing accident and his son Mick's ultimately futile drive to follow his path. Max Verstappen and Lewis Hamilton clashed at Monza in 2021. Photo: PeterOr Jack Doohan striving for F1 for his entire life only to be thrown on the scrap heap after half a dozen races. Robert Kubica last week completed a fairytale story by winning the 24 Hours of Le Mans – arguably the world's biggest race – in a Ferrari, years after a near-fatal rally crash prevented him from driving for Ferrari in Formula 1. Hours later, the battle between Oscar Piastri and Lando Norris boiled over in Canada. Piastri, ice-cold, unflappable and inscrutable, went wheel to wheel with a Norris plagued by a lack of confidence in his clearly immense ability. The Mercedes-AMG GT stars in F1: The Movie. Picture: Supplied My invitation to the Australian premiere of F1: The Movie included a drive of a $400,000 Mercedes-AMG sports car that features in the film, the opportunity to wear the same $45,000 IWC watch shown on screen, and all the alcohol-free Heineken I could drink. Which isn't much. The best racing movies are underpinned by real stories. Rush (2013) faithfully tells the gripping story of James Hunt and Niki Lauda, pitched in a do-or-die battle with brutal consequences. Ford v Ferrari (2019) has Carroll Shelby and Ken Miles beating the odds to win Le Mans, and the biographical Senna (2010) is told with more care than Kosinski managed. Matt Damon and Christian Bale in a scene from the movie Ford V Ferrari. I'd even argue Will Ferrell's silly NASCAR flick Talladega Nights: The Ballad of Ricky Bobby (2006) has more heart, humour and audience appeal than a none-too-convincing Brad Pitt trying to climb onto the podium. Sure, the film might give F1 a further bump in popularity. But fans won't find much beyond what they already see on Grand Prix Sundays. F1: The Movie reaches Australian screens on June 26. Originally published as Is F1: The Movie any good?
Courier-Mail
8 hours ago
- Entertainment
- Courier-Mail
The big problem with F1: The Movie
Don't miss out on the headlines from On the Road. Followed categories will be added to My News. Formula 1 fans have so much access to the sport that a fictional production can't match the real highs of racing. The real thing feels far less predictable than Hollywood's drive to milk corporate sponsors and cash in on F1's popularity. All the parts were in place to make F1: The Movie unforgettable. MORE: The Aussie driving rite of passage dying out Damson Idris as Joshua Pearce, left, and Brad Pitt as Sonny Hayes in a scene from "F1 The Movie." Picture: Apple TV+ via AP There were superstar actors in Brad Pitt and Javier Bardem, ably supported by Kerry Condon and Damson Idris. A blockbuster director in Joseph Kosinski, fresh from the success of Top Gun: Maverick. Guidance from racing legend Lewis Hamilton and F1 chief executive Stefano Domenicali to make sure it didn't run off course. X SUBSCRIBER ONLY And unprecedented access to the drivers, cars, circuits and trackside action that make Formula 1 the pinnacle of motorsport. The last bit is where F1 fans might feel short-changed. F1 used to be elusive and exclusive. MORE: Australia in fight to beat Chinese batteries Damson Idris stars in F1: The Movie. Picture: Supplied Former boss Bernie Ecclestone was a magician who wowed onlookers without revealing his tricks, putting on a show while keeping the audience at a distance. But the sport has thrown open its doors to live broadcasts, social media, Netflix, podcasts and more that take us deep into the world of Grand Prix racing. We've gone from a couple of hours of racing every other week to an unprecedented level of access to racing's cast and crew. Racing fans can consume countless hours of content each week. MORE: Insane features in 'preposterous' new EV The Top Gun: Maverick treatment did not translate to F1. Picture: Paramount That's where F1: The Movie differs from Top Gun: Maverick. There's a lot of mystery surrounding fighter pilots, their jets and missions. Top Gun pulls viewers into a world off-limits to civilians. But F1 offers a fictionalised spin on a world its fans are intimately familiar with. Racing fans are spoiled. It's everywhere you look. And its real stories are better than what Hollywood scripted. Brad Pitt, right, plays an ageing racer called into action by Javier Bardem. Picture: Apple TV+ via AP F1: The Movie is about a struggling team owner (Ruben Cervantes, played by Javier Bardem) who turns to a retired racing star of the 1990s (Sonny Hayes, played by Brad Pitt) in a desperate ploy to win a race. There's friction from young teammate Joshua (played by Damson Idris) and team technical director Kate (played by Kerry Condon), before everyone works together to get their trophy. MORE: How Netflix changed F1 forever Damson Idris as Joshua Pearce, left, and Brad Pitt as Sonny Hayes in a scene from "F1 The Movie." Picture: Apple TV+ via AP It's a poor substitute for the real drama of F1. Fans will never forget the career-defining battle between Max Verstappen and Lewis Hamilton, culminating in the controversy of Abu Dhabi's season finale in 2021. Look at that pair. There's