Discover The Surprising Origins Of Ahmedabad City's Name!
It is one of the preeminent cities of India's Gujarat state, renowned for its rich culture, and houses astonishing monuments, making it a notable place in the Indian timeline. Its markets, architecture, and city life all come together to describe why Ahmedabad is considered as a first-rate metropolis. Despite all the chatter, have you thought why it was named Ahmedabad? The backbone of this city name is pretty impressive alongside the city's past, a mythic tail alongside the vision of a mighty ruler.
1.Ahmedabad: From the Legend to a Metropolis
Ahmedabad is believed to date back to the 14th century when it was under the Muzaffarid domain sculpted by a branch of the India Sultanate. Ahmed pathed the way for his empire through Shahi Hoag, deepening through to the Masjid that prominently displays his mighty stature. Although, brace yourself… the origins encircle a monarch, and tend to the beliefs of the native people.
In ancient times, the region was the market town of Ashaval, along the Sabarmati River. This site is believed to date back to the 11th century. The town itself was rather small in size and primarily home to the Bhil tribe. Eventually, this modest settlement was transformed into a grand city by Sultan Ahmed Shah I.
2.Sultan Ahmed Shah I And The Rabbit Legend
The transformation of Ashaval along with Sultan Ahmed Shah 1 is intertwined with something astonishing. The Sultan was on a hunting trek along the banks of the Sabarmati River when he came across a rabbit. Instead of fleeing, as a rabbit normally would, it decided to pummel the Sultan's dog. Sultan Ahmed was deeply captivated with this show of bravery which resulted in him marking that place for his new capital. Sultan believed that such a small and timid creature exhibiting such audacity could only be found in a strong and prosperous kingdom like his.
It may not be accurate in its entirety, but the story behind the rabbit has turned to folklore which has melded into the culture of Ahmedabad. A rabbit is also used as a concept to signify the spirit and resilience of the city.
3.How Ahmed Shah I Came Up With The Name 'Ahmedabad'
In 1411, Sultan Ahmed Shah I served as the ruler of Gujarat and started constructing the city to make it his capital. He also renamed the city to 'Ahmedabad' just like most rulers loved doing. The term 'Ahmedabad' directly translates to 'City Of Ahmed' with 'Ahmed' referring to the Sultan and 'abad' meaning city in Persian.
Ahmedabad to this date, serves as a grand city that substantiates the power of Ahmed Shah I. He founded the Bhadra Fort as a royal fortress along with the Jama Masjid, a Persian styled monument built with sandstone and yellowish white stones. Additionally, Ahmed Shah I constructed boundless epitomes of architecture in addition to magnificently planned the entire city. It was incorporated with wide roads, thriving commerce, and a highly developed water system making it the most advanced city of the country at that time.
4.Ahmedabad's Significant Developments in World History
Ahmedabad prospered as a trade center, a city of culture, and a learning focal point got things done under Sultan Ahmed Shah I and his successors. Its unique position on the banks of the Sabarmati River was a Shank of commerce, drawing traders and merchants from the nooks of India and other countries. The city earned great fame for its fine cotton textiles and its other exports, especially the cotton fabrics that reached far-off countries.
The livelihood of the city's residents was elevated even more when the Mughals took control in the 16th century. The Mughals built some of the most renowned landmarks in the city such as the Si di Saiyyed mosque, known for its carved stone latticework windows or 'Jalis' which further beautified the architectural contours of the city.
5.Evolution in the spelling of the Name
The word 'Ahmedabad' has been changed gradually over the years. During the period of British colonialism, the name was recorded as 'Ahmedabad' or 'Ahmadabad' in most of the official papers. In 2001 the name of the city was changed officially to 'Amdavad' in the Gujarati language. Nonetheless, 'Ahmedabad' remains the most preferred name amongst people over the world.
Ahmedabad Now
Ahmedabad Today, It has always been a city that balances modernity with its historical importance. In addition to its world-class architecture, the city has also been recognised for its urban planning making it a UNESCO World Heritage City. Ahmedabad is also an economic and cultural centre of the country, famous for its multi-specialty fairs and festivals like the International Kite Festival and Navratri.
