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The 16 Coldest Martinis in Miami

The 16 Coldest Martinis in Miami

Eater22-05-2025

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Miami's love affair with coffee makes the espresso martini an understandable favorite, but as its palate matures, the classic martini has become the new 'it' drink in town. From the clean, bracing simplicity of a well-chilled gin martini to the briny indulgence of a dirty version loaded with olives, Miami's bartenders are putting their spin on this timeless icon. Here are the best spots to order one.
Locations are listed from east to west. Read More Eater maps are curated by editors and aim to reflect a diversity of neighborhoods, cuisines, and prices. Learn more about our editorial process. If you buy something or book a reservation from an Eater link, Vox Media may earn a commission. See our ethics policy.
A South Miami staple since the 1940s, locals mourned when it closed in 2015 and celebrated its return in 2022 — classics intact, including the signature ice-cold martini with a sidecar. The dark, cavernous feel adds to its charm, and dishes like the Original Thumb Bits (seared tenderloin tips with au jus served over toasted baguette slices) are a happy throwback in time.
This popular bistro from acclaimed chef Thomas Keller serves a martini inspired by the Vesper, the cocktail Ian Fleming created for James Bond. Made with gin distilled with olives, bay leaves, thyme, and rosemary, the Bistro Martini leans into a distinctive Mediterranean flavor, and while it isn't shaken as Bond would prefer, stirring it 50 times ensures it is ice cold. Sip it on the newly opened patio — a stylish space that's ideal for lingering over a well-made drink.
Order — what else — the house Gibson, a crisp, bracing martini that swaps olives for pickled onions, adding a tangy, savory edge to the classic. At the Gibson Room, it's elevated with a dash of dry sherry for a subtle nutty note, and served tableside from a Japanese shaker tin into a chilled glass. Two pearl onions round it out, offering just the right bite. This dimly lit bar, part of chef Michael Beltran's portfolio, sets the mood for indulgent pairings like maduros fondue with blue cheese and black garlic or bone marrow with buttermilk biscuits.
Martini lovers flock to this newcomer from the team behind the now-shuttered Jaguar Sun, once known for some of the city's best cocktails. Here, the martini is a choose-your-own-adventure experience, with options for spirit, style (dry, 50/50, dirty, and filthy), and garnish (don't pass up the house blue cheese olives). Not in the mood to decide? Go for the Sunny's Martini, made with freezer gin and manzanilla sherry.
This new addition to the Brickell bar scene may be a bit tricky to find (look for the unmarked door on the second floor of Mary Brickell Village), but it's well worth the effort. As the name suggests, this upscale speakeasy specializes in cocktails inspired by the Americas. The Taco Martini, made with tequila, avocado, grilled jalapeño oil, and a liqueur crafted from heirloom Mexican maize is as fun as it is flavorful.
Head to the second floor of the Citadel food hall to experience one of the city's top bars, where under the glow of red lights, imbibers sip cocktails named after mythical beasts. The martini, dubbed 'Tarasca' after the Andalucian dragon said to summon storms and hail, is a sleek, silky mix with dill, cardamom, and a hint of olive oil — a combination that's unexpected and bold.
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This longtime favorite edgy Vietnamese just rolled out a new martini lineup, with each of the four creations crafted by a different member of the bar team. Dubbed 'A Tini With A Snack,' the menu includes the Madame Ho Chi Minh, a Gibson-style martini with red bell shrub, paired with crispy pickled onion wonton, and the Golden Child, made with tequila, green chili, and served with crispy goat cheese stuffed olives. There's also the Dragon's Lair, which brings sake into the mix and comes with a side of wasabi peas.
Chef Massimo Bottura, renowned for his three-Michelin-starred Osteria Francescana in Modena, brings his signature edgy Italian fare to Miami with this rooftop restaurant, perched atop Julia & Henry's food hall. Among its inventive cocktails, the Nuovo martini, made with Parmesan-infused vodka, walnut bitters, and Parmesan garnish, is a savory stunner that pairs beautifully with pasta.
This lively aperitivo bar from Valentino Longo (formerly of the Champagne Bar) landed a James Beard finalist nod for Best New Bar less than a year after opening. Among several martini variations, a favorite with regulars is the Martini Doppio—a clever mashup of a dirty martini and a Gibson. Blending both French and Italian vermouth and topped with a cocktail onion steeped in sherry vinegar, oregano, and thyme, it hits a sweet-savory balance that's hard to beat. Pair it with one of the pizzas — some of the best in town.
For a martini with a view, head to this local favorite helmed by iconic chef Michael Schwartz. With sweeping vistas of Biscayne Bay and Miami's skyline, the Lupe Martini stands out with its floral, refreshing notes, thanks to a blend of Italian lemon liqueur and L'Aperitivo Nonino, a bittersweet, citrus-forward aperitif. It's the ideal sip for watching the sunset while snacking on Schwartz's famous yuca puffs.
