
BBC Antiques Roadshow guest speechless as £1 vase bought at boot sale makes staggering value
Our community members are treated to special offers, promotions and adverts from us and our partners. You can check out at any time. More info
Antiques Roadshow's Eric Knowles was left gobsmacked when a glass vase, purchased for a mere £1 at a car boot sale, was valued at an astonishing amount.
A woman from Ayrshire, who wished to remain anonymous, brought the vase to the BBC show for evaluation, not anticipating the staggering valuation she would receive.
The vase was identified as a 1929 piece by famed French designer René Lalique, after being scrutinised by experts at Dumfries House near Cumnock, and was valued at a minimum of £25,000. The five-inch-tall glass vase was crafted using an ancient technique known as cire perdue.
This complex method involves creating a wax model that is encased in plaster, then melted away and replaced with molten glass, with the plaster mould being broken away once the glass cools to reveal the final creation. The market value for Lalique pieces has seen a significant increase in recent years.
Antiques Roadshow expert Eric Knowles shared his excitement with the Irvine Herald: "It's wonderful to find treasures like this beautiful vase during the programme's filming," reports the Express.
(Image: BBC)
He continued: "It certainly gives us all a buzz and we thoroughly enjoy meeting people everywhere we go. I've been waiting over 25 years for such a piece to come in, and this was the stuff of dreams. They'd dumped it in the attic after the plant in it died and were about to throw it away. We had a lot of clouds in Dumfries, but this was the cloud with a silver lining. It's worth at least £25,000."
The vase ultimately fetched a whopping £32,450 at auction, exceeding its previous valuation by £7,000.
This follows a rerun of the beloved BBC programme, which aired on Sunday, June 8. Viewers were transported to Brodie Castle in Scotland, where a parade of treasures awaited appraisal.
Among them was a man who wowed Richard with a 1960s Rolex GMT-Master, inherited from his uncle.
Richard, peering intently at the watch, informed the owner: "All Rolex collectors refer to these things by their reference number," and "You know as well as I do, because it says so on the dial, that it's a GMT-Master."
(Image: BBC)
Richard explained: "It's the reference 1675, which is the classic GMT-Master. When you said 60s, I think we could fairly safely say 1960 to 1961, so that all fits in."
Upon closer inspection, Richard was thrilled to find the watch unaltered, noting that many watches are often modified during servicing, much to collectors' dismay.
He said: "They would've changed the bezel and they would've changed the dial with an upgrade," before adding:"You would've had it back thinking, 'Oh, it looks like new'. Collectors hate that, it's absolutely original, spot-on."
The expert told the owner: "It's a Rolex product, of course, but it says 'Made in the USA'. So perhaps he specified that he did not want the oyster bracelet; he wanted a jubilee bracelet, and they put this one on for him.
"Which sort of detracts from it a little bit, probably detracts from it by a couple of thousand pounds." However, Richard had some good news as well, revealing that the watch is worth "£12,000 to £15,000."
You can catch Antiques Roadshow every Sunday at 8pm on BBC1.
Hashtags

Try Our AI Features
Explore what Daily8 AI can do for you:
Comments
No comments yet...
