logo
4 legendary London attractions turning 25 in 2025

4 legendary London attractions turning 25 in 2025

Time Out05-05-2025

Picture the scene. It's 1999, and the government has just spent £789 million building a giant dome-shaped building in southeast London. But what promised to be a turn-of-the-millennium world-class exhibition venue, ended up a bit of a dud.
We're of course talking about the infamous Millennium Dome – now the O2 Arena – which turns 25 this year. The Dome was one of four major attractions that opened in London to mark the year 2000. Twenty-five years on, we look back at the iconic landmarks that arrived in the capital to herald in a new millennium.
Millennium Dome
Ah, 2000. It was a simpler time. There were no Lime bikes, or street vox-poppers, and barely any small plates restaurants. Perhaps one of the biggest scandals of the era was the misfortunate Millennium Dome, which opened on New Year's Eve 1999. After its bizarre opening exhibition, which offered an immersive human body experience, circus performers and a cinema, the dome eventually became the O2 as we know it today.
Millennium Bridge
The once wobbly bridge had to close immediately after opening when it was revealed it couldn't hold the weight of all the people crossing it. It's all fixed now, and is currently in the midst of a (delayed) £3.5 million makeover.
Back in 2000 the London Eye was actually called the Millennium Wheel, and was the world's biggest ferris wheel. It was only meant to be temporary, but in May 2024 it officially became a permanent attraction. Phew!
Tate Modern
We're not sure where Londoners went to see modern art in London before the arrival of this behemoth in an old power station. The Tate Modern opened its doors to the public on May, 12, 2000. Second gallery the Switch House came later, arriving in 2016.

Orange background

Try Our AI Features

Explore what Daily8 AI can do for you:

Comments

No comments yet...

Related Articles

EXCLUSIVE I was pressured into calling myself a lesbian. This is the truth about me and Chris Hughes: In her only interview JOJO SIWA reveals what REALLY happened after Celebrity Big Brother - and the ex she publicly dumped
EXCLUSIVE I was pressured into calling myself a lesbian. This is the truth about me and Chris Hughes: In her only interview JOJO SIWA reveals what REALLY happened after Celebrity Big Brother - and the ex she publicly dumped

Daily Mail​

time8 hours ago

  • Daily Mail​

EXCLUSIVE I was pressured into calling myself a lesbian. This is the truth about me and Chris Hughes: In her only interview JOJO SIWA reveals what REALLY happened after Celebrity Big Brother - and the ex she publicly dumped

JoJo Siwa is sitting in a high chair, having her make-up done for the YOU photoshoot. The process doesn't take long: some eyeshadow, mascara, foundation – it's all finished in less than 20 minutes. A metre or so away I am on the sofa with her publicist. 'God, she's got such good skin,' I say. There's a pause. 'Well, yeah,' replies the PR, 'she's only 22'. For the unaware, the dancer-turned-entertainer-turned-singer is arguably the most successful child star born in the 21st century. (And this year JoJo has become known for her appearance on Celebrity Big Brother and her consequent relationship with the former-er . But more on that later.) Hers is a staggering, spangled story. That of a girl who went on reality television when she was nine; by 13 had released albums and acted in films; at 15 presided over a billion-dollar business and sold 90million hair bows to children across the world; who sold out 's O2 Arena aged 16; and who now – at 'only 22' – has to work out what to do next.

‘Grenfell: Uncovered' interview: ‘This community lost so much and got so little back'
‘Grenfell: Uncovered' interview: ‘This community lost so much and got so little back'

Time Out

time16 hours ago

  • Time Out

‘Grenfell: Uncovered' interview: ‘This community lost so much and got so little back'

