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AVATAR: THE LAST AIRBENDER Cast Announces Season 3 Is in Production

AVATAR: THE LAST AIRBENDER Cast Announces Season 3 Is in Production

Production on Season 3 of Netflix's Avatar: The Last Airbender has begun.
Seven new cast members were also announced for both upcoming seasons.
All episodes of Season 1 are now streaming on Netflix.
With production on Season 2 of Netflix's Avatar: The Last Airbender almost complete, the streamer announced they're getting to work on Season 3. Read on to see who's joining the world of Avatar.
RELATED: 5 Reasons You Should Watch Avatar: The Last Airbender The Story So Far
When Avatar: The Last Airbender originally aired on Nickelodeon from 2005 to 2008, the animated series was a huge hit. Netflix first announced a live-action adaptation in 2018. Netflix's live-action adaptation premiered in early 2024, and the streamer quickly announced the show's renewal for two more seasons just a month later.
Avatar: The Last Airbender takes place in a world divided into four nations, each ruled by one of the four elements. While benders from each nation can manipulate an element, the Avatar can control all four. The Avatar is meant to balance all four nations, but, as they say in the show, 'when the world needed him most, he vanished.' After 100 years without an Avatar, a 12-year-old Airbender named Aang (Gordon Cormier) appears to take on the role. Together with his new friends, he must defeat the Fire Nation army bent on ruling the world.
RELATED: Teas Your Favorite Characters Probably Drink: Avatar: The Last Airbender New Cast Members
Netflix dropped a video with the cast announcing that Season 2 had wrapped, and that work was beginning on Season 3. They also told readers on TUDUM about a few new cast members appearing in both seasons. Season 2 will feature appearances by Terry Chen as Jeong Jeong, Dolly De Leon as Lo and Li, Lily Gao as Ursa, Madison Hu as Fei and Dichen Lachman as Avatar Yangchen.
As for Season 3, there are a few major roles yet to come. Jon Jon Briones ( Hadestown, The Last Voyage of the Demeter ) will appear as the swordmaster Piando. We'll also get to see Tantoo Cardinal ( Dances With Wolves, Killers of the Flower Moon ) as Hama. Both characters appear in the original animated series and serve as influential mentors for Aang and his friends.
You can watch the Avatar: The Last Airbender Season 3 announcement below, then let us know what you're most excited to see in the upcoming seasons!
All episodes of Season 1 are currently streaming on Netflix.
Dave Bautista and Eric Nam Cast in AANG: THE LAST AIRBENDER Film

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‘People Are Going To See Something They've Never Seen Before': How Pixar's Next Hit Film Was Made
‘People Are Going To See Something They've Never Seen Before': How Pixar's Next Hit Film Was Made

Yahoo

time20 minutes ago

  • Yahoo

‘People Are Going To See Something They've Never Seen Before': How Pixar's Next Hit Film Was Made

