logo
Aditya Roy Kapur And Fatima Made Ali Fazal Wait Two Days On Metro... In Dino Set - Heres Why!

Aditya Roy Kapur And Fatima Made Ali Fazal Wait Two Days On Metro... In Dino Set - Heres Why!

India.coma day ago

Actor Ali Fazal, who is awaiting the release of his upcoming film 'Metro... In Dino', has shared that he was quite anxious when he walked on to the sets of the film. He said that he was told by his co-actors Aditya Roy Kapur and Fatima Sana Shaikh to wait for 2 days before he gets acquainted with the method of director Anurag Basu.
Ali spoke with IANS recently, and shared that he fully surrendered himself to Anurag, and didn't think of how the larger narrative of the film is shaping up. He said that Anurag had full control on the narrative, as he was at the edit table deciding the fate of the characters in a very tricky film.
Speaking with IANS, Ali said, 'With somebody like him, you can trust. I was very anxious. Because all these people, Adi, Fatima. Pankaj sir have worked with him in 'Ludo'. So when I went to the set. I was like, 'What's happening? You guys are so relaxed. What's the script?' Where? What's happening?'. They told me, '2 days. And then you start understanding his method''.
Earlier, the actor had shared if the muscle memory of guitar strumming in 'Give Me Sunshine' came in handy for his upcoming release. Ali essays the role of a musician in the Anurag Basu directorial, and said that while 'Give Me Sunshine' from '3 Idiots' had a very simple chord structure, the songs composed by Pritam in 'Metro... In Dino' are far more complex, and demanded a lot from him.
He told IANS, 'I had to learn. For some shots, I had to really learn the chords and stuff because again, these are very complex compositions. I was like, 'You have Pritam da and all these celebrated singers and musicians. Suddenly, you are sending such complex compositions'. I said, 'I can't'. But we tried to figure out the best way'.
Presented by Gulshan Kumar & T-Series presents, in association with Anurag Basu Productions Pvt. Ltd., 'Metro In Dino' is produced by Bhushan Kumar, Krishan Kumar, Anurag Basu, and Taani Basu.
The film is set to arrive in cinemas on July 4, 2025.

Orange background

Try Our AI Features

Explore what Daily8 AI can do for you:

Comments

No comments yet...

Related Articles

Boman Irani recalls Sunil Dutt ordering 23 umbrellas so crew could eat together
Boman Irani recalls Sunil Dutt ordering 23 umbrellas so crew could eat together

India Today

timean hour ago

  • India Today

Boman Irani recalls Sunil Dutt ordering 23 umbrellas so crew could eat together

Veteran actor Boman Irani will soon be seen in Anupam Kher's 'Tanvi The Great'. Known for his memorable roles in films like 'Munna Bhai MBBS' and '3 Idiots', he recently reflected on how the culture on film sets has changed over the an exclusive chat with India Today, recalling a heartwarming memory from his first commercial film, 'Munna Bhai MBBS', Irani shared, 'Sunil Dutt saab came on set and was surprised. He asked, 'Why is everybody going to their vans?' He stopped everyone and said, 'Please, I don't care. Bring 23 beach umbrellas, set up a nice circle — sab log yaar, khana saath mein khayenge (everyone will eat together).''advertisementThe actor went on to express his nostalgia for that era. 'That era is gone. Now people go to their vans. Everyone eats separately. And I feel that camaraderie on set — people eating together — that really matters.' While the on-set dynamics may have shifted, Boman finds inspiration in the new generation of actors. 'What really impresses me today is the youngsters. They prepare very well, which is really, really good. Some of them come from drama school, some from theatre — and those are the ones who are truly prospering.'He also emphasised the importance of preparation in acting, quoting legendary Hollywood actor Spencer Tracy: 'Learn your lines, hit your marks, and don't walk into the furniture.' Boman added, 'It sounds simple, but it means: just come prepared. Nobody's asking you to solve E = mc. It's a simple job — as long as you're prepared, that should be good."'Tanvi The Great' is scheduled for release on July 18 in theatres. Must Watch

Exclusive: Anupam Kher says Dilwale Dulhania Le Jayenge wouldn't work if released in 2025
Exclusive: Anupam Kher says Dilwale Dulhania Le Jayenge wouldn't work if released in 2025

India Today

timean hour ago

  • India Today

Exclusive: Anupam Kher says Dilwale Dulhania Le Jayenge wouldn't work if released in 2025

