The Rolling Stones, Springhill School and sunbathing: Memories of June days in Aberdeen in archive photos
When looking back at June memories in Aberdeen over the decades, it doesn't get much better than The Rolling Stones playing The Capitol in 1965.
The Aberdeen concert came at the height of the Stones' notoriety when their 'bad boy' reputations melted the hearts of girls – and enraged polite society – everywhere.
It was a welcome return to Aberdeen for The Rolling Stones who'd played to a frenetic audience at The Capitol in 1964.
The Rolling Stones had a relentless year-long tour schedule in 1965 barely taking a day off for 11 months, performing at least 223 times.
They even managed to fit in a court summons for 'insulting behaviour' at a London service station, after which Glasgow's Stipendiary Magistrate James Langmuir branded the band 'complete morons who wear their hair down to their shoulders and wear filthy clothes'.
But such pearl-clutching from the authorities only fueled the band's popularity among teenagers, and buoyed a very demanding tour.
The band kicked off 1965 with two shows in Belfast on January 6, before taking in Australia, Scandinavia, America, Europe and the length of Britain before finishing up in Los Angeles on December 5.
Luckily for fans in the north, The Rolling Stones managed to squeeze two Aberdeen gigs in one night into their packed programme.
On June 17, the Stones arrived at The Capitol with a bang, quite literally, when their Austin Princess car collided with another on Justice Mill Lane.
But the band bared noticed as they raced out to the safety of a cordon while police held back screaming fans.
The Taylor family, who were occupants of the other car, weren't even there to see the Stones, they were visiting friends.
To make matters worse, their teenage son Charles claimed to be a Beatles fan.
Inside, the Rolling Stones had little time for preparation and were practically bundled onto stage to face their fans.
Girl leapt onto seats and 'wept, waved, sobbed and raced down the aisles' where they struggled with police and ushers.
More than a dozen police officers mounted guard at the stage approaches, deflecting several attempts by frenzied girls desperate to touch their idols during hits like 'The Last Time'.
The Press and Journal reported how 'the steady half-hour scream ripped through the entire Stones show making everything unintelligible except the throbbing boom of the bass'.
P&J reporter Julie Davidson said the band seemed unperturbed by the experience, and only Mick Jagger seemed to 'echo the frenzy of the audience'.
She added: 'His long graceful body twitches, his rubber legs scissor in that odd, fluid erotic little dance, he wields the mike like a sword, nurses it like a baby and the audience throw themselves into fresh hysteria.'
'It's all a little unreal, like a surrealist impression of hell.'
Julie was even lucky enough to interview the boys backstage during the interval, where Brian Jones waved a cheerful hello, and Keith Richards stood up to greet her.
Brian said they didn't mind the screaming because fans in England didn't shriek any more, while Mick Jagger waxed lyrical about a fry-up they had in Laurencekirk on the way up the road.
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The Herald Scotland
a day ago
- The Herald Scotland
When time finally ran out for the Glasgow Apollo, forty years ago
The venue's peak came during the Seventies and for those of us who were there then, it, and the countless gigs we saw there, remain among the defining images of that decade. Alongside, perhaps, the Old Grey Whistle Test, John Peel's cult radio shows, and enthusiastic reading of the music weeklies – Sounds, NME, Melody Maker for news of the latest vinyl and tour dates. Not to mention, of course, the music of the time, whether it was punk and new wave, the Eagles, the Rolling Stones (below), prog, glam, reggae, heavy metal or soul. The Apollo memories are quite imperishable. The Rolling Stones were one of the biggest acts at the Apollo Many of the bands that played the venue are, like the Apollo itself, no more, having broken up for one reason or another: 'musical differences', frustration over a lack of success, a desire to follow individual dreams. But a gratifying number of groups are still thriving today: Neil Young, the Stones, the Cure, Status Quo, Rod Stewart, Iron Maiden, Deep Purple, Robert Plant, the Rezillos, Robin Trower, AC/DC, Rod Stewart, Alice Cooper, Eric Clapton, Hawkwind, Jethro Tull, Jackson Browne, Van Morrison. Santana, too. Led by Carlos Santana, who turns 78 next month, they entertained the OVO Hydro just a few nights ago, nearly half a century after their last appearance in Renfield Street. And then there's Paul Weller, of course; it was his old band, The Style Council, who brought the curtain down on the Apollo on Sunday, June 16, 1985. Time has been busy catching up with other Apollo acts. Black Sabbath, who played Green's Playhouse, the Apollo's forerunner, as long ago as 1970, are bowing