rich material in Verstappen's well-documented struggle with an abusive father, or the way Hamilton's raw talent drove him through adversity. There's Michael Schumacher's tragic skiing accident and his son Mick's ultimately futile drive to follow his path. Max Verstappen and Lewis Hamilton clashed at Monza in 2021. Photo: PeterOr Jack Doohan striving for F1 for his entire life only to be thrown on the scrap heap after half a dozen races. Robert Kubica last week completed a fairytale story by winning the 24 Hours of Le Mans – arguably the world's biggest race – in a Ferrari, years after a near-fatal rally crash prevented him from driving for Ferrari in Formula 1. Hours later, the battle between Oscar Piastri and Lando Norris boiled over in Canada. Piastri, ice-cold, unflappable and inscrutable, went wheel to wheel with a Norris plagued by a lack of confidence in his clearly immense ability. The Mercedes-AMG GT stars in F1: The Movie. Picture: Supplied My invitation to the Australian premiere of F1: The Movie included a drive of a $400,000 Mercedes-AMG sports car that features in the film, the opportunity to wear the same $45,000 IWC watch shown on screen, and all the alcohol-free Heineken I could drink. Which isn't much. The best racing movies are underpinned by real stories. X SUBSCRIBER ONLY Rush (2013) faithfully tells the gripping story of James Hunt and Niki Lauda, pitched in a do-or-die battle with brutal consequences. Ford v Ferrari (2019) has Carroll Shelby and Ken Miles beating the odds to win Le Mans, and the biographical Senna (2010) is told with more care than Kosinski managed. Matt Damon and Christian Bale in a scene from the movie Ford V Ferrari. I'd even argue Will Ferrell's silly NASCAR flick Talladega Nights: The Ballad of Ricky Bobby (2006) has more heart, humour and audience appeal than a none-too-convincing Brad Pitt trying to climb onto the podium. Sure, the film might give F1 a further bump in popularity. But fans won't find much beyond what they already see on Grand Prix Sundays. F1: The Movie reaches Australian screens on June 26. Originally published as Is F1: The Movie any good?
Herald Sun
9 hours ago
- Entertainment
- Herald Sun
The big problem with F1: The Movie
Don't miss out on the headlines from On the Road. Followed categories will be added to My News. Formula 1 fans have so much access to the sport that a fictional production can't match the real highs of racing. The real thing feels far less predictable than Hollywood's drive to milk corporate sponsors and cash in on F1's popularity. All the parts were in place to make F1: The Movie unforgettable. MORE: The Aussie driving rite of passage dying out Damson Idris as Joshua Pearce, left, and Brad Pitt as Sonny Hayes in a scene from "F1 The Movie." Picture: Apple TV+ via AP There were superstar actors in Brad Pitt and Javier Bardem, ably supported by Kerry Condon and Damson Idris. A blockbuster director in Joseph Kosinski, fresh from the success of Top Gun: Maverick. Guidance from racing legend Lewis Hamilton and F1 chief executive Stefano Domenicali to make sure it didn't run off course. And unprecedented access to the drivers, cars, circuits and trackside action that make Formula 1 the pinnacle of motorsport. The last bit is where F1 fans might feel short-changed. F1 used to be elusive and exclusive. MORE: Australia in fight to beat Chinese batteries Damson Idris stars in F1: The Movie. Picture: Supplied Former boss Bernie Ecclestone was a magician who wowed onlookers without revealing his tricks, putting on a show while keeping the audience at a distance. But the sport has thrown open its doors to live broadcasts, social media, Netflix, podcasts and more that take us deep into the world of Grand Prix racing. We've gone from a couple of hours of racing every other week to an unprecedented level of access to racing's cast and crew. Racing fans can consume countless hours of content each week. MORE: Insane features in 'preposterous' new EV The Top Gun: Maverick treatment did not translate to F1. Picture: Paramount That's where F1: The Movie differs from Top Gun: Maverick. There's a lot of mystery surrounding fighter pilots, their jets and missions. Top Gun pulls viewers into a world off-limits to civilians. But F1 offers a fictionalised spin on a world its fans are intimately familiar with. Racing fans are spoiled. It's everywhere you look. And its real stories are better than what Hollywood scripted. Brad Pitt, right, plays an ageing racer called into action by Javier Bardem. Picture: Apple TV+ via AP F1: The Movie is about a struggling team owner (Ruben Cervantes, played by Javier Bardem) who turns to a retired racing star of the 1990s (Sonny Hayes, played by Brad Pitt) in a desperate ploy to win a race. There's friction from young teammate Joshua (played by Damson Idris) and team technical director Kate (played by Kerry Condon), before everyone works together to get their trophy. MORE: How Netflix changed F1 forever Damson Idris as Joshua Pearce, left, and Brad Pitt as Sonny Hayes in a scene from "F1 The Movie." Picture: Apple TV+ via AP It's a poor substitute for the real drama of F1. Fans will