
15 outdoor music festivals around Mass. and Rhode Island to see all summer
Where:
Franklin County Fairgrounds, Greenfield
When:
June 20-22
Vibe:
There's a sense of regional pride here, and along with touring acts with a distinct Americana/indie-rock aesthetic, the festival is a showcase for some of the top acts from Western Mass. There's local food and beer, a variety of craft vendors, and activities for kids.
Advertisement
Who's playing:
Mt. Joy, Courtney Barnett, Waxahatchee, Kevin Morby, MJ Lenderman & the Wind, Kathleen Edwards, Torres, La Lom, Danielle Ponder, Leyla McCalla, Illuminati Hotties, Balthvs, Futurebirds, Grace Bowers & the Hodge Podge, Mark Mulcahy, Olive Klug, Ocie Elliott, Winterpills, Mister G, bobbie, Kimaya Diggs, Silvie's Okay.
Get Starting Point
A guide through the most important stories of the morning, delivered Monday through Friday.
Enter Email
Sign Up
Tickets info:
Three-day pass: $218.50. Two-day pass: $169.84. Single-day pass: $110.35. Plus, VIP and camping options and discount passes for teens. Children under 12 are free.
OUTLOUD Boston
Where
: The Stage at Suffolk Downs, Boston
When:
June 21
Vibe:
A celebration of queer voices at a fraught political moment.
Advertisement
Who's playing:
Kim Petras, Trixie Mattel (DJ set), Flo Milli, Rebecca Black, G Flip, Frankie Grande, Oompa, Big Body Kweeng, Hannah Rad, MATH3CA.
Tickets info:
General admission pit: $99.50. General admission lawn: $69.42. Plus, VIP options.
Maliah Hobbs,5,(left) and her sister Maat Nazir, 3, enjoy their balloons as they play at the BAMS Fest in 2024.
John Tlumacki/Globe Staff
BAMS Fest
Where:
Franklin Park Playstead Field, Boston
When:
June 28
Vibe:
The idea is to generate creative and economic opportunities for local artists of color, and BAMS has the feel of a vibrant block party. Along with a sampling of rap, soul, and R&B, there's a vendor village populated by Black-owned businesses, as well as an array of food trucks on Soul Food Row.
Who's playing:
Lalah Hathaway, Durand Bernarr, Little Brother, Mo-Phila, Amanda Shea, Cole Rodriguez, Kasia Lavon, Edo.G, Haasan Barclay, Jireh Calo, Roots Alley Collective, the Peacekeepers, DJ Deaf Tunez, DJ Whysham, DJ Bruno.
Tickets info:
General admission: Name your price, with a $10 minimum donation.
Charles River Jazz Festival
Where:
Herter Park Amphitheater, Boston
When:
July 12
Vibe:
Like a neighborhood hang where soft-sided coolers, reasonably sized strollers, lawn chairs, and even pets (on leashes) are welcome. If you're not bringing your own food, there will be local options.
Who's playing:
Keyon Harrold, Freelance, Christian Sands, Caio e Jess, Ivanna Cuesta, Berklee Institute of Jazz & Gender Justice
Tickets info:
General admission tickets are free, though registration is required for entry. There are also VIP options.
Levitate Music and Arts Festival
Where:
Marshfield Fairgrounds, Marshfield
When:
July 12-13
Vibe:
A family-friendly festival with jam-band leanings and a mix of national and Boston-area acts, plus live art, local artisans, activities for kids, and food trucks.
Who's playing:
Stick Figure, the Revivalists, Dispatch, Still Woozy, Thundercat, the Elovaters (on both days), Protoje, Dogs in a Pile, Josiah and the Bonnevilles, Mihali, Linka Moja, Tophouse, Aldous Collins, Hans Williams, Hush Club, Fai Laci.
Advertisement
Tickets info:
Two-day general admission pass: $249. Saturday general admission tickets: $149. Sunday general admission tickets: $129. Plus, VIP and kids options.
Bang on a Can: LOUD Weekend
Where:
Mass MoCA, North Adams
When:
July 31-Aug. 2
Vibe:
Composers and musicians pushing the boundaries of experimental and avant-garde music, LOUD Weekend amounts to an immersive, cutting-edge exhibition in and around a world-class contemporary art museum.
Who's playing:
So Percussion; Bang on a Can All-Stars performing a tribute to Ryuichi Sakamoto; Michael Gordon, David Lang and Julia Wolfe; Steven Schick leading a performance of Tamar Muskal's concerto 'Facing the Automaton'; Wolf Eyes and DJ Maria Chavez; Jeffrey Brooks; Jason Treuting; Ted Hearne; Tamar Muskal; Gemma Peacocke; Trevor Weston; Vicky Chow; David Cossin; Arlen Hlusko; Nick Photinos; Todd Reynolds; Maya Stone; Ken Thomson.
