James Beard Awards snub San Antonio yet again
San Antonio's two James Beard Awards hopefuls — Mixtli for Outstanding Hospitality and Emil Oliva of Leche de Tigre for Best Texas Chef — left Monday night's ceremony empty-handed.
Why it matters: San Antonio has never won a James Beard Award, long considered the Oscars of the culinary world.
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Fox News
an hour ago
- Fox News
Danny Boyle admits he couldn't make 'Slumdog Millionaire' today because of cultural appropriation concerns
English director Danny Boyle said that he would not direct "Slumdog Millionaire" if it was made today due to "cultural appropriation" and would rather have a "young Indian filmmaker" make it instead. "We wouldn't be able to make that now. And that's how it should be. It's time to reflect on all that. We have to look at the cultural baggage we carry and the mark that we've left on the world... At the time it felt radical," Boyle told The Guardian. Set in India, the movie tells the story of Jamal, a young "slumdog" who's been selected to appear on the country's version of "Who Wants to Be a Millionaire?", and hopes to also find his childhood lost love, Latika. Throughout his appearance, events from his tumultuous life are shown in flashback and help him answer the questions. Released in 2008, "Slumdog Millionaire" was a hit with audiences and critics, grossing nearly $380 million on a $15 million budget and winning eight Oscars, including Best Picture and Director for Boyle. However, despite its success, the movie was controversial for appearing to exploit Indian culture and portray stereotypes of India from a western perspective. Some Indian critics enjoyed the movie, but some Indian artists were underwhelmed, claiming it was "saturated with stereotyped images of India," TIME magazine reported. Boyle added that while the film was in production over 15 years ago, he was sensitive to the exploitative implications of making the movie as a foreigner then. "We made the decision that only a handful of us would go to Mumbai. We'd work with a big Indian crew and try to make a film within the culture. But you're still an outsider. It's still a flawed method. That kind of cultural appropriation might be sanctioned at certain times," Boyle told The Guardian. He went on to say, "But at other times it cannot be. I mean, I'm proud of the film, but you wouldn't even contemplate doing something like that today. It wouldn't even get financed. Even if I was involved, I'd be looking for a young Indian filmmaker to shoot it." Boyle's other notable movies include "Trainspotting," "Steve Jobs," "127 Hours" and the "28 Days Later" horror series. The latest, "28 Years Later", was released on Friday. Boyle nor his representatives immediately responded to Fox News Digital's request for comment.
Yahoo
6 hours ago
- Yahoo
‘Jaws' turns 50: Steven Spielberg's caught-on-camera Oscar snub still smarts — and shows need for Best Director reform
Steven Spielberg, one could say, was less than pleased when he found out he was not nominated for the Best Director Oscar for his game-changing shark thriller Jaws. On Oscar nominations morning in 1976, the then 29-year-old was so confident that the blockbuster was "about to be nominated in 11 categories" that he turned the camera on himself to document his live reaction. "You're about to see a sweep of the nominations," Spielberg boasted in the footage (watch above), which has since become legend thanks to the Media Burn Archive collection. 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(Amarcord was the only film without a corresponding Best Picture nomination and had also won Best Foreign Language Film the year prior, giving it international distribution for 1975 eligibility.) By the time Jaws was announced as a Best Picture nominee moments later, it seemed like a consolation prize to the young director. "Well, it's about time," Spielberg stated, the sting still fresh. Spinell and Pesce also expressed frustration, comparing it to 1972 when The Godfather and Cabaret split the top two categories. "You cannot have the Best Picture unless the director is also nominated. Who made the picture?" Spinell declared. "The greatest picture of all time was made and they haven't recognized the director," Pesce added. Universal Pictures/Everett Collection After being informed by his assistant that Jaws was only up in four categories instead of the 11 he expected, Spielberg attributed the snubs to commercial backlash, meaning: "When a film makes a lot of money, people resent it. Everybody loves a winner, but nobody loves a WINNER." Although much has evolved with the Academy Awards in the 50 years since, Spielberg's theory still rings true. Jaws became the catalyst for the movie business model that exists today and also redefined what we think of as box office success. Still, high grosses don't necessarily translate to certain Academy Award recognition. At the time, many were overwhelmed by Jaws' commercial success and perhaps thought that was enough for the movie. Even today, the Oscars remain more of a launching pad for independent and purposely "artistic" films, only occasionally recognizing blockbusters for the top category—and even less so for Best Director. Back when there were only five slots in Best Picture, the stars would have to align for the kind of golden sweep experienced by box office juggernauts like Titanic and The Lord of the Rings: The Return of the King, each of which won 11 Oscars and tied for