logo
Soft Power: BTS Fans Rally Behind Korean International Adoptees

Soft Power: BTS Fans Rally Behind Korean International Adoptees

K-pop megaband BTS is back from military service, and their international fandom -- long known for its progressive activism -- is celebrating by rallying behind a cause: adoptees from South Korea.
Now Asia's fourth-largest economy and a global cultural powerhouse, the idols' native South Korea remains one of the biggest exporters of adopted babies in the world, having sent more than 140,000 children overseas between 1955 and 1999.
The country only recently acknowledged, after years of activism by adult adoptees, that the government was responsible for abuse in some such adoptions of local children, including record fabrication and inadequate consent from birth parents.
The septet's fandom, dubbed ARMY, is known for backing causes like Black Lives Matter and ARMY4Palestine, and launched the #ReuniteWithBTS fundraising project last week to support Korean adoptees seeking to reconnect with or learn about their birth families, which can be a painful and legally tricky process.
Almost all of BTS members have completed South Korea's mandatory military service, required of all men due to the country's military tensions with North Korea.
"We are celebrating both the reunion of BTS and ARMY, and BTS members being able to reunite with their own family and friends," the BTS fan group behind the initiative, One In An ARMY, told AFP.
"Helping international adoptees reunite with their birth country, culture, customs and families seemed like the perfect cause to support during this time."
The fans are supporting KoRoot, a Seoul-based organisation that helps Korean adoptees search for their records and birth families and which played a key role in pushing for the government to recognise adoption-related abuses.
Peter Moller, KoRoot's co-representative, told AFP it was "very touching" that the BTS fans had taken up the cause, even though "they're not even adoptees themselves".
For many adoptees, seeing Korean stars in mainstream media has been a way for them to find "comfort, joy, and a sense of pride" in the roots that they were cut off from, KoRoot's leader Kim Do-hyun added.
BTS, who have discussed anti-Asian hate crimes at the White House and spoken candidly about mental health, have long been considered one of the best examples of South Korea's soft power reach.
For years, Korean adoptees -- many of whom were adopted by white families globally -- have advocated for their rights and spoken out about encountering racism in their host countries.
Some adoptees, such as the high-profile case of Adam Crapser, were later deported to South Korea as adults because their American parents never secured their US citizenship.
Many international adoptees feel their immigration experience has been "fraught", Keung Yoon Bae, a Korean studies professor at Georgia Institute of Technology, told AFP.
Some adoptees have found that, like Crapser, their guardians failed to complete the necessary paperwork to make them legal, she said.
This is becoming a particular problem under US President Donald Trump, who is pushing a sweeping crackdown on purported illegal immigrants.
Bae said it was possible that "'accidentally illegal' adoptee immigrants may fall further through the cracks, and their deeply unfortunate circumstances left unremedied".
Reunions between Korean adoptees and their birth families can be emotionally complex, as Kara Bos -- who grew up in the United States -- experienced firsthand when she met her biological father through a landmark paternity lawsuit.
During their encounter in Seoul in 2020, he refused to remove his hat, sunglasses, or mask, declined to look at her childhood photos and offered no information about her mother. He died around six months later.
"The journey of birth family searching is very lonely, difficult, and costly. Many adoptees do not even have the means to return to their birth country let alone fund a family search," Bos, 44, told AFP.
To have BTS fans rally around adoptees and provide help with this complex process is "a wonderful opportunity", she said.
For Malene Vestergaard, a 42-year-old Korean adoptee and BTS fan in Denmark, the group's song "Whalien 52", which references a whale species whose calls go unheard by others, deeply resonated with her.
"I personally sometimes feel like that whale. Being amongst my peers, but they will never be able to truly understand what my adoption has done to me," she told AFP.
"For me, finding BTS at the same time I started looking for my birth family and the truth about my adoption and my falsified papers, was such a comfort."
Vestergaard said the grief woven into her adoption would never go away, but that "BTS and their lyrics have made it easier to reconcile with that truth". BTS fans have launched a fundraising campaign to support South Korean adoptees seeking to reconnect with their birth families AFP BTS have long been considered one of the best examples of South Korea's soft power reach AFP Kim Do-hyun (L), KoRoot leader who has spent more than 30 years advocating for adoption justice, with Peter Moller (R), KoRoot's co-representative AFP

Orange background

Try Our AI Features

Explore what Daily8 AI can do for you:

Comments

No comments yet...

