logo
NYT ‘Connections' Hints And Answers For Saturday, May 17

NYT ‘Connections' Hints And Answers For Saturday, May 17

Forbes16-05-2025

Connections hints and answers are here.
Looking for Friday's NYT Connections hints, clues and answers instead? You can find them here:
A very tricky Strands today that is mostly science-themed for three out of four categories, if that's one broad initial hint for you to consume.
Connections is the second-most popular NYT Games puzzle game outside of the main crossword itself, and an extremely fun, free offering that will get your brain moving every day. Play it right here.
The goal is to take a group of 16 words and find links between four pairs of four of them. They could be specific categories of terms, or they could be little world puzzles where words may come before or after them you need to figure out. And they get more complicated from there.
There is only one set of right answers for this, and you only get a certain number of tries so you can't just spam around until you find something. There are difficulty tiers coded by color, which will usually go from yellow, blue/green to purple as difficulty increases, so know that going in and when you start linking them together.
FEATURED | Frase ByForbes™
Unscramble The Anagram To Reveal The Phrase
Pinpoint By Linkedin
Guess The Category
Queens By Linkedin
Crown Each Region
Crossclimb By Linkedin
Unlock A Trivia Ladder
You pick the four words you think are linked and either you will get a solve and a lit up row that shows you how you were connected. If you're close, it will tell you that you're one away. Again, four mistakes you lose, but if you want to know the answers without failing, either come here, or delete your web cookies and try again. If you want to play more puzzles, you can get an NYT Games subscription to access the full archives of all past puzzles. So, onto the hints and answers:
These are the hints that are laid out on the puzzle board itself, but after that, we will get into spoiler territory with some hints and eventually the answers.
The hints for the Connections groups today are:
Alright, the full spoilers follow here as we get into what the groups are today:
The full-on answers are below for each group, finally inserting the four words in each category. Spoilers follow if you do not want to get this far. The Connections answers are:
Connections
As per usual, yellow group was not that difficult. The only tricky part is that you may not remember that FUNGUS is separate from PLANT as two different entities that may seem the same, but they definitely are not. Just watch The Last of Us.
Green group has all sorts of tools you might use in college classes, relevant given that graduation from most universities is upon us this month. PROTRACTOR and RULER are probably the same class. BEAKER and SYRINGE could be too, depending.
Blue group? I definitely knew they were doing a penguin thing but I needed to remember that CHINSTRAP and MACARONI penguins existed other than just the 'royalty' penguins already listed.
Purple group was of course very difficult. We sort of just call E-COMMERCE regular commerce now. Though email and e-signatures have stuck around. E-scooters? Come on, that was kind of BS. I know it still stands for electronic but that's a whole different category of stuff. You got me with that one, NYT.
How did you do today?
Follow me on Twitter, YouTube, Bluesky and Instagram.
Pick up my sci-fi novels the Herokiller series and The Earthborn Trilogy.

Orange background

Try Our AI Features

Explore what Daily8 AI can do for you:

Comments

No comments yet...

Related Articles

Cubs legend Sammy Sosa returns to Wrigley Field after 20-plus-year hiatus
Cubs legend Sammy Sosa returns to Wrigley Field after 20-plus-year hiatus

CBS News

time44 minutes ago

  • CBS News

Cubs legend Sammy Sosa returns to Wrigley Field after 20-plus-year hiatus

Legendary Cubs slugger Sammy Sosa returned to Wrigley Field for the first time in more than 20 years on Friday before Chicago's afternoon game with the Seattle Mariners. Sosa, who is set to be inducted into the Cubs' team Hall of Fame this year, arrived at the iconic North Side ballpark in a black SUV. He was greeted by owner Tom Ricketts, who embraced him in a hug as he exited the vehicle. Sosa became the face of the Cubs franchise where he played 13 seasons after coming in a trade from the crosstown White Sox in March 1992. A seven-time All-Star, Sosa hit 545 homers in 1,811 games with the Cubs and hit a franchise-record 66 in 1998 when he was named the NL's MVP. Sosa, now 56, played his final game with the Cubs at Wrigley on Oct. 2, 2004, when he homered and had two hits in an 8-6 loss to Atlanta. During his years with the Cubs, Sosa appeared to bulk up drastically and was a headliner in a generation of baseball's biggest names linked to performance-enhancing drugs. The Cubs traded him to Baltimore with cash in February 2005 for three players. Sosa appeared to acknowledge using performance-enhancing drugs in December when he released a statement saying he was sorry for mistakes, without specifying them. "There were times I did whatever I could to recover from injuries in an effort to keep my strength up to perform over 162 games," he said in the statement. "I never broke any laws. But in hindsight, I made mistakes and I apologize." On Friday morning, Sosa posed for photos with rising Cubs star Pete Crow-Armstrong outside the team's clubhouse and a video showed Sosa embracing manager Craig Counsell in his office before the game. "(Sosa) saw the wind blowing out today and planned this trip around a good day to be here," Counsell joked. "He asked to be in the lineup because the wind's blowing out." The Cubs honored Sosa with a video board tribute after the second inning. Sosa waved and bowed to fans from a suite during the presentation. In Thursday's 8-7 loss to Milwaukee, Crow-Armstrong went deep to set a new team record for reaching 20 homers and 20-plus stolen stolen bases the fastest, doing it in 73 games. Sosa had the old mark of 96, set in 1994. Counsell, who faced Sosa as a player, saluted the former slugger for his strength at the plate and long homers, as well as star power. "Probably the best thing, Sammy was a true entertainer," Counsell said. "I think when you're in this long enough, you realize that's part of this. "We're also here to entertain and I think Sammy was great at that."

‘Jaws' New 50th Anniversary Release And Documentary Get Better With Age
‘Jaws' New 50th Anniversary Release And Documentary Get Better With Age

Forbes

timean hour ago

  • Forbes

‘Jaws' New 50th Anniversary Release And Documentary Get Better With Age

Hollywood icon Steven Spielberg's Jaws was released 50 years ago today and quickly became the highest grossing movie in cinema history. The filmmaker's career, the summer blockbuster, and our modern obsession with sharks all owe their existence mostly to Jaws, and a new anniversary release (including documentary Jaws @ 50: The Definitive Inside Story) all prove it just gets better with age. American actor Richard Dreyfuss (L) and British actor Robert Shaw (1927 - 1978) hold ropes while ... More leaning off the back of their boat, 'Orca,' in pursuit of the giant Great White shark in a still from the film, 'Jaws,' directed by Steven Spielberg, 1975. (Photo by Universal Pictures/Fotos International/Courtesy of Getty Images) Jaws - Trial By Water Spielberg began shooting in May 1974 on Martha's Vineyard, insisting on real ocean locations for authenticity. The eight-week shoot ballooned to 159 days and the budget soared from $4 million to nearly $10 million. Every day brought new woes, as rough seas wrecked shots, boats drifted into frame, equipment failed, and the mechanical shark seldom worked as intended. There were actually three 'Bruces' built, but saltwater corroded their innards, causing one shark to sink and others to fall apart. 'We never fixed the shark, and it was a total disaster,' Spielberg later admitted of those early trials. Faced with constant delays and a creature that wouldn't cooperate, Spielberg improvised. He and co-writer Carl Gottlieb were rewriting nightly to work around the malfunctioning shark, slashing its screen time and letting imagination fill the gaps. Spielberg's ingenuity under duress helped transform a B-movie creature feature into white-knuckle Hitchcockian suspense. Yet during the shoot, Spielberg felt anything but confident. Morale was low among a crew stuck at sea for months, many far over schedule and far from home. The director himself was anxiety-ridden. He feared he'd be fired at any moment for the budget overruns and delays, so much so that he refused to leave the island even on weekends. 'If I left the island I was certain I would never come back,' he recalled. At one point, Spielberg even suffered what he thought was a heart attack on set. It was actually a full-blown panic attack, brought on by stress (as he reflects now, 'We didn't have words like PTSD then' to describe the toll). When the final scene wrapped, the 27-year-old filmmaker was convinced his career was over. Of course, Spielberg's fears proved unfounded. Instead, Jaws's torturous production forged a filmmaker. The young director's trials by water taught him hard lessons in resourcefulness and resilience. He emerged with a mastery beyond his years – a fact noted even at the time. Despite his youth, Spielberg 'showed a maturity behind the camera that belied his years,' one critic later observed of Jaws. In the decades that followed, Spielberg would never again face such a loss of control on set or such financial jeopardy. Jaws's success granted him creative latitude for life. But he also never forgot the experience, always saying Jaws made him a better director and helped exorcise some personal fears. Spielberg noted that perhaps Jaws was even his own fear of water incarnate. Five decades on, Spielberg participates fondly in 50th anniversary retrospectives, able to laugh about the nightmare shoot that minted his legend. As he says in the Jaws @ 50 documentary, making the film involved 'naive people against nature,' and it taught him 'you're gonna need a bigger boat' in more ways than one. Jaws Births The Blockbuster Before Jaws, the summer months were a Hollywood dead zone typically reserved for B movies or ignored entirely ('why go to the movies when the sun is shining?' as one writer put it). Jaws turned that wisdom on its head. Universal Pictures had boldly decided to market Jaws as a must-see summer event, even delaying its release to June so that 'people were in the water off the summer beach resorts,'producer David Brown noted. They blanketed television with millions of dollars worth of ads – an unprecedented blitz at the time – and plastered the now-famous image of a monstrous shark and swimmer on posters, paperback covers, and merchandise everywhere. Tie-ins ranged from Jaws-themed clothing to beach towels to hilarious toilet-seat covers. Jaws was everywhere before it even opened. The tagline 'See it before you go swimming,' was a dare that became a cultural catchphrase. The strategy worked beyond anyone's expectations. Audiences flocked to cinemas, especially the new multiplexes in shopping malls. Many returned for multiple viewings, bringing friends in tow. An event movie mentality was born. Jaws became the highest-grossing film of all time after a record debut and months atop the box office charts. By the end of that summer, the 'sleepy months' had become prime box-office real estate. As screenwriter Carl Gottlieb later observed, Jaws's release proved that selling a film 'as a phenomenon, as a destination' could yield massive returns. It's a lesson Hollywood would take to heart. Jaws - From Popcorn Hit to Classic On its 10th anniversary in 1985, Jaws was already enshrined as a pop culture icon that spawned imitators and its own lesser sequels, as audiences' appetite for sharks remained strong. Meanwhile, directors like James Cameron and John Landis were citing Jaws as formative, and products from toys to theme-park rides continued to rake in money and prove the films' continued popularity. At 10 years old, Jaws was demonstrating its generational staying power. The 25th anniversary in 2000 saw Jaws celebrated in fan circles and by a new generation of filmmakers. Although initially some critics turned up their noses at the film as low-brow entertainment for the masses, by 2000 Jaws was almost universally lauded and the film frequently landed on 'greatest movies' lists. The 30th anniversary in 2005 brought JawsFest to Martha's Vineyard: a large fan gathering that featured cast reunions, location tours, and panel discussions with Jaws scholars. Hundreds of fans descended on the little island. By the time Jaws's 45th anniversaries rolled around, society was locked down in the Covid pandemic's first year, terror gripping communities worldwide. And once again, Jaws proved its relevance. With indoor cinemas mostly shuttered, drive-in theaters sprang up across the country, and what was the top draw? Jaws, of course, sometimes in double features with Spielberg's Jurassic Park. You can read my own review for the film's 45th anniversary release here. Now, for the 50th anniversary this year, Jaws is getting the full treatment. Martha's Vineyard, forever synonymous with Amity Island, is hosting