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Review: The Haunting of Agnes Gilfrey, Oran Mor, Glasgow
Review: The Haunting of Agnes Gilfrey, Oran Mor, Glasgow

The Herald Scotland

time3 days ago

  • Entertainment
  • The Herald Scotland

Review: The Haunting of Agnes Gilfrey, Oran Mor, Glasgow

⭐⭐⭐⭐ A storm is brewing over Mull in Amy Conway's new comedy thriller that forms the latest offering from A Play, a Pie and a Pint's current season of lunchtime theatre. Agnes and her American TV actor husband James have arrived late at the old house where they are having a belated honeymoon. Greeted unexpectedly by housekeeper Mrs Carlin, Agnes and James are also seeking to escape other domestic pressures. Once things start going bump in the night, however, old ghosts making their presence felt see things spiral into a nightmare. Only when Agnes confronts a few demons does the storm calm. Shades of Inside Number 9's meticulously observed pastiches of hammy horror pulp fiction TV tropes abound in Katie Slater's production of Conway's script. This is the case from the creepy portrait of the former lady of the house Constance Laird resembling real life characters, to at one point having Manasa Tagica's Jack appearing to believe he is in a reality show. Then there is the way absolutely everyone in a 1970s thriller has a high-flying job in one creative industry or another. It is there most of all, however, in Mary Gapinski's larger than life embodiment of Mrs Carlin, whose deadly patter sounds purloined from a Victorian tombstone. Read more theatre reviews from Neil Cooper: Beyond such wilfully OTT archness there is some serious stuff at play here that says much about women, autonomy and the impending tick of the biological clock that has seen the female of the species too often presented as a mad woman in the attic of one sort or another. Played out on Fraser Lappin's pitch perfect depiction of a crumbling Highland pile and co-presented with Mull's arts centre An Tobar and Mull Theatre, Conway and Slater's construction sees Gapinski, Tagica and Sarah McCardie's Agnes having tremendous fun with all this. Conway's play nevertheless reclaims old myths in a deceptively subtle fashion to put women at the centre of this new spin on gothic fiction.

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