Latest news with #Adam
Yahoo
5 hours ago
- Entertainment
- Yahoo
Why Is Everyone Nervous? Y&R's BTS Hints at a Dumas Twist Fans Won't See Coming
The Young and the Restless fans have been waiting for months to finally learn the truth about Aristotle Dumas, the mysterious businessman who has cast a shadow over the drama. Thanks to behind-the-scenes footage shared by Y&R, it seems like viewers are in for a wild ride in the South of France as the long-awaited revelation approaches. This footage hints at spoilers you won't want to miss. In the video, several Y&R cast members hint at a rollercoaster of tension and intrigue ahead. The characters, including Abby (Melissa Ordway), Phyllis (Michelle Stafford), and Adam (Mark Grossman), have found themselves in the middle of a high-stakes game, and they're all eager to meet Dumas face-to-face. Abby is especially in the dark about why she's there, but she's ready to play along, even as the stakes grow higher. She jokes that she's along for the ride, but her nerves are clear, just like everyone else's. MORE: Is this what's going on with Abby on Y&R? Phyllis, ever the wildcard, makes it clear that she's not simply attending the party. She's crashing it. While the other guests are invited, Phyllis has an agenda of her own, and it's clear that her presence could be a game-changer. Phyllis might be looking for answers, but as she herself admits, she's really trying to save her own skin. As the drama unfolds, her motivations remain murky, and fans are left wondering if her actions will lead to an unexpected twist. Adam has his own mission to uncover the truth about Dumas. According to the BTS footage, Adam's journey to the French Riviera is no vacation. He's determined to find answers, even if it means going to great lengths. He's already learned some shocking details about Dumas, and he's not afraid to push the limits to get to the bottom of things. As he approaches Dumas with critical information, fans can expect things to escalate in ways they didn't see coming. Beyond the twists and turns of the plot, the luxurious setting adds a glamorous layer to the drama. The Y&R team has pulled out all the stops with a beautifully designed set, from art deco furnishings to stunning diffused lighting that brings a sense of high-society luxury to every scene. The show's production designer, David Hoffman, shared his excitement about the set, emphasizing the level of detail that has gone into making the train car—and its ominous journey—feel just as high stakes as the drama playing out inside it. Fans are going to be glued to their screens as the twists and turns of this high-profile story unfold. As secrets unravel and mysteries unfold, the Y&R team promises to keep viewers on the edge of their seats.
Cosmopolitan
8 hours ago
- Entertainment
- Cosmopolitan
What it's like dating as a sex worker
'I love reading people's responses to the book,' says Eve Smith (a pseudonym). 'A few love it, some hate it, some hate me, and a few people like me. But it's doing what I intended: humanising sex workers.' Eve has worked as a sex worker for the last 20 years — she's escorted, worked in brothels, strip clubs, and online, and is now working as a dominatrix. A year ago, she published How Was It For You?, a candid, funny, and sometimes harrowing memoir about the ups and downs of a job that remains criminalised in the UK — a fact that makes Eve's, and other sex worker's, lives infinitely harder and more dangerous. 'My hope when I wrote it was that if we are seen as human, it will make it more difficult for some of the media to dismiss us as 'prostitutes',' she continues. 'That it will make it harder for a man to kill us, thinking we're disposable and that nobody cares. We all have families and friends; people that love us. And that, whatever our reason for entering the sex industry, we deserve rights. We deserve the right to a bank account [criminalisation and stigmatisation makes it hard for sex workers to access financial services]; to work together for safety; and to not get a criminal record and be trapped in a profession we may have only wanted to be in temporarily.' As well as offering a much-needed call to action for sex workers' rights, Eve's memoir is also punctuated with anecdotes from her work — the good, the bad, and the ugly. There's stories of wealthy clients, clients with idiosyncratic requests, and, sadly, some that are scary. There's tales of camaraderie with coworkers, revelations about Eve's life and interests outside of the job, and her run-ins with an unjust law system that sees her dragged in and out of courtrooms. Among the good is tales of her relationship with her now-husband Adam (also a pseudonym), who she met at work; a client turned lover. Eve ruminates on the prejudices and misconceptions people have about sex workers' romantic lives, insisting her relationship thrives away from the mainstream noise. 'Dating is a minefield whether you are a sex worker or not,' she tells Cosmopolitan UK. 'I always found online dating really depressing. The men were so pushy and aggressive. Honestly, I think I'd still be single if I hadn't met Adam in a brothel.' What was it like going from client to partner? 'It was quite seamless for me,' Eve continues. 