Latest news with #AndJustLikeThat
The Independent
42 minutes ago
- Entertainment
- The Independent
Cynthia Nixon on Miranda's new ‘wonderful' And Just Like That romance
Cynthia Nixon, who portrays Miranda in And Just Like That, has shared her thoughts on her character's new love interest, Joy (Dolly Wells), in the third season. Miranda, now a single queer woman in New York, grows closer to Joy, a BBC producer, following an accidental on-air profanity. Nixon stated that Joy serves as an antidote to Miranda's tendency to catastrophise, similar to her ex-husband Steve Brady, but in a distinct manner. The actor mentioned that Season 3 provided a 'breather' for Miranda's storyline after the intense experiences of coming out and heartbreak in the first two seasons. The Independent 's review of Season 3 gave it three stars, noting the writing was 'clunky' but suggesting the series is beginning to find its rhythm for dedicated fans.
Mercury
4 hours ago
- Entertainment
- Mercury
Sarah Jessica Parker reveals ‘unpleasant' part of playing Carrie on Sex and the City: ‘Sobbing'
Don't miss out on the headlines from TV. Followed categories will be added to My News. Sarah Jessica Parker 'wasn't prepared for public commentary' about her physical appearance when Sex and the City debuted in 1998. 'That was really unpleasant at times when people would have opinions — not about the work,' the actress, 60, told podcaster Alex Cooper on Wednesday's episode of Call Her Daddy. While Parker would 'sometimes' get frustrated with viewers' 'misunderstanding' of her character, Carrie Bradshaw, she said it was 'the personal stuff' that really got to her, reports Page Six. 'At that time, I thought I was a fairly confident person,' she shared, explaining that 'it really comes into question and is tested when you're filleted, in a way, when you're opened up.' Despite the pain it caused, Parker said, 'I know you know this: We're better for those kinds of experiences, but not all of us are good at it right away.' Parker appeared as a guest on the Call Her Daddy podcast. Picture: Supplied When Cooper, 30, argued, 'It doesn't mean it doesn't hurt,' Parker agreed, adding, 'Up to that point, there was no chatter about me. … There was just my work.' When asked point-blank about some of the 'harder comments' she had to hear, the Hocus Pocus star replied, 'I think just discussions of my physical person. Like, stuff that I couldn't change and wouldn't change and had never considered changing — even still after hearing something that was like, 'What? Somebody would say that?'' To Parker, the 'chatter' about her face and body 'didn't feel like it was actually a conversation.' 'I didn't feel like I could sit in a room and someone would say to me, 'You're really unattractive,'' she said. 'And then I could say, 'Wow. First of all, that's hard to hear, but second of all, why do you seem angry about it? Why do you feel it's necessary to say it, to comment?'' She played Carrie Bradshaw on the original series – and has reprised the role in And Just Like That. The mother of three, who has been married to actor Matthew Broderick since 1997, recalled one specific time when 'a magazine said something really mean' about how she looks. 'It was like a kick in the rubber parts,' she admitted. 'I was just like, 'Why is this a problem? Why is this deserving of your time and why do you seem to delight in saying it?'' Parker confessed that the remark, which she did not repeat, left her 'sobbing because it felt so purposeful.' She believed that was 'the only time [she] really cried about' negative comments about her physical appearance. The Emmy Award winner, who made sure to note that social media has changed the landscape of how the public shares its opinion, wondered whether her critics would 'say it to [her] face.' This article originally appeared in Page Six and was reproduced with permission. Originally published as Sarah Jessica Parker reveals 'unpleasant' part of playing Carrie on Sex and the City: 'Sobbing'
Elle
5 hours ago
- Entertainment
- Elle
41 Things You Might've Missed Watching 'And Just Like That' Season 3, Episode 4
On this week's installment of what on earth is going on with Carrie Bradshaw and Aidan Shaw we have our favourite writer undergoing something of a trad wife makeover as she finally reunites with her boyfriend (is he really her boyfriend though? Come on.) Elsewhere in the And Just Like That-verse this week in season three's fourth episode, we have Miranda falling in love and Charlotte re-establishing her own love. This is every thought we had throughout And Just Like That season three, episode four. You're welcome. ELLE Collective is a new community of fashion, beauty and culture lovers. For access to exclusive content, events, inspiring advice from our Editors and industry experts, as well the opportunity to meet designers, thought-leaders and stylists, become a member today HERE. Naomi May is a freelance writer and editor with an emphasis on popular culture, lifestyle and politics. After graduating with a First Class Honours from City University's prestigious Journalism course, Naomi joined the Evening Standard as its Fashion and Beauty Writer, working across both the newspaper and website. She is now the Acting News Editor at ELLE UK and has written features for the likes of The Guardian, Vogue, Vice and Refinery29, among many others.
