Major change to two Aussie TV channels after The Project's axing
Channel Ten is moving forward with its major rebrand as the network readies to launch a new current affairs show after axing The Project last week.
There are new changes on the 10Play platform, which has now been simply renamed 10.
10 Peach has been replaced with 10 Comedy, which is home to TV classics, including Friends and The Big Bang Theory.
The network has also rebranded 10 BOLD as 10 Drama, which hosts popular US hit shows including NCIS, SEAL Team and CSI: Vegas.
Ten promised to make the change at the 2025 Upfronts.
From A-list scandals and red carpet mishaps to exclusive pictures and viral moments, subscribe to the DailyMail's new showbiz newsletter to stay in the loop.
'Channel 10 recently celebrated 60 years since its beginnings, and in 2025 we will harness the power and popularity of this much-loved brand across linear, streaming and digital platforms,' the network said at the time.
'From next year, these platforms will simply be known as 10 – giving audiences easy access to all our premium content.
'10 will be on-air and on demand wherever our audiences choose to consume their premium video.'
It comes after The Project was officially axed last week after 16 years.
Hosts Waleed Aly, Sarah Harris and Hamish Macdonald will exit the network, while comedian Sam Taunton will continue his guest appearances on other Ten shows.
The last episode will air on June 26, with the panel show being replaced by a new current affairs show.
After announcing The Project was ending last Monday, Ten released another statement announcing a new look news program.
The premium news program, titled 10 News+, is set to hit screens on Monday, June 30, at 6pm on Channel 10 and 10Play.
10 News+ will be broadcast across the country after Network 10's 5pm local news bulletins, offering a deeper analysis of some of the biggest stories of the day.
According to Paramount Australia, the segment aims to 'redefine evening news by providing comprehensive analysis, trusted reporting, and long-form investigative journalism'.
Keeping up with Australia's constantly evolving mediascape, the news program will be available via broadcast and streaming, as well as on digital and social platforms.
The show's lineup will include former 7News journalist Denham Hitchcock and Walkley Award-winner Amelia Brace, who will be regular faces during the 6pm bulletin from Sunday to Thursday.
Ursula Heger and Hugh Riminton will take the lead during the Friday broadcast.
The anchor team will be supported by reporters including Ashleigh Raper, Bill Hogan, Brianna Parkins, Samantha Butler, Carrie-Anne Greenbank, and Claudia Vrdoljak.
Ten's Entertainment Editor Angela Bishop will also bring insight into the biggest stories in entertainment, including red-carpet events and exclusive interviews with Hollywood's elite.
Speaking of the new program, Paramount Australia's Vice President of News Martin White gushed over the 'fantastic team' fronting the program and the 'hard work' that had gone on behind the scenes to bring it to air.
'We're going to do what we do best - put the truth first, our audience first, and tell important stories well,' he said of the new offering.
'We've assembled a fantastic team, led by Denham and Amelia, and I can't wait for audiences to see their hard work.'
He went on to highlight the news program's unique offerings.
'What we're doing with 10 News+ is completely different to anything else in the market.
'We're giving you more - breaking exclusive stories and offering our own unique take on the biggest issues impacting Australians, across multiple platforms including 10, 10 Play and YouTube.
Hashtags
Try Our AI Features
Explore what Daily8 AI can do for you:
Comments
No comments yet...
Related Articles
The Guardian
an hour ago
- The Guardian
When did ‘feminist critique' of celebrities become nothing more than a snide telling-off?