The biggest residential fire since ​​the Blitz broke out in Grenfell tower on June 14, 2017. Few Londoners can have shaken off the memory of the North Kensington high-rise blazing through the night as firefighters worked desperately – and fruitlessly – to subdue it. 'I was on holiday in Thailand at the time,' remembers Grenfell: Uncovered director Olaide Sadiq. 'The news [chyron] had 'fire in London' on it, but I didn't think it was real. I didn't understand how it was even possible that this had happened.' When she got back to the UK, the filmmaker discovered that she knew one of the victims of the fire – 'Her face was popping up in group chats as missing' – which added a personal dimension to the disaster. Eight years on, her documentary about the fire is both poignant and enraging. None of the responsible parties is let off the hook – cladding manufacturers like Arconic, bureaucrats like Hammersmith and Fulham Council, and politicians alike – but the deeper story is one of resilience and misplaced trust. 'This was the biggest residential fire in Britain since the Blitz,' says Sadiq. 'You expect this kind of devastation at war, but you don't expect it in the middle of the night when people are sleeping.' You speak to a lot of traumatised people in the film. How did you approach those interviews? With respect and care. A lot of the Grenfell community have been poked and prodded for a long time, and there's a lot of trauma in everyone that's been affected by the story. We had to make it as safe a space as possible. The interviews were still the hardest I've ever done. You interrogate the companies behind the cladding products. How challenging was that aspect of the film? Yeah, the corporate side of things was complicated and eye-opening. A lot of people didn't want to speak to us, and understandably so, but everyone was given an opportunity to respond. But I'm very aware there's an ongoing criminal investigation, so I wasn't expecting anyone to welcome us with open arms. Are you concerned that a fire like this could happen again? Yeah, I think I am. We've had cladding fires since Grenfell: there was a fatal cladding fire in Valencia last year, and another one in Dagenham, where luckily there were no fatalities. I have to think that it's possible that it will happen again. Hopefully, the response will be different. The Prime Minister at the time, Theresa May, famously failed to meet Grenfell survivors. How did you get her to talk in the film? The decision to talk to us was quick; the decision to be on camera was slower. Regardless of people's political affiliations and opinions, I think it was quite brave [of her]. She wanted to own what she did and didn't do. She was happy to own that on camera, and we gave her the opportunity to do that. I respected that. What does this story say about the country that we live in? Great question. That we place a lot of trust in those that are meant to look after us. It showed me that this country is sometimes hesitant to change, but hopefully this film will spark real conversations about change. It's what the people affected by Grenfell want. Accountability, as well. You must have had two audiences in mind: the Grenfell survivors groups and those who were less familiar with the story? The story is not finished for [the Grenfell groups]. They are still waiting for what the Met Police decides to do. They're hoping [the film] brings more awareness to their story. We want it to ignite real conversation about what happened and what people want to happen next. There's still a lot of buildings with flammable cladding on them. What did you learn about Londoners making this film? I felt a sense of closeness within the community, but a sadness to it. I've always felt relatively safe living in London. What working on this showed me is that there's times it isn't safe – but in a way that you're not expecting. If you go down a dark alley in the middle of the night, you might expect something bad to happen to you, but they went to bed and woke up in the middle of night with their building on fire. That's the biggest violation of safety most people could experience. What binds the survivors together? Resilience. We spoke to very young people, we spoke to grandparents, and across the board there was a sense of resilience that I was astounded by. I was breaking down just reading the witness statements – it was harrowing. I couldn't imagine how people could get up and go after that. There was such resilience and strength in the community that lost so much and got so little back. The community lost so much and got so little back How do you cope with watching this harrowing footage, day after day? It was very difficult. It was really hard to watch some of the footage – some of it was too harrowing to use. I went for walks and listened to cheesy music, but there were people there to support us as well. I had to make sure I wasn't always sitting with the images.

EXCLUSIVE I was pressured into calling myself a lesbian. This is the truth about me and Chris Hughes: In her only interview JO JO SIWA reveals what REALLY happened after Celebrity Big Brother - and the ex she publicly dumped
EXCLUSIVE I was pressured into calling myself a lesbian. This is the truth about me and Chris Hughes: In her only interview JO JO SIWA reveals what REALLY happened after Celebrity Big Brother - and the ex she publicly dumped

Daily Mail​

timea day ago

  • Daily Mail​

EXCLUSIVE I was pressured into calling myself a lesbian. This is the truth about me and Chris Hughes: In her only interview JO JO SIWA reveals what REALLY happened after Celebrity Big Brother - and the ex she publicly dumped

JoJo Siwa is sitting in a high chair, having her make-up done for the YOU photoshoot. The process doesn't take long: some eyeshadow, mascara, foundation – it's all finished in less than 20 minutes. A metre or so away I am on the sofa with her publicist. 'God, she's got such good skin,' I say. There's a pause. 'Well, yeah,' replies the PR, 'she's only 22'. For the unaware, the dancer-turned-entertainer-turned-singer is arguably the most successful child star born in the 21st century. (And this year JoJo has become known for her appearance on Celebrity Big Brother and her consequent relationship with the former-er . But more on that later.) Hers is a staggering, spangled story. That of a girl who went on reality television when she was nine; by 13 had released albums and acted in films; at 15 presided over a billion-dollar business and sold 90million hair bows to children across the world; who sold out 's O2 Arena aged 16; and who now – at 'only 22' – has to work out what to do next.

DOWNLOAD THE APP

Get Started Now: Download the App

Ready to dive into a world of global content with local flavor? Download Daily8 app today from your preferred app store and start exploring.
app-storeplay-store