This week on "Sunday Morning" (April 20)

The Emmy Award-winning "CBS News Sunday Morning" is broadcast on CBS Sundays beginning at 9:00 a.m. ET. "Sunday Morning" also
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Hosted by Jane Pauley
COVER STORY: The birth of the American Revolution
On April 19, 1775, British troops faced off against colonial militias in the Massachusetts towns of Lexington and Concord, and exchanged fire, setting off America's War of Independence. Correspondent Mo Rocca explores the dramatic events of that fateful day 250 years ago; and hears from reenactors about why the colonists' ideals still hold true today.
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ALMANAC: April 20
"Sunday Morning" looks back at historical events on this date.
ARTS: Inside the transformation of the Frick Collection
One of New York City's most exquisite museums, the Frick Collection, located in the former home of a Gilded Age steel baron, has reopened following a four-year, more than $200 million renovation. "Sunday Morning" national correspondent Robert Costa goes behind the meticulous restoration of an ornate mansion housing masterpieces that is a masterpiece itself.
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WORLD: The dangers posed by cuts to U.S. foreign aid
Elon Musk's proverbial chainsaw and President Trump's policies have targeted American foreign aid, and with it the humanitarian groups whose work its funds around the world. "Sunday Morning" senior contributor Ted Koppel talks with humanitarian aid workers in Africa and Afghanistan, and with former U.K. foreign secretary David Miliband (now president and CEO of the International Rescue Committee), about the impacts both abroad and at home.
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TV: Amy Sherman-Palladino and Dan Palladino: Curtain up on "Étoile"
"Étoile," a new Amazon Prime series about two struggling ballet companies in New York and Paris, is the latest comic-drama from Amy Sherman-Palladino and Dan Palladino, the Emmy-winning couple behind such hits as "Gilmore Girls" and "The Marvelous Mrs. Maisel." Correspondent Faith Salie talks with the writers about a partnership that always manages to find the comic relief.
To watch a trailer for "Étoile" click on the video player below:
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PASSAGE: In memoriam
"Sunday Morning" remembers some of the notable figures who left us this week.
SWEETS: Chocolate Easter eggs: Cracking open a candy tradition
Founded in 1824, the candymaker Cadbury produces roughly a million chocolate crème eggs a day, year-round, at its factory in Bournville, England. Correspondent Seth Doane delves into some chocolate history, and finds out why chocolate eggs sold to Americans are different from those sold to consumers in other countries.
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HARTMAN: Bird kid
STAGE: David Hyde Pierce, the very model of a modern major-general, in "Pirates! The Penzance Musical"
"Frasier" star David Hyde Pierce is back on the Broadway stage in "Pirates! The Penzance Musical," a jazzy re-working of the Gilbert & Sullivan classic, transplanted to New Orleans. The former aspiring concert pianist talks with correspondent Martha Teichner about the thread that Gilbert & Sullivan has run throughout his life. He also talks about his comedy influences, and what it means to him to make people laugh.
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LIFESTYLE: GenSpace in Los Angeles re-imagines what a senior center can be
GenSpace, a new community center for seniors in Los Angeles founded by philanthropist Wallis Annenberg, offers up the kind of space and activities in which older people can thrive. Correspondent Allison Aubrey talks with Annenberg about GenSpace's intergenerational approach, and whether her model for a modern senior center is replicable across the country.
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FASHION How hat fashions ruffled feathers and spurred a conservation movement
In the late 1800s, feather fashion was trendy, especially among women in high society, with some feathers worth more than their weight in gold. The popularity of colorful plumes in hats and accessories led to the slaughter of birds, driving some species close to extinction by the early 20th century. Correspondent Conor Knighton looks at the history of the plume trade and the conservation efforts that were instrumental in making it illegal.
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COMMENTARY: Jim Gaffigan: When will it be safe to retire from parenting?
The comedian, a self-described workaholic, reflects on the demands of his other job, that of parent to five.
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NATURE: TBD
MARATHON:
Adventures in outer space (YouTube Video)
Launch into outer space with "CBS Sunday Morning" and explore the world of NASA, astronomy and more. Stories include:
GALLERY:
Notable deaths in 2025
A look back at the esteemed personalities who left us this year, who'd touched us with their innovation, creativity and humanity.
The Emmy Award-winning "CBS News Sunday Morning" is broadcast on CBS Sundays beginning at 9:00 a.m. ET. Executive producer is Rand Morrison.
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New York Post