This dark, retro bar in Miami Beach feels like a scene straight out of Miami Vice — if Don Johnson's character stumbled into a spot with top-tier cocktails and seriously good bar snacks. While there are several martinis on offer, the Bread Service Martini is a favorite. Served freezer-style (pre-batched and stored ice-cold for zero dilution) and paired with a buttery croissant, it's a match made in heaven.
Those craving a classic Miami experience shouldn't miss this legendary spot. Known for its seasonal stone crabs and surprisingly good fried chicken (one of the best-kept secrets in town), both pair beautifully with an ice-cold martini. The ample martini menu spans flavors like key lime, lychee, and Godfather Sour, among others. For a sampler, stop by the bar Mondays through Thursday from 4:30 p.m. to 6:30 p.m. for happy hour to enjoy the Tiny Tini cocktails.
The martini is a cocktail made with gin and vermouth, so what better place to enjoy one than at a bar dedicated entirely to gin? It's expertly made using gin infused with hojiblanca olives, nutty, fino sherry, dry vermouth, and finished with a saline solution for a briny edge. Pair it with the array of Spanish tapas, like jamon iberico de bellota, boquerones, or Manchego, for a perfectly balanced bite.
Whether kicking off the night or winding it down, a stop at the Greystone Bar is always a good call. This sultry hideaway sets the tone with dim lighting and a touch of old-school glamour, making it the perfect backdrop for a S'il Vous Plaît martini. Shaken with Botanist gin, Amaro Montenegro, and Lillet Blanc, it's a herbaceous twist on the classic, with just enough bite to keep things interesting. For purists, the traditional version is just as satisfying, and both pair perfectly with the bar's smash burger and live jazz. Water Lion Wine + Alchemy
Whether it's the gracious owners, shuck-to-order oysters, or the welcoming escape from the Miami chaos, this unpretentious bar tucked inside the Sagamore Hotel always hits the mark. While known for its extensive wine and sake collection, the real standout is the Dirty Pickle Martini. Made with briny, in-house pickles — a recipe so beloved it inspired the former bartender to launch his own local brand, Fancy Schmancy Pickles — this savory sip features a medley of over 11 vegetables, including radish, daikon, cauliflower, okra, cucumbers, and beets, with just a dash of olive brine. Le Sirenuse Restaurant & Champagne Bar
Those seeking a martini with a side of glamour should head to this stunning bar inside the historic Surf Club, an oceanfront retreat that once drew the who's who of Hollywood and high society. While best known for its champagne, the martinis here hold their own — from the house version with a dash of orange bitters to the inventive Mango Olives, made with gin infused with toasted Arborio rice, clarified mango puree, Japanese rice spirit, and a touch of olive brine. © 2025 Vox Media, Inc. All rights reserved.
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A South Miami staple since the 1940s, locals mourned when it closed in 2015 and celebrated its return in 2022 — classics intact, including the signature ice-cold martini with a sidecar. The dark, cavernous feel adds to its charm, and dishes like the Original Thumb Bits (seared tenderloin tips with au jus served over toasted baguette slices) are a happy throwback in time. Open in Google Maps
Foursquare
This popular bistro from acclaimed chef Thomas Keller serves a martini inspired by the Vesper, the cocktail Ian Fleming created for James Bond. Made with gin distilled with olives, bay leaves, thyme, and rosemary, the Bistro Martini leans into a distinctive Mediterranean flavor, and while it isn't shaken as Bond would prefer, stirring it 50 times ensures it is ice cold. Sip it on the newly opened patio — a stylish space that's ideal for lingering over a well-made drink.
Order — what else — the house Gibson, a crisp, bracing martini that swaps olives for pickled onions, adding a tangy, savory edge to the classic. At the Gibson Room, it's elevated with a dash of dry sherry for a subtle nutty note, and served tableside from a Japanese shaker tin into a chilled glass. Two pearl onions round it out, offering just the right bite. This dimly lit bar, part of chef Michael Beltran's portfolio, sets the mood for indulgent pairings like maduros fondue with blue cheese and black garlic or bone marrow with buttermilk biscuits. Open in Google Maps
Foursquare
Martini lovers flock to this newcomer from the team behind the now-shuttered Jaguar Sun, once known for some of the city's best cocktails. Here, the martini is a choose-your-own-adventure experience, with options for spirit, style (dry, 50/50, dirty, and filthy), and garnish (don't pass up the house blue cheese olives). Not in the mood to decide? Go for the Sunny's Martini, made with freezer gin and manzanilla sherry. Open in Google Maps
Foursquare
This new addition to the Brickell bar scene may be a bit tricky to find (look for the unmarked door on the second floor of Mary Brickell Village), but it's well worth the effort. As the name suggests, this upscale speakeasy specializes in cocktails inspired by the Americas. The Taco Martini, made with tequila, avocado, grilled jalapeño oil, and a liqueur crafted from heirloom Mexican maize is as fun as it is flavorful.