Tickets info:
$159 in advance for a three-day pass, $189 the week of and $259 for a 'preferred' three-day pass.
Sierra Ferrell will perform at the Newport Folk Festival.
Nina Westervelt
Newport Folk Festival
Where:
Fort Adams State Park, Newport, R.I.
When:
July 25-27
Vibe:
Not as folky these days as it looked in 'A Complete Unknown,' but with a far broader array of sounds and styles in a location you can't beat, right alongside Narragansett Bay.
Who's playing:
Yeah Yeah Yeahs, Kenny Loggins, Public Enemy, Maren Morris, Waxahatchee, Iron & Wine, Lucius, Big Freedia, I'm With Her, Jeff Tweedy, Goose, Geese, Dehd, Hurray for the Riff Raff, Big Freedia, Margo Price, Jessica Pratt, Lukas Nelson, Michael Kiwanuka, Mary Chapin Carpenter, Mt. Joy, Nova One, Sammy Rae & the Friends, the Deslondes.
Advertisement
Tickets info:
Sold out, but available on the secondary market. There's also a waitlist at
Lowell Folk Festival
Where:
Downtown Lowell
When:
July 25-27
Vibe:
Small in scale but huge in reach, this long-running festival holds true to its vision as it enters its 38th year with a mix of folk music representing cultures from around the world.
Who's playing:
Beausoleil avec Michael Doucet, Cécelia, Crooked Road Revival, Lil' Ed & the Blues Imperials, Los Ricos featuring Sonia & Ismael, Red Baraat, Solas, Yeison Landero.
Tickets info:
Free, but donations are welcome.
Laufey will play the Newport Jazz Festival.
Steve Benoit
Newport Jazz Festival
Where:
Fort Adams State Park, Newport, R.I.
When:
Aug. 1-3
Vibe:
Jazz, of course, but also hip-hop, R&B, and soul at what bills itself as 'the grandaddy of all music festivals.' Hard to argue: this year marks the 71st anniversary of the event, which returns to its scenic home along Narragansett Bay.
Who's playing:
The Roots; Raye; Janelle Monáe; Flying Lotus; Willow; Dianne Reeves; Jacob Collier; Jorja Smith; esperanza spalding; De La Soul; Rachael & Vilray; Preservation Hall Jazz Band; Sofi Tukker; Nubya Garcia; Bela Fleck, Edmar Castañeda, Antonion Sánchez Trio; Christian McBride Big Band; La Lom, Luis Cato, John Scofield & Marcus Miller; Ron Carter Quartet; Terence Blanchard: Flow; Cymande.
Tickets info:
Friday tickets: $111.24. Sunday tickets: $111.24. All other configurations are sold out, but available on the secondary market.
Rhythm & Roots Festival
Where:
Ninigret Park, Charlestown, R.I.
When:
Aug. 29-31
Vibe:
A showcase for the breadth of modern American roots music in a park with playgrounds for the kids and a swimming pond for everybody, with food options including Cajun, Creole, seafood, barbecue, options for vegetarians, coffee, beer, and plenty of non-alcoholic options.
Advertisement
Who's playing:
Little Feat, Trampled by Turtles, Blackberry Smoke, Molly Tuttle, the Wood Brothers, Lettuce, Asleep at the Wheel, Steve Earle, Duane Betts & Palmetto Motel, Donna the Buffalo, Mountain Grass Unit, George Porter Jr. & Running Pardners, New Breed Brass Band, Adam Ezra Group, Joe Louis Walker's Big Band, Della Mae, Steve Riley & the Mamou Playboys, Christine Ohlman & Friends.
Tickets info:
Three-day passes: $269.06 (without camping), $219 without camping. Friday-Saturday passes: $180.41. Saturday-Sunday passes: $184.41. Single-day passes: $102.06,
Arcadia Folk Festival
Where:
Arcadia Wildlife Sanctuary, Easthampton; Academy of Music, Northampton
When:
Aug. 22-23
Vibe:
Like a Saturday in the woods at a bird sanctuary, with top-notch folk music for a soundtrack. For the second year, there's also a Friday night component at the Academy of Music in Northampton, this year featuring 'The Basement Tapes,' a songwriter tribute to the songs of Bob Dylan & the Band to benefit the Mass Audubon Society.
