
Portraits of Iraq War veterans makes ‘Someone Will Remember Us' unforgettable
Get Globe Rhode Island Food Club
A weekly newsletter about food and dining in Rhode Island, by Globe Rhode Island reporter Alexa Gagosz.
Enter Email
Sign Up
This world premiere production at Trinity Rep has been created in the same spirit as the company's 2006 production of Michelle Cruz's 'Boots on the Ground,' which told the true, poignant stories of Rhode Islanders deployed in Iraq. That play was crafted from interviews with nearly 70 soldiers and their families, medical workers, journalists, ministers, and other Americans caught up in the war.
Advertisement
'Someone Will Remember Us' — with creative input from Cruz and
The telling of these stories is treated with the kid gloves they deserve by director Christopher Windom, who carefully sidesteps the unfortunate tendency of documentary dramas to be too heavy-handed in their earnestness, too political in their underlying intentions, or overly dramatic in their staging.
Advertisement
In comparison, 'Someone Will Remember Us' whispers.
This production allows the poignancy of the words, which are directly addressed to the audience, to do the heavy lifting. The scenic design by Tanya Orellana is simple — a seating area in an airport terminal with metal benches and sliding glass panels surrounded by raised illuminated signage that specifies a time and place as the play progresses.
Costumes by Shahrzad Mazaheri, lighting by Emma Deane, and sound by Peter Sasha Hurowitz all serve to complement the dialogue, and do little to draw attention away from the eight-person ensemble, many of whom play multiple roles with the effective assistance of Sade Namei's dialect coaching.
Resident company members Stephen Thorne and Rachael Warren, along with Allison Jones, Ashley Aldarondo, Jihan Haddad, Dereks Thomas, Josephine Moshiri Elwood, and Jade Ziane are remarkably authentic in their portrayals. So much so that, at the end of the opening night performance, they — particularly Aldarondo and Jones, who portrayed fellow Marines and close friends of Charette — were as moved by their own performances as an audience comprised largely of show creators, fellow actors, and families of those represented in the play.
The only time this production turned the least political was upon the post-show announcement that
SOMEONE WILL REMEMBER US
Play by Deborah Salem Smith and Charlie Thurston. Directed by Christopher Windom. At Trinity Rep's Dowling Theater, 201 Washington St., Providence, R.I. Through Feb. 23. Tickets are $24-$90. 401-351-4242, trinityrep.com/attending/buy-tickets/
Advertisement
Bob Abelman is an award-winning theater critic who formerly wrote for the Austin Chronicle. Connect with him
.
Hashtags

Try Our AI Features
Explore what Daily8 AI can do for you:
Comments
No comments yet...
Related Articles


Time Magazine
a day ago
- Time Magazine
Sabrina Carpenter Is Not the Problem
America, we have a problem: No one is having sex anymore. With the exception of Gen X women, there is a sharp decline in sexual activity across the nation. The consistent attacks on birth control and reproductive rights, in addition to the rise of tradwives and more traditional forms of motherhood, have no doubt contributed to an environment in the United States where sex feels like not only a means to an end (a baby), but also an inherently fearful act. To put it plainly: we do not live in a sexy economy. So, when Sabrina Carpenter released the cover art for her upcoming album Man's Best Friend, it was no surprise that she ruffled a few feathers— and became yet another placeholder for America's sexual frustrations. On the cover of Man's Best Friend, Carpenter is seen in a black mini-dress, while an out-of-frame man pulls on her hair, insinuating a sexual act. The cover was instantly dubbed as 'controversial,' though Carpenter is no stranger to that. Her recent stage performances and choreography have become the topic of conversation online among parents who view her as a bad role model for children. In a Rolling Stone cover story, the singer said that her critics are responsible for her music's notoriety. 'It's always so funny to me when people complain,' Carpenter explained. 'They're like, 'All she does is sing about this.' But those are the songs that you've made popular. Clearly, you love sex. You're obsessed with it.' She's not wrong. There is a lack of attention towards her acoustic numbers, which are often simplified, intimate moments where she waxes poetically about heartbreak, as compared to her exaggerated, risque acts, in which she engages in touch-in-cheek roleplay with her dancers. (Think her Eiffel Tower reference at her Paris show) The latter is heavily documented and shared on social media platforms, while the former is rarely shown outside of her tour stops. She's also not the first pop star to be accused of sexual immorality. In fact, it is a perverse rite of passage in our pop culture landscape. Just think about the scores of pop stars that have had to endure the same thing: Janet Jackson, Madonna, Britney