Related Articles

Indian-German design duo highlight fashion waste – DW – 06/23/2025
Indian-German design duo highlight fashion waste – DW – 06/23/2025

DW

timean hour ago

  • DW

Indian-German design duo highlight fashion waste – DW – 06/23/2025

An Indian architect and German fashion designer work as Bouley Gandhi, making recycled artworks that shine a light on throwaway fast fashion. It was a collaboration that neither expected, but both needed. When Mumbai-based architect Kanhai Gandhi met Hedwig Bouley, the German founder of fashion brand LPJ Studios in 2018, the duo could have hardly known their sustainable artistic project would last years. Working from their respective studios in Bavaria and Mumbai under the name Bouley Gandhi, the duo create large-scale artworks out of upcycled fabrics, bringing awareness to the need for more sustainability in the fashion industry — one of the biggest polluters on the planet. "I've been a fashion designer for 40 years," Bouley told DW. "About eight years ago, I decided I wanted to do something with all of the leftovers and waste from the fashion industry." Some 92 million tons of annual textile waste is produced globally, according to the Global Fashion Agenda, a Copenhagen-based non-profit organization that supports the transition to a more sustainable future. That's the equivalent of a garbage truck full of clothing being disposed of each second. "We know the fashion industry is one of the biggest polluters on the planet, so we thought, let's get out of that. Art is a good way to create awareness. We don't use any new materials in our works," said large-scale wall hangings use a unique needle punch technique to sew used scraps of wool and cashmere. Gandhi uses his architectural background to create a design, while Bouley sews a small mockup by hand. Finally, they make the large-scale pieces using a rare technique where materials are worked into each other with the help of small needles. Upcycling, the process of transforming waste materials into new products of higher value, is becoming more commonplace in the fashion industry as concern for the environment grows. In Europe, fashion designer Marine Serre, for example, has gained traction for her use of waste fabrics. In India, too, upcycling is being embraced by both established and upcoming designers and artisans in recent years. Doodlage, a studio in New Delhi, makes clothes out of scraps of fabric and second-hand garments, for example. In April, Bouley Gandhi showed their latest collection at Milan Design Week at Rossana Orlandi collectable art space. In an interview with DW, they explained how they met back in 2018 at design trade show Maison & Objet in Paris. Gandhi was struck by the pieces displayed at Bouley booth and asked if he could visit her studio in the small town of Aschau in Chiemgau in Bavaria. "I thought he was making a joke and then a month later he really came!" Bouley recalled, smiling. "I said 'I'm coming from India, are you ok to meet me on a Sunday?'" added Gandhi. He was eager to respect German customs — including observing Sunday as a day of rest — despite coming halfway across the globe. Their collaboration has been a successful experiment in bridging often wide cultural differences between Germany and India, leading to new, positive experiences for both of them — including a style revamp. "Now you see more color on her and I wear more black now!" points out Ghandi, who himself has become a huge fan of Bavarian food during his regular visits to Aschau. The duo is busy working on new projects that also utilize recycled materials and look to the future. As Bouley says: "Our partnership is very nice and we think about what we can do in some years, for example. We always think about 'us' not only him or only me. It's really a good collaboration." Aside from the environmental aspect, Bouley Gandhi wants their work to spread a message of shared human experiences. In a time of division as conflicts rage and right-wing extremism is on the rise, the duo believe that art can help unite humanity by reminding us of our similarities. One Bouley Gandhi piece depicts a face with lips and mouth rising from the surface of a body of water, and was conceived of during the pandemic. Gandhi wanted the work to represent the human element of resilience and titled it "Hope in Depth." "A good part of the human mind is that if there is a strong will, you tend to survive," said Gandhi. "This characteristic of the human psyche is universal. It's not limited to a German or Indian or an American — it's about everyone."To view this video please enable JavaScript, and consider upgrading to a web browser that supports HTML5 video

French Police Probe Fake Disneyland 'Marriage' With Nine-year-old
French Police Probe Fake Disneyland 'Marriage' With Nine-year-old

Int'l Business Times

time9 hours ago

  • Int'l Business Times

French Police Probe Fake Disneyland 'Marriage' With Nine-year-old

French police were on Sunday probing the circumstances of a bizarre stunt at Disneyland outside of Paris, with a group of adults suspected of hiring the theme park and paying hundreds of extras to stage a fake marriage for a nine-year-old Ukrainian girl. Two people were held for questioning in the case, which initially caused alarm when staff alerted police on Saturday that it could have concerned an illegal child marriage. But investigators now believe that the so-called "marriage" was staged, with the girl's mother reportedly saying that she wanted her to feel like a Disney "princess" for the day. "The event turned out to be a staged event, with the guests themselves extras" invited to be part of the stunt, deputy prosecutor Alexandre Verney said. "So it wasn't a wedding, but a staged wedding filmed with around a hundred extras. They hired Disneyland Paris, pretending it was a real wedding," he told AFP. Four people were arrested and taken into custody, and the questioning of two of them -- suspected of fraud and money laundering -- was extended on Saturday evening. They are the so-called "groom" who is believed to be behind the event, 22 years old and "presumed to be British", and a Latvian woman, 24, said a source close to the case. However, the other two people detained -- a 41-year-old Ukrainian woman, and a 55-year-old Latvian man -- were released. The investigations, including a medical examination of the nine-year-old girl, a Ukrainian national, found that "she had not been subjected to any violence or coercive acts," the prosecutor's office said. According to the Le Parisien daily, which first reported the incident, a man had several weeks previously hired the Disneyland Paris complex for a sum of 130,000 euros ($150,000) for several hours before it opened to the public. Staff were astonished when the nine-year-old appeared wearing high heels on Saturday morning, barely able to stand in the elaborate footwear, and they alerted the authorities, it said. The paper said the man who organised the event had submitted false documents concerning his identity and Disneyland filed a complaint. Hundreds of extras were bussed in to play the part of the guests, it said, while the girl's mother told investigators she wanted to organise a "day worthy of a princess" for her daughter.