Head to the second floor of the Citadel food hall to experience one of the city's top bars, where under the glow of red lights, imbibers sip cocktails named after mythical beasts. The martini, dubbed 'Tarasca' after the Andalucian dragon said to summon storms and hail, is a sleek, silky mix with dill, cardamom, and a hint of olive oil — a combination that's unexpected and bold.
This longtime favorite edgy Vietnamese just rolled out a new martini lineup, with each of the four creations crafted by a different member of the bar team. Dubbed 'A Tini With A Snack,' the menu includes the Madame Ho Chi Minh, a Gibson-style martini with red bell shrub, paired with crispy pickled onion wonton, and the Golden Child, made with tequila, green chili, and served with crispy goat cheese stuffed olives. There's also the Dragon's Lair, which brings sake into the mix and comes with a side of wasabi peas. Open in Google Maps
Foursquare
Chef Massimo Bottura, renowned for his three-Michelin-starred Osteria Francescana in Modena, brings his signature edgy Italian fare to Miami with this rooftop restaurant, perched atop Julia & Henry's food hall. Among its inventive cocktails, the Nuovo martini, made with Parmesan-infused vodka, walnut bitters, and Parmesan garnish, is a savory stunner that pairs beautifully with pasta. Book with OpenTable
Book with OpenTable Open in Google Maps
This lively aperitivo bar from Valentino Longo (formerly of the Champagne Bar) landed a James Beard finalist nod for Best New Bar less than a year after opening. Among several martini variations, a favorite with regulars is the Martini Doppio—a clever mashup of a dirty martini and a Gibson. Blending both French and Italian vermouth and topped with a cocktail onion steeped in sherry vinegar, oregano, and thyme, it hits a sweet-savory balance that's hard to beat. Pair it with one of the pizzas — some of the best in town.
For a martini with a view, head to this local favorite helmed by iconic chef Michael Schwartz. With sweeping vistas of Biscayne Bay and Miami's skyline, the Lupe Martini stands out with its floral, refreshing notes, thanks to a blend of Italian lemon liqueur and L'Aperitivo Nonino, a bittersweet, citrus-forward aperitif. It's the ideal sip for watching the sunset while snacking on Schwartz's famous yuca puffs. Book with OpenTable
Book with OpenTable Open in Google Maps
Foursquare
This dark, retro bar in Miami Beach feels like a scene straight out of Miami Vice — if Don Johnson's character stumbled into a spot with top-tier cocktails and seriously good bar snacks. While there are several martinis on offer, the Bread Service Martini is a favorite. Served freezer-style (pre-batched and stored ice-cold for zero dilution) and paired with a buttery croissant, it's a match made in heaven.
Those craving a classic Miami experience shouldn't miss this legendary spot. Known for its seasonal stone crabs and surprisingly good fried chicken (one of the best-kept secrets in town), both pair beautifully with an ice-cold martini. The ample martini menu spans flavors like key lime, lychee, and Godfather Sour, among others. For a sampler, stop by the bar Mondays through Thursday from 4:30 p.m. to 6:30 p.m. for happy hour to enjoy the Tiny Tini cocktails. Open in Google Maps
Foursquare
The martini is a cocktail made with gin and vermouth, so what better place to enjoy one than at a bar dedicated entirely to gin? It's expertly made using gin infused with hojiblanca olives, nutty, fino sherry, dry vermouth, and finished with a saline solution for a briny edge. Pair it with the array of Spanish tapas, like jamon iberico de bellota, boquerones, or Manchego, for a perfectly balanced bite.
Whether kicking off the night or winding it down, a stop at the Greystone Bar is always a good call. This sultry hideaway sets the tone with dim lighting and a touch of old-school glamour, making it the perfect backdrop for a S'il Vous Plaît martini. Shaken with Botanist gin, Amaro Montenegro, and Lillet Blanc, it's a herbaceous twist on the classic, with just enough bite to keep things interesting. For purists, the traditional version is just as satisfying, and both pair perfectly with the bar's smash burger and live jazz.
Whether it's the gracious owners, shuck-to-order oysters, or the welcoming escape from the Miami chaos, this unpretentious bar tucked inside the Sagamore Hotel always hits the mark. While known for its extensive wine and sake collection, the real standout is the Dirty Pickle Martini. Made with briny, in-house pickles — a recipe so beloved it inspired the former bartender to launch his own local brand, Fancy Schmancy Pickles — this savory sip features a medley of over 11 vegetables, including radish, daikon, cauliflower, okra, cucumbers, and beets, with just a dash of olive brine. Open in Google Maps
Foursquare
Those seeking a martini with a side of glamour should head to this stunning bar inside the historic Surf Club, an oceanfront retreat that once drew the who's who of Hollywood and high society. While best known for its champagne, the martinis here hold their own — from the house version with a dash of orange bitters to the inventive Mango Olives, made with gin infused with toasted Arborio rice, clarified mango puree, Japanese rice spirit, and a touch of olive brine. Open in Google Maps
Foursquare