The origin of the name, Ahmedabad, displays the spirit of the city to self-renew itself over the ages. Its story is one of transforming from a small settlement to a flourishing metropolis and embodies the vision, courage, and resilience witnessed in the city for over six hundred years. The city is known for its rich history, culture, and development, and whether you refer to it as Amdavad or Ahmedabad, the memories associated with the name will stay.

Try Our AI Features
Explore what Daily8 AI can do for you:
Comments
No comments yet...
Related Articles


Business Standard
25 minutes ago
- Business Standard
"The Most Important Thing About Art is Freedom," says AR Rahman at IGF London 2025
PRNewswire London [UK], June 23: In a deeply personal and expansive conversation at the final day of India Global Forum London 2025 at Taj St. James' Court, Academy Award-winning composer AR Rahman urged artists, institutions, and governments alike to nurture creative freedom and cultural innovation. * Oscar-winning composer on scent cinema, AI, and the reinvention of Indian music culture "In cinema for over 40 years now, I was bored with the same rectangle form," Rahman confessed. "It's just seeing and hearing--what else can we do?" That question sparked Le Musk, Rahman's pioneering immersive project which brings scent, touch, and narrative together. "The idea came from my ex-wife who loved perfumes. I thought, why not create a theatre experience with perfume and haptics?" Now coming to London for a year, Le Musk is more than a film--it's an artistic manifesto, showcasing Rahman's continued defiance of convention. The fireside chat turned from personal to philosophical, as Rahman explored the urgent need to preserve traditional Indian music, asking: "Where is the next shehnai player? Where is the next Bismillah Khan Sahib? Unless we find them, recognize them, and let the world see them--they'll vanish. That's where the inspiration for JHAALA came in." JHAALA, Rahman's initiative to platform and preserve Indian classical arts, seeks to make the invisible visible--through technology, talent discovery, and global exposure. On artificial intelligence, Rahman struck a balanced note of caution and curiosity: "AI is like Frankenstein--it just steals from human experiences, human knowledge, human art, and then puts together multiple thoughts. It's copied from us. And now it gets faster, because we feel with emotion--and it just runs on data." "We should use it for what it is--for speeding up the mundane. Don't fear it, use it." Beyond technology, Rahman called for a national cultural renaissance: "If you look at South Korea and K-pop, it emerged in the last 10 years because of government involvement and economic growth. It was a collective movement. That needs to happen with Indian music too. We need to reinvent the wheel." Throughout the session, one sentiment rang clear: true art is unbound by formats, expectations, or institutions. "The most important thing about art is freedom," Rahman stated. "You can't do that with a film studio." He ended with a reminder of music's enduring universality: "Music transcends religion. It heals. It connects. It's a shared soul." IGF London 2025's closing conversations made one thing certain: in a world fractured by algorithms and agendas, it is artists like Rahman who restore harmony--not just in sound, but in society. The forum forms part of IGF London 2025. With over 100+ speakers, 1000 participants, and events across iconic venues in London, IGF London 2025 encompasses a spectrum of topics - from technology and trade to culture and commerce. This year's edition marks a powerful milestone - a decade since Prime Minister Narendra Modi's landmark 2015 visit to the UK, and the two nations have finalised the long-awaited Free Trade Agreement. IGF London is the first major international platform to celebrate and analyse this historic achievement, unlock new opportunities that emerge from its conclusion, and shape the next phase of UK-India collaboration. About India Global Forum India Global Forum tells the story of contemporary India. The pace of change and growth India has set itself is an opportunity for the world. IGF is the gateway for businesses and nations to help seize that opportunity. To know more, click here Social Media Handles & Hashtag to Follow Twitter: @IGFUpdates & @manojladwa LinkedIn: India Global Forum #IGFLondon Logo -


News18
27 minutes ago
- News18
‘He Understood The Assignment': US Man's Bharatnatyam Performance Gets A 10/10