Related Articles


The Review Geek
31 minutes ago
- The Review Geek
Poker Face – Season 2 Episode 9 'A New Lease on Death' Recap & Review
Episode 9 The Murder Episode 9 of Poker Face Season 2 begins with an old woman named Anne and her granddaughter Madeline speaking with a lawyer. They live in a comfortable apartment in NYC, which is affordable due to rent control. Anne tells the lawyer she wants to adopt her granddaughter as her daughter. He quickly realises this is to maintain the rent control, which can only be passed down to a spouse or child. Later, when they're leaving the house, Anne stops by a fruit cart where she meets a woman named Kate. Two weeks later, Maddy comes home and walks in on her grandma having sex with Kate. Anne reveals that they are dating and that she's even asked Kate to move in with them. Kate and Maddy don't get on well, and eventually, the latter pays a tattooed man to find more information on Kate. Sometime later, Maddy confronts Kate with proof that she's faking her identity. Her real name is Amelia, she's been to prison, and even has a few warrants out for her arrest. Maddy accuses Kate of simply being after the rent-controlled apartment. She threatens to tell the authorities if Kate doesn't leave Anne immediately. She allows Kate one day to say goodbye to Anne. They have this argument in the laundry room where Kate notices the washing machine shakes during the spin cycle, enough to drop a can of coke sitting on top of it. The next day, she spills some descaler on the floor below the machine and places a bottle of bleach on top of it. She also messes with the lock on the laundry room door. She then tells Maddy to get her laundry while she 'breaks up' with Anne. Maddy goes down and as the spill cycle hits, the washing machine knocks the bleach to the floor. Mixed with the descaler, it creates a gas that ends up killing Maddy. The Investigation Charlie arrives in New York City, telling her radio friend Good Buddy that she's hoping all the lies will become white noise in the city. He tells her to use his NYC apartment in Brooklyn and she heads to the same building where Anne and Maddy stay. The landlord, Otto, catches her but she claims she's here just to water Good Buddy's cactus plants. She then goes to a nearby store run by a man named Abdul. There, she bumps into Kate, who is trying to scam her way into getting free fruit. Back at the apartment, Charlie is forced to hide from Otto and runs into the laundry room, where she meets Maddy. The laundry door locks them inside and Maddy complains that the landlord never fixes it. She uses her bike tools to break them out. Maddy invites her to watch Jeopardy with her grandmother. The tattooed man from earlier joins them and Charlie learns that he's Ricardo, a librarian who is good at research. Charlie then takes up a remote job as a captcha technician. When she returns to the apartment, she sees the place crawling with firefighters. One of them, a fellow resident in the building named Mickey, tells Charlie about the accident in the laundry room. A woman sitting nearby tells Charlie that the descaler and bleach reacted to produce chlorine gas, which killed Maddy. Charlie goes upstairs to give her condolences and is surprised to see Kate open the door to Anne's house. Kate doesn't let her meet Anne. Charlie then comes across Otto, who insists he had fixed the lock on the door. Charlie knows he's telling the truth and they go to the laundry room where Otto points out the door has a new handle, a different model from the one he'd bought. While cleaning Maddy's things, Kate finds the paper with her real identity on it. She notices Ricardo's name, since he accessed the information, and threatens him to keep quiet. Meanwhile, Charlie tries to find out from Abdul if anyone bought the new door handle. He has face blindness, so it takes a while but Charlie eventually realises it was Kate. Charlie heads back to the building and tries to speak to Ricardo about her suspicions about Kate. Before he can say anything, Kate (who was eavesdropping) pulls the fire alarm which forces them all to leave the building. Afterwards, Kate returns and is happy that the apartment is basically hers now. But her bubble bursts when she sees Otto showing a new tenant around. Anne reveals that she's too upset because of losing Maddy and wants to move out of the apartment. Kate is frustrated and tries to pressure Anne into marrying her immediately. She runs out to get the forms and when she's back, Charlie is waiting with Anne. She's told her everything. Anne asks Charlie to step into another room and confronts Kate. Kate tells Anne it's all a lie and asks her to go get her laundry while she deals with Charlie. After Anne leaves, Kate pushes Charlie off the balcony. But thanks to Charlie's good friend Mickey — who had laid out an inflatable platform to catch her — Charlie's absolutely fine. In fact, Anne has seen the whole thing and her lawyer, who was hiding in the apartment, has recorded Kate's attempted murder. In Charlie's words, she's cooked. Poker Face Season 2 Episode 9 ends with Charlie helping Anne pack up her things as the new tenant makes plans for redoing the apartment. The Episode Review Poker Face Season 2 Episode 9 is a fun ride, even if it is a bit more straightforward than some of Poker Face's other episodes. This one has fewer twists and turns compared to even last week's episode, which offers a solid plot twist and unexpected reveal at the end. And there are a few details, like the woman who gives Charlie a free coffee, that aren't tied up in the larger plot. Awkwafina feels a bit underused as well. It's still quite an enjoyable episode, though, particularly with that New York aesthetic and how Charlie meets a firefighter who wanted to be a tap dancer and a woman who used to be a journalist but now peels potatoes outside the building. It's also nice to see that Charlie and Good Buddy are still in touch, although we could use some more information about him. The humour is pretty on brand as well and that one joke about Vague magazine will stay with me for a while. All in all, another solid Charlie Cale adventure. Previous Episode Next Episode Expect A Full Season Write-Up When This Season Concludes!


