logo
‘The Arts Tower' brings new meaning and color to Riyadh's Sports Boulevard

‘The Arts Tower' brings new meaning and color to Riyadh's Sports Boulevard

Arab News7 days ago

RIYADH: As you venture down the promenade of the capital's latest attraction, Sports Boulevard, a new landmark is sure to catch your eye.
A tower at the intersection of Prince Mohammed bin Salman bin Abdulaziz Road and Prince Turki bin Abdulaziz Al-Awwal Road bursts with color and character.
The mind behind this work, named 'The Arts Tower,' is renowned Saudi artist Abdulnasser Gharem, who has centered the mundane within the architectural landscape early on in his career with works like 'Siraat' (The Path) and 'Road to Makkah.'
Gharem told Arab News: 'This piece is a witness to the transformation that's happening here. It's a symbol of investment into the cultural infrastructure as proof of how important that is to any society or community. I think the tower represents this transformation, especially that it, in itself, transforms one of the symbols of energy into a beacon for creative expression.'
Previously one of numerous 83.5-meter electricity pylons, the tower was meant to be removed for the sake of the Sports Boulevard project.
'I asked if I could have one,' Gharem said, explaining that, as one of the nominated artists to propose a work to beautify the boulevard, he was keen to use the existing structure.
• The selected proposal features a total of 691 colored panels that were installed to bring the tower's vibrant facade to life.
• The pieces used are all related to the grand narrative of the Kingdom, including economic diversity, cultural transformations, and social changes.
Author and curator Nato Thompson said about the work in a statement: 'By repurposing a symbol of energy infrastructure and turning it into a beacon of artistic expression, Gharem highlights the evolving role of culture and art in Saudi Arabia's development journey.
'It stands as living proof of the Kingdom's commitment to nurturing its cultural landscape, making arts and creativity an inseparable part of its identity just as oil and energy were in the past.'
The selected proposal features a total of 691 colored panels that were installed to bring the tower's vibrant facade to life.
It utilizes elements from Saudi architecture and patterns we recognize from our old homes, primarily the triangular shape.
'I was lucky that the tower was made up of triangles, which is a geometrical shape that brings together the different regions of the Kingdom and the historical features of our beginnings, so it's a symbol of unity,' Gharem said.
The pieces used are all related to the grand narrative of the Kingdom, including economic diversity, cultural transformations, and social changes.
This piece is a witness to the transformation that's happening here. It's a symbol of investment into the cultural infrastructure as proof of how important that is to any society or community.
Abdulnasser Gharem, Saudi artist
'The colors are alluding to the connection between our history and heritage and the concepts of cheerfulness and mental hospitality. A tower always forces you to look up.'
For Gharem, Saudi Arabia's Vision 2030, like 'The Arts Tower,' constantly lifts eyes upward, motivating people to leap from the familiar into the unexpected, pushing them to embrace the future with imagination.
'The piece is based on sunlight,' he said. 'The daylight gives a completely, completely different dimension to the work compared to its urban illumination during the night.
'The colors do not just appear; they shift, transform, and come alive in different ways throughout the day. Here, nature becomes a crucial element to the structure.'
Even the wind has played a part in determining the number and placement of the colored pieces used. 'It taught me that there needs to be some gaps in order to allow the piece to breathe and I was forced to humble myself upon the power of nature.
'The wind became my partner in design,' he said.
'The Arts Tower' is designed to make people feel represented and connected.
While the Sports Boulevard promotes physical activity, the creative landmark serves a deeper purpose: it is a thoughtful space meant to inspire human interaction and community — and more importantly, invite them to slow down, engage, and ponder the future.
'Culture is one of the key factors for our country's development path. At the end of the day, culture is just as important as energy. It's worth investing in, and it's a certificate that the Kingdom is committed to nurturing its cultural scene,' Gharem said.

Orange background

Try Our AI Features

Explore what Daily8 AI can do for you:

Comments

No comments yet...