the most all-time wins. The reason the Best Picture field expanded to 10 nominees can be credited to the outrage over Christopher Nolan's 2008 smash The Dark Knight being shut out of major categories. Since then, more blockbusters have been nominated—including Black Panther, Wicked: Part One, Top Gun: Maverick, Barbie, and both Dune films—but none of those corresponded to the directing category. As Spinell said incredulously in that 1976 clip, "Who made the picture?" READ: 'Jaws' at 50: Jeffrey 'Deputy Hendricks' Kramer recalls 'horrific' first scene and an epic Roy Scheider flub Jaws ended up winning three of its four Oscar nominations, taking home Best Original Score for John Williams, as well as Best Sound, and Best Editing. Spielberg went on to amass 23 nominations, including nine Best Director mentions and two wins. So while he may have been disappointed 50 years ago, Jaws kickstarted the career of Hollywood's most commercially successful director. At the same time, the Academy got it wrong then and continues to get it wrong too often now. Don't hold your breath for the organization to revamp the Best Director category to include more nominees; there is a lingering snobbery when it comes to the perception of art versus commerce, with the two rarely intersecting for voters. In the case of Jaws, history has proven the film's immense value. No offense to, say, Fellini or Kubrick—both undisputed titans of cinema—but a half-century later, neither of their 1975 offerings has the cultural cachet of Jaws. "Amarcord at 50" headlines just aren't a thing. Jaws, meanwhile, is still enjoyable as an intense, suspenseful thriller about an unlikely trio trying to thwart a great white shark before it kills any more innocent civilians. However, Spielberg also makes it a story about the complicity of local governments and the value of corporate greed over human lives—something that still resonates. And what Spielberg does with his camera, establishing the horror through underwater shots, split diopters, dolly zooms, and the alternating iconic two-note score by Williams has influenced filmmaking for five decades. Jaws is universal and unforgettable... and its Oscar omissions are truly unforgivable. Best of GoldDerby Tom Cruise movies: 17 greatest films ranked worst to best 'It was wonderful to be on that ride': Christian Slater talks his beloved roles, from cult classics ('Heathers,' 'True Romance') to TV hits ('Mr. Robot,' 'Dexter: Original Sin') 'It almost killed me': Horror maestro Mike Flanagan looks back at career-making hits from 'Gerald's Game' to 'Hill House' to 'Life of Chuck' Click here to read the full article.
Yahoo
8 hours ago
- Yahoo
‘Real Women Have Curves' Announces Broadway Closing
Real Women Have Curves: The Musical will play its final Broadway performance on June 29 following 31 previews and 73 regular performances. The musical opened April 27 at The James Earl Jones Theatre to mostly favorable reviews, but never really caught on at the box office during a spring that saw huge receipts for star-driven productions. For the week ending June 15, Real Women Have Curves filled only 63% of available seats, grossing just $365,252 with an average ticket price of $68.63. More from Deadline 'Oh, Mary!' Breaks House Record As Cole Escola's Starring Run Nears End; Overall Receipts Drop As Hollywood Goes Home - Broadway Box Office 2025-26 Awards Season Calendar: Dates For Tonys, Emmys, Oscars & More Carrie Preston Teases Her 'Elsbeth' Guest Star Wish List: "Pretty Much Everybody On Broadway" Based on the play by Josefina López and the 2002 film adaptation starring America Ferrera, Real Women Have Curves focuses on a group of immigrants working at a small dress-making shop in East L.A. The musical mixes family drama and self-acceptance with larger social themes about immigration, with the threat of deportation ever present. 'We have been working on developing this show for the last five years and could have never predicted that when it made its way to Broadway it would be timelier than ever,' said producers Barry Weissler and Jack Noseworthy in a statement. 'Bringing this joyful immigrant story that explores the American Dream to the stage has been an honor and a responsibility that we don't take lightly, especially in today's political climate. 'We are grateful,' they continued, 'to our company and audiences who made it all possible, and especially applaud our cast's courage, vulnerability, and authenticity in telling this story each night. Though our run on Broadway is coming to an end, we are very much looking forward to the future life of Real Women Have Curves and continuing to bring this important story to new audiences.' The musical received two Tony Award nominations – Best Original Score and, for Justina Machado, Best Featured Actress in a Musical – but went home empty-handed earlier this month. The musical stars Broadway newcomer Tatianna Córdoba, Florencia Cuenca, Shelby Acosta, Carla Jimenez, Aline Mayagoitia, Mauricio Mendoza, Mason Reeves, Jennifer Sánchez and Sandra Valls. The musical was directed and choreographed by Sergio Trujillo, with music and lyrics by Joy Huerta and Benjamin Velez, and book by Lisa Loomer with Nell Benjamin. American Repertory Theater (A.R.T) at Harvard University produced the musical's world premiere in 2023. Best of Deadline 'The Buccaneers' Season 2 Release Schedule: When Do New Episodes Come Out? 2025 TV Cancellations: Photo Gallery 2025-26 Awards Season Calendar: Dates For Tonys, Emmys, Oscars & More