Sabrina Carpenter was accused of dragging women back into an unenlightened past last week, as the controversial cover for her new album was met with (apparently) feminist furore. It's ironic, then, that the past is precisely where Carpenter's most outspoken critics could do with looking. It's clear that the general consensus is lurching grimly to the right when it comes to gender, and a new generation of young, female critics should be wary of falling into step. The debate about how we look at women, and what they want, risks limply missing the point. In the past few weeks, Sydney Sweeney has been chastised for selling sexy soap, and Addison Rae scolded for dancing in her underwear on stage. It's odd that the backlash has been so immense, given the celebration of Halina Reijn's Babygirl film just a few months ago. The SheEO Nicole Kidman slurping milk out of a saucer? Hot. Sweeney's dirty bathwater? Degrading and vapid. Seemingly, Kidman's age made the former radically feminist, and by extension, permissible in the eyes of the kink police. It is relevant that these debates now take place on online platforms. At their best, these spaces could provide a rare forum for popular culture to be taken seriously. From uses of the 'sexy virgin' trope to golden-age glam fantasies of whiteness, to the transformative influence of a queer audience, there are so many interesting things to say about women such as Carpenter, Sweeney and Rae, and how we are encouraged to read them. Instead, the conversation is dictated by sexist algorithms, financially rewarding those with the most extreme views. Liberation no longer brings clicks, and so to open TikTok is to fall headfirst into a sea of diatribes so puritanical they'd bring a tear to Oliver Cromwell's eye. None of this is to say that to criticise the pop girlies is blasphemy, but vitriolic chastisement is no substitute for meaningful critique. One TikTok user, priding herself on inspiring tellings of 'Herstory', asserts: 'Sabrina knows nothing … [she is] a disgrace to every woman that has ever lived.' Oddly, accounts like this have a fetishistic preference for girlbosses centuries dead, happy to build a brand around celebrating 'first' women (authors, chemists, queens, you name it), while throwing abuse at those making headlines today. If only, the inference usually seems to be, young women such as Carpenter could be as good at feminism as Jane Austen or Anne Boleyn. In fact, the real lessons are to be learned from histories a little more recent. These critiques seem largely ignorant of the 'sex wars' of the 1970s, which saw militant feminists such as Andrea Dworkin argue that whatever the context, pornographic imagery was hateful, exploitative and male. Against her were sex-positive feminists such as Angela Carter, attempting to think generously and with complexity about desire and domination in women's lives. If anyone could be bothered to dig it out, Carter's 1978 book The Sadeian Woman might turn the argument about Carpenter on its head. There, she historicises the 'good bad girl', 'blonde, buxom' with a 'childlike charm', suggesting the impossibility of writing about power and sex without writing about capitalism too. For Carter, pornographic imagery, playing on domination and subordination, wasn't to be straightforwardly judged or disregarded, but might instead be seen as 'a critique of current relations'. For all that the sex wars were aggressively fought, they were also full of rich argument, breadth and a long-lost awareness of economic forces. One thing Dworkin did get right was pornography's grim realities when constrained to a ruthless commercial sphere. When it comes to the multibillion-pound porn industry and the world of pop, those with the real power, much like the anonymous, suited man on the cover of Carpenter's album, rarely appear in frame. It's ironic, then, that in January, no less than the record producer Pete Waterman singled out Carpenter as a small blond symbol of sexism. She was, he claimed, setting women's rights back years, adding: 'If you're asking to be respected, don't come on in a G-string.' I'm not sure Carpenter needs to beg for respect from those cooped up in the retirement home for pop producers presumably still profiting from Kylie's hotpants, but those comments serve to remind us that little has changed when it comes to raking in the cash. That latter-day Pete Watermans are still those benefiting, in this case from charged debates about violence against women, is what socialist-feminists would have been pointing out decades ago, and precisely what we should be talking about today. If images of sexual subordination make some feminists uncomfortable, we should talk about that too. Instead, we're reverting to ironically paternalistic tellings off. Of course, it should come as little surprise to find the parameters of feminine sexuality being policed under the patronising pretence of concern for women's safety. It's precisely this logic that has been weaponised against transgender women for years. The result? A feminism that packs women into smaller and smaller boxes with every convenient transgression that comes along. We might ask questions about the unhappy marriage of capitalism and kink, but suggesting that women who want to experiment consensually with images of domination should in some way take the blame for male violence is dangerous, distracting and ignorant of history. Decades of work (against, for instance, the so-called 'rough sex defence') have been spent protecting women's right to express themselves sexually without fear of harm – it isn't 'choice feminism' to try to hold that ground. 