Scottish Sun
37 minutes ago
- Scottish Sun
Natalie Cassidy breaks silence on ‘disgusting' cancer hoax weeks after leaving EastEnders
It came after she opened up on 'bullying' allegations from a major pop star FORMER EastEnders actress Natalie Cassidy has slammed a "disgusting and disgraceful" fake rumour suggesting she is battling breast cancer. The popular soap star took to her Instagram Stories for a fiery rant over the "terrible and made up" allegations. 6 EastEnders actress Natalie Cassidy has slammed fake rumours of a medical condition Credit: Rex 6 The mum of two took to her Instagram Stories to rage about a 'disgraceful' story suggesting she has breast cancer Credit: Instagram 6 She quit her role on the long-running soap this year Credit: BBC The EastEnders alum, 42, who told of her decision to quit her EastEnders role as Sonia Fowler earlier this year, screen-grabbed the article image and concerning headline, which read: "Natalie Cassidy Breaks Down as She Reveals Breast Cancer Diagnosis." It then allegedly featured a quote from the TV star which read: "I Didn't Want Anyone to Know..." Images showed her in-character on the show as well as smiling in a cheery headshot. Yet Natalie, who this year quit EastEnders after 32 years on the soap, categorically slammed the suggestions of her illness. She furiously wrote in her caption: "THIS IS DISGUSTING AND DISGRACEFUL. "So many people are going through this and I have had messages asking if I'm ok. "It is completely made up and a terrible story. "Take this down whoever you are." The fake news came after the mum of two opened up on a huge pop star who used to bully her at school. EastEnders' Natalie Cassidy claims huge pop star used to BULLY her at school and reveals awkward confrontation ALL CHANGE The shock story also came just weeks after Natalie's podcast with Joanna Page was scrapped by the BBC in a huge career change. Yet she still has her own podcast, Life With Nat. The podcast scrap came after we reported how Natalie had landed a new TV show with the broadcaster. BBC Daytime have commissioned a new series - under the working title Natalie Cassidy Learning to Care - for BBC One and iPlayer. EastEnders stars who QUIT MICHELLE Collins has seen her second EastEnders stint boost her bank balance. Yet what stars have quit this year? The Sun exclusively reported how Michelle, 62, was down to £20,000 in her company accounts when she agreed to a shock back-from-the-dead return to Albert Square last year. Her character, Cindy Beale, was presumed dead off-camera in 1998. Yet what about the 2024 exits? Earlier this summer, loyal soap fans appeared to note how Stevie Mitchell had "quit" the long-running series. It came after Alan Ford enjoyed just six-months on-screen. Bobby Beale actor Clay Milner Russell also left this year after five years in Walford. Fans also feared Martin Fowler actor James Bye would "quit out of boredom" over recent storylines. Additionally, a host of stars have quit the BBC soap for Hollywood fame. One of the most successful stars to come from the BBC One soap is Rob Kazinsky. He played Stacey Slater's brother Sean Slater from 2006 to 2009, he has starred in Hollywood blockbusters Pacific Rim and Captain Marvel. Ben Hardy, who quit EastEnders as Bobby Beale almost a decade ago, went on to break Hollywood the following year, when he starred as Archangel in X-Men: Apocalypse. Since then, he has played Roger Taylor in Queen biopic Bohemian Rhapsody, and he starred in Michael Bay's Netflix movie 6 Underground. Michelle Ryan played Zoe Slater until 2005. She starred as the lead in short-lived American series Bionic Woman from 2007 to 2008. The actress will fulfil her longtime ambition of wanting to train as carer. This means enrolling at one of the UK's top Health & Social Care colleges - alongside the next generation of carers. In recent years, Natalie has cared for family members and volunteered in local groups. The show follows her journey across classroom to community care services - as she's there for life's toughest moments. While to make things official, the actress will have to pass her final exam. Natalie said: 'I'm thrilled to be embarking on a new adventure with BBC Daytime. "In a series exploring social care, I will be going back to college and learning for the first time since leaving school at 16. "Caring has always been a huge part of my life, from watching my mum care for my nan, to being a mother to caring for my dad, this series is close to my heart and I can't wait for you to see it.' 6 She said the claims were 'completely made up' Credit: Rex 6 Natalie was an EastEnders fan-favourite Credit: BBC


