Latest news with #AkuCintaPadamu
The Star
14 hours ago
- Entertainment
- The Star
Siti Nurhaliza to debut new song at Singapore concert
Singaporean fans of Siti Nurhaliza are in for a treat, as the Malaysian pop queen will debut a new song at her Singapore Indoor Stadium concert on July 26. 'Singapore has always been special,' she tells The Straits Times in a Zoom interview conducted in Malay from her office in Kuala Lumpur on June 16. 'If you look back at my past concerts there, I've always had some exclusive performances. So, yes, I have a new song. It hasn't been released yet, and I plan to debut it exclusively at the concert.' The 46-year-old declines to reveal its title, but teases it is a ballad. The upcoming gig comes two decades after she last performed at the Singapore Indoor Stadium. She has staged concerts here multiple times, including two nights at The Star Theatre in June 2024, as well as a show with Canadian songwriter and producer David Foster, also at The Star Theatre, in 2023. The Singapore Indoor Stadium, which can accommodate up to 12,000 people, is larger than her usual Singapore venues, so fans can expect 'a big sound', says the singer behind pop hits such as Aku Cinta Padamu, Purnama Merindu and Bukan Cinta Biasa. '(The place) holds so many memories for me. It's a huge venue and that makes the responsibility even bigger. We're bringing a mini orchestra to deliver a more powerful sound. 'I'm thankful to return to Singapore for this concert. I promise fans a performance they will never forget. This time, I'll sing songs I rarely perform, and some that have never been performed live.' One of Malaysia's most decorated musicians, the Pahang-born music star was awarded the Biduanita Negara accolade in November 2024. She is the third artiste to receive the title, after late Malay singing icons Saloma and Sharifah Aini. She also holds the title of Datuk Seri in Malaysia. Siti made her debut after winning a national singing contest by television station Radio Televisyen Malaysia in 1995. The upcoming concert is part of a series of events, including an exhibition at shopping centre Pavilion Kuala Lumpur, that kicked off in March to celebrate her three decades in music. She is still one of the top singers in Malaysia and was the most streamed local artiste among Spotify listeners in the country in 2024. In March, her 2018 song Anta Permana was included in a playlist of favourite songs by British monarch King Charles III, who described her as an 'outstanding Malaysian artiste'. Her 20th full-length album, Sitism , was released in 2023. Her follow-up, she reveals, will focus on traditional Malay music, and she is in the process of gathering songs from both seasoned and new composers. 'What I'll never forget is the loyalty of my fans – that's something that can't be replaced,' she says of the highlight of her long entertainment career. 'After 30 years, if Gen Z recognises my name, that's the biggest honour for me.' She is touched when a new generation of artistes cite her as a role model and influence, but insists she also learns from her younger counterparts. Her Singapore show, for example, will feature guest singer Hael Husaini, the 37-year-old Malaysian known for pop and R&B hits such as Jampi. 'They give me fresh ideas. Experienced artistes shouldn't think we know everything, we need to collaborate.' Besides her singing career, she is also a successful entrepreneur whose business empire spans cosmetics, clothes, and food and beverage. She married businessman Khalid Mohamad Jiwa, better known as Datuk K, in 2006. The couple have a seven-year-old daughter, Siti Aafiyah, and four-year-old son, Muhammad Afwa. Juggling motherhood and work is not easy, she admits. 'I've been trained since a young age to be disciplined. It's in my blood now,' she says on how she strikes a balance. 'But I still need rest and time with my children. I also take them to every concert – they are my motivation to give my best on stage.' Show business is a tough industry, she acknowledges, which is why it is not something she would recommend for her kids. 'In my heart, I hope they don't follow the path of becoming singers, even if they have the talent.' – The Straits Times/Asia News Network
New Paper
a day ago
- Entertainment
- New Paper
'Singapore has always been special': Malaysia's Siti Nurhaliza to debut new song at concert here
Local fans of Siti Nurhaliza are in for a treat, as the Malaysian pop queen will debut a new song at her Singapore Indoor Stadium concert on July 26. "Singapore has always been special," she tells The Straits Times in a Zoom interview conducted in Malay from her office in Kuala Lumpur on June 16. "If you look back at my past concerts there, I've always had some exclusive performances. So, yes, I have a new song. It hasn't been released yet, and I plan to debut it exclusively at the concert." The 46-year-old declines to reveal its title, but teases it is a ballad. The upcoming gig comes two decades after she last performed at the Singapore Indoor Stadium. She has staged concerts here multiple times, including two nights at The Star Theatre in June 2024, as well as a show with Canadian songwriter and producer David Foster, also at The Star Theatre, in 2023. The Singapore Indoor Stadium, which can accommodate up to 12,000 people, is larger than her usual Singapore venues, so fans can expect "a big sound", says the singer behind pop hits such as Aku Cinta Padamu (I Love You, 1997), Purnama Merindu (Lonely Moon, 1998) and Bukan Cinta Biasa (No Ordinary Love, 2003). "(The place) holds so many memories for me. It's a huge venue and that makes the responsibility even bigger. We're bringing a mini orchestra to deliver a more powerful sound. "I'm thankful to return to Singapore for this concert. I promise fans a performance they will never forget. This time, I'll sing songs I rarely perform, and some that have never been performed live." One of Malaysia's most decorated musicians, the Pahang-born music star was awarded the Biduanita Negara (National Songstress) accolade in November 2024. She is the third artiste to receive the title, after late Malay singing icons Saloma and Sharifah Aini. She also holds the title of Dato' Sri in Malaysia. Siti made her debut after winning a national singing contest by television station Radio