Utopia And Fragile Democracy At Art Basel Fair
Utopia And Fragile Democracy At Art Basel Fair

Int'l Business Times

timea day ago

  • Int'l Business Times

Utopia And Fragile Democracy At Art Basel Fair

This year's Art Basel, the world's top contemporary art fair, paints a portrait of a troubled planet, with works embodying the relentless pursuit of happiness and the fragility of democracies. The four-day event in the northern Swiss border city of Basel, which closes on Sunday, features more than 280 galleries presenting works by around 4,000 artists. The monumental works section features an 85-metre-long installation entitled "The Voyage -- A March To Utopia". Created by the studio of Dutch artist Joep van Lieshout, it features 80 large sculptures forming a procession of absurd objects, where "everybody walks in the same direction... on their way to a happy place", the artist told AFP. The journey begins with a team of oxen, followed by all means of getting to that better world, including a walking stick, a cart, a toilet on wheels, a wheelchair and a mobile surgical theatre for those struggling to keep up. Next come objects representing everything the convoy is carrying, followed by sculptures of ghosts symbolising those who didn't make it to the end. It ends with machines set to destroy the road behind them, so that "there's no going back", the artist explained. A stone's throw away, Spanish artist Jaume Plensa presents a work composed of 21 aluminium doors engraved with the articles of the Universal Declaration of Human Rights adopted by the United Nations General Assembly in 1948. Entitled "Forgotten Dreams", it invites viewers to contemplate collective aspirations and not forget the horrors of the past. Vietnam-born Danish artist Danh Vo has installed a huge US flag made from hundreds of logs and 13 steel stars, referencing the first version of the flag from 1777. Reconstructed at Art Basel, "In God We Trust" was first created in 2020, during the presidential election campaign between Donald Trump and Joe Biden. The logs were removed one by one and burned in fireplaces, gradually causing the flag to disappear. The work serves as an allegory of the fragility of US democracy. Art Basel is above all a commercial event, where artists and galleries come to meet wealthy collectors. But the fair is also very popular with art lovers who come for the simple pleasure of browsing the works on show. Its "Unlimited" section brings together monumental pieces intended for museums and major collections. It includes recent as well as older works, including a performance created in 1991 by Felix Gonzalez-Torres, a US artist from Cuba who died of AIDS in 1996. Called "'Untitled' (Go-Go Dancing Platform)", it features a man dressed in silver shorts dancing on a podium for a few minutes, twice a day. "It's an interesting moment to revisit it," said the "Unlimited" section's curator, Giovanni Carmine, recalling that the artist created the performance shortly after the death of his partner from AIDS, "in a context that was also very reactionary". Gonzalez-Torres responded with "a very political gesture" with a performance that is "a celebration of life". The "Unlimited" hall features 67 works, including three angels by German sculptor Thomas Schutte, which foster "a certain ambivalence", said Carmine. With "their wings resembling razors", are they "protective angels or angels of the apocalypse?", he asked. Japanese artist Izumi Kato brings a touch of poetry with his stone structures, painted with enigmatic faces, drawing on the Japanese tradition that each stone contains a spirit. US artist Arlene Shechet plays on contrasts, with a heavy orange abstract sculpture designed to give an impression of lightness despite its weight. "The current political situation is dark and so bringing light and colour and joy and spirit and art is very meaningful," she told AFP. 'In God We Trust', by Danish contemporary artist Danh Vo, is on show in the 'Unlimited' section AFP An Art Basel visitor has a close look at part of 'The Voyage -- A March To Utopia', by Atelier Van Lieshout AFP The 'Unlimited' section of Art Basel features 'Testimoni' by the Italian sculptor, painter and printmaker Mimmo Paladino AFP A visitor walks past 'Gobbler' by Caroline Achaintre at Art Basel AFP

DOWNLOAD THE APP

Get Started Now: Download the App

Ready to dive into a world of global content with local flavor? Download Daily8 app today from your preferred app store and start exploring.
app-storeplay-store