Fans of laughing out loud one moment and crying into your popcorn bucket the next are in for a treat with Pixar's latest release. Elio is the newest offering from the award-winning animation studio, centring around a lonely boy who becomes obsessed with the idea of being abducted by aliens – and gets more than he bargained for when his dream comes true. As has come to be expected from the studio that gave us the likes of Inside Out, Coco and Toy Story 3, Elio dives into some pretty hefty themes, exploring everything from loneliness and grief to toxic masculinity, all with Pixar's signature sense of humour and adventure to keep younger viewers as gripped as everyone else in the cinema. In the lead-up to the film's release, we spoke to directors Madeline Sharafian and Domee Shi about how sci-fi horror had a surprising influence on Elio, creating something people have 'never seen before' with their unique take on space and releasing an original film in the current sea of sequels and live-action remakes at Walt Disney Studios… Right at the beginning of the film, there's a key scene soundtracked by Talking Heads' Once In A Lifetime. Why was that song chosen, and how easy was it to get? Madeline Sharafian: That scene and that song were in the film from the beginning that Domee and I started. That montage of Elio going out to the beach every day, desperately trying to be abducted, was almost the way that we explored his character as we changed his motivations to wanting to be abducted by aliens. And I think the song was [Domee's] idea of just a way to showcase that he's stuck in this cycle, and he wants to get out. It was a great idea. Domee Shi: Yeah, I always loved that song, I always felt like David Byrne kind of gave off alien boy vibes as well. And the way that the song starts always sounded kind of synthy and celestial and spacey in some way. I felt like there was a connection between Byrne and Elio, and it felt like a cool needle drop choice to put in this montage where we're introduced to Elio's obsession with getting abducted, but being unable to, every single day that went by. MS: It helped a lot that Pete Docter and Jim Morris, our company leadership, really like that song. So I do think that kind of helped us hang onto it and get it for the final, and we're very grateful that we got to keep it. It adds so much to the scene. DS: There was one moment where we did try another song… MS: Oh god, yeah… DS: I was like, 'what about Beastie Boys' Intergalactic?'. And then we tried that for a minute and we were like, 'no, I think we miss Talking Heads', and we went back to that. And also I feel like I haven't really seen [Once In A Lifetime] used a lot in media, in like TV or movies, whereas Intergalactic is used quite a lot. I love that song, though! But yeah… Something else people are going to pick up on is Elio's eyepatch. It really works as a plot device later in the film, but was that always going to be there, or were other ideas explored? MS: It was always an eyepatch, I'm pretty sure. I mean, the eyepatch was there in Adrian Molina's original version [Coco writer and director Adrian Molina originally conceived the idea of Elio to helm the film himself, but left the project halfway through to focus on Coco 2, at which point Madeline and Domee took over as lead directors]. When we took the story, we loved [the eyepatch], just as a way that it supports Elio's feeling of otherness, when he's on Earth, he feels even more out of place. And when he goes to space, all of a sudden, he looks like a dashing space sci-fi captain with this cape and his eyepatch, and the aliens love it, it's like '[you have] one eye, [I have] one eye, this is amazing'. All of a sudden it's accepted and loved. DS: Yeah, it's been great seeing the response to Elio's eyepatch online and with audience members that have come up to us and thanked us for including a kid with an eyepatch – it is something that kids do deal with, and it makes them feel othered. And it sucks! To have a sci-fi hero in a Pixar movie sporting one and looking cool I think is very empowering. Let's talk about the look of the film – sci-fi is a huge genre and even within the Disney and Pixar canon, we've been to space a few times. How did you decide what your version of space was going to look like, and what was going to set the Elio universe apart? MS: Pixar has done two sci-fi movies already [2008's Wall-E and 2022's Lightyear] and Harley Jessup, our production designer, really wanted to shoot for a version that we've never seen. So, he knew that the Communiverse needed to be this sort of beautiful almost Utopia, that there would be aliens from all over the universe gathering there, and almost designed it, one of his very first pieces of production art that I saw that I fell in love with, it