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‘Everyone is rich, nobody cares': My weekend with Monaco's jet set
‘Everyone is rich, nobody cares': My weekend with Monaco's jet set

Yahoo

time2 hours ago

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‘Everyone is rich, nobody cares': My weekend with Monaco's jet set

There is Monaco, and then there is Monaco. Many of us have visited the former, sitting at wrought-iron tables on café terraces, strolling along the promenade, visiting the parts of the magnificent palace which are open to the public. But while we are visiting the MAMAC museum and taking photos on Casino Square, a wholly separate Monaco is going on behind closed doors – on private rooftops, on balconies carefully shrouded from prying eyes by delicately manicured foliage, in clubs identifiable only by discreet plaques, and tucked away in the deepest recesses of Monte Carlo's hotels and casinos. It is a world in which most of us are unlikely ever to find ourselves. Yes, it is a club into which you can buy (or marry) your way, as many have. But money will only take you so far: its eccentric upper reaches are reserved for a select few – a pack with if not necessarily blue, then at least purple, blood. And like the Four Hundred of erstwhile New York, this club is, for the most part, a closed shop. On previous visits to Monaco, I had once or twice glimpsed this veiled world: the neatly preserved, white-haired women in tasteful tailored garb, watching haughtily from the top deck of the yacht club; aristocratically jawed gentlemen and shipping magnates smoking cigars on the balcony at the very back of the Casino de Monte Carlo. I was fascinated by it, longing for a closer look – and reasoned there could be few better opportunities than during the Monaco Grand Prix, 'the jewel in Formula 1's crown' and – alongside the likes of the Yacht Show, the Tennis Masters and the lavish Bal de la Rose – a stalwart of the Principality's glittering social season. If I was going to experience Monaco's essence at its most distilled – to rub shoulders with incognito minor royals and 12th generation patricians – this was surely the place to do it. My temporary access to this exclusive, elusive world came courtesy of British firm Go Privilege, one of a new and unusual breed of high-end concierge outfits which specialise in the sort of VIP gatherings I was keen to observe. They set me up with two of their Monaco packages – Friday aboard a trackside yacht (£1,000), and Sunday watching the Grand Prix itself from the terrace of Hotel Metropole's Yoshi, Monte Carlo's only Michelin-star Japanese restaurant (£3,495). It all felt too easy, as though someone had given me the secret password for some hidden back door. I packed every outfit I owned that could be reasonably passed off as quiet luxury, and arrived in Monte Carlo as the F1 practice sessions were kicking off. I was immediately whisked to my first Go Privilege engagement: a swish all-day party aboard 37-metre superyacht Sea Bluez, moored feet from the track in Port Hercule, one of a neat row of similarly lavish tri-deck crafts. A top-end tender zipped us across the port to its bow, weaving between other floating megaliths – on the right, Bernard Arnault's Symphony, with its helipad; on the left, Sir Philip Green's huge, sinuous Lionheart. Behind them, Monte Carlo's bizarrely beautiful patchwork of Belle Époque piles and incongruous high rises climbed towards the steep foothills of Mont Agel, its twisting streets and alleys crammed with people. On board the yacht, champagne flowed, and glamorous people in dark glasses and delicately branded sportswear drifted between the aft deck and a table in the salon laid with chichi snacks. In the lulls between races, some retired to the sundeck, applying a sunscreen which doesn't officially exist yet from glass vials which waited on each table, as a DJ played waves of gently pulsing ambient mood music. A woman in a candy-striped Gucci shirt hinted that there was at least one young aristocrat aboard the yacht moored beside us (a young Habsburg enjoying the fruits of their dynasty, perhaps?), and on the other side, two impeccably dressed men – one holding a tiny dog, the other wearing an Hermes cravat – watched inscrutably from a dining table on their promenade deck as Charles Leclerc's Ferrari buzzed by, 10 feet away. Opposite, in the tiered plastic chairs of the viewing terraces, gently perspiring in racing caps and Brioni polos, sat the sort of spectators for whom a €2,000 day's ticket – almost twice the cost of my place on the yacht – had been an inconsequential expense. In any other context, they'd have been the VIPs – but here, they were the poor relation; literally on the wrong side of the track. It was aboard the yachts around us that the magnates and countesses lurked, nonchalantly sipping champagne against a backdrop of gleaming white boats and dark shimmering water. 