Telegraph
37 minutes ago
- Telegraph
The 20 best superhero TV shows of all time
Superheroes might have been a screen staple since the 1950s but capes, tights and masks never go out of style. Indeed, a ceaseless production line of Hollywood blockbusters have made them the dominant genre of the early 21st century. Marvel's latest TV effort is Black Panther/Iron Man spin-off Ironheart, following science student Riri Williams (Dominique Thorne) as she invents an Iron Man-style armoured suit. But what are the best shows ever to pow, zap and fly into our living rooms? Here's our countdown of the all-time TV top 20. How did we select our 20? As Spider-Man's Uncle Ben always had it, 'with great power there must also come great responsibility' (although, sorry, Spidey, you haven't made our cut). We've looked at the entirety of the superhero genre on TV, determined not to fall into the cliché of just relying on Marvel and DC staples. That means, you'll find some more whimsical family favourites nestling between the stern jaws and pumped pecks of some of our line-up. Heartfelt apologies, however, to SuperTed, the 1960s Spider-Man cartoon (of 'does whatever a spider can,' fame) and the Bill Bixby/Lou Ferrigno The Incredible Hulk series; all of which just fell outside our selection. Turns out there's one super-villain that can't be beaten: The capricious TV critic! 20. He-Man & The Masters of the Universe (CBS/ITV, 1983-1985) 'By the power of Grayskull!' The biggest, daftest cartoon of the Eighties was this fantasy romp based on a Mattel toy range. When helmet-haired, muscle-bound Prince Adam held aloft his sword and uttered the magic words, he transformed into the universe's most powerful human and foiled the evil plans of cackling villain Skeletor. It spawned literal sister series, She-Ra: Princess of Power, plus films, reboots and even more toys. Ker-ching. 19. Moon Knight (Disney+, 2022) If you can overlook leading man Oscar Isaac's creaky Cockney tones, which creep into Dick Van Dyke territory, there is much to enjoy in this tragicomic Marvel miniseries. As a mercenary with dissociative identity disorder, Isaac had a ball giving each alter ego a different personality (and accent) as he unravelled a mystery involving nocturnal warriors and Egyptian gods. Wild, weird and witty. Cor blimey, Mary Poppins. 18. Wonder Woman (ABC/CBS/BBC One, 1975-1979) 'All the world is waiting for you / And the power z you possess / In your satin tights / Fighting for your rights / And the old red, white and blue.' It's since had a Hollywood reboot – hasn't everything? – but the DC Comics adaptation about an Amazonian princess coming to America is a true cult classic. Lynda Carter became a pop culture icon as the feminist heroine, battling crime with her bullet-deflecting bracelets and golden lasso. Huge fun and just camp enough. 17. The Thundermans (Nickelodeon, 2013-2018) This surprisingly sophisticated teen-com followed the titular superpowered family as they attempted to live a normal existence in the fictional city of Hiddenville. While the parents struggled not to use their powers, their wisecracking children enjoyed exploring theirs – or, in the case of son Max, dreamed of becoming an evil supervillain – complete with a sassy talking rabbit. 