logo
Pune to celebrate Odisha's Raja tradition with classical dances, message of menstrual hygiene

Pune to celebrate Odisha's Raja tradition with classical dances, message of menstrual hygiene

Indian Express13-06-2025

Since ancient times in Odisha, the first showers of the monsoon have marked the beginning of a festival that celebrates Mother Earth's menstruation and her preparation for motherhood. It was called Raja, from the term Rajaswala, and marked the time when the earth becomes fertile and can receive seeds that will yield a rich harvest.
'During this period, girls are treated like queens. They adorn themselves in traditional outfits, enjoy swings, indulge in delicacies, such as poda pitha and chenna poda, and participate in cultural activities. The festival subtly spreads awareness about menstrual hygiene through traditional practices, including the consumption of cooling foods, such as Raja paan,' says Nikshita Sarangi, an Odissi dancer and trustee of the Pune-based Kalinga Kala Kendra Trust.
On June 15, the Kalinga Kala Kendra Trust will celebrate the power of menstruation and the essence of motherhood through an elaborate display of Indian classical dances. Raja Mahotsav 2025 will feature nine classical dances — Kuchipudi, Mohiniyattam, Kathakali, Kathak, Bharatanatyam, Manipuri, sattriya, Odissi and Gaudiya Nritya.
'In olden times, Raja used to be a four-day rest period for Mother Earth when people would not burden the earth with loud sounds, step on her with heavy footwear or put too much pressure on her. Young, unmarried girls were given rest from household chores. Neighbors invite girls to their homes. But, how do we know that Mother Earth is menstruating? It is said that an elephant trumpets at the time, signaling the onset of rainfall when the earth becomes soft,' says Sarangi. Hence, the highlight of the festival will be the famous Odissi dance piece, Banaste Dakila Gaja (An elephant is trumpeting in the forest), which has, traditionally been a part of Raja celebrations. This will be performed by Swagatika Mahapatra, Rashmita Prasad, Smita Das and Arunima Mohanty with disciples of Odissi dancer Madhumita Mishra.
The nine classical dances come together in a series, Nritya Navratna. The performers cover a cross-section of India, from Odissi dancer Pujayita Bhattacharya being from Odisha, Gaudiya Nritya performer Paulomi Sakhalkar coming from West Bengal, Suja Dinkar of Kerala showcasing Mohiniyattam, Kuchipudi by Dhanya Menon of Andhra Pradesh, Kathak by Mausumi Roy Dev of Uttar Pradesh, Kathakali by Paromita Mukherjee of Kerala, Manipuri by Sumana Chatterjee of Manipur, Sattriya by Yosha Roy of Assam and Bharatanatyam by Priya Bhattacharya of Tamil Nadu. The event will also feature a folk dance of Odisha, Rangabati.
'Every element of Raja will be on stage, from the jhula to the traditional foods of the festival. Swinging on a jhula has been associated with Raja as it empowers women to feel free to explore the world, and be in a happy mood. Healthy hormones ensure a healthy menstrual cycle and healthy motherhood for the future,' says Sarangi.
The event will crown all the dancers 'as all the performers of Raja Mahotsav are queens'. 'We will also be talking about Operating Sindoor on stage,' says Sarangi.
Dipanita Nath is interested in the climate crisis and sustainability. She has written extensively on social trends, heritage, theatre and startups. She has worked with major news organizations such as Hindustan Times, The Times of India and Mint. ... Read More

Orange background

Try Our AI Features

Explore what Daily8 AI can do for you:

Comments

No comments yet...

Related Articles

International Yoga Day: Odissi exponent Surupa Sen on how dance and yoga nourish the body and the mind
International Yoga Day: Odissi exponent Surupa Sen on how dance and yoga nourish the body and the mind

The Hindu

timea day ago

  • The Hindu

International Yoga Day: Odissi exponent Surupa Sen on how dance and yoga nourish the body and the mind

'Run! Run faster and you will get there quicker!', is all we hear and do in our lives. We are constantly surrounded by the demand to cope no matter how. On the other end of the spectrum, our ancient practices teach us to be still. Yoga and classical dance are both indigenous traditions of India that seek the same goal — to be aware of the breath and let the praana guide every action. To engage both the body and the mind to act at once for a holistic experience. The ancient practices suggest that we pause to engage deeply with life, and compassionately with ourselves. Yoga enables the mind-body balance that help us make better choices for living. Dancers are complex movement artistes. They have to be contortionists, martial artists, poets, story tellers and sculptors all at once. They do not just bring an idea to life when they dance but create life itself in each moment. As a dancer, my body changes every moment to adhere to a complexly shifting mind. From the slightest quiver of a lip and the fleeting angle of the eye to the gentle tremble of a finger, all come together to express a single nuanced emotion. . For a dancer, the body is a living instrument. If my body must go to places that my mind seeks in its imagination, I must train to stretch its potential so that I may inhabit those boundless worlds. Thus when the body, mind and spirit come together, we have reached our goal. Martha Graham, the great contemporary dancer and choreographer said, 'I am a dancer. I believe we learn by practice. Whether it means to learn dance by practicing dancing or to learn to live by practicing living'. In the pursuit of excellence, for the past 35 years that I have lived the life of a dancer at Nrityagram, yoga and other kinds of cross-training has been integrated into our daily schedule. For years now, we have studied and developed body kinetics that combine different perspectives of training to specifically nourish and inform the Odissi body. In my initial years as a student, I found a lacuna in the application of yoga practice to the lines of alignment within which the Odissi dancer must function. Most practitioners of yoga may not be dancers or necessarily understand the forces acting on a dancer's body. I felt this to be the central reason for the injuries I faced as a dancer. I therefore attempted to understand on my own through research and study ways to heal myself and to ensure that none who trained with me would suffer the same damage. Choosing selectively from different forms of body work, we created a curriculum that would enhance our potential as performers. At Nrityagram, the dancers begin their day with a walk or run, then clean the gurukul spaces, followed by body conditioning exercises. Each day is a different model that must respond to the body's need for that particular day. In order to do that, the dancers must first prepare their mind so that it assimilates the body's needs ensuring the right choice of exercises to better their practice for that day. Each bone and muscle must be oxygenated and lubricated to sufficiently deliver at the highest level. Once this preparation is complete, a further warm-up is done in class before the rigour of complex dance vocabulary is undertaken. After many hours on the dance floor, we allow the body time to de-stress with stretches that are suited for each dancer to recover as quickly as possible. Nrityagram has been at the very forefront of establishing the idea that the longevity of a dance career depends on the adequate protection and respect we must give to and have for our bodies. Both choreographically and as performers, we have pushed our abilities to render new dimensions of skill in the classical dance world. This, in turn, has inspired artistes to explore new and more efficient ways of working both in Odissi and other dance styles. Dance traditions in India have been handed down through generations of artistes. As we gaze at the dancing figures on temple walls, we seek what they have — both yogic stillness and flexible body. Yoga and dance together can help us achieve this. Though AI and bots have entered the human space and threaten to do all that we can, it cannot for now express what the dancer's body can. Until then, let us continue to nourish this extraordinary instrument called the human body through yoga and dance.