Veteran Bollywood actor Anupam Kher is gearing up for the release of 'Metro ...In Dino', which stars Neena Gupta opposite the actor. Now, in an exclusive chat with India Today, the actor opened up about how love and its portrayal in films have evolved or perhaps, corrupted over time. He also opened up about how Dilwale Dulhania Le Jayenge wouldn't work if released in 2025. advertisementIn a exclusive conversation, Kher said, 'Whatever happens in the world around us reflects in our movies — whether it's in the songs, the language, or the way we communicate love. Earlier, there was a certain kashish (appeal), a longing in romance.'Recalling the old days of cinema, he added, 'In those times, we never used to speak directly. Falling in love took time. Even going to bed with someone wasn't immediate—first love, then marriage, then sex. Now it's like, fall in love today, and have sex the next day. There's nothing wrong with it, I'm not judging. But that's how it's shown now.' Kher expressed his yearning for romantic films, 'I'm longing to see a love story where there's a certain amount of kashish. That's why I felt Hum Dil De Chuke Sanam was such a beautiful romantic film — Sanjay Leela Bhansali captured that essence so well. It had all of that.."advertisementHe continued with a rhetorical pause, asking, 'But now, there's a certain ghabrahat (restlessness). Where is the beauty of a romantic film anymore? Tell me — what was the last truly romantic film you saw? Exactly. asked why love stories were easier to tell in the past, he responded, 'Samaaj badal gaya hai (society has changed). Films reflect society. If you make an old-school love story now, maybe only a few people will go watch it.'When asked if 'Dilwale Dulhania Le Jayenge' released for the first time in 2025, would it have worked Anupam said, " No, I don't think it would. Today, it works because of its nostalgic value. But if it were made for the first time now, it wouldn't have had the same impact. Just like Gone with the Wind — if it were made today, it wouldn't resonate the same way. Times have changed, life has changed. Back then, in the late '90s and earlier, we had stories of couples eloping. But DDLJ was the first time when the hero said, 'I will convince your father. Only then will we marry.' That was new. The father tells his son, 'You failed in London? Good. We've all failed in India too.' These were fresh, grounded characters. Now, things are different."And yet, he believes love as an emotion has endured — it's just the expressions that have shifted. 'Love, at its core, may remain the same — but the way we express, portray, and understand it changes with every generation.' You May Also Like

‘Sitaare Zameen Par' review: More life lessons from Aamir Khan
‘Sitaare Zameen Par' review: More life lessons from Aamir Khan

Mint

timean hour ago

  • Mint

‘Sitaare Zameen Par' review: More life lessons from Aamir Khan

What might Aamir Khan's last decade-and-a-half have been like had he not done 3 Idiots? I'd imagine his fans, and maybe the man himself, would look at the 2009 film as a positive turning point. It was, after all, a wild success, one that set Khan up for other, even more successful films in the same vein. He was already gravitating towards morally instructive projects; Taare Zameen Par (2007), his first as director, was about a gifted dyslexic child. But 3 Idiots showed how happy audiences were to be lectured at if you made yourself look silly and made them feel smart. Always tagged as a 'thinking actor', Khan now seemed determined to make audiences think, even if his films often did the thinking for them. Sitaare Zameen Par might be the purest example yet of an Aamir Khan Life Lessons Film. There's barely a scene in its 158 minutes that doesn't lend itself to a teachable moment. Like in Dangal (2016), Khan assumes the role of uninformed grump who will eventually see the light. Every wrongheaded thing said by basketball coach Gulshan about people with learning disabilities is brought up later and turned into sagely advice. If you like being explained things like you're a seven-year-old, this is the film for you. Freshly fired from his job for punching another coach, Gulshan is arrested for drunk driving. The judge hearing his case spares him a jail sentence in lieu of community service as the coach of a team of youngsters with various learning disabilities, from Down syndrome to invisible autism (the team-members are all played by differently abled actors). Gulshan is blithely insensitive to begin with, referring to his charges as 'mental' and 'abnormal'. This prompts the first of many, many lectures, with the school's owner, Kartar (the winsome Gurpal Singh), patiently explaining how everyone has their own level of normal. Sitaare Zameen Par is a remake of the 2018 Spanish film Champions, which has already been adapted in Saudi Arabia, Germany and USA (as a Woody Harrelson film). Director R.S. Prasanna and writer Divy Nidhi Sharma don't just retain the broad beats of the original, they reuse specific jokes, actions, scenes verbatim, from a wayward throw that knocks down a tube light to a mouse rescue that helps overcome a fear of bathing. Some of the borrowings are done without a thought as to whether they'd work here. In the Spanish film, one of the players has a girlfriend who might be a sex worker. The gag fails miserably in Sitaare, both because the character is younger and because it feels like cheap bait to have the word 'prostitute' repeated for laughs in an Indian film (it's like a version of the 'balaatkar' gag in 3 Idiots). Prasanna made the sparkling Shubh Mangal Saavdhan (and its Tamil original, Kalyana Samayal Saadham), but is entirely subsumed by Khan's desire to educate and edify. He may as well be a hired hand on an episode of Satyamev Jayate, the widely watched social reform documentary series that Khan hosted in the early 2010s. There's a base level of professionalism here, but I'd rather see a trainwreck than another brightly lit, boringly staged, generically scored Hindi film. When Gulshan's not being lectured by Kartar or his mother (Dolly Ahluwalia), his wife (Genelia Deshmukh) shows up to criticise and improve him (they're separated because he doesn't want to have children). He slowly becomes more empathetic, guiding the team through a special needs national basketball tournament. On the bus back from Chandigarh, they're heckled by unsympathetic passengers: again, a scene lifted almost word for word from the original, but without rhythm or wit. That Khan, who had a deserved reputation for pushing original material, has now made two films in a row without an original bone in their body, is both depressing and indicative of where Hindi cinema is today. He is, of course, responsible for his own choices, but I also blame 3 Idiots. Most people are ruined by failure. Aamir Khan was ruined by success.

DOWNLOAD THE APP

Get Started Now: Download the App

Ready to dive into a world of global content with local flavor? Download Daily8 app today from your preferred app store and start exploring.
app-storeplay-store