16. Daredevil (Netflix, 2015-2018) British actor Charlie Cox excelled as blind New York lawyer Matt Murdock, who used his heightened senses to lead a double life as a masked vigilante. His nocturnal crusade set him on a collision course with crime lord Wilson Fisk (a skin-crawlingly creepy Vincent D'Onofrio). The bruising combat scenes, memorably a pulverising corridor fight, were widely acclaimed. It was recently resurrected for Disney+ sequel series Daredevil: Born Again. 15. Preacher (AMC/Amazon Prime Video, 2016-2019) A trio of Britons led this western-style comic book adaptation. Dominic Cooper starred as Texan preacher Jesse Custer, who was infused with a supernatural gift during a crisis of faith. He sets out on a quest to understand his new-found cosmic powers, joined by gun-toting ex-girlfriend Tulip (Ruth Negga) and vagabond Irish vampire Cassidy (Joseph Gilgun). Gleefully gory, it blended horror with humour to hugely entertaining effect. 14. Teenage Mutant Ninja Turtles (CBS/BBC One, 1987-1996) It was conceived as a superhero parody but soon took on a life of its own. Leonardo, Donatello, Raphael and Michelangelo – a Renaissance-named quartet of anthropomorphic turtle brothers, trained in ninjutsu (still with us?) – became 'heroes in a half-shell' by fighting evil from the sewers of New York City. The cartoon became a playground phenomenon, birthing a turtle-powered franchise of comics, films, games, toys and even breakfast cereal. Cowabunga indeed. 13. Agent Carter (ABC/Fox UK, 2015-2016) The Marvel universe did period drama – and did it jolly well – in this stylishly rendered series about Captain America's love interest. Our own Hayley Atwell was winningly charismatic as all-action spy Peggy Carter, battling baddies and post-war sexism at the Strategic Scientific Reserve. A perky, pulpy romp with a knowing wink and pleasing Britishisms ('Crikey O'Reilly!' was among her catchphrases). 12. Jessica Jones (Netflix, 2015-2019) The most noirish of the first wave of Marvel series, this brooding, slow-burn thriller followed a traumatised ex-superhero, superbly played by Breaking Bad's Krysten Ritter. Hard-drinking Jessica Jones fought her demons by working as a private eye in Hell's Kitchen. Our sardonic anti-heroine faced off against a worthy foe in David Tennant's monstrous, mind-controlling Kilgrave. 11. Super Gran (ITV, 1985-1987) Is there nothing she cannae do? Like a Beano comic strip come to life, this Tyne Tees caper saw a sweet old lady (Gudrun Ure) acquire superpowers when zapped by a magic ray. As she kept the town of Chisleton safe from villainous Scunner Campbell (Iain Cuthbertson), the series was sold worldwide and won an Emmy. A gallery of guest stars included Billy Connolly, George Best and Barbara Windsor. It just edges out SuperTed, Bananaman and Danger Mouse in our 'quintessentially British children's TV parody' slot. 10. Heroes (NBC/BBC Two, 2006-2010) 'Save the cheerleader, save the world.' Creator Tim Kring's pre-Marvel, post-Lost fantasy yarn was impossibly exciting when it first touched down on our screens. As a seemingly ordinary group of civilians slowly became aware of their special abilities, it delivered globe-straddling, comic book-style thrills. Later series got too wrapped up in mystical mumbo-jumbo and its own mythology but for a while back there, Heroes was ambitious, blockbuster television. 9. The Penguin (HBO/Sky Atlantic, 2024-present) Arguably this dark psycho-drama doesn't quite qualify because its anti-hero is technically a baddie. But the show's sheer quality means we've turned a blind eye. A Sopranos-esque mob saga stars Colin Farrell, near-unrecognisable under heavy prosthetics, as disfigured gangster Oz Cobb on his rise through Gotham City's criminal underworld. Fox drama Gotham – another Batman prequel, this time starring Ben McKenzie as a young Chief Gordon – isn't half bad either. 8. Misfits (E4, 2009-2013) This very British riff on the genre began with a group of gobby young offenders doing community service. When stuck outdoors during a strange electrical storm, they acquired a supernatural power apiece. Think X-Men with an Asbo. Howard Overman's scripts fizzed with street humour, while the bright young cast – Iwan Rheon, Antonia Thomas, Nathan Stewart-Jarrett, Lauren Socha and scene-stealer Robert Sheehan – would go on to bigger things. 