Evanescence Scores Its First Hit In Years, With Help From Netflix

Evanescence returns to the Billboard charts with 'Afterlife,' which debuts on two rock airplay ... More charts while 'Bring Me to Life' and Fallen continue to thrive. Singer Amy Lee from US rock band Evanescence performs at the main stage of the Rock in Rio music festival at the Rio 2016 Olympic Park in Rio de Janeiro, Brazil, on September 15, 2024. (Photo by Mauro PIMENTEL / AFP) (Photo by MAURO PIMENTEL/AFP via Getty Images)
Evanescence doesn't drop new music all that often these days, so when a track does finally arrive, it's rather exciting for fans. The Grammy-winning rock band was once a mainstay on the charts, back when hits like "Bring Me to Life" and 'My Immortal' were inescapable. In more recent years, it's become clear the group is in no rush to dominate the market, choosing instead to release songs sporadically.
The hard rockers are back on the Billboard charts thanks to a new single titled "Afterlife." It's the band's first proper release in a few years, and even though it's not a blockbuster just yet, a win is a win, and fans seem to be into the cut.
"Afterlife" opens on a pair of rock-focused Billboard rankings this frame, kicking off what could become a lengthy run for the track. While it didn't generate enough streams or sales to land on charts centered around those metrics, it has managed to break through at radio, at least a little.
The tune debuts at No. 38 on the Mainstream Rock Airplay chart, which ranks the most-played tracks at 'mainstream' rock radio stations – which can mean 'harder' – across the U.S. At the same time, it barely finds a home on the Rock & Alternative Airplay tally, coming in at No. 50.
"Afterlife" brings Evanescence back to the Rock & Alternative Airplay chart for the first time since 2021. Back then, "Better Without You" climbed as high as No. 20. That cut marked the third time the band had reached the ranking, so this latest debut brings the group's total number of appearances to just four — a surprisingly low figure, given how massive the band once was.
Over on the Mainstream Rock Airplay list, Evanescence has been more successful. "Afterlife" becomes the band's twelfth song to land on that genre-specific tally.
For now, "Afterlife" appears to be a standalone single. It's not tied to an upcoming album or EP, at least not yet. According to a social media post from the band, the tune was recorded specifically for the Netflix animated series Devil May Cry. It's featured in episodes six and seven of the show, according to the group.
While "Afterlife" is just getting started, another Evanescence hit continues to perform remarkably well more than two decades after it first dropped. "Bring Me to Life," the cut that launched the band to superstardom, is still present on the Hard Rock Streaming Songs chart. This week, the single holds steady at No. 15 as it celebrates its 250 turns on the ranking.
Evanescence also manages one placement on a Billboard albums chart this frame. Fallen, the band's massive breakout full-length, improves slightly on the Top Hard Rock Albums chart. It rises from No. 22 to No. 19, gaining a bit of ground, and excitement around "Afterlife" may be to thank.

Try Our AI Features

Explore what Daily8 AI can do for you:

Learn with AIFact CheckingText to SpeechAI Summary

Related Articles

Forbes

10 hours ago

• Forbes

Rosé Matches BTS As Her Single Remains A Bestseller

Rosé's 'Apt.' ties BTS's 'Dynamite' as the longest-running K-pop hit on the Digital Song Sales ... More chart, as the tune earns its thirty-fourth week on the Billboard tally. NEW YORK, NEW YORK - DECEMBER 07: Rosé, aka Roseanne Park MBE, is seen in Midtown on December 07, 2024 in New York City. (Photo by TheStewartofNY/GC Images) Rosé's single 'Apt.' is the rare song from a K-pop artist that not only earns a lofty debut on the Billboard charts in America, but also manages to stick around. The track has maintained its impressive performance across all relevant consumption metrics in the United States for months, continuing to rank as a top streamer, radio favorite, and bestselling cut. At this point, the tune has been making history and breaking records thanks to its longevity, and this frame is no different, as it remains one of the top-selling titles in America yet again. Rosé's 'Apt.' Remains a Bestseller Rosé's collaboration with Bruno Mars is still present on the Digital Song Sales chart, dropping from No. 17 to No. 20. This latest turn marks the thirty-fourth week for 'Apt.' on Billboard's ranking of the bestselling individual tracks of any style or language in the U.S. on platforms like iTunes. As it turns out, that's a very special number for Rosé. Rosé Ties BTS for a Longevity Record 'Apt.' is now tied with 'Dynamite' by BTS as the longest-running tune by any K-pop artist in the history of the Digital Song Sales chart. Both cuts have lived on the list for 34 frames. Whether 'Apt.' can manage just one more stay is yet to be seen. The sales tally only features 25 spots, and 'Apt.' is close to falling off the roster. In the past tracking period, Luminate reports that the global smash sold 1,900 copies, a number which is down from the frame before. Depending on the competition it faces and how fans of Rosé and Mars show up, the Blackpink singer could soon break her tie with BTS. Or, there's a chance the two will remain tied. Rosé Also Beats BTS Star Jimin 'Apt.' has lived on many Billboard charts for more than 30 weeks, and it's still going. The tune breaks Rosé's tie with 'Who' by Jimin, and 'Apt.' now stands as the longest-charting track by any K-pop act in Hot 100 history with a thirty-fourth stay on that tally this time around. The cut is also still present on the Streaming Songs and Radio Songs charts, as well as a handful of pop radio rankings.

