
Japan's 'King Kazu' wants more after first appearance of 40th season
Japan's Kazuyoshi "King Kazu" Miura made his first appearance of his 40th season as a professional footballer at the weekend and shows no sign of wanting to hang up his boots any time soon.
The former international forward, who turned 58 in February, came on as a late substitute in Atletico Suzuka's 2-1 win over YSCC Yokohama in the fourth tier of the Japanese pyramid on Sunday.
The popular striker signed an 18-month loan deal with Suzuka last June but a leg injury sustained in January had kept him on the sidelines from the start of this Japan Football League season.
"I hope to play again showing my character," Miura told Kyodo news agency after the match.
"I managed to play thanks to the support from everyone. I'm looking to stepping up a gear from here."
Miura made his first two appearances for Santos in the 1986 Brazilian Championship, having headed alone to South America to pursue his football dream as a 15-year-old.
He returned to Japan as an established international to join Verdy Kawasaki and helped the club win the first two J. League titles in 1993 and 1994. He scored 55 goals in 89 appearances for Japan, the last of which came in 2000.
Miura, whose long club career has also included spells in Italy, Croatia, Australia and Portugal, still has a way to go to match Egyptian Ezzeldin Bahader's record of turning out for a professional team at the age of 74.
Given his commitment to the game, however, it might be foolish to write him off.
"When I was around 35 or 40, I did start saying to myself, 'I can't keep playing this way'," he told FIFA.com in April.
"Rather than giving any thought to quitting, it was more about pushing myself to give more. It's not so much that the word 'retire' isn't in my vocabulary, but more that I've never felt any desire to do it."
Hashtags

Try Our AI Features
Explore what Daily8 AI can do for you:
Comments
No comments yet...
Related Articles


Japan Times
7 hours ago
- Japan Times
Three-time world champion Kaori Sakamoto to retire after 2026 Winter Olympics
Three-time figure skating world champion Kaori Sakamoto plans to retire after the Milano Cortina Winter Olympics next year, the 25-year-old told reporters in Kobe on Friday. Sakamoto became the first woman in 56 years to win the figure skating world singles title three times in a row last year, matching the feat of American Peggy Fleming, who won three world titles between 1966 and 1968. "I feel like I have less than a year left," Kyodo News reported Sakamoto as saying. "I'll be 29 at the following Olympics, which is out of the question. I'll try to bring things to a close the year I turn 26." Sakamoto, who won bronze at the 2022 Winter Olympics, missed out on a fourth straight world title in March when she finished runner-up to American Alysa Liu.

Japan Times
9 hours ago
- Japan Times
Club World Cup is both blessing and curse for amateur club Auckland City
Adam Mitchell knows he is going to lose money this month. The Auckland City defender left his job selling houses in New Zealand to take part in the Club World Cup, where the eventual champion will pocket a staggering $125 million — while his amateur team plays for pride and an appearance fee still under negotiation. "My business runs on a commission basis only," Mitchell said Thursday after his side's humbling 10-0 defeat against European giant Bayern Munich at the expanded Club World Cup. "If I'm not back working, there's no income coming in. But a tournament like this, you have to be willing to make sacrifices and that's what a lot of us have done." The Club World Cup's new, lucrative format has attracted criticism for its schedule congestion at the end of a long European season. Mitchell and his teammates — many of whom work as teachers, delivery drivers, and tradesmen — are effectively paying out of their own pockets for the privilege of competing on this stage. It is not just Mitchell's earnings that are taking a hit. New Zealand's labor laws typically grant around four to five weeks of annual leave per year — most of which, for Auckland's players, was already used up during last year's Oceania qualifying tournament. "The players that went to the qualification for this tournament, well, we played in the Solomon Islands," Mitchell explained. "That was three weeks. "Some people have run out of annual leave. People are kind of in negative days and taking unpaid leave. So, it's nice for people to know the sacrifices we make to be here." While the tournament offers prize money tiers based on performance, Auckland City, representing one of soccer's smallest confederations, will receive the lowest payout — a fraction of the $3.58 million meant for Oceania. Even that amount, Mitchell noted, is still subject to ongoing negotiations between the club and New Zealand Football. On the pitch, the gulf between part-time amateurs and global superstars was on brutal display. Bayern Munich, ranked among the world's elite, named a starting lineup packed with internationals, showing no mercy en route to a double-digit victory. "Conceding 10 goals isn't a nice feeling,' Mitchell admitted. "But I think we have to realize the caliber of team and caliber of players we were up against. "The fact that they did put their strongest team out and they didn't take the pedal off the metal at all, they just kept going and going and going, which, it's not great for us, but in a way that's a sign of respect." The heavy defeat has not dampened spirits within the Auckland camp. With two more games to play in their group against Benfica and Boca Juniors, Mitchell said he and his teammates are determined to leave their mark. "If you watched the (Bayern) game, you could see we never give up regardless of the scoreline," he said. Back home, Mitchell juggles the demands of a commission-based real estate job with evening training sessions and coaching duties at the club. His typical day starts early, squeezing in gym sessions before work, and ends late at night after training. "It's not ideal for my wife," he joked. "I don't get to see her that often, but she really respects the fact that this is a sacrifice that we have to make, and she also has to make. "(For her) just seeing myself and the whole team on the stage and obviously against the best players in the world, I think it's a really proud moment." Mitchell admits that while the financial hit stings, the exposure could pay off in other ways. "Maybe if someone was watching on TV and they realized I was in the industry, maybe they just want to have a chat and that's the way you can build some rapport," he said. To the critics who have questioned Auckland City's inclusion in a competition of this scale, Mitchell remains unapologetic. "We don't bother too much about critics," he said. "We've earned the right to be here. People have to realize we are semi-professionals, but we do treat training and we treat our club like a professional club, with the resources we have." "We earned the right to be here and we're proud to be here, and we're going to give it all on the pitch."