never forget the career-defining battle between Max Verstappen and Lewis Hamilton, culminating in the controversy of Abu Dhabi's season finale in 2021. Look at that pair. There's rich material in Verstappen's well-documented struggle with an abusive father, or the way Hamilton's raw talent drove him through adversity. There's Michael Schumacher's tragic skiing accident and his son Mick's ultimately futile drive to follow his path. Max Verstappen and Lewis Hamilton clashed at Monza in 2021. Photo: PeterOr Jack Doohan striving for F1 for his entire life only to be thrown on the scrap heap after half a dozen races. Robert Kubica last week completed a fairytale story by winning the 24 Hours of Le Mans – arguably the world's biggest race – in a Ferrari, years after a near-fatal rally crash prevented him from driving for Ferrari in Formula 1. Hours later, the battle between Oscar Piastri and Lando Norris boiled over in Canada. Piastri, ice-cold, unflappable and inscrutable, went wheel to wheel with a Norris plagued by a lack of confidence in his clearly immense ability. The Mercedes-AMG GT stars in F1: The Movie. Picture: Supplied My invitation to the Australian premiere of F1: The Movie included a drive of a $400,000 Mercedes-AMG sports car that features in the film, the opportunity to wear the same $45,000 IWC watch shown on screen, and all the alcohol-free Heineken I could drink. Which isn't much. The best racing movies are underpinned by real stories. Rush (2013) faithfully tells the gripping story of James Hunt and Niki Lauda, pitched in a do-or-die battle with brutal consequences. Ford v Ferrari (2019) has Carroll Shelby and Ken Miles beating the odds to win Le Mans, and the biographical Senna (2010) is told with more care than Kosinski managed. Matt Damon and Christian Bale in a scene from the movie Ford V Ferrari. I'd even argue Will Ferrell's silly NASCAR flick Talladega Nights: The Ballad of Ricky Bobby (2006) has more heart, humour and audience appeal than a none-too-convincing Brad Pitt trying to climb onto the podium. Sure, the film might give F1 a further bump in popularity. But fans won't find much beyond what they already see on Grand Prix Sundays. F1: The Movie reaches Australian screens on June 26. Originally published as Is F1: The Movie any good?
Yahoo
9 hours ago
- Entertainment
- Yahoo
Bad Monkey EP Bill Lawrence Offers Season 2 Update, Confirms ‘Razor Girl' Adaptation On Hold in Favor of New Story With Same Cast
Eight months after Bad Monkey's Season 1 finale, and six months after the Vince Vaughn-led detective comedy was renewed at Apple TV+, executive producer Bill Lawrence tells TVLine that writing on Season 2 is nearly complete, and cameras will officially start rolling this fall. 'They're almost done in the writers' room,' the EP says. 'We already had to shoot a scene from Season 2 [in Florida, since production is] moving to California, and that starts production in earnest towards the end of September.' (In other words, don't expect a release date any sooner than 2026.) More from TVLine Zach Braff: Scrubs Revival Will Capture Same 'Humor and Heart,' Show How JD Has Been 'Beaten Down by the System' Shrinking Boss Bill Lawrence Tees Up Reunion With His 'Hero' Michael J. Fox, Shares Favorite Spin City Memory Shrinking EP Tees Up Brett Goldstein and Cobie Smulders' Returns, Michael J. Fox and Jeff Daniels' Season 3 Arcs As for the premise, Lawrence confirms that, while they fully intend to adapt the second Andrew Yancy-centric novel, 'Razor Girl,' for a future season, Season 2 will tell a wholly original story, with input from author Carl Hiaasen. ''Razor Girl' is a great novel for people who want to read it, but it's kind of a break from the characters of the first [book],' Lawrence explains, 'and we wanted to have some of the characters from the first season more front and center in the second' — including Natalie Martinez's Rosa. '[Season 2 is] an original story, but we're all Carl Hiaasen aficionados — and, also, Carl consults on the show and has been helping us a ton.' Vaughn stars as the aforementioned Andrew Yancy, a police detective who in Season 1 investigated a bizarre crime in the Florida Keys while on suspension from the force. Martinez co-starred as coroner Rosa, who emerged as a love interest for Yancy, with Rob Delaney and Meredith Hagner playing married scammers Nick and Eve Stripling. The ensemble also included Ronald Peet as Neville, John Ortiz as Ro, Jodie Turner-Smith as Gracie (aka the Dragon Queen) and Michelle Monaghan as Bonnie. Bad Monkey wrapped Season 1 in October. The finale found Yancy and Rosa agreeing to part ways, and Yancy's friend Ro tempting him to look into another case. Its freshman run was based on Hiaasen's 2013 novel, 'Bad Monkey,' while 'Razor Girl' was published in 2016. Ted Lasso Season 4: Everything We Know View List Best of TVLine 'Missing' Shows, Found! Get the Latest on Ahsoka, Monarch, P-Valley, Sugar, Anansi Boys and 25+ Others Yellowjackets Mysteries: An Up-to-Date List of the Series' Biggest Questions (and Answers?) The Emmys' Most Memorable Moments: Laughter, Tears, Historical Wins, 'The Big One' and More