Yahoo

12 hours ago

• Yahoo

Forrest Frank Rules Top Gabb Music Songs Chart for Second Month, Charts 5 Songs in All

Forrest Frank's 'Your Way's Better' stalled the three-month reign of Lady Gaga and Bruno Mars' 'Die With a Smile' on the monthly Top Gabb Music Songs chart when it reached No. 1 on the April 2025 tally, and now he's joined Gaga and Mars as the only other act with a multi-month No. 1, reigning again on the May 2025 survey. Billboard has partnered with Gabb Wireless, a phone company for kids and teens, to present a monthly chart tracking on-demand streams via its Gabb Music platform. Gabb Music offers a vast catalog of songs, all of which are selected by the Gabb team to include only kid- and teen-appropriate content. Gabb Music streams are not currently factored into any other Billboard charts. More from Billboard Bonnaroo Organizers Share Revised Refund Details Following Backlash From Attendees Morgan Wallen Walks Out With NFL Legend Andre Johnson & 'Mattress Mack' at Houston Tour Launch: Watch Toñita Fest Returns as Caribbean Social Club Marks 51 Years: 'It's Important to Bring People Together' 'Your Way's Better' rules Top Gabb Music Songs for a second month, concurrent with the release of the song's parent album, Child of God II, which debuted at No. 12 on the Billboard 200 dated May 24. The song has topped the Hot Christian Songs chart for the last five weeks (dating to May 24) and has reached a best so far of No. 61 on the all-format Billboard Hot 100. It ranks at No. 68 on the latest list. 'Your Way's Better' is one of a whopping five Frank songs on the May 2025 Top Gabb Music Songs chart, thanks to a pair of debuts joining the three songs he already boasted on the ranking. 'No L's' and 'B.I.G.' debut at Nos. 14 and 19, respectively, while 'Drop!' reaches a new peak of No. 13 and 'Up!,' a collaboration with Connor Price, remains at its No. 25 best. Frank's five songs on the ranking equals the record set by Imagine Dragons on the inaugural Top Gabb Music Songs list for October 2024 — though notably, while Frank has the No. 1 song, Imagine Dragons' best that month was No. 16, with 'Bones.' Other moves on the latest chart include a three-spot leap for Alex Warren's 'Ordinary,' which reaches a new peak of No. 3 after its No. 6 debut on the April tally. 'Ordinary' has spent two weeks so far at No. 1 on the Hot 100, beginning with the June 7 survey. The only non-Frank debut of the week belongs to Morgan Wallen, whose 'What I Want,' which features Tate McRae, starts at No. 11. It was also a No. 1 on the Hot 100, debuting atop the May 31 list. See the full top 25 below. 'Your Way's Better,' Forrest Frank (=) 'Sorry I'm Here for Someone Else,' Benson Boone (=) 'Ordinary,' Alex Warren (+3) 'Beautiful Things,' Benson Boone (+1) 'Die With a Smile,' Lady Gaga & Bruno Mars (-1) 'APT.,' ROSE & Bruno Mars (-3) 'Love Somebody,' Morgan Wallen (=) 'Stargazing,' Myles Smith (+3) 'Slow It Down,' Benson Boone (+1) 'Pink Pony Club,' Chappell Roan (-2) 'What I Want,' Morgan Wallen feat. Tate McRae (debut) 'God's Plan,' Drake (-3) 'Drop!,' Forrest Frank (+4) 'No L's,' Forrest Frank (debut) 'Ain't No Love in Oklahoma,' Luke Combs (=) 'Butterfly Effect,' Travis Scott (-2) 'Please Please Please,' Sabrina Carpenter (+1) 'Deja Vu,' Olivia Rodrigo (-5) 'B.I.G.,' Forrest Frank (debut) 'Face 2 Face,' Juice WRLD (-8) 'Heat Waves,' Glass Animals (+1) 'Stressed Out,' Twenty One Pilots (-6) 'Let You Down,' NF (+1) 'Too Sweet,' Hozier (-1) 'Up!,' Forrest Frank & Connor Price (=) DROPS: 'Nothing Else,' Forrest Frank feat. Thomas Rhett; 'Pink Skies,' Zach Bryan; 'Thick of It,' KSI feat. Trippie Redd Best of Billboard Chart Rewind: In 1989, New Kids on the Block Were 'Hangin' Tough' at No. 1 Four Decades of 'Madonna': A Look Back at the Queen of Pop's Debut Album on the Charts Chart Rewind: In 1990, Madonna Was in 'Vogue' Atop the Hot 100