Yahoo
9 hours ago
- Entertainment
- Yahoo
Love Carrie Bradshaw's Romantic Maximalist Style? These 11 Amazon Dresses Nail The Look
With Season 3 of And Just Like That here, we're all tuned in for Carrie Bradshaw's greatest love story: fashion. Her style has always walked the line between classic and chaotic — in the best way. Whether it's a giant flower pinned to her chest, a poofy tulle skirt on a Tuesday or an offbeat mix of textures, Carrie makes a case for dressing like the main character. To help you channel that same bold, romantic and a little extra energy, we've rounded up 11 Amazon dresses that serve full Bradshaw fantasy without the Fifth Avenue price tag. You don't need Manolos to pull of her vibe. Just a little confidence and the right dress. 1. Garden Party Moment: This strapless dress with a dramatic floral appliqué looks like it walked straight out of Carrie's closet. It's flirty, fitted and practically made for a sidewalk strut in heels. 2. Boho Brunch: With ruffles, smocking and a floaty floral print, this maxi is giving art teacher in the Hamptons but make it chic. 3. Puff Piece: This mini dress is playful and polished. It's the kind of dress she'd wear with oversized pearls and a baguette bag. 4. Big Skirt Energy: This strapless tea-length dress with a bell skirt is begging for a dramatic entrance. Pair it with a sleek bun and pointy stilettos for full 'Carrie at the Ballet' vibes. 5. Patchwork Muse: This mixed print dress is giving a book signing in Brooklyn energy. It's effortless but still turns heads. 6. Drapey Daydream: This oversized spaghetti strap dress is peak rich-mom energy. Layer it with a slip or throw it over a swimsuit. Love Sarah Jessica Parker's Grey Top? Here's How to Channel Her Look 7. Built-In Brunch Look: This floral babydoll dress comes with shorts underneath, so you can twirl freely à la Carrie in the Meatpacking District. 8. The Bold Type: This black and white backless dress gives fashion editor energy. It's tailored but flowy, and a guaranteed way to stand out in a crowd — Carrie would approve. 9. Off-Shoulder Crush: This vibrant floral maxi gives European vacation vibes. It's feminine, breezy and ready for a romantic ferry ride. 10. Satin Situation: Between the drop waist, halter neck and ball gown silhouette, this one's a full-on moment. Throw on some stilettos and let your inner fashion icon have a night out. 11. Curve Appeal: This halter bodycon maxi dress is equal parts sultry and sophisticated — aka prime Carrie date-night material. Save Big on Sarah Jessica Parker's Go-To Eye Cream, Glow Drops and More This Weekend on Amazon Us Weekly and Yahoo have affiliate partnerships. We receive compensation when you click on a link and make a purchase. Learn more!
The Guardian
9 hours ago
- Entertainment
- The Guardian
And Just Like That ... The Sex and the City spin-off's surprising take on race
Are any of the writers on And Just Like That (AJLT) reading this? Because I have several helpful suggestions to bring the current series of your Sex and the City reboot into 2025: Charlotte's husband, the hitherto harmless Harry, could start pressuring her into an open marriage, involving whatever passes for wild sex parties on the Upper East Side. Miranda could soon enter her Chappell-Roan-power-ballad era by hooking up with a sexually captivating, but emotionally unavailable, decades-younger woman. And what about a big reveal involving Aidan, who has been draining Carrie's bank accounts all along (because he's secretly a Reddit-radicalised, misogynist crypto bro now). I'd also suggest we see and hear a lot less from the children. The existence of Brady, Brock, Tilly and Twerp should only ever be referenced occasionally and obliquely, for form's sake. Y'know, like how people of colour were treated all the way through the original Sex and the City series? Ironically, racial politics is the one area in which AJLT is doing just fine, even without my help. This is not the consensus view, I'm aware. Many fans entered a state of full-body cringe during the first season, when Miranda wondered aloud if she was having 'a white saviour moment' when fighting off a mugger attacking her Black friend, and are yet to regain full use of their sphincter muscles. But the fact is, AJLT understands the specific whiteness of wealthy white women, in a way that not only vastly improves on the original show's run, but which could also teach other contemporary TV shows a thing or two about 'diversity' and 'representation'. Principally, this show gets things right by allowing its characters to get things wrong. The Mirandas of this world – and I can say this, because I am such a Miranda – often get to ride the righteous train all the way to Smug Town without so much as a ticket inspection. But the truth is, even the well-intentioned – especially the well-intentioned – have blind spots, and most of us could do with some practice at keeping our cool when those are brought to the fore. AJLT leans into the cringe and, as such, acts as a kind of anti-racist exposure therapy for its middle-aged, white, liberal core audience. The secondhand embarrassment it generates is healthy, productive and funny. Because imagine the alternative: this show could have remade its central trio as ever-elegant, socially confident 'sheroes'. Girl bosses who get it. Women who never miss a beat and are always at one with the sensibilities of the age. It could have shielded them from ever looking uncool or out-of-touch, or jaw-droppingly oblivious, in the way that Carrie does in the episode where her new Indian-American friend, Seema (Sarita Choudhury), takes her sari shopping in preparation for the Patel family's Diwali party. Upon entering the shop, Carrie's eyes widen in wonderment. 