logo
Choi Ha-young and Song-ha: sisters with undisputed musical talent

Choi Ha-young and Song-ha: sisters with undisputed musical talent

Korea Herald12-03-2025

Professional cellist and violinist siblings set to make April duo debut in Seoul
What are the odds of three siblings all becoming professional musicians? The Choi sisters — Ha-im, Ha-young and Song-ha, born two years apart — not only pursued careers as professional musicians but also achieved international recognition.
Among the three sisters, the two younger ones — Ha-young, 27, and Song-ha, 25 — will perform as a duo in South Korea for the first time in April.
Ha-young, this year's Lotte Concert Hall in-house musician, won first prize at the 2022 Queen Elisabeth Competition in Belgium, while the younger sister, Song-ha, gained recognition by securing second place in the violin category at the 2023 Montreal International Music Competition. Song-ha also reached the finals of last year's Queen Elisabeth Competition.
The two already debuted as a duo in Italy in October 2024, and they are set to tour together in Belgium in March.
On April 30, they will perform together at Seoul's Lotte Concert Hall as part of Ha-young's residency concert, presenting Mozart's Duo in G Major, KV 423, and Kodaly's Duo for Violin and Cello, Op. 7. This will mark their South Korean duo debut — a milestone signaling more collaborative performances in the future.
'The cello and violin are positioned at the top and bottom in a quartet, respectively, yet even as just two instruments, we hope to show the rich diversity of string music,' Song-ha said.
Their joint performances arise not from family ties alone but from deep compatibility in their musical identities, the two told The Korea Herald during a video interview last month. Both share a love for folk-inspired music, evident in their decision to include Kodaly's works in their concerts.
They've also embraced Mozart's composition originally intended for violin and viola; Song-ha proposed it, and Ha-young enthusiastically accepted the challenge.
'We match each other effortlessly and naturally on stage. Even when one of us spontaneously improvises or tries out new ideas on stage, the other reacts immediately. I wonder if this connection comes from genetics or from spending so much time together,' the cellist said, adding "Now that both of us have many ideas to share, there are many opportunities for us to explore and experiment with various things together, which is very exciting.'
Pursuing their musical paths has sometimes led them apart, but it has also brought them back together. Ha-young moved to the UK at age 13 to study under Alexander Boyarsky at the Purcell School of Music, then continued her musical education in Germany at age 16, attending Kronberg Academy and the Berlin University of the Arts.
Song-ha, meanwhile, attended a different school in the UK. Eventually, their paths converged in Berlin, where they lived together for four harmonious years, without a single quarrel.
They are sisters, but their personalities and characters are quite different ― evident in their choices of instrument.
Ha-young saw her mom playing the cello as a hobby and it intrigued her; she never once attempted to play the violin.
Song-ha was intrigued by her sister taking cello lessons initially, but after a couple of lessons, she switched to the violin.
"Song-ha has always been very curious. Watching me and our older sister practice our instruments daily, she learned remarkably quickly," Ha-young said of Song-ha.
'When we were younger, it felt more natural to imitate my sisters than to find my own style. Growing up listening to their playing, their interpretations became both my initial inspiration and the standard I measure myself against,' Song-ha explained.
Their personalities also show through their hobbies: Ha-young enjoys calm activities like yoga and ballet, while the younger sister prefers more dynamic ones such as boxing and flamenco dance.
Still, some things clearly unite them ― their shared passion for music, love of performing on stage and their continuous desire to challenge themselves.
When asked about their dreams for the future in elementary school, both sisters struggled to settle on a single occupation. Now, however, they are determined to dedicate themselves fully to music and strive to become truly exceptional musicians.
'It's important not to become overly comfortable the more we perform. Instead, once things start feeling easy, I should resist getting too familiar and continuously look for ways to improve - to keep performing at my best,' Song-ha said.
"There are many alternatives to live concerts, but I want to share the spontaneity performing live brings, by choosing music that deeply connects with the audience and approaching each performance with sincerity and dedication. Even if a piece doesn't naturally suit me, I try to perform it as though no other music exists, maintaining that level of commitment and respect," Ha-young said.

Orange background

Try Our AI Features

Explore what Daily8 AI can do for you:

Comments

No comments yet...