'I met Adam when I was offering sex and he became a regular. Then he disappeared for a year and I missed him. When he got back in touch, I was domming and not offering sex — but I did want to fuck him. So I asked him out on a date and we went from there. It took him a while to trust me and, honestly, I'm not sure if he ever will entirely. But that's okay. I don't trust him completely, either! We do love each other though, and 10 years and a family later isn't a bad run.' To mark its publication in paperback, read on for two excerpts from Eve Smith's How Was It For You? about how her relationship with Adam began, and how they navigated the stigma people put on them. People are often surprised that a sex worker has a partner, as though we are in equal parts unlovable and soulless. Even some of my friends have been quick to make comments about why I, a sex worker, couldn't possibly find love. If a man ever bailed on a date, for example, the question was always, 'Does he know what you do?' It's a comment intended to make me feel dirty and ashamed. I would say nothing at the time, but later I would think about it and feel waves of anger. If even my so-called friends thought that no man could love me, then that showed me exactly what they really thought of me. Yes, they might find my stories of sex work amusing and my company entertaining, but deep down they thought I was worthless. Those are friendships I have had to rethink. But the cruellest comments are always on social media. 'Must be a pimp' is a response I have seen thrown many times at sex workers who dare to admit they have a partner. People find it hard to get their heads around how we are able to see other men for work while maintaining a personal relationship. A good, strong, and loving personal relationship. I don't think it's a difficult concept, and it comes down to this: our personal relationships are not transactional. Seeing clients is a job. I aim to keep the professional and the personal as separate as possible. I try not to talk to my clients about my partner because it's important to have a part of myself that is separate. But I have slipped up occasionally and said something about Adam that lets the cat out of the bag. One jealous client then asked what my partner and I do in the bedroom. I told him, as nicely as possible, that it was none of his business. Some clients will always want more than we are prepared to give. More of our time, our bodies, our souls, our truth. Those are not the clients we choose to spend our lives with. The ones who become our partners are the ones we can be ourselves with. No boundary pushing. No games. No bullshit. And that's what drew me to Adam; the simple honesty of what we have. Less truthfully, however, I will tell people that Adam and I met in the pub. I don't like lying — it can sometimes bring on a bout of uncontrollable twitching — but occasionally it is necessary to protect myself or somebody else. Once you tell the truth that you work in the sex industry, you can't take it back, and people almost always think less of you when they know. I usually don't give a damn what strangers think of me, but when people I care about have a diminished opinion of me, that hurts. I'll always protect Adam. When I settled down with Adam, I stopped shagging clients. I was mostly domming by then anyway, but I had a few remaining clients from my escort days and I realised very quickly I couldn't do both. If I'm honest, I enjoyed the shagging part too much. If I didn't like the sex, then perhaps I could have carried on doing it. But that isn't healthy, is it? I could see that. I remember an ex struggling to comprehend my whoring. I went out with him for years in my mid-20s, between two stints of sex work. He asked me if I'd ever had an orgasm with a client. I said I had, and the second it was out of my mouth I realised that it was not the answer he wanted to hear, but it couldn't be taken back. At the time I didn't understand why he would prefer me not to feel pleasure. Why would someone I loved, and who supposedly loved me, want me to be a victim? But people like to put others in boxes. Especially sex workers. We are either Jezebels and corrupters of men, or we are victims. Anything more nuanced is too complicated for people to understand. Adam gets it and he gets me. He knows me. Meeting me at work comes with a huge advantage, as he doesn't have to imagine anything. He knows what I was like when I was extracting cash from him, dressed in stockings, and telling him that he would have much more fun if he stayed for two hours. And he has also experienced me premenstrual, in joggers, bitching at him to empty the cat litter. When I first saw Adam, he was standing near the brothel door wearing a long coat. He was wide eyed and looked nervous, like he was ready to bolt. I looked at him, not to gauge how good looking he was. I looked at him to see if he had the potential to contribute towards my rent that week. 'In or out? In or out?' Max [the pseudonymous brothel boss] roared at him, almost scaring him off completely. So I quickly took over and passed him a beer. And just like that the verdict was 'in'. We went to a room and talked. I had a strong sense that he was a good guy. I have no recollection of what else happened that night, of the details. What I remember is his manner and the fact that he was really, really funny. I was pleased when he came back to see me the next week. And the one after. Soon we arrived at the point where he would wait while I was with another client and then we would go off together. I became fond of him. I really enjoyed shagging him and talking to him, and he was beginning to enter my thoughts when I wasn't working. That hadn't happened before. I took his number just in case the place got raided again. Besides, I was so close to leaving the brothel and working independently and I could see that he was someone who was going to stick around; that there was a place for him in my future. I was saving all the time and, having had my first taste of domming, I was looking for a perfect place to install a dungeon. I had it all mapped out. One night I walked up the stairs from the bathroom to the communal space and there he was again. He was more drunk than normal and, when he saw me, he got on his knees in front of the amused Romanian working girls and told me he wanted to marry me. I laughed it off and said: 'Absolutely – I can't wait.' Then, as ever, we went downstairs to a room. Seven years later, Adam proposed for real. Perhaps it was easier for Adam because by the time we were officially together, I was just domming and no longer shagging. But, still, it takes a strong man to see his partner getting dressed up for someone else. I adore him and he adores me, and I like the fact we met in a brothel. It's far more interesting than if we had met on fucking Tinder. How Was It For You?: The Lives and Loves of a Sex Worker by Eve Smith is published in paperback (£10.99) by Picador