Spears, Christina Aguilera. Ronald Reagan was in office when Jackson released her euphoric single 'Pleasure Principle.' George H.W. Bush was in the midst of a presidential election campaign when Madonna published her 'scandalous' Sex coffee book, which was banned in several countries. George Bush was Commander in Chief when Spears and Aguilera left their girl-next-door personas in favor of sexier images. Sexism is not unique to the music industry, nor is racism, but the standards placed upon women in the music industry are reflective of the societal and cultural norms of the era in which they are performing. The existence of conservatism, which is as rampant as ever in President Donald Trump's second administration, runs in direct opposition to sex-positive pop stars. Although the majority of Americans are not having sex, the overt response to Carpenter's album cover points to the fact that, perhaps, they want to. But instead of being honest about their sexual desires, people pin their frustrations onto society's most visible. This includes pop stars. Because here's the thing: The problem is not that she is emulating sex positions on stage, or that she is on her hands and knees on her album cover. It is neither an attempt to glamorize intimate partner violence nor is it an introductory 101 course on pup play. The problem is the federal actions that have been taken to defund and restrict access to sex education services in the U.S.. The problem is the nation's swing back to conservative idealism, which disproportionately (and negatively) impacts women, people of color, and queer and trans people—all in the name of 'family values.' The problem is we are farther away from making sex fun—and pleasurable—for women than we've ever been. Perhaps Carpenter did not intend to be a participant in the ongoing culture war of sex and conservatism in the U.S. when she released the cover art for Man's Best Friend. Perhaps she is one of the few Americans not experiencing a sex recession. (Which, good for her!) But this album cover does feel like her attempt to participate in a cherished tradition for women in pop music. It is her declaration that women should have agency over their sexuality—just like so many pop stars have done before her. Above all, the Man's Best Friend cover art did reveal a deep truth in our insecure American consciousness: The inability to engage in healthy sexual behaviors, which is exacerbated by the influx of conservative content on social media, makes women who are confident in their sexual wants and desires the subject of unfair criticism and attack. It's scary to them just because of how free it looks.

Business Insider
a day ago
- Business Insider
F1 CEO says drivers are its 'protagonists' and drama is good for business
Formula 1 CEO Stefano Domenicali is on a mission to expand the company's global footprint and grow its US audience — and that means spotlighting the "protagonists" of the sport. "They are our jewel, our stars," Domenicali said about F1 drivers at a press roundtable on Monday. Unlike in sports like football or baseball, he says it can be a challenge to make F1 drivers "the face" of the sport when they're not as physically visible during races. With drivers shielded by cars and fully suited in helmets and gloves, it can be tough for fans to get to know the drivers behind the wheel, the CEO said. High-profile films like "F1: The Movie," starring Brad Pitt, or the Netflix docuseries "Formula 1: Drive to Survive," help generate buzz. The CEO also said that tension between drivers and clashes on and off the track can be good for business — and there's been no shortage of such. Races have resulted in many iconic moments, like the on-track collision in 2021 between Lewis Hamilton and Max Verstappen, which triggered an outburst from Mercedes team boss Toto Wolff. Domenicali joked that there's some truth behind the idea that "all press is good press." He said it's generally good when people have something to talk about. The CEO added that viewers are "attracted" to the "sporting drama" and casual fans may be especially interested in the lifestyle aspect of the races. As the company expands its global footprint and reaches more Americans, Domenicali said F1 needs to "cover a very wide portfolio" of viewers and understand the specific needs of each segment. That means using different narratives and languages to tell the story of the sport, Domenicali said. F1 has already proved successful in diversifying its fan base to some degree. The company's audience has grown to 41% female, compared to 37% in 2018, a spokesperson told BI. While "there are limits" to drama involved in the sport, the tension has added to its competitive nature, especially as F1 increasingly evolves into an entertainment brand. Domenicali said the company wants drivers to have different personalities rather than being "20 clones" of the same person. At the end of the day, F1 embodies much more than driving, he said. "If you want to drive, Uber driving can offer you a great opportunity to do a lot of driving," he said.