'I can't escape your history,' sings Carpenter on a 2022 track. If only those attacking her felt the same way about the feminism they invoke, they might see what's really going on here. It's not so much a return to sexy pop that is restricting women as the censorious criticisms that pop's profit-driven branding seems perfectly calculated to provoke. Jennifer Jasmine White is a writer and academic
Daily Mail
2 hours ago
- Daily Mail
Georgia Love and ex Lee Elliot reunite at their Hampton house auction and enjoy a trip to their local cafe - just a few months after their shock split
Georgia Love and Lee Elliot may have shocked fans with their split, but they proved on Saturday there is no bad blood between them. The former couple appeared very friendly with each other over the weekend as they attended the auction of their Hampton East love nest in Victoria. And they had plenty to be happy about as the 'SOLD' sticker outside their marital home proved they managed to off-load the $1.35million property. The exes were all smiles as they then went out to a local cafe together to celebrate the sale. Georgia, 35, was rugged up for the occasion, wearing a thick jumper and grey skirt over opaque black stockings. From A-list scandals and red carpet mishaps to exclusive pictures and viral moments, subscribe to the DailyMail's new showbiz newsletter to stay in the loop. The former couple appeared very friendly with each other over the weekend as they attended the auction of their Hampton East love nest in Victoria And they had plenty to be happy about as the 'SOLD' sticker outside their marital home proved they managed to off-load the $1.35million property The former Bachelorette star, who met Lee, 44, on the 2016 season of the show, covered up her ensemble with a black puffer jacket. She added a pair of matching ankle boots and pulled her brunette tresses back from her face, at one point accessorising with dark sunnies and a nude handbag. Lee also opted for a casual all-black look on the day, as he was spotted blowing leaves out of the yard ahead of the auction. He slipped on a pair of tights beneath running shorts before adding a puffer vest over his jumper. It was revealed earlier this month Georgia and Lee were set to put their marital home in Melbourne under the hammer this weekend. The high-profile pair, who announced their split in February, listed the spacious Hampton East pad with a price range of $1.5million to $1.58million. Georgia and Lee paid an estimated $1.35million for the chic ultra-modern two-storey townhouse in 2021. Located 17km from the CBD in the upmarket Bayside area, the property boasts a thoughtful open-plan layout and an alfresco dining area with a BBQ kitchen. Highlights include a main bedroom with a private balcony, a fitted dressing room, and a dual vanity ensuite. Design features include double-glazed windows and doors, Caesarstone benchtops, Tasmanian oak flooring, hydronic heating, and reverse-cycle air conditioning. Georgia and Lee fuelled rumours they had split for some time as it had been more than four months since they were seen together. The pair spent Christmas apart with their respective families before Georgia jetted off to New York City for a holiday without Lee. They were also both spotted without their wedding bands, which led to a wave of speculation online suggesting they had ended their relationship. The pair met and fell in love on the 2016 season of The Bachelorette, which saw Georgia, a former TV news reporter, choose tradie Lee as her winning suitor. They married in 2021 at the Frogmore Creek Winery outside Hobart, followed by an outdoor reception at the Shene Distillery. The lovebirds had been due to marry in Italy the year prior, but were forced to cancel due to Covid travel restrictions. The following year, they moved into their townhouse in Hampton East.
The Guardian
2 hours ago
- The Guardian
Nick Kyrgios: ‘If I'd acted a bit differently, I would have had a Wimbledon title'