17 hours ago

• New York Post

‘Spider-Man' and ‘One Life to Live' star Jack Betts dead at 96

Jack Betts has passed away at 96 years old. The actor starred on the soap opera 'One Life to Live' from 1979 to 1985, appearing in 20 episodes as Llanview Hospital's Dr. Ivan Kipling. Betts' nephew, Dean Sullivan, told The Hollywood Reporter that the star died in his sleep at his house in Los Osos, California, on Thursday. 7 Jack Betts at The Cocktail Hour play opening, LA, California, April 19, 1990. MediaPunch via Getty Images 7 Doris Roberts and Jack Betts arrive at the party celebrating the 200th Episode of 'Everybody Loves Raymond' on October 14, 2004 at Spago in Beverly Hills, California. Getty Images Betts lived with 'Everybody Loves Raymond' actress Doris Roberts before her death at age 90 in 2016. The two would attend events together over the years and Roberts even directed a play written by Betts, about a soap opera, titled 'Screen Test: Take One.' The close pals first met in 1954 at The Actors Studio in New York City in 1954. Decades later, in 1988, Betts accepted Roberts' offer to move from the Big Apple into the downstairs apartment at her Hollywood Hills home. 7 Actor Jack Betts. Columbia Pictures 'We were best friends to the very end, we had wonderful times together,' he gushed following her death. Betts was also known for starring as Henry Balkan – the Oscorp board chair who fired Norman Osborn (Willem Defoe) – in Sam Raimi's 2002 'Spider-Man.' Norman then became the villainous Green Goblin and vaporized Henry and the board. While on 'The Dev Show' in 2020, Betts spoke about filming the Oscorp boardroom shot and how he asked Raimi, 65, if he could add some of his own spin onto the scene. 7 Jack Betts is seen on May 6, 2016. GC Images 'I really looked [Defoe] right in the eye, and I had kind of a smile in my eye — you know, like, 'You're fired, you motherf–ker,'' the actor explained. 'After, I finished it, [Raimi] said, 'That's it. Terrific. Print that one.'' 'My point being is that I wanted to add something just a little different to it instead of doing it the same way over and over and over and over. [Raimi] he was willing to do that. He really was. Wonderful man to work with.' The Hollywood vet was raised in Jersey City, New Jersey, before moving to Miami with his family at age 10. The actor received his degree in theater from the University of Miami, and shortly after graduation, relocated to New York to begin acting. 7 Jose Ferrer, Jack Betts in 'Another World.' Courtesy Everett Collection Betts landed his first role as a supporting actor in the 1953 Broadway adaptation of William Shakespeare's 'Richard III.' For two seasons, from 1960 to 1962, Betts played detective Chris Devlin in the CBS mystery series 'Checkmate' opposite Anthony George, Sebastian Cabot and Doug McClure. The show, created by Eric Ambler, followed private detectives solving cases in San Francisco with the help of a British criminologist. Betts appeared four times on CBS' Perry Mason from 1961-66 before he met Giraldi about starring in Sugar Colt. He told the director that he could ride a horse and had just won a shooting contest — of course, he had never been on a horse or handled a gun — but he spent the next three weeks learning those skills at John Wayne's ranch before reporting for duty at Cinecittà in Rome. Shortly after, he entered the soap opera world, landing a role on 'General Hospital' from 1963 to 1965. 7 Jack Betts, Barbara Lord, Peter Falk in 'The Bloody Brood.' Courtesy Everett Collection From there, Betts made his mark on the franchises, and along with 'One Life to Live,' he had parts on 'The Edge of Night,' 'The Doctors,' 'Another World,' 'All My Children,' 'Search for Tomorrow,' 'Guiding Light,' 'Loving,' 'The Young and the Restless,' and 'Generations.' Some of Betts most memorable television roles included 'Seinfeld,' 'Frasier,' 'Everybody Loves Raymond,' 'Monk,' and 'Friends.' His last credited series was on the Freeform drama 'Good Trouble' in 2019. 7 Barbara Bain, Jack Betts in 'Silver Skies.' Courtesy Everett Collection When Betts stepped onto the spaghetti Western scene in 1966 as the title character Hunt Powers in Franco Giraldi's 'Sugar Colt,' he was able to turn that film into 15 others until 1973. But Betts didn't get the same credit as a certain fellow western star did. 'In the hotel next to mine was Clint Eastwood,' he recounted in a 2021 interview. 'He'd go up to his mountain and do his Western and I'd go up to my mountain and do my Western. But while his films had distribution all over the world, my films were distributed [everywhere] except Canada and America.' Betts is survived by his sister, Joan – who is set to turn 100 this year – nephew Dean, and nieces, Lynee and Gail.