'Important people have always come to Monte Carlo,' a distinguished elderly Frenchman told me, when we got chatting near the ceviche platter. 'For some it's about being seen, but for the really important ones, it's about not being seen. Here, everyone is rich – nobody cares. If you walk down the street, nobody bothers you.' And then it was Sunday – race day – and I was meandering down the stately sunlit driveway of the Hotel Metropole, where a handful of cars had been given special permission to park. Some were merely expensive – but many others were custom made (the entirely baby pink Lamborghini Urus, for example), or officially non-existent (a brand shared by some of the cars on the track, for instance, but which is not currently known to produce SUVs). All was calm and quiet, a world away from the maelstrom of surging bodies and hi-viz attired marshalls penned in by narrow streets and metal barriers. Inside Yoshi, the hotel's Japanese restaurant, another clutch of effortlessly glamorous people milled around, picking at finger food (nigiri, takoyaki, lobster rolls, choux buns), still sipping champagne, and intermittently strolling out onto the terrace. I followed them, tottering up to the thick baroque balustrade. This, I'd been told, was one of Monaco's finest Grand Prix vantage points – but nothing could have prepared me for the reality of it. Barely five metres below was the track, stretching all the way to Casino Square corner on my right, and down into Mirabeau Haute, one of the circuit's most technically challenging bends (evidenced by its escape lane), to my left. As I gawped, the drivers' parade appeared on the crest of the hill; an open float carrying F1's golden boys, almost close enough to shake our hands. While we waited for the main event, I chatted to evenly tanned people – including a woman in white linen whose cheekbones could only have been the result of carefully considered breeding – who introduced themselves with enigmatic ambiguity: 'I'm an entrepreneur'. 'I have a little business'. I had expected there to be a great rush back to the balustrade when the Grand Prix itself began, but when the low-slung cars started to roar by – the smell of burnt rubber wafting up with every pass – I was surprised to note little change in tempo. People ambled out, watched a few laps, pointed to the car of Verstappen or Norris, then returned to the lacquered tables inside, which were now being laid with dessert. 'Don't you want to see?' I asked a stately 60-something gent – with slicked-back hair and an expression that suggested inherent satisfaction – as he disinterestedly sipped a tot of scotch. 'They go round; someone wins, someone loses. I've seen it before,' he replied, shrugging. 'Everyone here has seen it before.' He smiled and raised his glass. 'And now, so have you.' I replayed his words in my mind later that night – as I ordered a sad sandwich at a countertop bar in Nice Airport and waited in vain for someone to top up my glass of warm wine. And it dawned on me: earlier that day, I had been the one on a private balcony, carefully shrouded from prying eyes by delicately manicured foliage. I had not just managed a closer look at the world of Monaco's elite – I had, briefly, been living in it. It turns out that, if you know the password, getting through the hidden back door is the easy bit. The hard part – I realised, as a stale baguette arrived in front of me – is leaving it. Gemma Knight-Gilani was a guest of Go Privilege, whose Monaco Grand Prix 2026 packages start at £895 per person per day (Yoshi terrace at Hotel Metropole) and £1,000 per person per day (superyacht viewing), including all food, drinks and VIP passes. Broaden your horizons with award-winning British journalism. Try The Telegraph free for 1 month with unlimited access to our award-winning website, exclusive app, money-saving offers and more.

