Primark's ‘unreal' summer dress that covers upper arms is flying off the rails for just £28 after going viral on TikTok
SHOPPERS are flocking to Primark to buy a hugely popular summer dress.
Available for just £28, the dress has gone viral on TikTok.
TikToker Perrie Sian was one of the first to share the dress online, in a video where she showed off her haul from Primark.
The puff sleeve maxi dress was one of the incredible items featured in the TikTok video.
With a tie back and an empire waist, the dress comes in a variety of colours - including white and green.
It also comes in a wide range of sizes, from size six to size 20, and has short sleeves.
Like all of Primark's items, it is also available for a very budget friendly price.
The maxi dress can be yours for just £28 and is a glamorous choice for garden parties and fancy dinners this summer.
The TikTok video quickly racked up over 390,000 views with fans flooding the comments section with their views on the dress.
One said: "The white dress was the best thing on you!"
Another shopper added: "That white dress actually looks unreal on you."
Primark's own product description says that the dress is an 'effortless fit' with a 'relaxed fit'.
The description reads:"Soft details and a solid white finish make this maxi dress an effortless choice.
'The V-neckline and gathered detailing at the bust and waist create a gentle shape, while short puff sleeves with elasticated cuffs add a touch of volume.
"Designed with an empire waistline for a relaxed fit, it also includes a tie closure at the back neckline.
'Pair it with your favourite accessories and some sandals or low top trainers depending on your plans."
The news comes as Primark plans to open a brand new store in Manchester.
The store will be a Primark Home - a two-story shop dedicated to selling the brand's low-cost homeware.
2
Why Primark is great for looking expensive on a budget
By Clemmie Feildsend, Fabulous Fashion Editor
AS someone who's no stranger to grabbing a last-minute outfit from Primark for a night out, it's about time that celebrities started catching on too.
For as long as I've been heading out, Primark has been my go-to for those 'I have nothing to wear' moments, rushing in at the last minute to find something perfect.
And I'm definitely not alone - on any Friday or Saturday night, you'll find plenty of shoppers doing the same thing, right before closing time.
But no matter what, Primark always delivers.
Now, Rita Ora is leading the charge, showing that you can snag a designer-worthy look without spending a fortune at high-end stores.
While Rita's not rushing in last minute for a red carpet outfit, she's proving you can achieve the same high-impact style for much less.
Looking stunning in her tailored suit alongside her mum Vera, Rita fit right in among the other A-listers dripping in Prada, Dior, and Victoria Beckham - if anything, she looked even better than some of the guests at The Fashion Awards.
With Myleene Klass and Roxy Horner already jumping on the Primark bandwagon, I'm sure more stars will be following suit soon enough.
Hashtags
Try Our AI Features
Explore what Daily8 AI can do for you:
Comments
No comments yet...
Related Articles
Times
an hour ago
- Times
Olivia Rodrigo and Sabrina Carpenter: from Disney to festival headliners
Eight days apart, at the British Summer Time stage in Hyde Park, in front of a crowd of 65,000, two glittering, platinum pop titans will perform. First up, next Friday, is Olivia Rodrigo: 22 years old, 46 million monthly listeners on Spotify; 14 Grammy nominations; three wins; and about to headline Glastonbury. Then, on July 5 and 6, Sabrina Carpenter: 26 years old, 70 million monthly listeners on Spotify; six Grammy nominations; two wins; her song Espresso the biggest single of 2024 by a female artist. The pair have often been depicted as bitter rivals: two Disney Channel alumni whose overlapping journeys to superstardom were powered partly by lyrics that may, or may not, have been written about the same ex-boyfriend. But really, they are both lessons in how to pull off the Disney breakaway — what happens when young women wriggle out of their contracts and embrace their new freedom by singing about the brutality and reality of modern girlhood, its shattering heartbreaks and the fun of the rebound. One of the things that marks both of them out is the obsessiveness with which their fans pore over their songs and image-making, whether it's Rodrigo last week being accused on social media of ordering a Nashville music venue to take down Taylor Swift imagery before she filmed there — it was actually removed by the venue for legal reasons — or Carpenter sending the internet into meltdown with the suggestive cover art for her new album, Man's Best Friend. Rodrigo grew up in Temacula, California, a theatre kid in a family who did other things — her mother a teacher, her father a therapist. After various singing competitions and school productions, she was made the lead in the American Girl doll franchise movie at 12 years old and, the following year, cast in Disney's Bizaardvark and then High School Musical: The Musical: The Series, a mockumentary. Rodrigo was homeschooled, studying for her exams on set. 'Like, 'Oh shit, I worked my whole childhood and I'm never going to get it back,'' she told The Guardian in 2023. 'I didn't go to football games, I didn't have this group of girlfriends that I hung out with after school. That's kind of sad.' After a song she wrote for the High School Musical show went viral, Rodrigo sought a record deal, choosing not to make music for Disney's in-house label. She went with Interscope/Geffen. Disney allowed her to break her contract before the show's fourth series and, during the pandemic, Rodrigo sat down to write. In 2021 her song Drivers License went stratospheric, breaking a Spotify record as the first song to hit 80 million streams in seven days. The track reached No 1 in 48 countries on Apple Music, 31 countries on Spotify and 14 countries on YouTube. 