Yahoo

18 hours ago

• Yahoo

'Étoile' has been cancelled, but no one blends dance and humour as brilliantly as Marguerite Derricks

One of the most devastating entertainment losses of the year is certainly the cancellation of the show Étoile after just one season, from Gilmore Girls, Bunheads and The Marvelous Mrs. Maisel creator, Amy Sherman-Palladino, and her husband Dan Palladino. But with that puzzling move from Prime Video, there's no better time to celebrate all the talent in the short lived series. That includes Marguerite Derricks, an incredibly beloved and impressive choreographer who's worked on Palladino's previous projects. Additionally, she's contributed her talents to the series Behind The Candelabra and movies including Showgirls, 13 Going On 30 and the Austin Powers franchise. But in terms of what makes the Palladinos such effective collaborators, Derricks stressed that they way they shoot dance in their shows is done in a way where there's a real "marriage of the camera with movement." "For a choreographer, there's nothing greater than that," Derricks told Yahoo. "On Bunheads I started to play with them that way, and it's carried on through four different TV series." "It's just made me such a better choreographer. ... I wish every choreographer would find collaborators like Amy and Dan, because there's nothing like it." One example of how Étoile really makes the dance in the show an integrated part of the story is the Swan Lake moment with Tiler Peck in Episode. It's a dance moment, but written in a way that's injected with humour. "That was written by Dan Palladino and ... when they sent me the outline for the script I literally was laughing out loud," Derricks shared. "I couldn't wait to attack that and to have Tiler Peck be the one that got run over by the swans, it was just such a gas." "Their comedy genius is always on the page and then I just put it into motion. I've worked with comedians my whole life, so it's something that I really, really enjoy, but it's always there on the page. There's never, a question mark for me with Amy and Dan, they're so clear." Another highlight is a piece choreographed by Gideon Glick's character Tobias Bell in Étoile. A character that's hysterical with his quirkiness, brought out in the character's choreography as well. "That was my big voice in the show," Derricks said. "I love Gideon Glick. He is the coolest, craziest human being. He would come and watch me and he thought I was funny because I kind of stalked the dancers like a lion. And so he wanted to pick up on that." "And I studied him and I like his quirks, and I wanted to make sure that that's what was driving me a lot with the choreography. So I the two of us, we kind of became one, we became Tobias together." While Étoile certainly isn't a show that requires the audience to have a dance background to enjoy, there was still such a commitment on the show to make its dance spaces and dancers feel real. What the dancers are doing before classes, what they're doing in the hallways, every detail was thought of to make these moments look authentic. "That was the first thing [Amy] talked about with every department head, we all knew that was our marching orders," Derricks explained. "I kind of had a little bit of a sense of that from working on Bunheads with her, but now we were going from a young kids school to the professional world, and so ... we did our research to make sure that everything was really up to par." "Tiler Peck was a student of mine. I would call Tiler and ask her questions, and it was very important to us that, when this show came out, that the ballet world would give us a thumbs up on it. ... There's been so many shows out there that have been done in a way where it's not authentic. So for me right now, the feedback I'm getting from the ballet world is the greatest thing that I could have ever hoped for." Much of what happens in the "Hollywoodization" of dance, specifically ballet in film and TV, largely sees talented dancers be nameless and on the periphery of the project. But in Étoile, Sherman-Palladino made wanted to use there dancers to their full potential, and crediting them for their work. "That was the most exciting thing for me," Derricks said. "Every single dancer that came into our show, [Amy] read them for parts. She wanted to cast the dancers. She wanted to hear their voices. I want to scream from the rafters, because that's happening more and more, but it really happened on [this] show. ... Dancers are so great at telling stories without speaking, so just get comfortable with talking as well. I'm very proud of that. ... The dancers were getting lines, they were so excited." A core element of Étoile is that dancer was very much used to tell the story, it's an integral part of the narrative. But it also immerses the audience in a dance world many haven't had any exposure to, portraying ballet dancers in a different light and as more fully formed characters, held up by brilliant and unique choreography from Derricks. "Ballet is sexy, ballet is strong. Ballet dancers are like football players, the athleticism that they have," Derricks stressed. "I want people to see ballet in a whole different way." "There's a lot of wonderful choreographers out there now doing out the about box, beautiful work, but for somebody that doesn't know ballet, I hope that we can reach a greater audience and turn them on to all sides of ballet."

UPI

a day ago

• UPI

Russell Crowe confirms 'Highlander' casting

June 21 (UPI) -- Oscar-winning Gladiator, A Beautiful Mind and Thor: Love and Thunder star Russell Crowe has joined the ensemble of the new remake of the classic 1986 fantasy film, Highlander. "Yes... it's true... I shall be returning to the highlands... with a sword... it has been a few centuries..." there can be only one," Crowe wrote on X Saturday. The actor's post included a link to a Variety report about the casting news. Crowe will play the mentor to Henry Cavill's Scottish title character in the film about immortal warriors. The movie is being directed by Chad Stahelski and is expected to be released theatrically in 2026. Christopher Lambert and Sean Connery starred in the original. Penn siblings, Russell Crowe attend Rome Film Festival