
Japanese filmmaker Fukada casts queasy gaze on J-pop idols
The 45-year-old director said he was inspired by a news report about a Japanese "idol", as the starlets are known, who was sued by her management agency after breaking a "no dating" clause.
Fukada cast former idol Saito Kyoko in the lead role of his feature "Love on Trial" which tells the story of a young performer who undergoes a similar ordeal.
"I felt a deep discomfort, a real unease when I found out, and that's what made me want to look into the subject a bit and then turn it into a screenplay," he told AFP in Cannes.
The film highlights the unequal relationship between management agencies and the idols, who are usually teenagers trained to become a mixture of pop star, online influencer and advertising prop.
But the core of the film examines the more unusual demand that the women remain unattached and chaste -- in order for their older, male fanbase to project their fantasies.
As the lyrics to the songs of Fukada's fictional five-member group "Happy Fanfare" make clear, the performers spend their time singing about the idea of falling in love.
"The industry really encourages this kind of artificial love between fans and their idols," the director of "The Real Thing" and "Harmonium" explained.
"As soon as an idol appears to have a romantic relationship with someone, it's well known that they lose a lot of popularity."
As well as selling merchandise, the women also offer their time for meet-and-greet events -- for a price -- at which fans can come to talk to them, hold hands, and take selfies.
- 'Unusual job' -
The activist director, who has previously spoken out about sexual harassment and the Japanese film industry's over-reliance on manga adaptations, believes the J-pop industry reflects the prejudices of Japanese society.
"There is a lot of prejudice and gender discrimination towards women in our patriarchal system," he said. "We tend to believe that women must be pure, untouched and submissive."
As his film makes clear, many of the stars themselves are happy to encourage this image in pursuit of fame and wealth.
"I met idols who are still active. Some believe that the ban on romantic relationships is a problem. Others think it's normal because it's a very unusual kind of job," he said.
He hopes his film, which is set for release from May, will spark debate in Japan.
"I tried to make a film that could bring out each person's perception of gender, love, freedom, and issues of discrimination," he said.
© 2025 AFP
Hashtags

Try Our AI Features
Explore what Daily8 AI can do for you:
Comments
No comments yet...
Related Articles


Fashion Network
11 hours ago
- Fashion Network
Giorgio Armani, convalescing, will absent from men's shows in Milan
Italian designer Giorgio Armani, "currently convalescing at home", will be absent from his two shows at Milan Fashion Week presenting the men's collections for spring-summer 2026, his fashion house announced on Friday. The 90-year-old designer will therefore not be present at the Emporio Armani show scheduled for Saturday and the Giorgio Armani show scheduled for Monday. "In his absence, Leo Dell 'Orco, head of design for the men's collections, will greet the public at the end of the shows," the house said in a statement. Even in his absence, Giorgio Armani, who "has worked with his usual commitment on the collections to be presented", "will closely follow every step of the shows", it stressed. An empire-builder in the luxury goods industry, "il re Giorgio" ("King Giorgio") is a visionary designer who has distinguished himself in haute couture, ready-to-wear, accessories, perfumes, jewelry, interior design and luxury hotels in cities such as Milan, Paris, New York, Tokyo, Seoul and Shanghai. Rome, June 20, 2025 (AFP)


Fashion Network
11 hours ago
- Fashion Network
Prada: Sibylline chic amid zinnias
Finally, the Miu Miu gal has found the ideal date. It's her big cousin Prada, who, like Miu Miu, has taken to appearing in micro shorts and shirt-dresses, exposing acres of flesh and attitude. Her new Prada date is in an upbeat mood, unlike the menswear industry in Italy, which is still in something of a funk. Prada joint designers Miuccia Prada and Raf Simons had plenty of ideas in this Spring/Summer collection staged on a sunny Sunday in Milan. Notably, pairing track pants with finely tailored Super 100 wool blazers. It's a mix that can often look sloppy, but their single-stripe pants and crisp jackets gave the look plenty of pep. The mood was nonchalant, romantic even, aided by the latest design for the massive Prada show space. A wide-open hall dotted with black-and-white carpets cut into flower shapes—poppies, zinnias or azaleas. Baggy shirts in the same motif—though in bright colors—added to the sense of an offbeat summer. Opening the show were lads in nylon shorts tucked up like bloomers, or dressed just in cotton shirts paired with ranch-hand leather jackets, with not a pair of pants in sight. Meanwhile, military shirts or green NATO cable sweaters—both cut as dresses—came with a new series of chunky backpacks, none of them in the brand's signature black. Though the best looks were the waxy, Mexican-style, roughly stitched One Eyed Jacks leather jackets worn with yellow single-stripe track pants. Thousands of hip guys will want these. Half the cast marched in basket weave cloche hats, often worn with white-rimmed shades. A daffy attitude, given the crunching soundtrack—a series of tracks from situationist legends The KLF, which varied from stadium house music to what sounded like whales belching. These were ideal clothes for the new Mr. Prada — increasingly a K-pop star or Thai boy band member, if the front row was any indication. A memorable show for sure, though a somewhat arcane vision. A view backed up by the sibylline show notes from Miuccia and Raf that were positively Spartan and lapidary. 'A shift of attitude – dismantling of meaning, and dismantling power. Direct. Limitless elemental compositions. Free ease. The elements – land, air, sun, nature. Sense. Non-conformist harmonies, new movements. Impulse. Lover's lake, peak's end, the last swim. Imaginary places,' it read. Err, right.


Fashion Network
12 hours ago
- Fashion Network
Prada: Sibylline chic amid zinnias
Finally, the Miu Miu gal has found the ideal date. It's her big cousin Prada, who, like Miu Miu, has taken to appearing in micro shorts and shirt-dresses, exposing acres of flesh and attitude. Her new Prada date is in an upbeat mood, unlike the menswear industry in Italy, which is still in something of a funk. Prada joint designers Miuccia Prada and Raf Simons had plenty of ideas in this Spring/Summer collection staged on a sunny Sunday in Milan. Notably, pairing track pants with finely tailored Super 100 wool blazers. It's a mix that can often look sloppy, but their single-stripe pants and crisp jackets gave the look plenty of pep. The mood was nonchalant, romantic even, aided by the latest design for the massive Prada show space. A wide-open hall dotted with black-and-white carpets cut into flower shapes—poppies, zinnias or azaleas. Baggy shirts in the same motif—though in bright colors—added to the sense of an offbeat summer. Opening the show were lads in nylon shorts tucked up like bloomers, or dressed just in cotton shirts paired with ranch-hand leather jackets, with not a pair of pants in sight. Meanwhile, military shirts or green NATO cable sweaters—both cut as dresses—came with a new series of chunky backpacks, none of them in the brand's signature black. Though the best looks were the waxy, Mexican-style, roughly stitched One Eyed Jacks leather jackets worn with yellow single-stripe track pants. Thousands of hip guys will want these. Half the cast marched in basket weave cloche hats, often worn with white-rimmed shades. A daffy attitude, given the crunching soundtrack—a series of tracks from situationist legends The KLF, which varied from stadium house music to what sounded like whales belching. These were ideal clothes for the new Mr. Prada — increasingly a K-pop star or Thai boy band member, if the front row was any indication. A memorable show for sure, though a somewhat arcane vision. A view backed up by the sibylline show notes from Miuccia and Raf that were positively Spartan and lapidary. 'A shift of attitude – dismantling of meaning, and dismantling power. Direct. Limitless elemental compositions. Free ease. The elements – land, air, sun, nature. Sense. Non-conformist harmonies, new movements. Impulse. Lover's lake, peak's end, the last swim. Imaginary places,' it read. Err, right.