Who's playing:
Josh Ritter and the Royal City Band, Amy Helm, Steve Poltz, Red Baraat, Viv & Riley, BettySoo, Cloudbelly, Rachel Baiman, Jerron Paxton, Little Roots, Kissing Other Ppl, Old Hat String Band.
Tickets info:
Friday night: $49.86 and $38.90 after fees, aomtheatre.com. Saturday general admission: $79.99 for adults, $49.99 for teens, children 10 and under are free.
RPM Fest
Where:
Millers Falls Rod & Gun Club, Montague
When:
Aug. 29-31
Vibe:
Loud and rugged: RPM Fest is also known as a 'Heavy Music Campout,' and tent camping is both free and encouraged, even for single-day ticket-holders. The festival features food trucks and local craft breweries. It's also all-ages, and children under 12 get in free.
Advertisement
Who's playing:
Ghoul, Conan, Horrendous, Midnight, Royal Thunder, Starkill, Chained to the Bottom of the Ocean, Witching, Aversed, Ancient Death, Mean Mistreater, Duel, Crop, Somnuri, Flummox, Face First, Coma Hole, Morgued, Goblet, Warm, Borracho, Concrete Ties, Vantablack, Mares of Thrace, So Hideous, Carnwennan, Held Captive, VRSA, Low., Deranged Youth, Troll Milk, Slob Drop.
Tickets info:
Early bird weekend ticket: $125.52. Friday ticket: $45.49. Saturday ticket: $75.49. Sunday ticket: $60.49. Plus, options for vehicle and RV camping passes.
Seisiún
Where:
The Stage at Suffolk Downs, Boston
When:
Sept. 6-7
Vibe:
This is the first year for
Who's playing:
Dropkick Murphys, the Pogues, the Hold Steady, Glen Hansard, the Waterboys, Stiff Little Fingers, Lisa O'Neill, Cardinals, the Scratch, the Rumjacks, Just Mustard, Mairead, John Francis Flynn.
Tickets info:
Two-day bundle: $223 for general admission pit, $178 for general admission lawn. Single-day tickets: $150.99 and $123.35 for general admission pit, $118.32 and $101.49 for general admission lawn. Plus, VIP options.
FreshGrass
Where:
Mass MoCA, North Adams
When:
Sept. 19-21
Vibe:
Old-timey: it's a roots-revival rave-up tucked into a contemporary art museum that used to be a factory. There are jam sessions (you can bring an instrument) and musician-led workshops, as well as activities for kids.
Who's playing:
Greensky Bluegrass, Old Crow Medicine Show, Valerie June, Serra Hull, Alison Brown, Jaime Wyatt, Lee Fields, Catfish in the Sky, the Brothers Comatose, El Laberinto del Coco, Michael Daves & Jacob Jolliff, Mr. Sun, East Nashgrass, Mike Block Trio, Reed Fohel, Kitchen Dwellers, Sam Grisman Project & the Freshgrass Allstars, Cimafunk.
Tickets info:
Three day general-admission pass: $213 (adult), $153 (students) and $83 (children between 7-16). Kids 6 and under are free.
New England Metal & Hardcore Festival
Where:
Palladium Outdoors, Worcester
When:
Sept. 20
Vibe:
A day-long immersion in all things heavy, featuring beloved veterans (including the final show from Bury Your Dead) and up-and-coming bands.
Who's playing:
Lorna Shore, Cannibal Corpse, Bury Your Dead, All Out War, Madball, Bayway, the Black Dahlia Murder, Kublai Khan TX, Full of Hell, Gates of Hell, Shadow of Intent, Despised Icon, Peeling Flesh, Teeth, Vomit Forth.
Tickets info:
General admission: $134.16.
Hashtags

Try Our AI Features
Explore what Daily8 AI can do for you:
Comments
No comments yet...