was kind of glittering in the sky, almost like a disco ball – the way the lights shimmer on it were like a disco ball. We ended up taking that and putting it in the [finished film], we were like, 'we need to hang onto that'. So, it's bright, it's colourful, it's also softer and round, which I do think is very different from other sci-fi movies. And everything – even the technology – feels very organic, and kind of squishy and alive, which I think gives it a very unique identity. DS: Yeah, all of it points to Elio just truly feeling like he belongs there, and that he doesn't want to leave when he first arrives. And I also love that Harley challenged our character designer to design non-humanoid-looking aliens, and kind of look at deep-sea, underwater creatures for reference. We went with designs that you couldn't possibly do with humans in a costume, right? MS: Yeah, because live-action, especially some of the classics are a little bit limited by that. Like, the alien in Alien is a guy. Really awesome, though, but we were like, 'we're in an animation, we can do whatever we want, so let's make sure that our aliens are taking advantage of what we can do'. Some parts of the film are quite intense and surprisingly quite scary – especially for a Disney film. Was there much pushback because of that? DS: I mean, we were excited to explore other aspects of the sci-fi genre that maybe you don't usually see in a Disney and Pixar movie. We're both sci-fi horror fans, and I think there's a good balance between scary and fun – like a fun scary. There's a sweet spot that you can hit, and we tried to do that with all the scenes with Elio's clone, really pushing the clone's friendliness, but also upping the weirdness and the horror surrounding him, from Olga's point of view where she's slowly realising, 'am I living with a clone?'... MS: …which is a pretty crazy realisation for her! Especially since she starts off the movie as a sceptic of aliens, she doesn't really believe that they're out there, so to take her to becoming a believer… we almost talked about her B-story as in, 'she's in a totally different kind of movie', she is in a pod person movie, and I thought it was fun that we treated her sections almost like a different genre, a little bit. DS: And you know… we'll fine-tune the execution of it, just to make sure that the music isn't too crazy and the sound effects don't give you too much of a heart attack and we release the tension immediately with a joke or a gag or something. But I don't know – I remember being a kid and loving movies like A Nightmare Before Christmas and Coraline, where there is like a fun scare. I feel like the original Monsters Inc. taps into that a little bit, too. Elio is coming out at an interesting time for Walt Disney Studios, where there area lot of films coming up that are either sequels, live-action remakes and other ideas based on existing IP, so it's great to see an original story coming from the studio, too. Is that something that's important to you both as filmmakers? MS: Yeah! DS: Definitely. MS: And it's important to Pixar, too, I think. Even though we release our own sequels [Inside Out 2 was the biggest film of 2024, with follow-ups to Toy Story, Coco and The Incredibles currently in the works at the studio], we do talk a lot about how important originality is to us, just as a filmmaking culture, we have a lot of originals coming [Pixar's next release, Hoppers, is slated for 2026, followed by Gatto in 2027] and I would say, whether they're sequels or originals, we hold ourselves to the same standard for both. And our main goal is just to make incredible movies, and amazing stories. I love originals – but Toy Story 3 is one of my favourite movies that Pixar has ever made! So, as long as we're holding that standard of storytelling, hopefully we can make any kind of movie great. But it is exciting to have an original coming out. I think we're the only original [Disney film] coming out this summer, which is so wild [the studio also has sequels to Freaky Friday and Tron coming later in 2025, with live-action remakes of Snow White and Lilo & Stitch having also been released earlier in the year, while Marvel projects have included Captain America: Brave New World, Thunderbolts* (which featured a main cast of existing characters) and the new reboot of The Fantastic Four]. I hope people enjoy [Elio] and they're going to see something they've never seen before – and that's really exciting, and worth seeing in a theatre. Elio is in cinemas now. Watch the trailer for yourself below: Lilo & Stitch Remake Director Addresses Backlash Over The New Film's Changed Ending 'Sobbing, Screaming, Traumatised': Frozen's Josh Gad Opens Up About Olaf's Axed Death Scene Snow White Remake Faces Yet More Criticism Over CGI Characters