Wimbledon runs through Nick Kyrgios's tumultuous career with a mysterious force full of pain, glory and controversy. It is a tournament defined by history and restraint but, for Kyrgios the disruptor, it is also a place pitted with dark despair and sunlit magic. The Australian has spent a night in a psychiatric ward while playing at Wimbledon and also been served with court orders and lawsuits during and after the 2022 championship that ended in him pushing Novak Djokovic so hard in a memorable final. But he has since struggled with injury and he will miss his third successive Wimbledon this year. He still can't keep away. Kyrgios returns for a live performance of his podcast, Good Trouble, at the New Wimbledon Theatre on 24 June. But he pauses when asked what this strange and beautiful place means to him: 'Wimbledon holds special memories for me. It's the first grand slam where I broke through and it's the pinnacle of tennis. Every time you step into the grounds you feel the energy and the aura. But I don't always feel so comfortable there either because I don't act like the normal tennis player. Wimbledon takes note of that a lot. I definitely feel like a snowman in the desert there but I enjoy it.' Kyrgios cackles when I ask if he expects a few hecklers to join his secret guests at his Wimbledon show. 'I hope so. I really enjoy people that don't necessarily like how I go about things. If they want to come and heckle, I'm all for it. Open invitation, please.' Past guests on his podcast range from Mike Tyson and Naomi Osaka to Matthew McConaughey and Djokovic. Kyrgios starts each episode by asking his guests what 'good trouble' means to them. For Kyrgios, 'good trouble' means 'shaking things up, not always doing things the way we're taught. The one thing that stands out for me, being a tennis player in a Roger Federer-esque sport where you fit into a mould, is that I've gone against the grain my whole career. I've definitely shaken things up and done it my way'. We revisit his tournament debut in 2014 and I ask Kyrgios to describe his initial impressions of Wimbledon. 'That I was at the top of the tennis world. If you play Wimbledon multiple times you're playing in front of the Royal Box on a court where every blade of grass is the same length. If you make it on to that stage the journey has been worth it.' Kyrgios was given a wildcard that year and he played sublime tennis to beat Rafael Nadal in the fourth round. Nadal made only 18 unforced errors over four sets, but he couldn't contain the fire and brilliance of the Canberra teenager. Kyrgios hit 37 aces and 70 winners, including a between-the-legs flick that almost brought Centre Court down with delirium. John McEnroe said: 'We have a new star on our hands.' 'It was life-changing,' Kyrgios says, 'but I wasn't ready at that age [19] to take on the responsibility.' Five years later he played Nadal in the second round. It was another engrossing match studded with acrimony. He lost in four sets but attention focused afterwards on the fact he had tried to hit Nadal with a ball. 'The dude has got how many slams, how much money in the bank?' Kyrgios said afterwards. 'I think he can take a ball to the chest, bro. I'm not going to apologise to him.' Yet, as Kyrgios revealed years later in the Netflix documentary Break Point, he was in turmoil. He was drinking and self-harming to the point where he had to wear a compression sleeve on his arm to hide the scars. He spoke of how, in the aftermath of losing to Nadal, he was admitted to a psychiatric ward in London. But Kyrgios says something subtly different now when I ask if he can take us back to his time under psychiatric care: 'I had to go and play Nadal the next day. I didn't really have a choice.' I am so surprised that I ask Kyrgios if he really had been on the psychiatric ward the night before he faced Nadal? 'Yes, yes. In 2019 people assumed that I had an incredible year. I was top 20 in the world, but I was at my lowest. When I finally opened up that's when people started realising that, yes, I haven't always been perfect or always done things right, but I'm willing to speak about it. I've had hundreds of thousands of kids messaging me on Instagram and I try and go through all of them and help as much as I can.' How did he play against Nadal in such a fragile state? 'We have to sometimes block out what we're going through and go to work. I can't just run away.' Kyrgios adds: 'Playing Nadal at Wimbledon and losing in a tight four-set battle? I was extremely proud. I'm just proud I made it through [his depression].' He was so low that, 'all through that year', Kyrgios contemplated taking his life. 'I was in a dark place and it didn't get better after that moment. I was definitely struggling throughout the year with those thoughts and the self-harm. But I've been able to navigate that and help others.' For Kyrgios, 'anyone who doesn't say I'm a role model doesn't know what I go through on a day-to-day basis. They don't have kids messaging them for advice and saying: 'I've had suicidal thoughts and you're the only reason why I'm trying to find my way.' I do everything I can for the youth so I think [his critics] are straight-up haters. 'But I take pride in giving back and when I see kids that aren't super-high on confidence and are afraid of people speaking negative words at them, that's when I can help the most, because I've gone through it.' Andy Murray saw the signs of self-harm and, as Kyrgios confirms appreciatively, 'he was one of the first to notice and tell me, if I needed any help, I could always talk to him.' Three years on, in 2022, Kyrgios lost that bruising four-setter to Djokovic in the final. 'The fact I've made the final of a grand slam is pretty damn cool,' he says. 