'OK …' she says, 'These clothes … This holiday … I need to know everything about it!' Thus revealing that she is a fiftysomething woman, who has spent her entire adult life living in one of the most diverse cities in the world and yet – somehow – has never heard of Diwali, a festival celebrated annually by around a billion Indian and South Asian-descended people, worldwide. Get a clue, Carrie. When that episode aired, some commentators (mostly white women) bristled at the depiction of their carefree, curly queen. They said it wasn't plausible. It was doing Carrie dirty. But some of us (women of colour and the other white women) recognised the truth in that characterisation. It's Lana Turner in the classic 1959 film Imitation of Life, expressing surprise when Annie (Juanita Moore), her Black maid of several decades – and, essentially, her closest confidante – refers to a rich social life outside work. Annie's response? 'Miss Lora, you never asked.' Seema takes this in her stride. I suspect she too has met plenty of Carries in her time. The scene only begins to strain credulity when, moments later, Carrie follows up by asking her if she's ever considered an arranged marriage – What? Because she's Indian? – and Seema still betrays no hint of irritation. It wasn't the writing of Carrie's character that was flawed in that moment, but the writing of Seema's. It's because of moments like these that I'm glad the characters of Professor Nya Wallace (Karen Pittman) and Che Diaz (Sara Ramirez) have been phased out for season three. Or, as I prefer to understand it, set free to share a chilled bottle of chablis and/or weed vape with other friends who actually get it. I'm glad for their own sakes, because no human being wants to feel like a walking BLM reading list for someone on their solipsistic journey toward belated political consciousness. It was always clear why Miranda would want to be friends with Nya, the stylish, self-assured professor on her policies and principles of humanitarian law course – if only to improve her grades. But what is Nya getting out of the arrangement? After a long day of battling the ingrained racism of Ivy League academia, tending to her needy Gen Z grad students and her own underwritten IVF storyline, why would she want to spend her evenings further exerting herself by explaining micro-aggressions to Miranda 'give me a gold star' Hobbs? How is that relaxing? Nya and Che's departures also leave more room for AJLT's other two characters-of-colour to be fully realised. Lisa Todd Wexley, played by Nicole Ari Parker, is an upper-middle-class Black woman (she would probably prefer 'African American') with a busy career in documentary film-making and her scenes in the edit offer a way for AJLT to make meta-commentary on media depictions of Blackness – worshipful references to Michelle Obama are a leitmotif, for instance. Something similar was previously attempted in season two, when Che decamped to Los Angeles to get their semi-autobiographical sitcom off the ground and the Italian-American actor Tony Danza was cast as their Mexican father. Sadly, by that point, nobody watching cared about Che's tedious travails, so nobody cared about the politics of colour-blind casting either. Lisa isn't just a working mother with an impressive collection of oversized jewellery. She is also a classic example of the bad'n'bougie princess, a trope which allows TV to explore the intersections of race, gender and class, and has a noble lineage stretching back to Lisa Turtle on Saved by the Bell, through Hilary Banks on The Fresh Prince of Bel-Air and Dionne Davenport in Clueless, all the way to reality star Gizelle Bryant on Real Housewives of Potomac. Here, I detect the hand of Susan Fales-Hill, proud descendent of US 'afrostocracy', creator of original bougie princess Whitley Gilbert from A Different World, and a writer on AJLT since season two. Seema's type is more obvious. She is a new Samantha, brought in to replace our dearly beloved Kim Cattrall from the original SATC, a woman with so much charisma she could almost – but not quite – get away with wearing an afro wig to a post-chemo social gathering. Seema has Samantha's confidence and fondness for animal prints, but to that she adds her own top-note of vulnerability. Being a professionally high-flying, never-married, child-free woman in your 50s is fabulous. But, in a world that likes to constantly remind women of how they've failed to please the patriarchy, an occasional wobble of self-doubt is to be expected. It's in this wider context of the third season, with more screen time and better storylines, that Seema's ethnicity can be just one aspect of her character; neither defining, nor denied. Now, when Seema's cultural heritage is referenced, it's usually on her own terms, and in her own words. As she cautions bossy date-finder Sydney Cherkov (Saturday Night Live's Cheri Oteri): 'I'm Indian, we invented matchmaking'. And just like that, through an ever-enjoyable, show-your-workings process of trial-and-error, this show has landed on what it can most usefully add to the pop culture discourse about race. And that isn't shoe-horning in badly written POC characters to offer a hastily bodged version of racial diversity and representation. Rather it's exploring the whiteness of Miranda/Charlotte/Carrie as they move through this changed and changing world, but – crucially – always with a tad more self-awareness than the characters themselves possess. Now, back to more pressing matters: Should Charlotte order specially monogrammed stationery from Tiffany's for those sex party invites? And who's telling Anthony he's been cut from the guest list?