South Wales Argus
11 hours ago
- Entertainment
- South Wales Argus
The Priory in Caerleon announces series of summer events
The Grade II-listed venue, which underwent an extensive refurbishment that was completed earlier this year, will introduce a new summer à la carte menu on June 27. The menu will feature seasonal dishes with a focus on cooking over fire. The summer events will begin with 'Smoked & Oaked' on Thursday, July 10. This event, hosted by Adam and Jack from Spanish Wines, will feature a five-course meal cooked over an open flame and a selection of barrel-aged Spanish wines, with a price of £90 per person. The Priory's Bastille Day Champagne Party will take place on Friday, July 18. The event will feature a five-course menu from head chef Ben, free-flowing Champagne Devaux, and live music by the Tomos Lewis and James Bower duo, with a price of £90 per person. The Champagne Devaux Launch Party is scheduled for Friday, August 7, costing £50 per person. This event will showcase the Champagne house's range, paired with canapés on the lawn. The Priory, located on the River Usk in Caerleon, South Wales, is operated by Benito Martinez and his fiancee Sophie. The couple have refocused the venue on fire cooking, fine wine, and provenance. For more details and booking information, visit The Priory's website.
Daily Mirror
17 hours ago
- Daily Mirror
'I use AI to make me a better dad - it helps me settle arguments'
A dad has shared how he uses artificial intelligence to help him be a better parent - and uses it for all aspects of his daily life including teaching his kids and settling debates Any parent will know how hard it can be to try and settle kids debates and arguments - but one dad has found an easy way to shut down any family spat without even having to get involved. Father-of-five Adam Lyons says artificial intelligence has become an essential part of his household and as an AI expert and entrepreneur, he uses AI tools on a daily basis and said it even helps to settle his kids arguments for him. From using them to help run his businesses, he even uses it to help teach his home-schooled children, aged from five to 15 and actively encourages them to use it for all aspects of their life. Adam, who is originally from the UK but now lives on a ranch in Texas says it makes his life easier as a parent, and thinks everyone should utilise using AI. READ MORE: Mum's surprise as baby son's rare blond hair goes viral on TikTok Speaking about his kids, he said: "They use AI for almost every single task that they need help with and they're all grade A students. When they get argumentative, I'll ask AI for a second opinion. "My kids can argue forever but so can AI – it is endlessly patient. They try to argue with it and invariably fail and end up agreeing with AI, which is pretty cool to watch. Our whole house is integrated with AI – it even controls the thermostat and lighting." The 44-year-old, who teaches MBA students about entrepreneurship and AI at the University of Texas said AI is just one of many tools which makes his job as a parent easier. And he is a firm believer that it will soon become an integral part of most people's everyday lives. He added: "My 15-year-old and my 10-year-old are both very proficient in AI. They use AI for pretty much everything and ask it questions instead of turning to Google. They really don't use Google very often. They use YouTube or AI to get their information." While his eldest son Oliver has already graduated from high school despite being only 15, creating his own video game using AI code as his graduation project. And he has even completed certification to become a Chief AI Officer. The proud dad gushed: "I believe he is the youngest qualified Chief AI Officer in the world, although I co-own so that is slightly cheating." Help us improve our content by completing the survey below. We'd love to hear from you! His younger children Dorian, aged five, Ivy, aged seven, and Orion, who is almost eight, all use AI on a daily basis. The serial entrepreneur, who home educates his children as well as leading his businesses, explained: "Outside of school, the younger children tend to just use voice dictation and talk to their AI, which is really fascinating to see. "They use AI for almost every single task that they need help with. We also use it to have fun too. One thing I will do when my kids are bored, is use AI to create a choose-your-adventure story for whatever they are into at the time. "They can then go through the story and it keeps them entertained for hours. At night-time, if they're getting argumentative about something they don't want to do, like a chore - I'll argue with them for a moment. But after I get to about three minutes of arguing, I say, "Well, why don't we just get a second opinion?" And then I'll let them continue the argument with AI. "And it's nice, because I've got five kids. So, if one kid is having a digital argument, I'll be able to focus on the other kids and help them get ready for bed."