out with a huge farewell gig at Birmingham's Villa Park on July 5. That same night, a few miles away elsewhere in the city, Jeff Lynne's ELO will play the first of five last-ever concerts – two in Birmingham, two in Manchester, and one in London's Hyde Park. Elkie Brooks, who experienced the Apollo on a handful of occasions in the latter years of its existence, is on a Long Farewell Tour. In August, The Who will embark on their North America Farewell Tour. To look through the comprehensive gig listings curated by the people behind the excellent Glasgow Apollo website is to be reminded the astonishing wealth of gigs that took place there, across so many genres. Read more: The names of some of the acts – Renaissance, Rare Bird, drummer Ginger Baker's group Baker-Gurvitz Army, the all-female US rockers Fanny, Gentle Giant, Kokomo, Glencoe, Golden ('Radar Love') Earring, the Groundhogs, Traffic, Japan's Sadistic Mika Group – are familiar to fans of a certain vintage today. Less familiar, possibly, are Tea, who supported Baker Gurvitz Army in 1975; Dave and the Mistakes, who opened for Elvis Costello and the Attractions in 1981; and Sandii & the Sunsetz, another Japanese group, who were the support act for (of course) Japan in 1982. It's interesting to look back at the music weeklies and see what they made of certain concerts. Here's a small but vibrant selection: * 'Heat, dust, smoke, lasers and Genesis combined to turn the Glasgow Apollo into a replica of Dante's Inferno when the band descended on the city on Friday night' – Melody Maker, July 1976. * 'Rory G[allagher] made it however, and played an undeniably proficient over two-hour set to the most rapturous reception I've seen in ages. The audience was crazy, drunken, happy, and collectively about as intelligent as the average tree-stump: in short, all the jolly working-class virtues that made me leave Glasgow in the first place' – Sounds, April 1978. * 'Fred Turner [of Bachman Turner Overdrive] is a real sweathog of a bass player. Whether he's hungrily engulfing chip sandwiches in a Glasgow hotel under the lights of a documentary film crew, or bouncing all over the Apollo stage until the lighting towers begin to develop major instabilities, you gotta admit the dude is, like, heavy, man. He ought to do a seesaw act with Leslie West' – NME, May 1975. Lynyrd Skynyrd were a hugely popular attraction at the venue (Image: Unknown) * 'As a unit [Lynyrd Skynyrd, above] peaked with 'Tuesday's Gone', which took on a church atmosphere – in Glasgow the audience even started the Terrace Sway.... In Glasgow, the entire audience sang 'Free Bird' in its entirety. That's freaky (good-freaky), 3,000 people singing homage to a guitarist [Duane Allman] they've never seen' – Sounds, February 1976. * 'Backstage at the Apollo the theatre photographer is taking a group shot of the Rolling Stones receiving their trophies earned by selling out the three shows there. 'More ANIMATION pleeeze,' Jagger shouts good naturedly to the nervous photographer. 'When the Faces played here they could only afford one trophy', Woody [Ron Wood] informs the gathering, 'so we gave it to Tetsu [Yamauchi] to make him feel wanted'. Tonight each band member gets their own special souvenir. Just another memory. Keith gives his to Marlon [his son]' – Sounds, April 1976. * 'For Scotland, the Pretender changed tactics. Wearing a tartan wool scarf, he concentrated on rock 'n' roll. It was such good rock that it made me think maybe the Eagles aren't the best American rock 'n' roll band. Maybe the best American rock 'n' roll band is Jackson Browne ... Browne's initial self-centred introspection gently fades away. The Glasgow Apollo was cold, and Jackson Browne wanted to warm the place up with some powerfully generated rock. I almost thought he'd do 'Whole Lotta Shakin'' – Sounds, December 1976. The Apollo was noted, then, for many things: for its unassailable place on the Scottish gig circuit, for the rampant fervour with which many groups were greeted, for the less-than-salubrious nature of its backstage facilities. It all added up to a brilliant, authentic venue. The Apollo was living on borrowed time 40 years ago, however. The outcry that had greeted an earlier closure date, in 1978, when the venue's operators were granted a licence to turn it into a bingo hall, was decidedly more muted in the run-up to the Style Council farewell in 1985. As to why, David Belcher, the Herald's music writer, had this to say: 'The answer on everyone's lips is the Scottish Exhibition Centre, which has been bruited as having the ability to stage five to 10 10,000-seater per year along with up to 40 annual 2,000-seater shows'. Belcher also noted that the Apollo was damp and crumbling and that its fabric had deteriorated alarmingly over the last five years – not surprisingly, perhaps, given that the place had opened, as Green's Playhouse, back in 1927. The Apollo's time was up, then. But who could possibly have guessed in 1985 that its absence would be mourned, four decades later?