Cyprus' lyrical duelists spit fierce rhymes as they battle it out to the licks of a fiddle

timea day ago

Cyprus' lyrical duelists spit fierce rhymes as they battle it out to the licks of a fiddle

LARNACA, Cyprus -- Lyrical duelists in Cyprus spit rhymes in head-to-head contests, keeping alive a tradition known as 'tsiattista' that emerged centuries before the likes of Kendrick Lamar and Drake. Konstantinos Christou Grilias and Adamos Peratikos are among a new group of poets in this Mediterranean country who battle it out live on stage to the rhythms of the lute and fiddle. The battles are fierce, but you won't find any Kendrick-Drake style beef. Tsiattista made UNESCO's list of Intangible Cultural Heritage in 2011. The similarities with American hip-hop diss songs and battle rap are many: two duelists using their wits and turns of phrase to boast how superior they are, giving opponents a schooling in an onslaught of lyrical beatdowns. It's complete with assertive gestures and the hands-behind-the-back patience of the poet waiting to pounce. 'Even if you'd been a paramedic, I'd send you to hospital with a heart attack,' Peratikos told one adversary — a line with more snap in the Cypriot Greek dialect, whose syntax is akin to ancient Greek. Grilias dissed his opponent as a lightweight and a laughingstock. The audience of hundreds along a seaside promenade murmured in approval. Tsiattista battles which have been around since at least the end of the 19th century, are undergoing a bit of a revival, thanks to performers like Grilias and Peratikos. 'We urge other kids who like it to come along to safeguard this institution,' said Peratikos, 41. 'The goal isn't about awards, the goal is to keep tradition alive.' The 44-year-old Grilias said he's never really delved into the world of Kendrick Lamar or Jay-Z. 'Honestly, I've never listened to rappers. They told me that they battle in their own language, in their own way,' Grilias said as he prepared for a tsiattista duel at the peak of a festival for the Orthodox Christian Pentecost. 'Rappers don't know where Cyprus is," he added. The new group of performers, known as tsiattistaes, started to replace the older generation about 15 years ago at the premier competition in Larnaca during the annual Pentecost festival known as Kataklysmos, said ethnomusicologist Nicoletta Demetriou, who is director of the island nation's Music Archive. The new generation includes women, though few participate because of lingering social exclusion, Demetriou said. The current tsiattista format of a two-verse rhyme with a total of 15 syllables was developed in the late 18th to early 19th century, evolving from the introduction of the rhyming verse to the Greek-speaking world in the 15th and 16th centuries, Demetriou said. It draws on a tradition of poets matching wits from the times of Pericles in ancient Greece. The structure and musical accompaniment are simple, so that the rhymes are clear and understandable for both the audience and the adversary. Contests can address a range of themes, but the underlying premise is to determine who's the best at the diss. 'It's usually a fight, meaning 'I'd clobber you, kill you, bury you,' Grilias said. 'But I believe the public likes more a bit of humor, too.' For contestants, it's about who shows up ready, can stay cool and make the fewest mistakes in front of a crowd. 'Truth is, you're stressed, you're under pressure," Grilias said, and 'the person who can best handle this has the advantage.' One useful strategy is guessing how to get into your opponent's way of thinking, predicting possible responses to your lines, Peratikos said. He dismissed AI technology as incapable of coming up with effective rhymes in the Cypriot Greek dialect. 'There are words that we've heard but we don't even know, so there's no way artificial intelligence does,' Peratikos said. At the end of a long night of battling, Grilias and Peratikos finished fourth and fifth, respectively. A judging panel composed of men and women determined the winners. The two contestants took their places in stride. 'We're all friends, that's what's important,' Grilias said.