Japan Times
2 days ago
- Japan Times
Music star Masuiyama, a former ozeki who died Sunday at 76, blazed unique trail
NFL legend Tom Brady was back in Japan this week and made a timely visit to a sumo stable with rich origins. In a Tuesday Instagram post, the seven-time Super Bowl winner shared photos of himself enjoying various attractions and activities in Tokyo and Kyoto with his children. Included in the series of snaps was a shot of Brady watching morning practice at Onoe sumo stable in Tokyo's Ota Ward. The former quarterback is no stranger to Japan's national sport, and has even gotten into the ring with top wrestlers in the past, but his choice of stable this week, almost certainly unbeknownst to him, was particularly fitting. Onoe-beya was founded two decades ago when its stablemaster branched off from Mihogaseki stable and took several wrestlers, including future ōzeki Baruto, with him. Onoe wasn't the only offshoot from Mihogaseki, with Kitanoumi (now Yamahibiki), Hatachiyama and Kise stables all having arisen from the same source. Mihogaseki stable closed down in 2013. Its stablemaster, former ōzeki Masuiyama, died on Sunday of liver failure at age 76. Though Masuiyama may have been out of the sumo world for over a decade at the time of his death, his influence lived on through the wrestlers he recruited and trained, and the stables that emerged under his watch. That influence was seen again this week as English teenager Nicolas Tarasenko officially joined Minato stable — with the aforementioned Baruto having helped facilitate his acceptance into professional sumo. But it wasn't just in sumo where Masuiyama had an impact. A talented singer, he released numerous records while still an active rikishi. Performing primarily in the enka genre, Masuiyama was both popular with fans and feted by the industry, winning various awards and seeing several of his singles sell over a million copies each. In fact, so prominent was his second career that criticism from those who said he wasn't exclusively focused on sumo prompted the Japan Sumo Association to eventually put a stop to wrestlers engaging in outside commercial activities. While that action may have stymied his side job, it didn't stop it permanently and, once he reached the JSA's mandatory retirement age of 65, Masuiyama jumped right back into the music business. While he had been an ōzeki in sumo, he was aiming to become a yokozuna in music, he said. Of course rikishi having non-sumo interests isn't all that unusual, but normally their hobbies or pastimes are a wholly private manner and are afterthoughts until retirement. Masuiyama (front left) observes a ring purification ceremony in Tokyo in 2011. | John Gunning Masuiyama was unique in that he was both an active rikishi and a legitimate star in the world of entertainment. He is one of the only former ōzeki in which an image search for his name will be dominated with content not related to sumo. Whether in kanji characters or the Roman alphabet, Google 'Masuiyama' and you'll be presented with an array of album covers, rather than photos of him in action in the ring. And while he retired as a wrestler before a majority of current international sumo fans were probably even born, his former stable will be familiar to many of them. The building that housed Mihogaseki stable was temporarily the location of Taganoura-beya, and where Kisenosato, Takayasu and that stable's wrestlers trained. Adding to its fame, it was later turned into a sumo-themed restaurant called Chanko Masuiyama. Between 2016 and 2021, it was also the main filming location for Grand Sumo Preview, NHK World's top English-language show on the sport. As one of the presenters of that program, I regularly got a firsthand look at many of the items of Mihogaseki stable memorabilia that filled what had previously been the training room. The board displaying the ring names of the top ranked wrestlers in the stable's history was a reminder that, while he may have been famous as a musician, Masuiyama was also a very accomplished wrestler and part of a strong sumo family. His father was an ōzeki with the same shikona (ring name) and when Masuiyama reached that rank in 1980, it marked the first father-son pairing to reach sumo's second highest rank since the Taisho Era (1912-1926). That promotion at the age of 31 also made him the oldest man ever to make ōzeki — a record that stood until 2007. Masuiyama entered sumo alongside Kitanoumi and trained every day with a stablemate who would go on to become the most dominant yokozuna of his generation and later chairman of the Japan Sumo Association. The two men were part of the JSA's board during the rise of Asashoryu and Hakuho and a visible presence as sumo underwent significant changes and drew increasing interest from overseas. Being overshadowed in the ring by his famous stablemate, and arriving late to the rank of ōzeki, Masuiyama was arguably underappreciated as a wrestler during his active career and overlooked by the generations of fans that came along after he retired. The Tokyo native was an accomplished rikishi in his own right however, and while he may not have come anywhere close to the level of success achieved by Kitanoumi, he certainly helped raise the profile of the sport among a completely different demographic. Masuiyama's dual career as a top wrestler and singing star is utterly unique in the history of sumo, and his impact lives on in both fields.