Boston Globe
a day ago
- Entertainment
- Boston Globe
‘Bad Shabbos' is a mediocre movie
Advertisement Jordan's favorite tenants are Ellen (Sedgwick) and her husband Richie (Paymer), who reside in apartment 10B with their slacker son, Adam (Theo Taplitz). Their other children, Abby (Milana Vayntrub) and David (Jon Bass), and David's fiancé, Meg (Meghan Leathers), are arriving for Shabbat dinner when the film opens. The title of the movie is a play on the 'good Shabbos' greeting everyone offers as they arrive. Get Starting Point A guide through the most important stories of the morning, delivered Monday through Friday. Enter Email Sign Up Method Man in 'Bad Shabbos.' Menemsha Films The entire neighborhood, including Jordan, knows that Meg's Catholic parents, John (Lloyd) and Beth (Catherine Curtin) will be meeting David's family for the first time at this dinner. They're not happy about their daughter converting to Judaism, and Ellen is equally unhappy that her eldest son isn't marrying a nice Jewish woman. Meg's folks are coming all the way from Milwaukee. Abby's boyfriend, Benjamin (Ashley Zukerman), is coming from Williamsburg, which is a far shorter commute. Benjamin and Adam have a vituperative hatred of one another, which will prove fatal before a single loaf of challah is broken. Advertisement In the screenplay by director Daniel Robbins and Zach Weiner, Jordan serves the same purpose as Winston Wolf: There's a dead body that needs to be disposed of before John and Beth arrive at the house, and time is running out. 'Bad Shabbos' shoots itself in the tuchus by telling us what happens to the dead body in the opening scene, robbing the frenetic goings-on of any suspense. The body belongs to Benjamin, who cracks his skull when a prank pulled by Adam goes horribly awry. From here, 'Bad Shabbos' becomes an endless series of scenes where these unlikable characters bicker and fight while trying to dispose of the body. Once Jordan gets involved, the film manages some laughs and a hint of cleverness, especially during the dinner scene that serves as the centerpiece. David Paymer and Kyra Sedgwick in 'Bad Shabbos.' Menemsha Films Dead body disposal comedies like this either lean into their darkness, like the dreadful Christian Slater movie, 'Very Bad Things,' or go for broad situation comedy laughs like 'Weekend at Bernie's.' This film is too chicken to aim for the former, so it has to make Benjamin a bigger louse than Adam so that our loyalties remain with a family covering up involuntary manslaughter. That ploy doesn't work, and the constant family bickering yields only intermittent chuckles instead of the desired cringe comedy shudders. Paymer seems to be having a ball as the self-help book quoting patriarch. Bass and Vayntrub are convincing as siblings, but Taplitz is too off-putting to generate any sympathy. Sedgwick is saddled with a stereotypical role, but her character's disproving facial expressions and passive-aggressive attitude toward her future daughter-in-law ring true. Advertisement I didn't expect the characters to turn on one another like in Danny Boyle's darker dead body comedy 'Shallow Grave.' But I also wasn't expecting the rather offensive deus ex machina or the resulting tacked on happy ending that followed it. Neither did the film any favors, because these elements felt like a cheat. Thank goodness for Method Man, who understood the assignment and made the film watchable and fun whenever Jordan showed up. When he isn't on screen, 'Bad Shabbos' is a mediocre movie. ★★ BAD SHABBOS Directed by Daniel Robbins. Written by Robbins, Zach Weiner. Starring Kyra Sedgwick, David Paymer, Jon Bass, Meghan Leathers, Cliff 'Method Man' Smith, Theo Taplitz, Milana Vayntrub, John Bedford Lloyd, Catherine Curtain, Ashley Zukerman. At Coolidge Corner. 84 min. Unrated (profanity) Odie Henderson is the Boston Globe's film critic.
