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I blamed my blurry eye on a hangover. In fact it was the first sign of a problem that could have blinded me... don't make my mistake: ANGELA EPSTEIN

I blamed my blurry eye on a hangover. In fact it was the first sign of a problem that could have blinded me... don't make my mistake: ANGELA EPSTEIN

Daily Mail​5 hours ago

The birthday party had been an absolute blast – from the gorgeous rooftop venue and endlessly flowing cocktails to a thumping set performed by an Eighties legend.
Little wonder that on waking the next morning, with a slightly foggy curtain effect over my upper right eye, I just presumed the mix of booze and boogying was simply taking its toll.

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Noel Gallagher may not have appreciated how big a compliment he was paying Babyshambles when he described the chaotic early 2000s indie band as the 'opposite of Oasis'. 'We were trying to make it big, and they are trying to make it small,' he said of a group intimately associated with the 'landfill indie' scene, and who are today mourning the death of their guitarist Patrick Walden at age 46. Babyshambles were, as Gallagher intimated, best enjoyed in pokey clubs and dingy dive bars – where you could see the whites of their blood-shot eyes and lose yourself in their hedonistic energy. But while they were regarded as the sole creative property of Pete Doherty, the troubled pied-piper of that decade's indie scene, it was Walden's dexterous and vulnerable musicianship that propelled hits such as Killamangiro and F--- Forever. 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He first encountered drugs at boarding school in Surrey and started using heroin at the age of 18. In Doherty, he had a natural bedfellow – a fiercely creative spirit likewise in the throes of addiction. 'Pete is really charming, and I felt he had a romantic idea of drugs,' he would say. 'We would write songs for days on end with minimal sleep, propped up with heroin and crack. We wrote songs so easily together. Creativity was pouring out of him.' But if a mess off-stage, under the spotlight, Walden's guitar playing was visceral and propulsive. It is a testament to his talent that he so effortlessly replaced Doherty's Libertines foil and musical soul-mate, Carl Barât. If anything, Babyshambles were a more complete package than the early version of The Libertines. Doherty's sensitive vocals and his William Blake-inspired lyrics made them famous, but it was Walden's guitar that held the whole thing together. 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Seven steps will give you the smoothest bikini line shave this summer – you're probably using the wrong razor to start
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