Televisyen Malaysia in 1995. The upcoming concert is part of a series of events, including an exhibition at shopping centre Pavilion Kuala Lumpur, that kicked off in March to celebrate her three decades in music. She is still one of the top singers in Malaysia and was the most streamed local artiste among Spotify listeners in the country in 2024. In March, her 2018 song Anta Permana was included in a playlist of favourite songs by British monarch King Charles III, who described her as an "outstanding Malaysian artiste". Her 20th full-length album, Sitism, was released in 2023. Her follow-up, she reveals, will focus on traditional Malay music, and she is in the process of gathering songs from both seasoned and new composers. "What I'll never forget is the loyalty of my fans - that's something that can't be replaced," she says of the highlight of her long entertainment career. "After 30 years, if Gen Z recognises my name, that's the biggest honour for me." She is touched when a new generation of artistes cite her as a role model and influence, but insists she also learns from her younger counterparts. Her Singapore show, for example, will feature guest singer Hael Husaini, the 37-year-old Malaysian known for pop and R&B hits such as Jampi (Incantation, 2017). Her 20th full-length album, Sitism, was released in 2023. Her follow-up, she reveals, will focus on traditional Malay music, and she is in the process of gathering songs from both seasoned and new composers. PHOTO: BIZ TRENDS "They give me fresh ideas. Experienced artistes shouldn't think we know everything, we need to collaborate." Besides her singing career, she is also a successful entrepreneur whose business empire spans cosmetics, clothes, and food and beverage. She married businessman Khalid Mohamad Jiwa, better known as Datuk K, in 2006. The couple have a seven-year-old daughter, Siti Aafiyah, and four-year-old son, Muhammad Afwa. Juggling motherhood and work is not easy, she admits. "I've been trained since a young age to be disciplined. It's in my blood now," she says on how she strikes a balance. "But I still need rest and time with my children. I also take them to every concert - they are my motivation to give my best on stage." Show business is a tough industry, she acknowledges, which is why it is not something she would recommend for her kids. "In my heart, I hope they don't follow the path of becoming singers, even if they have the talent." Book it/The Next Wave: Dato' Sri Siti Nurhaliza Live In Singapore Where: Singapore Indoor Stadium, 2 Stadium Walk When: July 26, 8pm Admission: $98 to $288 via Sistic (go to or call 6348-5555)
New Straits Times
06-05-2025
- Business
- New Straits Times
#SHOWBIZ: AI-generated music: Unregulated development threat to music industry
KUALA LUMPUR: The Recording Industry Association of Malaysia (RIM) is sounding the alarm over the escalating threat posed by unregulated artificial intelligence (AI)-generated music to Malaysia's music industry. As AI technologies rapidly advance, RIM is calling for urgent attention and action from government regulatory bodies to address the serious implications for the local music scene. "While AI offers potential for enhancing creativity and production efficiency, its unregulated use poses a significant danger that could undermine the very foundation of Malaysia's vibrant music industry," said RIM chairman, Rosmin Hashim, in a statement today. A primary concern is copyright infringement, with AI generative models being trained on copyrighted music without proper authorisation. "Without clear regulations, human creators risk having their works exploited without consent or fair compensation. "We've recently seen this with AI-generated versions of Datuk Seri Siti Nurhaliza's 'Aku Cinta Padamu,' mimicking the vocals of Dayang Nurfaizah, which raises serious copyright issues and questions of ownership over these AI-generated songs," he added. The potential economic fallout is substantial. A global study commissioned by the International Confederation of Societies of Authors and Composers (CISAC) projects losses of 10 billion Euros to the music industry by 2028 due to AI-generated music. The study concluded that, under the current regulatory framework, human creators face a double threat: lost revenue from unauthorised use of their work by AI models, and displacement by AI-generated content competing with human-made creations. "These losses will impact everyone in the local music ecosystem, including songwriters, singers, musicians, and record companies, and will lead to significant job losses across the industry in the near future," Rosmin said. The rise of AI-generated music is already eroding royalties for human creators on streaming platforms. "For example, over 20,000 AI-generated tracks are being uploaded to Deezer daily, now accounting for approximately 18 per cent of their total music content. "If unchecked, AI-generated music will eventually overwhelm human-created content on these services, severely impacting the royalties earned by our artistes," he added. The global music industry is actively challenging AI companies to protect copyright holders. Cases include lawsuits by Universal Music Group, Concord, and ABKCO against Anthropic for training its AI chatbot, Claude, on lyrics from artistes like Beyonce and The Rolling Stones without permission, and a lawsuit by the Recording Industry Association of America (RIAA) on behalf of major labels against AI music generation services Suno and Udio. "A comprehensive legal framework is crucial in Malaysia to ensure that both AI companies and copyright holders can benefit from AI-generated music. "The EU has enacted the Artificial Intelligence Act, requiring AI developers to obtain permission for using copyrighted content in training. "The ELVIS Act in Tennessee protects individuals from unauthorized AI-generated likenesses. "Malaysia must now legislate similar safeguards to protect our copyright holders." RIM is urging Malaysian policymakers to enact legislation that protects human creativity and mandates transparency, requiring AI developers to disclose the copyrighted music used in training their models. "This will ensure that AI technologies are developed in a way that supports, rather than undermines, human creativity and our cultural heritage," said Rosmin.