The Herald Scotland
2 days ago
- The Herald Scotland
When time ran out for the Glasgow Apollo
The venue's peak came during the Seventies and for those of us who were there then, it, and the many gigs we saw there, remain among the defining images of that decade. Alongside, perhaps, the Old Grey Whistle Test, John Peel's cult radio shows, and enthusiastic reading of the music weeklies – Sounds, NME, Melody Maker for news of the latest vinyl and tour dates. Not to mention, of course, the music of the time, whether it was punk and new wave, the Eagles, the Stones, prog, glam, heavy metal or soul. The Apollo memories are imperishable. Many of the bands that played the venue are, like the Apollo itself, no more, having broken up for one reason or another: 'musical differences', frustration over a lack of success, a desire to follow individual dreams. But a gratifying number of groups are still thriving today: Neil Young, the Stones, the Cure, Status Quo, Rod Stewart, Iron Maiden, Deep Purple, Robert Plant, the Rezillos, Robin Trower, AC/DC, Rod Stewart, Alice Cooper, Eric Clapton, Hawkwind, Jethro Tull, Jackson Browne, Van Morrison. Santana, too. Led by Carlos Santana, who turns 78 next month, they entertained the OVO Hydro just a few nights ago, nearly half a century after their last appearance in Renfield Street. And then there's Paul Weller, of course; it was his old band, The Style Council, who brought the curtain down on the Apollo on Sunday, June 16, 1985. Time has been busy catching up with other Apollo acts. Black Sabbath are bowing out with a huge farewell gig at Birmingham's Villa Park on July 5. That same night, a few miles away elsewhere in the city, Jeff Lynne's ELO will play the first of five last-ever concerts – two in Birmingham, two in Manchester, and one in London's Hyde Park. Elkie Brooks, who experienced the Apollo on a handful of occasions in the latter years of its existence, is on a Long Farewell Tour. In August, The Who will embark on their North America Farewell Tour, To look through the comprehensive gig listings curated by the people behind the excellent Glasgow Apollo website is to be reminded the astonishing wealth of gigs that took place there, across so many genres. The names of some of the acts – Renaissance, Rare Bird, drummer Ginger Baker's group Baker-Gurvitz Army, the all-female US rockers Fanny, Gentle Giant, Kokomo, Glencoe, Golden ('Radar Love') Earring, the Groundhogs, Traffic, Japan's Sadistic Mika Group – are familiar to fans of a certain vintage today. Less familiar, possibly, are Tea, who supported Baker Gurvitz Army in 1975; Dave and the Mistakes, who opened for Elvis Costello and the Attractions in 1981; and Sandii & the Sunsetz, another Japanese group, who were the support act for (of course) Japan in 1982. It's interesting to look back at the music weeklies and see what they made of certain concerts. Here's a small selection: * 'Heat, dust, smoke, lasers and Genesis combined to turn the Glasgow Apollo into a replica of Dante's Inferno when the band descended on the city on Friday night' – Melody Maker, July 1976. * 'Rory G[allagher] made it however, and played an undeniably proficient over two-hour set to the most rapturous reception I've seen in ages. The audience was crazy, drunken, happy, and collectively about as intelligent as the average tree-stump: in short, all the jolly working-class virtues that made me leave Glasgow in the first place' – Sounds, April 1978. * 'Fred Turner [of Bachman Turner Overdrive] is a real sweathog of a bass player. Whether he's hungrily engulfing chip sandwiches in a Glasgow hotel under the lights of a documentary film crew, or bouncing all over the Apollo stage until the lighting towers begin to develop major instabilities, you gotta admit the dude is, like, heavy, man. He ought to do a seesaw act with Leslie West' – NME, May 1975. * 'As a unit [Lynyrd Skynyrd] peaked with 'Tuesday's Gone', which took on a church atmosphere – in Glasgow the audience even started the Terrace Sway.... In Glasgow, the entire audience sang 'Free Bird' in its entirety. That's freaky (good-freaky), 3,000 people singing homage to a guitarist [Duane Allman] they've never seen' – Sounds, February 1976. * 'Backstage at the Apollo the theatre photographer is taking a group shot of the Rolling Stones receiving their trophies earned by selling out the three shows there. 'More ANIMATION pleeeze,' Jagger shouts good naturedly to the nervous photographer. 