'It's something I'll be able to share with my kids and grandkids and show them that anything is possible. The courts around my house [in Canberra] are generally concrete with cracks in them so the fact I made a grand slam final is pretty crazy.' Earlier in that tournament Kyrgios received a summons to appear in a Canberra court on a charge of common assault after he had allegedly pushed his former girlfriend Chiara Passari during an argument in January 2021. 'All the charges got dropped,' Kyrgios says. 'I knew exactly what was happening, so I just had to continue playing tennis.' In 2023 Kyrgios pleaded guilty but he was not convicted as the magistrate decided he had 'acted poorly in the heat of the moment' and that the case was at the lower end of the scale of common assault. In a written statement Kyrgios expressed his contrition. 'I was not in a good place and I reacted to a difficult situation in a way I deeply regret. I know it wasn't OK and I'm sincerely sorry for the hurt I caused.' Kyrgios was also sued after the 2022 final because he had asked the umpire to eject a spectator, Anna Palus, who shouted just before he served. He said that Palus 'looks like she's had about 700 drinks, bro' but, after legal action was instigated against him, Kyrgios accepted she had not been drinking excessively: 'I was mistaken, and I apologise. To make amends, I have donated £20,000 to Great Ormond Street Hospital.' Despite all the controversy he still believes he came close to beating Djokovic. 'Definitely. It was only a couple of points here and there where, if I'd acted a bit differently, I would have had a Wimbledon title. But there's no shame in losing to the greatest of all time. Do I think about it often? Yes. Do I think about what I could have changed? Yes. Could I have prepared better? No. I prepared amazingly.' Two months later Kyrgios should have played Casper Ruud in the US Open semi-final but he lost a five-set match in the quarters to Karen Khachanov. 'I should have won and I genuinely thought that was one of my biggest chances to win a slam. But it's not life or death. I can't say that losing a tennis match is catastrophic.' Kyrgios has suffered numerous wrist, knee and foot injuries and, after struggling at the Australian Open and Indian Wells this year, he was forced to withdraw from Wimbledon. Can he come back and play in more grand slams? 'Yes, I think I'll definitely play them one or two more times. But there's a lot of wear on these tyres. It's a tough sport.' Rehab and training are a 'constant grind' for the 30-year-old but he expects to play in the US Open. 'Yes, for sure. I'm definitely playing the US swing and I'll take it one day at a time.' Meanwhile, as they showed during their exhilarating French Open final, Carlos Alcaraz and Jannik Sinner are playing, in Kyrgios's words, 'incredible tennis. It's pretty obvious those two are going to be juggernauts of the sport for the next 10 or 15 years. They pushed each other to a level that not many have played before. I think Alcaraz has that flair and X-factor of Federer, Nadal and Novak. Sinner is incredibly powerful but Alcaraz will be up there with those greats.' Who will win Wimbledon next month? 'I've got to say Alcaraz.' Kyrgios and Djokovic are friends now, so was he wrong to once say the Serb had 'a sick obsession with wanting to be liked'? 'No. He's way more comfortable in his own skin now. I think he did want the crowd to love him but he enjoys being the villain. He finds energy when people heckle him. He's the greatest tennis player of all time so he wouldn't care as much what people think now. We have respect for each other and we are proof that different personalities can make it to the top and you don't have to have everyone liking you.' Kyrgios has been a revelation in the commentary box. 'I know I'm a great commentator,' he says. 'All I've done for 20 years is play, study and breathe this sport. I also think tennis needs commentators who say things that not everyone says.' Yet the BBC has not signed him up for this year's Wimbledon. 'It's unfortunate but it's probably their loss more than mine,' he says. 'I understand they've got Chris Eubanks [the American currently ranked world No 108] but he hasn't beaten the greatest of all time multiple times. When someone's beaten Federer, Nadal, Murray and Djokovic and has incredible insights, it's very strange you wouldn't want that person adding knowledge to tennis fans.' Kyrgios sounds more conciliatory towards the BBC when he says: 'I'm sure our paths will cross again. I only ever want to add humour, some knowledge and some great atmosphere.' As he prepares to return to Wimbledon, and the scene of so many tangled memories, Kyrgios says: 'Life's too short for regrets. I think if you take one little block out, it all falls down. Every mistake I've made has given me the chance to learn and be the person I am today.' Nick Kyrgios will be at the New Wimbledon Theatre on 24 June as part of his Good Trouble with Nick Kyrgios global tour. Info at In the UK and Ireland, Samaritans can be contacted on freephone 116 123, or email jo@ or jo@ In the US, you can call or text the National Suicide Prevention Lifeline on 988, chat on or text HOME to 741741 to connect with a crisis counselor. In Australia, the crisis support service Lifeline is 13 11 14. Other international helplines can be found at