7. WandaVision (Disney+, 2021) Marvel's first Disney+ series was unexpectedly eccentric and an utter delight. Witchy Wanda (Elizabeth Olsen) and android Vision (Paul Bettany) were the Avengers-turned-homemakers, trying to conceal their true natures while living in a sitcom-style suburban idyll. Each episode paid loving homage to TV history, slowly peeling back the couple's domestic bliss to expose the darker truths beneath. A love story wrapped in a David Lynchian mystery, this was a thoughtful exploration of grief and nostalgia. 6. Lois & Clark: The New Adventures of Superman (ABC/BBC One, 1993-1997) This sparky screwball-style spin on the Man of Steel made stars out of Dean Cain and Teri Hatcher, who were hugely charming as Daily Planet colleagues Clark Kent and Lois Lane. The pair's will-they-or-won't-they romance provided the backdrop to Clark secretly donning the costume to fight for justice. Airing at Saturday teatimes in the pre-Strictly era, it united the generations. As Superman TV series go, it eclipses teen prequel Smallville, which ran for a few series too long and lost its way. 5. Watchmen (HBO/Sky Atlantic, 2019) Alan Moore's graphic novel masterpiece is traditionally described as 'unfilmable', so Lost creator Damon Lindelof called his miniseries a 'remix'. Smart, cinematic and endlessly surprising, his wild reimagining dropped the masked vigilantes into present-day Oklahoma. A cast led by Regina King, Don Johnson and Jeremy Irons served up a boiling brew of racial tension and dystopian chaos. Defying expectations of a comic book adaptation, this was bold, bravura TV. 4. Supacell (Netflix, 2024-present) The newest UK entry on our list transcended superhero tropes to become something truly ingenious. Created by musician and director Rapman, the distinctive drama saw five South Londoners suddenly develop supernatural abilities. Their contrasting reactions to their newfound powers were compelling. Raising awareness of sickle cell disease while acting as a metaphor for black Britishness, this was supa-smart social commentary. 3. The Boys (Amazon Prime Video, 2019-present) Incongruously, one of Amazon's biggest hits is this near-the-knuckle, anti-capitalist twist on the familiar superhero formula. A welcome antidote to dark origin stories and cinematic pomposity, The Boys is like Marvel's lippy teenage brother, with a taste for ultra-violence and transgressive sex scenes. Pitting the commercialised 'Supes' against a band of black ops vigilantes, it's a nihilistic satire with plenty to say about institutional corruption and corporate America. And it usually says it in luridly vulgar language. In Antony Starr's sociopathic Homelander, it also boasts one of the best villains on TV. 2. Legion (FX/Fox UK, 2017-2019) Writer Noah Hawley, who masterminded the award-winning Fargo anthology and the upcoming Alien: Earth, is one of the most boundary-busting showrunners on TV. His 'anti-Marvel Marvel series' was built around a stunning star turn from Downton Abbey alumnus Dan Stevens as the schizophrenic son of X-Men leader Charles Xavier. Imprisoned in a psychiatric facility, he tried to control his mutant powers and fight the sinister forces who wished to harness them. Dramatising the inner workings of the human mind, it was visually dazzling and utterly unique. 1. Batman (ABC/ITV, 1966-1968) Holy top spot, Batman! Nowadays the Caped Crusader is a brooding, traumatised creature of the night. Once upon a time, he was actually fun. Starring Adam West as Batman and Burt Ward as sidekick Robin, this swinging Sixties crime caper followed the Dynamic Duo as they defended Gotham City from a rogue's gallery of camp supervillains. With hammy performances, tongue-in-cheek humour, a killer theme song and shameless cliffhangers, it gleefully embraced its comic book origins, coming to define the genre for the next three decades. Its only rival in the TV Batverse is Nineties modernisation, Batman: The Animated Series. Ker-pow!