Last Updated: Alex Wong, a US man, shared the video of his Bharatnatyam performance, stating that he had a lifelong wish to learn the dance form. Indian classical dance has steadily grown into a global cultural force, attracting an ever-expanding community of foreign enthusiasts. Traditional forms like Bharatnatyam and Kuchipudi are now being embraced far beyond India's borders, with many international learners seeking professional training to master the art. Over the years, this growing passion has led to fresh and bold interpretations of these classical styles, giving them a contemporary edge while preserving their roots. One such captivating performance is now going viral online. Alex Wong, a dancer from the United States, has won hearts with his graceful blend of tradition and modernity. In a now-popular video, Alex performs Bharatnatyam to the Bollywood hit 'Chhalka Chhalka Re" from the film Saathiya. His flawless execution of classical movements combined with the vibrant energy of the song has left viewers amazed and delighted. With a constant smile on his face, Wong's neat moves and expression were on point, exuding grace as he took over the classical dance form. In his caption, Wong opened up about his longtime wish to learn Indian classical dance. 'Recently, I've been wanting to take an Indian dance class on a whim, so I started searching for classes. This was my first Bharatanatyam fusion class! I found it difficult to coordinate the specific and traditional hands and footwork as it was like learning a new language!" he wrote. Composed by AR Rahman, the chosen song was sung by Richa Sharma, Vaishali, Mahalaxmi, and Shoma. Wong's performance received the loudest cheers on social media, as many appeared impressed by his dance. One wrote, 'Wow! Such grace and expressions! You are doing great, and I couldn't say it is just your entry into Bharatnatyam!" while another added, 'You understood the assignment!! 10/10 was so graceful and filled with JOY!" Kamal Haasan's younger daughter, Aksharaa Haasan, also reacted to the video and commented, 'Ohhhh wow. You got the true essence of the style. You're such a beautiful, soulful, & graceful dancer." Likewise, celebrity dancer Lauren Gottlieb added, 'Aww Alex let's go!!!" A professional dancer, Alex Wong, frequently shares his dance videos, showing him taking up multiple challenges, taking his talent to the streets, metro trains, gyms and more. This latest video stands as an example of how Indian classical dance continues to find admirers across the globe. Bharatnatyam is one of the most popular classical Indian dance forms, enjoying major support in Indian communities and even abroad. First Published: June 23, 2025, 12:28 IST


Mint
28 minutes ago
- Mint
Gandhi to Salaam Bombay: Now watch critically-acclaimed films on OTT, here's how to watch
In a major boost to cinephiles and cultural archivists, Prime Video has launched NFDC – Cinemas of India as a new add-on subscription, offering a rich library of some of India's most iconic and critically acclaimed films. For just ₹ 199 per year, subscribers can now access a treasure trove of titles that shaped the very foundation of Indian cinema. The newly launched collection includes cinematic landmarks from legendary filmmakers such as Satyajit Ray, Shyam Benegal, Mira Nair, Kalpana Lajmi, and many others. Among the standout titles are Gandhi, Salaam Bombay!, Rudaali, Agantuk, Mirch Masala, and Ghare Baire—films that have not only earned accolades at home but have also left a mark on the global festival circuit. While commercial Bollywood fare dominates the digital landscape, the addition of NFDC's catalogue offers a much-needed counterpoint—a curated collection of films that defined India's parallel and regional cinema movements. Many of these works, once confined to festival circuits or Doordarshan reruns, are now digitally available to a new generation. The catalogue spans multiple Indian languages, including Bengali (Agantuk, Ghare Baire), Marathi (Bangarwadi, Doghi), Malayalam (Parinamam, Bioscope), Tamil (Marupakkam, Jameela), Telugu (Stri, Tiladaanam), and Gujarati (Percy), among others. Critically decorated, globally recognised Several of the featured films are globally awarded: Gandhi (Hindi) won Oscars, BAFTAs, and Golden Globes Salaam Bombay! received the Caméra d'Or at Cannes and an Oscar nomination Qissa (Punjabi) won the NETPAC Award at TIFF Paar (Hindi) earned the UNESCO Award at Venice The collection also includes multiple National Film Award winners, offering viewers a wide range of themes—from caste and gender to displacement and memory. 'Whether you're a cinephile or just beginning to explore Indian cinema, NFDC's catalogue offers an unparalleled window into our country's most acclaimed and culturally significant films,' said Gaurav Bhasin, head of marketplace at Prime Video. The move also aligns with NFDC's long-standing mission to democratise access to meaningful cinema.