'It's been the absolute craziest week of my life,' she said in an interview. 'My entire life just, like, shifted in an instant.' Four months later she released her debut album, Sour, a pop-punk triumph about her teenage heartbreak, the songs searing and seething with anger, underwritten by longing and ache — all written by a 17-year-old, with her producer, Dan Nigro. Though she stretched her legs in the ballads, it was her stroppy, plucky rock which was particularly satisfying. Critics, with some arch surprise that it had come from a squeaky-clean Disney-kid, gave the album rave reviews. At Glastonbury 2022 she brought on Lily Allen to sing Allen's 2009 banger F*** You, dedicating it to the Supreme Court justices who had just overturned the Roe v Wade abortion ruling in the United States. 'I'm devastated and terrified, and so many women and so many girls are going to die because of this,' Rodrigo said on stage, having spent hours memorising her speech. As well as being a great song with crushing lyrics, it created a perfect storm of gossip and intrigue. 'And you're probably with that blonde girl,' she sang, 'who always made me doubt — she's so much older than me.' Fans were convinced she was singing about her former Disney co-star Joshua Bassett, with whom they thought she had a romantic relationship. The 'blonde girl', they suspected, was Sabrina Carpenter, who was rumoured to have dated Bassett the next summer. 'I put it out not knowing that it would get that reaction, so it was really strange [when] it did,' Rodrigo told Variety. 'I just remember [everyone being] so weird and speculative about stuff they had no idea about.' She also said she and Carpenter had only met 'once or twice in passing'. 'So I don't think I could write a song that was meaningful or emotional about somebody that I don't know.' In January 2021, two weeks after Drivers License blew up, Carpenter released Skin. 'Maybe 'blonde' was the only rhyme,' went the lyrics. 'You been telling your side, so I'll be telling mine.' She, like Rodrigo, was not drawn on specifics. 'The song isn't calling out one single person,' she wrote on Instagram. 'Some lines address a specific situation, while other lines address plenty of other experiences I've had this past year.' The internet whirled, creating soap opera plots around them. They both later said they received a barrage of death threats. Bassett told People magazine that he received so much hate that he was taken to hospital, diagnosed with septic shock. 'I have a right to stand up for myself,' he told GQ. 'People don't know anything they're talking about.' For his part Bassett, 24, has just been on a European tour, playing venues in Glasgow, Birmingham and London that are about 20 times smaller than his apparent exes' Hyde Park performances. Carpenter, meanwhile, has hit mega fame. Her sixth album, Short n' Sweet — she is 5ft tall — debuted at No 1 in America. Her single Espresso went platinum in more than a dozen countries and won a Grammy for best pop solo performance. The Disney empire first claimed Carpenter, who grew up East Greenville, Pennsylvania, at 12 years old, signing her into a five-record deal, after which she starred in its show Girl Meets World. After family-friendly pop, Carpenter broke away from the label after just four albums ('I definitely didn't fulfil my contract, thank god,' she told Vogue) and signed with Island Records at 22. Her fifth album, Emails I Can't Send, took a turn towards something more grown-up — and cheeky. 'Woke up this morning, thought I'd write a pop hit,' she trills. Her image shifted again for Short n' Sweet, taking on a hyper-femme, soft-edged, Betty Boop look, her blonde hair big and bouncing. As Time magazine put it: 'She's short, she's funny, and she's horny.' But as she became more of a sex bomb, she got more sardonic. 'You'll just have to taste me when he's kissing you,' she sings in Taste. Her video for Please Please Please featured her then-boyfriend, the actor Barry Keoghan, shortly after his viral scene in Saltburn, in which he is so lustful for his friend he drinks his bathwater. During her performance at Coachella, she swapped her lyrics around with a wink. 'He's drinking my bathwater like it's red wine,' she sang. After their break-up, the internet is again spinning with speculation that her new song, Manchild, relates to him. 'This song became to me something I can look back on that will score the mental montage to the very confusing and fun young adult years of life,' she wrote on social media. It includes the couplet: 'Never heard of self-care/ Half your brain just ain't there.' Carpenter's amped-up naughtiness, however, now runs the risk of tipping into alienation. Her recent album cover, which shows her on her knees in front of a man's legs, while a hand pulls her hair, drew enormous criticism including from Glasgow Women's Aid. Her caricature of the sexualised, submissive woman suddenly looked exactly like the thing it was supposed to be riffing off. At Hyde Park, Rodrigo and Carpenter will hit the same stage on successive weekends after sold-out arena tours, their fans trailing in stomper boots and eyeliner (Rodrigo) or sequins and pale-pink babydoll dresses (Carpenter). It is a very modern coming-of-age story, two young women whose specificity of lyrics and canny presentation of their personal lives have whipped up a frenzy of speculation; whose rage and cheek and charm has been released on the world; who dazzle and glitter — and kick 'em where it hurts.