CBS News

14 hours ago

• CBS News

"Break on Through": How The Doors began

"Break on Through": How The Doors began "Break on Through": How The Doors began "Break on Through": How The Doors began In 1967, this video introduced a new American band: The Doors, who would quickly light the music world on fire, with a sound hypnotic, mystical, and almost menacing: You know the day destroys the night Night divides the day Tried to run, tried to hide Break on through to the other side Break on through to the other side Break on through to the other side, yeah They came together 60 years ago in Venice, California: Jim Morrison, a poet in leather pants, backed by Ray Manzarek on keys, Robby Krieger on guitar, and John Densmore on drums. The Doors soon got their break, in May of '66, at London Fog, a tiny nightclub on the Sunset Strip. It's now a barber shop. "Oh, I need a haircut," laughed Densmore on a recent return visit. The barber shop's owner, Chad Oringer, an avid Doors fan, asked for a photo with Densmore and Krieger, the band's last surviving members. The Doors (from left, Jim Morrison, Ray Manzarek, Robbie Krieger and John Densmore) pose for a portrait in Los Angeles, c. 1966. MichaelThe Doors were fired by London Fog, but quickly got another gig just a few doors down Sunset, at the Whisky a Go Go. Playing there, said Krieger, was "the biggest deal in town." "It was Mecca," Densmore added. The room isn't much different from what it was back then. "The stage is lower," Densmore said. People would dance in front of the stage. "And they would just all be down there writhing around. Very inspirational!" he laughed. He described the improvisational attitude of the band: "Ray handed me a crumpled piece of paper and it said, 'Day destroys the night. Night divides the day. Try to run. Try to hide … Break on through.'" Morrison had never sung lead before, and Densmore wasn't sure about him at first: "He was so shy, it was ridiculous. And I thought, 'This is not the next Mick Jagger! But I love playing music, so I'll fool around here.'" I asked, "Why did you have confidence the band would work if he was so inexperienced as a singer?" "It was the words," Krieger said. "They were so different than anything that was out there." "Gifted," said Densmore. "'Let's swim to the moon. Let's climb through the tide… ' A psychedelic love song. Wow!" Correspondent Anthony Mason with John Densmore and Robby Krieger, back on stage at the Whisky a Go Go, where The Doors played in 1966. CBS News In 1967, Los Angeles DJ Dave Diamond began playing their records on his show, "The Diamond Mine." Krieger said, "And he would call us all the time and say, 'Hey, man. Every time I play 'Light My Fire,' people go nuts!'" "Light My Fire," written by Krieger, went to #1. But Morrison's troubles with alcohol and drugs were already apparent. Densmore said, "At first I remember we talked about, 'Oh, he's an Irish drunk. He'll live forever. But deep down, maybe he's just a shooting star that'll be a quick impact.'" "You knew that right away?" I asked. "Kinda sensed it." "Was that hard to accept?" "Yeah," Densmore said. "I mean, we miss his artistry like crazy. We don't miss his self-destruction." After Morrison's sudden death in Paris in 1971 at age 27, Densmore and Krieger didn't always agree with Manzarek about the band's legacy. "At times, I felt he was selling The Doors too much. It's for the critics to do that," Densmore said. Krieger said, "He would try to spread the rumor Jim's not really dead." Why? "He loved the mythology," Densmore replied. "He lived for The Doors," said Krieger. "I mean, that was his whole life, you know? And he didn't want it to be over." ‎Genesis Publications Manzarek died in 2013. The band's 60th anniversary is celebrated in a new book "Night Divides the Day." To the end, The Doors were an improvisational group. One of their best-known songs grew out of another tune they were jamming on in a session. "We were goofing around," said Densmore, and "Ghost Riders in the Sky" morphed into "Riders on the Storm." It would be Morrison's final recording. At the Whisky a Go Go every month, Krieger (now 79) has been playing a Doors album in its entirety. Densmore (80) recently sat in on drums. "Well, these two geezers are still breathing," Densmore laughed. "Keith and Mick are 80 and they're out there pumpin'. There's other roads!" Robby Krieger (guitar) and John Densmore (on drums) perform The Doors album "L.A. Woman" at the Whisky a Go Go in Hollywood. CBS News For more info: Story produced by Gabriel Falcon. Editor: Joseph Frandino. See also: