
Actor Irene Kelleher: 'I felt a really strong presence of my dad before I went on stage'
In February 2016, my dad was told he had oesophageal cancer, terminal – the doctors said six months… He was the most positive person. He didn't let 'terminal' affect how he'd cope with the diagnosis.
A favourite book of his was Viktor Frankl's Man's Search for Meaning, about how he survived Auschwitz – there's a quote my dad kept looking to for inspiration and hope: 'he who has a 'why' to live can bear almost any how'. To Dad, it meant 'I've so many reasons to live – I'm going to find my way through this'.
My mum, my brother, sister, me – we took this great positivity that Dad always believed in. My wedding was nine weeks after his diagnosis. He walked me down the aisle, sang 'Beautiful Dreamer' that evening, a moment to cherish.
It's not that we forgot, but in summer 2016, he was doing so well that even the specialists thought maybe there was hope. He was good for the first half of 2017. Then he regressed. He had to get a stent so he could swallow and eat.
I'd been working as an actor for 10 years, and I'd booked a tour to the Edinburgh Fringe, three-and-a-half weeks in August, with 'Mary and Me', the first play I wrote. It was a dream to bring it to Edinburgh.
Dad went into hospital in late June. As time went on and he was still there I got worried – I'd almost decided to pull the tour, but my mum told me: 'If you don't go, you can't come into hospital for three-and-a-half weeks because you'll break your father's heart by not going'…. Dad was always my champion, cheering me. He'd drive me to the train for every audition.
The day before leaving for Edinburgh, I asked was there anything he'd like me to buy him there. He mentioned oak bookends – then said no, he'd pick them up when he next went with my mother. That's how positive he was, he was so convincing…
Halfway into the first week in Edinburgh, the play started to sell out. It was getting all four- and five-star reviews. That Thursday was the highlight of my career up to then – a four-star review from a leading theatre review journal, an email from a publisher to discuss publication. I was on an absolute high.
Around 4pm, I had a video call with Dad, I wanted to share the news with him. He was delighted for me. He'd had his stent operation – he was just after his first bowl of soup.
Irene Kelleher performs in two productions at Cork Midsummer Festival 2025, July 13 to 22. Here, she is pictured ahead of Cork City Library Culture Night Promo in 2024. Picture: Marcin Lewandowski.
That evening, my brother, Tim, rang: 'You have to come home – Dad has taken a turn'. My first instinct was confusion – I said, 'No, Dad's fine, he's just had a bowl of soup'. I went straight into denial. Tim had to repeatedly say it before it sank in.
The quickest flight home was the next morning. That whole night, I felt helpless. I had an hour's sleep, dreamt about Dad. He was asleep in a hospital bed, but in a forest. I walked up to him. He said 'let's go for a walk', and we went for a walk, and he looked healthy and we were really happy – there was no sense of goodbye.
I messaged my sister – 'is Dad still here'. Yes, he was. Up to the 7 am flight, we messaged back-and-forth, she reassuring me 'you'll get here'…
Outside Cork Airport, I saw her from a distance. We looked at each other. I knew straightaway, I saw it in her eyes: Dad was gone….
What I clung onto was guilt. The guilt of not being there – I was so close to him, I should have been there. I clung onto guilt because grief was too much.
The day of the funeral passed. And I was at home. Mum mentioned going back to Edinburgh to finish the run, which I dismissed. But the pain of being home, with Dad not there, the house so quiet…Mum saying finishing it is definitely what Dad would have wanted.
So I went back to Edinburgh to do the last week.
Backstage, just about to start: 'What am I doing? My dad has just died, and here I am in another country, about to do a play?'
I closed my eyes, said, 'Dad, I need you here with me'. I felt a really strong presence of my dad with me, saying the last thing he'd always say driving me to auditions: 'Give 'em holly'.
I just felt his presence so close, I felt his strength, and – for the first time since the phone call – I felt his warmth. I felt connected with him again, and I went onstage and I'd say I gave the best performance I ever gave of that play.
I wouldn't say I'm particularly spiritual, but it's the closest I've ever come to it. I've kept that.
I visit his grave, but I never feel close there like I do side-stage, just about to go on, to perform – that's where I have my chats with my dad.
I was 31 that day in August 2017. It's when I feel I have become an adult, able to carry on as an adult, because of feeling I have my dad minding me, so I'm never alone.
Irene Kelleher performs in two productions at Cork Midsummer Festival 2025, July 13 to 22. Stitch, described as an Irish Horror Show, will be staged in site-specific venue J Nolan Stationery Shop, Shandon Street; and Footnote in the TCD at Triskel, both Cork City. Booking: https://www.corkmidsummer.com/
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