Related Articles

Saudi 100 Brands returns to Paris Fashion Week with Tranoi Showcase
Saudi 100 Brands returns to Paris Fashion Week with Tranoi Showcase

Arab News

timean hour ago

  • Arab News

Saudi 100 Brands returns to Paris Fashion Week with Tranoi Showcase

The Saudi Fashion Commission presents homegrown talents at Paris Fashion Week, to be held from June 24 to 27 at the fifth floor of La Samaritaine. The exclusive showroom dedicated to Saudi 100 Brands, the commission's flagship program, will highlight 11 trailblazing designers and their Spring-Summer 2026 collections. This exceptional showcase by Saudi 100 Brands aims to provide a platform for meaningful cultural exchange through contemporary Saudi fashion. It is part of a long-term vision — to establish the Kingdom as an essential presence in the global fashion industry. Burak Cakmak, CEO, the Saudi Fashion Commission, said: 'The return of Saudi 100 Brands to Paris Fashion Week reflects our commitment to showcasing Saudi creativity at the highest level. 'This platform not only brings our designers to a global audience but also deepens our connections with the international fashion community, reinforcing our vision to position Saudi Arabia as a driving force in shaping the future of fashion and nurturing meaningful global partnerships.' Boris Provost, CEO of Tranoï, said: "Saudi fashion is experiencing remarkable momentum, and we are proud to support this creative energy with Saudi 100 Brands. 'At Tranoï, we are committed to amplifying the voices of emerging talents on a global scale. This collaboration with the Saudi Fashion Commission perfectly embodies our mission: to offer an international stage to a new generation of designers, here in Paris, the fashion capital of the world.' The 11 designers presented in the renowned Parisian department store exemplify Saudi creative excellence, with a selection varying between menswear and womenswear. Menswear designers are 1886, Awaken, Eleven, Hajruss, Mirai and RBA. Womenswear designers are Razan Alazzouni, Rebirth, Reem Alkanhal, Waad Aloqaili and Yasmina Q Highlighted by Saudi 100 Brands and Tranoi, the event celebrates creative boldness and reaffirms the Saudi Fashion Commission's commitment to promoting emerging talent on the international stage. The creative showcase is open from June 24 to 27, from 9 a.m. to 7 p.m. on the fifth floor of La Samaritaine.

Recess evening at Hayy Jameel celebrates youth, creativity, alternative learning
Recess evening at Hayy Jameel celebrates youth, creativity, alternative learning