commemorative screenings, Jaws-themed concerts, and a 'shark in the park' event. The Academy Museum in Los Angeles has opened a special exhibit featuring the last surviving Jaws shark prop (restored to its former glory). Notably, there is the brand-new aforementioned documentary Jaws @ 50: The Definitive Inside Story. And of course, there is a 4K UHD special edition home release of Jaws for the 5oth anniversary, including the documentary, which I'll discuss more below. Jaws And Me Five Decades Later Jaws turns 50 the same summer I turn 55. Jaws is my favorite film, encompassing my feelings as a young wide-eyed child seeing it for the first time at a drive-in (talk about larger than life, especially for a small kid) and then rewatching it endlessly on TV and VHS until the tapes wore out. Much of my early years revolved around my love of comics and films, with Jaws, Taxi Driver, Star Wars, and Superman being among the biggest focuses of my attention and remaining long-lasting favorites and influences. In my teen years, I was more interested in music and other pursuits, and aside from a handful of films – including The Terminator, Aliens, Witness, The Right Stuff, Platoon, Die Hard, and Raising Arizona – mid- and late-1980s cinema is mostly something I rediscovered in college when I went back to see what I'd missed. In those first few years, Jaws represented a grounded realistic portrayal at immense scale, horrifying and thrilling and funny, at once seeming like ordinary everyday life and yet also mythic and consequential. My small mind grasped much of that, even if in simplistic and more limited form. But as I grew up, and as I watched more films and read more comics and spent more time on boats and in life itself, Jaws seemed to grow and take on new relevance. It revealed itself to me in different ways, and in turn helped me also think about its themes and the world in different ways as well. It is one of the films that most made me dream of making my own movies, and its been an immense influence on my own approach to dialogue, pacing, and sequencing when I write screenplays. I personally think of Jaws as primarily a suspense thriller with horror elements, rather than an outright horror movie, but I won't argue with anyone who puts it in the latter category. Interestingly, the extent to which it leans more toward thriller or horror often depends on which themes and perspectives are at the forefront of my mind and interpretations while viewing it, including any subtextual social relevance I bring into the screening. Mark Travers' excellent 50th anniversary piece about Jaws notes the way ambiguity enhances our fear by letting our own minds fill in the horror-blanks, so to speak. This is similar to the same reason I'm a fan of zombie films – they're less about the literal particulars of zombies than whatever the zombies come to represent in the minds of individual and collective viewers. Zombies are a metaphor for whatever terrifies and threatens us, be it pandemics or nuclear war or climate change or civil war, the living dead are an empty slate upon which we write our own nightmares. Jaws is a perfect early example of this, within a more refined context as Travers discusses. And the way the shark is more menacing and more terrifying when we don't see it speaks to a point Robert Patterson's Bruce Wayne makes during his opening narration in Matt Reeves' The Batman when he says that because he could be anywhere, scared villains see him everywhere. Jaws - The Legacy Lives On Half a century after it first made audiences cry and popcorn fly, Jaws remains a powerful force in pop culture. Its legacy is seen every year when summer movie season rolls around. Its DNA is present whenever a filmmaker holds back a monster reveal to build suspense or a blockbuster balances character moments with eye-popping thrills. Its cautionary themes about respecting nature, heeding warnings and science, and finding courage are as relevant as ever. And in the simple act of scaring people out of the water, Jaws achieved a kind of immortality that few works of fiction ever do. Modern viewers are still struck by how Jaws, despite launching an era of big-budget popcorn spectacle, remains a relatively modestly human-scaled thriller at heart. Compared to today's CGI-filled epics, Jaws was a mid-budget film that relied on character, suspense, and primal fear more than flashy effects. When the time for effects did come, the realism and selective use made them all the more impressive and scary. In fact, many argue Hollywood took the wrong lessons from Jaws, that studios focused on 'bigger boat' spectacle rather than what truly made the film great – its tight storytelling and craft. The real keys were suspense, relatable characters, and Spielberg's deft directing. Thus, while Jaws undeniably gave Hollywood a new formula for summer hits, it also stands apart from the very blockbusters it inspired. Jaws would thrive in any era. Indeed, the modern masterpiece Godzilla Minus One from writer-director-VFX Supervisor Takashi Yamazaki is heavily inspired by Jaws. The film reflects the best sort of inspiration from Spielberg's film, including the power of character-driven storytelling, suspense and anticipation, and a brilliant vision from its director. If you want a particularly great 50th anniversary of Jaws, the new 4K UHD edition and the gorgeous Godzilla Minus One/Minus Color make for a perfect pairing. Then watch the anniversary documentary Jaws @ 50 (either on the excellent physical home release, or when it runs on National Geographic/Hulu/Disney+) for insightful and revelatory conversations with cast and crew, including Spielberg's conversations about his own reactions and lingering traumas over the many years and decades after making Jaws. For Spielberg and the cast and crew, it probably seems astonishing that a film made under such duress could endure so powerfully. But perhaps it's precisely those challenges that made Jaws great, the creative solutions and on-the-fly brilliance born from chaos and necessity. Jaws transcended its humble 'summer thriller' origins to become a classic. Despite the great Roger Ebert's own glowing review, many of his contemporaries couldn't all see of its greatness, with many dismissing it as nonsense or mere shock entertainment. But time has vindicated Jaws. Today, it is firmly entrenched as a historic turning point in American cinema, dissected in film courses, and beloved by filmmakers and audiences alike. From its metaphorical depths exploring fear of the unknown and the perils of greed and hubris, to its lasting impact on filmmaking and pop culture, five decades on Jaws remains a timeless masterpiece reflecting changes in Hollywood and society, even as it continues to scare new generations out of the water.