This murder mystery docu-series is based on a serial killer who committed..., he murdered…, has a 6.4 IMDb, series is...
This murder mystery docu-series is based on a serial killer who committed..., he murdered…, has a 6.4 IMDb, series is...

India.com

time2 days ago

  • India.com

This murder mystery docu-series is based on a serial killer who committed..., he murdered…, has a 6.4 IMDb, series is...

Action, suspense, and thriller genres are always popular on OTT platforms and in Bollywood. Numerous films and web series are created based on these themes. Three years ago, a particular series was released on Netflix that made viewers sleepless. It's not recommended for people with weak hearts to watch this documentary alone. After viewing this three-episode documentary, your faith in humanity may begin to waver. You'll find your mind racing, and you might start to question everyone around you. 2023's Thriller Docu-Series Here we are talking about the 2023 thriller docu-drama mini series Indian Predator: The Diary of the Serial Killer. This story is of a small town, Kannauj in Uttar Pradesh, where one day a famous journalist, Diwan Singh Yadav, suddenly disappears. Diwan Singh was a sharp-witted reporter and often reported on the collusion between the police and criminals. When he was not found for several days, the matter reached the police. During the investigation, the police's attention falls on a man named Raja Kolandar. He was seen as a respected person in society. An educated man with a family, but there was a cannibalistic monster hidden inside his life. When the police searched Raja's house, they found a diary that changed everything. The Hidden Truth In Raja's Diary In this diary, Raja himself had written that he had killed 14 people. Every page was exposing his disgusting thoughts and mental illnesses. His victims were not ordinary people – they were people whom Raja felt were a threat to him or were challenging his power. In some cases, he burned the bodies or cut them into pieces and threw them in different places so that no evidence could be found. When the police arrested him and questioned him, he proudly confessed his crime. He had no regrets for his actions. After Raja's arrest, when the pages of his diary appeared in the media, there was a stir in the whole country. People were surprised how an ordinary-looking person could be so bloody and crazy from inside. unravels the whole story slowly and in depth – how the police found clues, how Raja was caught, and how his diary cleared everything up. The IMDb rating of this series is 6.2, helmed by Dheeraj Jindal. This docu-series has three bone chilling episodes which is currently streaming on Netflix.

Amid cinema hall crisis, ‘Raja' releases run to packed houses
Amid cinema hall crisis, ‘Raja' releases run to packed houses

New Indian Express

time3 days ago

  • New Indian Express

Amid cinema hall crisis, ‘Raja' releases run to packed houses

BHUBANESWAR: The 'Raja' market for Odia cinema is booming again. Babushaan Mohanty's new movie, 'Bou Buttu Bhuta' and Sabyasachi Mishra's 'Ananta' released ahead of the three-day festival, have been running to full houses ever since. Yet, the lack of theatres continues to be a cause of worry for the makers. While 'Bou Buttu Bhuta' has been directed by Jagdish Mishra, 'Ananta' is by national award-winning filmmaker Sabyasachi Mohapatra. In fact, Babushaan's film has broken all the previous day-1 box office collection records in Odia cinema. Another first in the industry was the midnight release of 'Bou Buttu Bhuta'. The film released on Wednesday midnight and earned `51.2+ lakh on the first day, breaking the box office record of Anubhav Mohanty whose film 'Karma' had earned `37.20 lakh on its first day in Dussehra last year. The box office collection of 'Bou Buttu Bhuta' has already crossed `2 crore now. Similarly, 'Ananta' is based on 'Randi Pua Ananta' written by legendary writer Fakir Mohan Senapati. It tells the story of Ananta, essayed by Sabyasachi, who sacrifices his life to save his village from a devastating flood. While the box office collection of 'Ananta' is not known yet, the movie has also had a good opening. While 'Bou Buttu Bhuta' released across 60 theatres including single screens, multiplexes and cineplexes, 'Ananta' was released in 40 on June 12. In addition, 'Ananta' has been released in Bengaluru, Chennai, Pondicherry, Mumbai, Pune and Delhi, and plans are on to release it in Coimbatore and Tirupati soon.

DOWNLOAD THE APP

Get Started Now: Download the App

Ready to dive into a world of global content with local flavor? Download Daily8 app today from your preferred app store and start exploring.
app-storeplay-store