Cyprus' lyrical duelists spit fierce rhymes as they battle it out to the licks of a fiddle
Cyprus' lyrical duelists spit fierce rhymes as they battle it out to the licks of a fiddle

Yahoo

timea day ago

  • Yahoo

Cyprus' lyrical duelists spit fierce rhymes as they battle it out to the licks of a fiddle

LARNACA, Cyprus (AP) — Lyrical duelists in Cyprus spit rhymes in head-to-head contests, keeping alive a tradition known as 'tsiattista' that emerged centuries before the likes of Kendrick Lamar and Drake. Konstantinos Christou Grilias and Adamos Peratikos are among a new group of poets in this Mediterranean country who battle it out live on stage to the rhythms of the lute and fiddle. The battles are fierce, but you won't find any Kendrick-Drake style beef. Tsiattista made UNESCO's list of Intangible Cultural Heritage in 2011. The similarities with American hip-hop diss songs and battle rap are many: two duelists using their wits and turns of phrase to boast how superior they are, giving opponents a schooling in an onslaught of lyrical beatdowns. It's complete with assertive gestures and the hands-behind-the-back patience of the poet waiting to pounce. 'Even if you'd been a paramedic, I'd send you to hospital with a heart attack,' Peratikos told one adversary — a line with more snap in the Cypriot Greek dialect, whose syntax is akin to ancient Greek. Grilias dissed his opponent as a lightweight and a laughingstock. The audience of hundreds along a seaside promenade murmured in approval. Tsiattista battles which have been around since at least the end of the 19th century, are undergoing a bit of a revival, thanks to performers like Grilias and Peratikos. 'We urge other kids who like it to come along to safeguard this institution,' said Peratikos, 41. 'The goal isn't about awards, the goal is to keep tradition alive.' The 44-year-old Grilias said he's never really delved into the world of Kendrick Lamar or Jay-Z. 'Honestly, I've never listened to rappers. They told me that they battle in their own language, in their own way,' Grilias said as he prepared for a tsiattista duel at the peak of a festival for the Orthodox Christian Pentecost. 'Rappers don't know where Cyprus is," he added. The new group of performers, known as tsiattistaes, started to replace the older generation about 15 years ago at the premier competition in Larnaca during the annual Pentecost festival known as Kataklysmos, said ethnomusicologist Nicoletta Demetriou, who is director of the island nation's Music Archive. The new generation includes women, though few participate because of lingering social exclusion, Demetriou said. The current tsiattista format of a two-verse rhyme with a total of 15 syllables was developed in the late 18th to early 19th century, evolving from the introduction of the rhyming verse to the Greek-speaking world in the 15th and 16th centuries, Demetriou said. It draws on a tradition of poets matching wits from the times of Pericles in ancient Greece. The structure and musical accompaniment are simple, so that the rhymes are clear and understandable for both the audience and the adversary. Contests can address a range of themes, but the underlying premise is to determine who's the best at the diss. 'It's usually a fight, meaning 'I'd clobber you, kill you, bury you,' Grilias said. 'But I believe the public likes more a bit of humor, too.' For contestants, it's about who shows up ready, can stay cool and make the fewest mistakes in front of a crowd. 'Truth is, you're stressed, you're under pressure," Grilias said, and 'the person who can best handle this has the advantage.' One useful strategy is guessing how to get into your opponent's way of thinking, predicting possible responses to your lines, Peratikos said. He dismissed AI technology as incapable of coming up with effective rhymes in the Cypriot Greek dialect. 'There are words that we've heard but we don't even know, so there's no way artificial intelligence does,' Peratikos said. At the end of a long night of battling, Grilias and Peratikos finished fourth and fifth, respectively. A judging panel composed of men and women determined the winners. The two contestants took their places in stride. 'We're all friends, that's what's important,' Grilias said. Menelaos Hadjicostis, The Associated Press

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Ready to dive into a world of global content with local flavor? Download Daily8 app today from your preferred app store and start exploring.
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