Newsweek
a day ago
- Newsweek
Woman About To Buy House Left Stunned by Realtor's Comment: 'Left the Room'
Based on facts, either observed and verified firsthand by the reporter, or reported and verified from knowledgeable sources. A video about a woman's uncomfortable moment during a final walk-through of her soon-to-be new home—when the estate agent casually asked if she was pregnant, despite her not being so—has gone viral on TikTok. The video, shared by New York State resident Megan Gillman (@unfilteredlifecoach), 36, sees the life coach and mother of a toddler recount the May incident. "So there are some people who don't know that you can't ask a woman this in 2025," she says in the video. Gillman explains that while touring the property on closing day, the estate agent unexpectedly asked her "When are you due?" Caught off guard, Gillman responded with "excuse me?"—only to hear the agent follow up with "Are you expecting?" After Gillman replied "no," the agent pressed once more, asking if she had "just had a baby recently." "No," Gillman replied again, saying: "I'm just a woman who happens to carry her weight around her mid-section." Gillman told Newsweek that she was mildly surprised by the comment but still found it inappropriate. "I think it's rude to ask any woman about whether she's pregnant, especially if you've only just met," she said. "However, I've been asked this question at least three times before in my life by people I don't know at all, both before and after actually being pregnant." This time, instead of brushing it off or cushioning the agent's discomfort, Gillman stood her ground. "Well, maybe you should just stop asking them," she said. In her video, which has received over 500,000 views since being posted, Gillman explained that she "left the room" after the exchange. According to an April 2021 YouGov study, 76 percent of Americans believe that "women are under more pressure than men are to have a certain body type." Screenshots from a viral TikTok video of a woman recalling a question that a realtor asked her during a house tour that left her stunned. Screenshots from a viral TikTok video of a woman recalling a question that a realtor asked her during a house tour that left her stunned. @unfilteredlifecoach on TikTok 'It's None of Your Business' Charlotte Markey, a clinical health psychology professor at Rutgers University and author of the upcoming book The Body Image Book for Women, told Newsweek: "The poster handled this well. It may not have been a malicious mistake, but still, the estate agent should not have commented on her repeated questions from the agent suggest some deep-seated weight bias." Markey emphasized that people carry weight differently, and public assumptions about someone's body often reflect harmful stereotypes. "People's bodies come in different sizes and shapes—they do not all look the same," she said. Etiquette expert Liza Mirza Grotts was equally blunt. She said: "The rule is simple—don't speculate or congratulate. If a woman is expecting, she'll tell you. Never comment on a woman's body. Pregnant or not, it's none of your business until she makes it so." Carol Kaemmerer, an executive branding strategist and author, added that even well-meaning comments can cause harm. "When it comes to something as personal as pregnancy—or anyone's appearance—assumptions can wound, even when intention is harmless," she told Newsweek. "Respectful curiosity waits to be welcomed in." Gillman reflected on how her response has evolved over the years. "The first time I remember spiraling for days, stressing about my body and that little bit of belly fat I could never seem to get rid of no matter what diets and exercise I tried! I was so embarrassed," she told Newsweek. "After that I'd try to laugh it off... I'd say things like 'oh no! I just love doughnuts!' so that the person who'd made the statement felt like we were in on a joke together." But that approach has changed. "Now, after over a decade of random people asking me if I'm pregnant, I'm not trying to make them feel comfortable. I'm just trying to make them stop, even if it's just one at a time." Gillman said she had hoped society had moved beyond these kinds of body-shaming moments. "The expectation that a woman should have a flat stomach at all times is unrealistic, and often deeply harmful," she said. "I guess I thought we'd all learned that and started to try to be kinder to each other." To those unsure why these comments are offensive, Gillman offered a final piece of advice, saying "pick different small talk topics next time." Do you have a similar story to share? Let us know via life@ and your story could be featured on Newsweek.