Related Articles


San Francisco Chronicle
43 minutes ago
- San Francisco Chronicle
Q&A: Pulitzer Prize winner Robin Givhan chronicles Virgil Abloh's rise to fashion fame
NEW YORK (AP) — With his calm and cool demeanor, fashion disruptor and multi-hyphenate Virgil Abloh artfully challenged the fashion industry's traditions to leave his mark as a Black creative, despite his short-lived career. In the years since his 2021 death at just 41, his vision and image still linger. Pulitzer Prize-winning writer Robin Givhan sheds new light on how Abloh ascended the ranks of one of the top luxury fashion houses and captivated the masses with her latest book, 'Make It Ours: Crashing the Gates of Culture with Virgil Abloh.' In the book out Tuesday, Givhan documents Abloh's early life growing up as the son of Ghanaian immigrants in Rockford, Illinois, his days as graduate student studying architecture and his working relationship and friendship with Kanye West. Before taking the helm of Louis Vuitton as the house's first Black menswear creative director, Abloh threw himself into his creative pursuits including fine art, architecture, DJing and design. Abloh remixed his interests with his marketing genius and channeled it into fashion with streetwear labels like Been Trill and Pyrex Vision. These endeavors were the launchpad for his luxury streetwear label Off-White, known for its white diagonal lines, quotation marks, red zip ties and clean typeface. Off-White led to Abloh's collaboration with Ikea, where he designed a rug with 'KEEP OFF' in all-white letters and also with Nike where he deconstructed and reenvisioned 10 of Nike's famous shoe silhouettes. Throughout his ventures, Abloh built a following of sneakerheads and so-called hypebeasts who liked his posts, bought into his brands and showed up in droves outside his fashion shows. Social media made Abloh accessible to his fans and he tapped into that. Off-White had built a loyal following and some critics. Givhan, a Washington Post senior critic-at-large, openly admits that she was among the latter early on. Givhan said she was fascinated that Abloh's popularity was more than his fashion. 'For me, there was something of a disconnect really,' she said. 'That here was this person who had clearly had an enormous impact within the fashion industry and outside of the fashion industry, and yet it wasn't really about the clothing. It was about something else.' For her latest project, Givhan spoke with The Associated Press on how she approached each of Abloh's creative undertakings and his legacy during a period of heightened racial tension in America. This interview has been edited for brevity and clarity. AP: Tell me why you felt it was important to include the context of what was happening at the time Abloh was growing up as well as on his rise up through the fashion industry, with him ultimately ending up at Louis Vuitton. GIVHAN: Fashion doesn't just sort of happen in a vacuum. People are the product of their parents, their family, their environment, their timing, their interests, all of those things. I always like to see, what is swirling around people when they make certain decisions? What is sort of in the water that you're absorbing, that you are not even conscious that you're absorbing it. AP: Can you talk about the process of writing about all of his creative endeavors and how they shaped his career? GIVHAN: The skater culture — in part because it was such a sort of subculture that also had a very specific aesthetic and was such a deep part of the whole world of streetwear — and then the DJing part intrigued me because so much of his work as a designer seems to reflect a kind of DJ ethos, where you're not creating the melody and you're not creating the lyrics. You're taking these things that already exist and you're remixing them and you're responding to the crowd and the crowd is informing you. And so much of that, to me, could also be used to describe the way that he thought about fashion and the way that he designed. AP: What role would you say that Virgil has had in the fashion industry today? GIVHAN: He certainly raised the question within the industry of what is the role of the creative director? How much more expansive is that role? ... And I do think he has really forced the question of how are we defining luxury? Like what is a luxury brand? And is it something that is meant to sort of have this lasting impact? Is it supposed to be this beautifully crafted item? Or is it really just a way of thinking about value and beauty and desirability? And if it's those things, then really it becomes something that is quite sort of quite personal and can be quite based on the community in which you live. AP: How did he use social media to his advantage and to help catapult his career? GIVHAN: He really used social media as a way of connecting with people as opposed to just sort of using it as kind of a one-way broadcast. He was telling his side of things, but he was also listening to other people. He was listening to that feedback. That's also what made him this larger-than-life person for a lot of people, because not only was he this creative person who was in conversation with fans and contemporaries, but he was this creative person inside. He was this creative person at the very top of the fashion industry. For a lot of people, the idea that you could ostensibly have a conversation with someone at that level, and they would seemingly pull back the curtain and be transparent about things — that was really quite powerful. AP: You write about his relationship to Kanye in the book. Were you able to get any input from him on their relationship for the book? GIVHAN: Their individual ambitions, aesthetic ideas and curiosity kind of propelled them forward in separate directions. I did reach out to Kanye after a lot of the reporting because he obviously is this thread that is woven throughout the book. And, ultimately, he elected not to engage. But I was lucky enough to get access to an unpublished conversation that Virgil had had around, I think it was 2016-ish, where he talked at length about his working relationship with Kanye and sort of the differences between them and the similarities and the ways in which ... Kanye inspired him and sort of the jet fuel that he got from that relationship. More than anything, because Virgil's personality was in so many ways kind of the opposite of Kanye's, that for every door that Kanye was kind of pounding on, Virgil was able to politely sort of walk through. AP: Why do you think his legacy continues to persist? I've been thinking about how Virgil might have responded, how his creativity might have responded to this moment because so much shifted post-George Floyd that like this is another inflection point and it makes me wonder, 'OK, how would he have responded today?' And with the person who said, 'I'm not a rebel and I'm not a flame thrower,' would he have picked up some matches? I don't know.