Former assistant describes putting on gloves to clean up Diddy's freak offs - as $6k bill for hotel damage revealed
Former assistant describes putting on gloves to clean up Diddy's freak offs - as $6k bill for hotel damage revealed

Yahoo

timean hour ago

  • Yahoo

Former assistant describes putting on gloves to clean up Diddy's freak offs - as $6k bill for hotel damage revealed

The former assistant for Sean 'Diddy' Combs described how he set up and cleaned up hotel rooms after 'freak offs.' Brendan Paul, who worked as the rapper's assistant for 18 months until he was arrested in March 2024 for cocaine possession, testified about his role preparing and tidying up hotel rooms after his boss and his then-girlfriend had 'freak offs.' Clad in a blue suit, the former Syracuse basketball player spoke quickly and confidently while on the stand Friday morning. Paul, who worked 100-hour weeks for the mogul, recalled 'advancing' locations for his boss's hotel stays. This included setting up hotel rooms, bringing baby oil, lubricant, condoms, candles and liquor, as well as calling room service to bring up extra towels, sheets, and water, he testified. Although Paul said he didn't know what the 'wild king nights' — another term for 'freak offs' — entailed, he understood they involved sex and partying. When cleaning up, Paul recalled putting on gloves 'for sanity reasons' while placing towels and sheets 'in a nice pile.' He noted the rooms were often 'in disarray.' He said he understood he was tasked with tidying up the rooms after 'wild king nights' to 'avoid getting damage charges.' He then left cash tips for hotel staff. Later in the day, however, the jury learned that Diddy was charged hundreds, and sometimes thousands, for damages to hotel rooms. Records revealed that the mogul was charged $6,000 for 'losses and damages' during his stay at the St. Regis Bal Harbour Resort in Miami in December 2021. The mogul faces five federal charges of sex trafficking, racketeering conspiracy, and transportation to engage in prostitution. He's pleaded not guilty. The former assistant's duties were one of several shocking revelations during Friday's testimony. Paul recalled working three days straight without sleeping while the mogul worked on releasing his 2023 album 'The Love Album: Off the Grid.' Diddy told his team to 'move like SEAL Team Six,' which Paul took to mean 'be militant' and 'get things done without him asking,' he testified. Asked about how he feels about Diddy today, Paul replied: 'It's complicated.' The mogul shot a 'thumbs up' at his defense attorney Brian Steel after he cross-examined Paul. The government expects to rest its case as soon as Monday. If that's the case, the defense said it could rest its case on Tuesday or Wednesday, meaning the jury could have the case as early as next week. At The London West Hollywood in January 2023, records revealed a $3,750 charge for damaged furniture. A damage report read in court Friday stated that hotel staff noticed 'bodily fluids stained on the wood floor' as well as 'used linens in various sections of the room.' Months later in April at the same hotel, a damage report revealed a $1,800 charge for towels that 'appear to have been soaked in baby oil' and signs of smoking in the room. While on the stand, Paul clarified he was 'absolutely not' a drug mule. Brian Steel, one of Diddy's defense attorneys, asked if drugs were just a 'minor part' of what he did for his boss; Paul agreed. The witness also clarified that when he was arrested, he had Diddy's cocaine. 'I was sweeping his room earlier that morning' when he grabbed the drugs and put them in his bag and 'I forgot to put it elsewhere," he said on the stand. He had 0.7 grams of cocaine on him at the time of his arrest, he testified. Paul didn't tell police at the time that they weren't his drugs out of 'loyalty' to his boss, he told the court.

DOWNLOAD THE APP

Get Started Now: Download the App

Ready to dive into a world of global content with local flavor? Download Daily8 app today from your preferred app store and start exploring.
app-storeplay-store