Times
an hour ago
- Times
Kirsty Wark: When I started on TV, I wore jackets with massive shoulders
I have these ridiculous, sparkly shoes from Chanel that are so special, but too high for me to walk in. When my daughter was 16 she 'borrowed' them from my wardrobe to go clubbing. They're famous in our house for that reason alone. As a child I loved Chelsea Girl and a shop called Shades in Kilmarnock. When I went to university I started shopping at vintage shops. Actually we just called them jumble sales in those days. I bought a lot of miniskirts. I used to love going to a charity place for distressed gentlefolk in Edinburgh. Older women gave them things they had knitted. I bought this very cool Fair Isle knit with short sleeves that I really, really liked and cherished for many years. Like many young Scottish women, I was given a sewing machine for my 21st birthday, which I used to alter good jackets and dirndl skirts from the Fifties, some of which I still wear. These days it's a really good quality cotton dress. I've got a couple of La DoubleJ shirtdresses that are so great. I wore one when I was presenting at the Royal Academy of Arts' Summer Exhibition and ended up having my picture taken with a woman who was wearing the same dress. I got very good at planning once I started working for the BBC. I definitely thought a lot about what I was going to wear in order not to have to think about it again. The key thing is never to be uncomfortable so I'm focused on the job. There is no stylist or budget for wardrobe. When I first started on TV, I wore a lot of burnt orange linen jackets with massive shoulders. They became a suit of armour. You get used to the feedback from viewers. I've had all sorts of comments, from the man who said I looked like I was wearing a chequerboard, to the guy who messaged to ask if I was on my way to a rodeo; I was wearing a western shirt by Christopher Kane. I wear a lot of navy — well, specifically Margaret Howell navy. My everyday uniform is a pair of cords or a pair of baggy jeans and a stripy top. It's something of an obsession. I buy expensive ones and cheap ones, everywhere from Uniqlo to Agnès b. Whenever I buy one, I buy one for my daughter, Caitlin too. I don't shop on the high street much, but I do love what Clare Waight Keller is doing at Uniqlo. • Read more fashion advice and style inspiration from our experts Desmond & Dempsey pyjamas — I adore them. I also like Tekla for nightwear. There are a host of Scottish labels I go to regularly. I love Le Kilt — Sam McCoach, who is behind it, is brilliant — and I adore Christopher Kane. What he and his sister Tammy created is amazing. I've worn so many of his pieces over the years — a heavy duchess satin coat is probably my most treasured. I love the Glasgow/Paris-based La Fetiche too. I don't really have fashion regrets, but there are hairstyles. I once had a perm and, oh my goodness, did I regret that from the moment I got out of the salon. I looked like a footballer. Crop tops are a problem. I've bought a lot of long coats: I think the swaddling effect appeals. I wear them less now,but I've always thought there was something glamorous about them. I had an incredible one at school that I bought in a second-hand shop, and then I got a chocolate brown one when I went to university. I recently bought a new one at the Woolrich shop in New York. Icons of Style is presented by Kirsty Wark, on BBC iPlayer now
Times
an hour ago
- Times
Inside Coco Chanel's Riviera holiday hideaway
T he year is 1938 and Salvador Dalí is in full artistic flow, painting on the balcony of the west wing of Coco Chanel's villa La Pausa, where the shadow-eliminating north light is best. In the evening he would roll back the salon rugs and beckon guests to dance while the renowned pianist Misia Sert played, before retiring to the guesthouse with his wife, Gala. In total he completed 11 paintings at La Pausa, one time staying there for four months. 'The vibe was chilled, guests could do as they pleased,' says Yana Peel, Chanel's president of arts, culture and heritage. For the likes of Dalí, Jean Cocteau and Igor Stravinsky there were no schedules; Chanel herself rarely emerged until 1pm, and there was no dress code — the designer found comfort in stripy tops, wool trousers and cork-soled espadrilles. Meals were served buffet style (platters of pasta, French potatoes and roast beef), and staff appeared frequently to replenish champagne and pour fine wine. There were Easter parties, masked balls and tennis tournaments, views of a glittering Mediterranean sea under an enormous sky.