'When the Faces played here they could only afford one trophy', Woody [Ron Wood] informs the gathering, 'so we gave it to Tetsu [Yamauchi] to make him feel wanted'. Tonight each band member gets their own special souvenir. Just another memory. Keith gives his to Marlon [his son]' – Sounds, April 1976. * 'For Scotland, the Pretender changed tactics. Wearing a tartan wool scarf, he concentrated on rock 'n' roll. It was such good rock that it made me think maybe the Eagles aren't the best American rock 'n' roll band. Maybe the best American rock 'n' roll band is Jackson Browne ... Browne's initial self-centred introspection gently fades away. The Glasgow Apollo was cold, and Jackson Browne wanted to warm the place up with some powerfully generated rock. I almost thought he'd do 'Whole Lotta Shakin'' – Sounds, December 1976. The Apollo was noted, then, for many things: for its unassailable place on the Scottish gig circuit, for the rampant fervour with which many groups were greeted, for the less-than-salubrious nature of its backstage facilities. It all added up to a brilliant, authentic venue. The Apollo was living on borrowed time 40 years ago, however. The outcry that had greeted an earlier closure date, in 1978, when the venue's operators were granted a licence to turn it into a bingo hall, was decidedly more muted in the run-up to the Style Council farewell in 1985. As to why, David Belcher, the Herald's music writer, had this to say: 'The answer on everyone's lips is the Scottish Exhibition Centre, which has been bruited as having the ability to stage five to 10 10,000-seater per year along with up to 40 annual 2,000-seater shows'. Belcher also noted that the Apollo was damp and crumbling and that its fabric had deteriorated alarmingly over the last five years – not surprisingly, perhaps, given that the place had opened, as Green's Playhouse, back in 1927. The Apollo's time was up, then. But who could possibly have guessed in 1985 that its absence would be mourned, four decades later? RUSSELL LEADBETTER
The National
3 days ago
- The National
Labour MP calls for RAF break in group to be banned under terror law
Backbencher David Taylor, who previously unsuccessfully campaigned for Kneecap to be banned from Glastonbury, made the call after a break-in at RAF Brize Norton. Palestine Action members sprayed red paint into the engines of two Airbus Voyager on Thursday evening and said they used crowbars to further damage the planes. It is believed that one of the aircraft targeted is the UK's official VIP jet, used to ferry prime ministers and royals to official visits. Taylor insisted he supported the 'right to peaceful protest' but added: 'Palestine Action has long since crossed the line into criminality. Their latest alleged activity, breaking into RAF Brize Norton and damaging military aircraft, is not protest, it's sabotage. You cannot attack UK military assets. READ MORE: UK's 'Union flag plane damaged' in pro-Palestine RAF break-in 'This group have engaged in illegal activity: smashing into defence sites, vandalising property, and disrupting key infrastructure. These are not isolated incidents; they are part of a coordinated campaign of unlawful direct action.' Palestine Action have vandalised the premises of numerous businesses linked with the Israeli military. Last month, a case against activists for blocking access to Elbit's Instro Precision weapons factory in Kent was thrown out at Margate Magistrates Court. Elbit is a key target of the group because the firm is a key supplier of the Israeli military. Taylor (above) added: 'It is time for the government to take a firmer stance. I believe Palestine Action should now be considered for proscription under the Terrorism Act. We cannot allow groups who glorify and incite violence to operate unchecked under the guise of activism.' Groups proscribed under the Terrorism Act include Hamas and Hezbollah. Declaring support for a proscribed organisation is a criminal offence under the Terrorism Act. READ MORE: UK Government urged to publish legal advice on joining war on Iran Kneecap rapper Liam Og O hAnnaidh – known by the stage name Mo Chara – appeared in Westminster Magistrates Court earlier this week charged with an offence under the act after allegedly flying a Hezbollah flag at a concert. He was released on unconditional bail with his lawyers arguing that the alleged offence took place outside the six-month window required to fall under the court's jurisdiction. Palestine Action was approached for comment.