Arab News

time15 hours ago

  • Arab News

Recess evening at Hayy Jameel celebrates youth, creativity, alternative learning

JEDDAH: Hayy Jameel has hosted Recess: Closing Conversations to mark the conclusion of its flagship after-school initiative for teenagers. The evening offered a platform to revisit the transformative journey of the program's first cohort, and featured thoughtful exchanges with the learning team at Hayy, along with mentors who guided the students through the months-long experience. The session welcomed reflections from mentors including Dr. Effat Fadag, Saudi artist and founder of Naqsh Art Studio; Rizwana Anwer, educator and alternative learning advocate; Sahrish Ali and Nayla Attar, artist-teachers and members of the learning team at Hayy Jameel; and Abdelelah Qutub, exhibition designer and program mentor. Speaking about the inspiration behind Recess, Attar said: 'After all these foundations were laid out, we were really trying to create a comprehensive program, something that teaches teenagers how to navigate skills and topics usually reserved for much later in life. 'We wanted them to get a glimpse of what it means to move from high school into a design-thinking process, and even into the contemporary art world. There's a big gap in how people perceive and interact with art, especially in Saudi, and Recess was about bridging that.' Ali stressed the importance of creating lifelong learning spaces, and said: 'We started by developing a program for kids aged 5 to 13, but we noticed a gap when it came to teens, so we built this program with weekly after-school sessions, combining core theoretical knowledge, practical art studio time, and mentorship from creatives in our network.' Fadag said: 'It's not just about hearing, but listening. Listening helps promote the inner voice. One of the most important things for me was encouraging students to ask questions like 'Why are we doing this?' and to integrate research and critical thinking into their work. Art challenges us to negotiate identity and social engagement, and this is what we tried to bring into the program.' Anwer brought an educator's lens shaped by both international teaching experience and homeschooling, and said: 'I came from a traditional academic background, but as a teacher I saw how many students struggled with that model. 'When I became a parent I knew I didn't want to put my children in the same system. Homeschooling and unschooling helped me realize that learning can be more holistic and individual. That's what we tried to reflect in Recess.' Qutub, who boasts an architecture background, emphasized the importance of spatial thinking and collaborative presentation, and said: 'Students had a tendency to view their work in isolation, so I worked with them to think about how their pieces related to one another and to the space as a whole. 'My role was to get them production-ready, to help them engage with the real-world process of creating and displaying artwork, and to see themselves as part of a collective dialogue.' The showcase at Hayy Jameel featured the works of 10 young artists, with each piece a reflection of their journey through Recess. The multidisciplinary program, which ran from February to May, offered a structured yet flexible curriculum blending theoretical sessions, practical workshops, field trips, and portfolio development. Through art-making, mentorship, and cultural engagement, the students explored themes like identity, nature, technology, and personal narrative, resulting in works that invited reflection and dialogue. Hadeel Felemban, learning assistant at Hayy Jameel, said: 'The program was mainly designed for high-school students who are passionate about pursuing art at a higher level. 'It ran over the course of several months, with weekly Saturday sessions that combined theory, practical work, and mentorship from artists and educators. The students learned about the creative process behind artworks and exhibitions, built their own portfolios, and engaged with different departments at Hayy, including the exhibition, cinema, and public programs teams. They also had weekly interventions with guest artists and visited cultural sites like the Islamic Biennale and Al-Balad.' As the mentors gathered with students one last time for Closing Conversations, the atmosphere was charged with pride, curiosity, and a shared sense of accomplishment. Young artist Aleen Alqurashi shared how the program had transformed her perspective on both art and herself, saying: 'I honestly didn't think I had any talent in art; I just joined because I wanted to improve. 'But throughout this program, it really helped me see things differently; not just in art, but in life. I discovered talents I didn't know I had, and I wanted my final project to carry a deeper meaning, something people could relate to.' Nooh Spurlock, 14, also a homeschooled student and the son of mentor Rizwana Anwer, participated in the program with a concept that merged creativity, gaming, and self-exploration. He said: 'My work is about a video game — are you inside your mind when you're fighting against yourself? 'I was inspired by a lot of things: different video games, different elements from that genre. The mentors connected me with game developers who helped me with the research and planning.' His final project, titled 'Into the Mind,' was a video game set inside the player's consciousness, in which one must battle different versions of themselves. The game featured three levels, each representing a specific emotion, with each stage designed to mentally and emotionally prepare the player for the next.

Post Malone to headline Esports World Cup 2025 opening ceremony in Riyadh
Post Malone to headline Esports World Cup 2025 opening ceremony in Riyadh

Al Arabiya

time19 hours ago

  • Al Arabiya

Post Malone to headline Esports World Cup 2025 opening ceremony in Riyadh

US rapper and singer Post Malone will headline the opening ceremony of the Esports World Cup 2025, which will be held in Riyadh on July 10, 2025, the organizers announced Friday. 'Post Malone's performance will kick-off a seven-week event that brings together gaming, music, and culture, reflecting the EWC's role advancing gaming as mainstream entertainment for a digital generation,' a statement by the Esports World Cup Foundation (EWCF) said. Describing the artist's connection with gaming, the statement added that Post Malone has deep roots in the esports and gaming community – streaming Call of Duty: Warzone, PUBG, and Hunt: Showdown on Twitch, and collaborating with developers on in-game events, including a recent crossover with Apex Legends. The announcement for Post Malone as headliner follows the launch of EWC Music, an initiative aimed at creating an original music identity for the Esports World Cup and establish music as a core pillar of the fan cultural experience, EWCF's 'This year's [opening ceremony] will deliver a fresh take on the classic story of ambition, resilience and progress, told through the lens of EWC,' added Ariel Horn, executive producer of the EWCF. 'It's exciting and new. So many game genres converging on one global stage, the music fuels the competitive fire at the heart of this event and this industry, and Post Malone is the perfect voice to carry that passion and celebrate the beginning of an historic event.' The EWC 2025 will feature 2,000 players and 200 clubs from more than 100 countries, competing in 25 tournaments across 24 games for a record-breaking prize pool of over $70 million.

DOWNLOAD THE APP

Get Started Now: Download the App

Ready to dive into a world of global content with local flavor? Download Daily8 app today from your preferred app store and start exploring.
app-storeplay-store