Yahoo
an hour ago
- Yahoo
‘Sanford and Son', ‘The Waltons' actress Lynn Hamilton dies at 95
Actress Lynn Hamilton, who performed on 'Sanford and Son' and 'The Waltons,' has died. She was 95. Hamilton 'transitioned peacefully' on Thursday at her Chicago home, 'surrounded by her grandchildren, loved ones and caregivers,' her former manager and publicist, Rev. Dr. Calvin Carson, said in posts on Facebook and Instagram. Born in Yazoo City, Mississippi, Hamilton and her family moved to Chicago when she was 4 years old. As the only Black actor in her class at the Goodman School of Drama Theater, Hamilton found roles hard to come by. After working briefly with a theater company on Chicago's South Side, she moved to New York in 1956, where she appeared in four Broadway plays and worked for three years with the New York Shakespeare Festival. She also toured with 'The Miracle Worker' and 'The Skin of Our Teeth' as part of President John F. Kennedy's cultural exchange program before joining the Seattle Repertory Theatre in 1966. Hamilton had some small television roles, starting as an extra in John Cassavetes' 'Shadows,' before being cast as the leading characters' cantankerous landlady in the seventh episode of 'Sanford and Son' in 1972. The sitcom's producers decided a couple of months later 'to give Fred Sanford a girlfriend,' Hamilton told an interviewer in 2009, according to The Hollywood Reporter. Hamilton spent the rest of the show's run in the recurring role of Donna Harris, a nurse who found herself frequently caring for Fred Sanford (Redd Foxx), when they weren't passionately arguing — but not before a serious grilling by his late wife's sisters. The characters got engaged but never married before the series ended in 1977. Starting in 1973, Hamilton also played Verdie Grant Foster on 'The Waltons,' appearing in 16 episodes through 1981 and then in Waltons television movies 'A Walton Thanksgiving Reunion' and 'A Walton Easter' in 1993 and 1997, respectively. More recent roles included 'The Practice,' and 'Golden Girls' among other shows. 'Her illustrious career, spanning over five decades, has left an indelible mark on the world of entertainment, motivating audiences across the globe through her work as a model, stage, film, and television actress,' Carson said in his statement. 'Her passing marks the end of an era, but her legacy will continue to inspire and uplift future generations.' ______


USA Today
an hour ago
- USA Today
See the exclusive trailer for Hulu's 'epic' adventure 'Washington Black'
For all the dreamers out there, Sterling K. Brown's got the summertime TV escape for you. There's danger, romance, comedy and joy aplenty in 'Washington Black,' a new Hulu fantasy adventure (streaming July 23) based on the 2018 Esi Edugyan novel. USA TODAY has the exclusive debut of the first trailer for the series that Brown, a star and executive producer, calls 'an epic coming-of-age tale full of magic and possibility.' The 19th-century historical fiction centers on George Washington 'Wash' Black (Eddie Karanja), an inventive 11-year-old enslaved boy born on a Barbados sugar plantation. The plantation owner's scientist brother, Titch (Tom Ellis), notices the kid's scientific mind and the two become friends. But when Wash's life is at stake after an incident on the property, he and Titch escape on a nifty flying airship called "The Cloud Cutter," beginning a globetrotting odyssey. Years later, a grownup Wash (Ernest Kingsley Jr.) settles in Halifax, Nova Scotia, and forms a bond with town leader Medwin Harris (Brown). Although Wash is born into harsh circumstances, "he does not allow his present limitations to keep him from future possibilities. Wash is a dreamer who knows that his life is not worth living if he is not in active pursuit of making those dreams come true,' Brown says by email, adding that the characters he encounters along the way 'either try to claim this young man's talents as their own, prevent him from using those talents, or protect him.' Medwin is among the latter. The 'de facto mayor' of the Black part of Halifax, he 'relishes his role in creating community, knowing that there is safety in numbers,' Brown says. 'But through his relationship with this young man, he learns that being safe and being free aren't necessarily the same thing. And while he tries to teach Wash what is necessary to survive, Wash winds up showing him what it means to truly live.' Brown feels 'Washington Black' is a period show with a powerful message full of belief and hope for modern audiences. 'It's full of whimsical elements that aren't typical to stories featuring Black bodies. As I often say to my friends, 'Black folks like whimsy, too!' ' Brown says. 'And while people of the African diaspora are front and center, the themes are universal. Everyone grows up, everyone seeks out love and community, and if we are blessed enough, everyone wants to live the life of their dreams.'