I watch Netflix for a living — here are the 5 new shows and movies I'd stream this week
I watch Netflix for a living — here are the 5 new shows and movies I'd stream this week

Tom's Guide

time28 minutes ago

  • Tom's Guide

I watch Netflix for a living — here are the 5 new shows and movies I'd stream this week

Normally, there would be a deluge of new Netflix shows and movies to stream this week. But there are just five new arrivals to the streaming service between June 23 and June 29. There may be a good reason for this, though. "Squid Game" season 3 arrives on June 27, and it wouldn't be a shock if Netflix is clearing the decks for the final season of its most popular series ever. Of course, there are still other shows and movies worth checking out besides the series finale of Netflix's hit Korean drama. Chief among the best of the rest is "The Ultimatum: Queer Love" season 2, which adds yet another reality show to Netflix's already massive stable of popular reality TV. For more to watch, read on for my top picks, a full list of everything new on Netflix this week and the scoop on what's leaving Netflix this week. If you need more, check out our guide to everything new to Netflix in June or our review of Netflix's new soapy crime drama, which was the biggest new show last week. "Squid Game" takes place in a dystopian version of our world where a cabal of the wealthy and powerful pits the poor and desperate of South Korea against each other. If you win this series of children's games, you could take home a life-changing sum. Lose, and you lose more than just the game. Get instant access to breaking news, the hottest reviews, great deals and helpful tips. In season 1, a down-on-his-luck divorced dad named Gi-hun (Lee Jung-jae) took home the top prize, and ever since, he's been looking to take the game down for good. Season 2 saw him in the game yet again, but his violent revolution ended in disaster. Now, he's the prisoner of The Front Man (Lee Byung-hun), but that doesn't mean the game is over. Tune in to the final season of Netflix's hit Korean-language thriller this week to see if Gi-hun can win once and for all. Watch on Netflix starting June 27 "The Ultimatum" has been a hit for Netflix. The premise is simple: several couples enter a reality dating show where one person in the relationship is given an ultimatum by the other — marry me or leave me. To determine if the couples are truly right for each other, though, they must first do the unthinkable. They will temporarily split up and enter into a trial marriage to see if married life is for them at all, or if maybe they're just with the wrong partner. Tune into "The Ultimatum: Queer Love" season 2 premiere this week and begin the eight-week journey to see which couples are right for each other and which are maybe better off with someone else. Watch on Netflix starting June 25 Some people like cruises. They're wrong, but people are entitled to their opinion. But what happens when a 4,000-passenger Carnival cruise ship loses power? That's the question "Trainwreck: Poop Cruise" looks to answer and — spoiler alert — everything goes to sh*t. If you love a story where the truth is stranger than fiction, do not miss this new Netflix documentary about the 2013 Carnival Triumph engine fire, which will forever live in infamy as the "poop cruise." Watch on Netflix starting June 24 A post shared by Steph Tolev (@stephtolev) A photo posted by on To call Steph Tolev's comedy raunchy might be an understatement. But the standup certainly has an ardent fanbase, including standup legend Bill Burr. Tolev has worked with Burr on multiple occassions, as well as appearing in "Hacks" as and "Tires" season 2. But in "Steph Tolev: Filth Queen," she's the main attraction of the show, dropping unfiltered confessions, dating stories and observations about life. Fair warning — when I say unfiltered, I mean it. Watch on Netflix starting June 24 Incredibly, the "Pokémon" anime has been ongoing for 27 seasons. Now titled, "Pokémon Horizons: The Search for Laqua," it probably looks unrecognizable to us who grew up with the original 150 Pokémon — it doesn't even feature Ash Ketchum — but if you need something for the kids this week, then this is the show for you. This latest batch of episodes picks up with Liko, Roy, and Dot reuniting with the Rising Volt Tacklers as they head to Kitakami and continue their Pokémon journey. Watch on Netflix starting June 27 JUNE 24 "Steph Tolev: Filth Queen" (Netflix comedy special) Bow down to the queen as fearlessly filthy Steph Tolev rules the stage with hilarious confessions, unfiltered dating stories and absurd observations. "Trainwreck: Poop Cruise" (GB) (Netflix documentary) An engine fire leaves 4,000 passengers stranded at sea without power and plumbing in this wild documentary about the infamous "poop cruise" of 2013. JUNE 25 "The Ultimatum: Queer Love" season 2 (Netflix series) Six couples put their love to the test by moving in with other partners. Are they ready for marriage — or is "the one" actually someone else? JUNE 27 "Pokémon Horizons: The Search for Laqua" season 2 part 3 (JP) (Netflix family) With their training complete, the three young adventurers embark on a new quest to learn more about Lucius and track down the rest of the Six Heroes. "Squid Game" season 3 (KR) (Netflix series) The third and final season of Squid Game follows Gi-hun (Lee Jung-jae) after losing his best friend in the game and being driven to utter despair by The Front Man (Lee Byung-hun), who was hiding his true identity to infiltrate the game. Gi-hun persists with his goal to put an end to the game, while the Front Man continues onto his next move and the surviving players' choices will lead to graver consequences with each round. The world eagerly awaits to see the grand finale written and directed by Director Hwang Dong-hyuk, who has vowed to bring the epic story to its deserved closure. Can we hope for humanity in the cruelest of realities? Fans all over the world are counting the days until the final answer is revealed. Leaving 6/26/25 "Ordinary People" Malcolm has been with Tom's Guide since 2022, and has been covering the latest in streaming shows and movies since 2023. He's not one to shy away from a hot take, including that "John Wick" is one of the four greatest films ever made. Here's what he's been watching lately:

What to Stream: 'The Bear,' Lorde, 'Smoke,' 'A Minecraft Movie,' 'Nosferatu' and Nelly and Ashanti
What to Stream: 'The Bear,' Lorde, 'Smoke,' 'A Minecraft Movie,' 'Nosferatu' and Nelly and Ashanti

Washington Post

time35 minutes ago

  • Washington Post

What to Stream: 'The Bear,' Lorde, 'Smoke,' 'A Minecraft Movie,' 'Nosferatu' and Nelly and Ashanti

The Jack Black-led movie phenomenon 'A Minecraft Movie' and Lorde's fourth studio album, 'Virgin,' are some of the new television, films, music and games headed to a device near you. Also among the streaming offerings worth your time, as selected by The Associated Press' entertainment journalists : All 10 episodes of season four of FX's 'The Bear' drop Wednesday, Nelly and Ashanti get their own reality show and Bill Skarsgård leads an update of the 1922 silent vampire classic 'Nosferatu.'

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