Related Articles

Court orders 'My Dearest' screenwriter to return W350m for not fulfilling obligations
Court orders 'My Dearest' screenwriter to return W350m for not fulfilling obligations

Korea Herald

time12 hours ago

  • Korea Herald

Court orders 'My Dearest' screenwriter to return W350m for not fulfilling obligations

Screenwriter Hwang Jin-young, best known for writing hit MBC drama "My Dearest," has been ordered to repay 350 million won ($254,000) for failing to fulfill her contractual obligations with a local drama producer, according to a local media report Sunday. The Seoul Western District Court recently ruled in favor of the production company in a lawsuit filed against Hwang, which sought the return of advance payments for a planned 20-episode series, The Herald Business reported. The court ruled that Hwang failed to deliver the agreed number of scripts and ordered her to return the full amount to the firm. In August 2017, the production company and Hwang signed a contract for a drama script. Under the agreement, Hwang was to write and deliver the script for a 20-episode series. Her fee was set at 35 million won per episode, totaling 700 million won. The company paid Hwang half of that amount — 350 million won — as an advance. The contract stated that the period should be five years from the date of signing, and it should end once the 20 episodes are completed. However, at the time, Hwang was already under an exclusive writing contract for the MBC drama 'My Dearest,' which prohibited her from working on other projects between July 2014 and December 2019. Hwang submitted the initial draft to the production company only a year after the contract was signed. When the firm expressed negative feedback, Hwang allegedly made no effort to revise the script. The legal dispute began nearly six years later. In August 2023, the firm urged Hwang to fulfill her obligations under the scriptwriting contract. However, Hwang argued that the contract period had already ended, and therefore the agreement was no longer valid. She also claimed she had no obligation to return the contract payment and had no intention of completing the script. The company filed a lawsuit around February 2024, stating, 'Hwang not only failed to fulfill her writing obligations but also unjustifiably refused to do so.' In its initial ruling, the court stated, 'It is highly questionable whether Hwang ever had the intention to faithfully fulfill the scriptwriting contract in this case.' Hwang has appealed the decision, and the case will be heard in the Seoul High Court before a ruling is finalized.

From birth to death, exhibiting seasons of life through hanbok
From birth to death, exhibiting seasons of life through hanbok

Korea Herald

timea day ago

  • Korea Herald

From birth to death, exhibiting seasons of life through hanbok

Kumdanje, the renowned hanbok brand founded by Lee Il-soon, is celebrating over 30 years of preserving and promoting Korea's rich cultural heritage through traditional attire. Until July 27, the brand is holding a special exhibition titled "Seasons of Life: From Cradle to Sky" at Chuihantang, Samcheonggak in Seoul. The exhibition, which highlights the milestones in a person's life through traditional Korean clothing, aims to give visitors a deeper understanding of how attire can serve as a symbol of cultural values, life transitions and ancestral respect. Walk through seasons of life Lee, a celebrated hanbok designer, explains that the exhibition features a series of garments that correspond to the significant moments in life. From the first clothes worn at birth, known as "baenet jeogori" (a baby's first jacket), to the "baegilbok" (a hundred-day celebration outfit) and "dolbok" (first birthday outfit), the exhibition covers the full spectrum of Korean life stages. The garments include wedding attire and, poignantly, the "suui," a garment worn by the deceased for burial. Lee, whose life's work has revolved around preserving the tradition of hanbok, explains the significance of these garments. 'I have worked as a hanbok designer for 33 years, and in doing so, I have come to deeply appreciate the sacredness of the clothes worn during the milestones in life. From the baby's first clothes to the garments worn at one's death, these outfits are deeply ingrained in our culture and carry a profound meaning,' Lee told The Korea Herald. The exhibition aims to take visitors on a journey through these stages of life, each accompanied by a reflection on the traditions, blessings and prayers embedded in the clothing worn. The clothing not only marks the passage of time but also serves as a vessel for well-wishes and respect for the ancestors. Suui and significance of yundal One of the most captivating elements of this exhibition is the display of "suui," traditional burial clothing, made from silk. Lee Il-soon explains the significance of the suui in the context of Korean tradition: 'The suui is worn for a very specific occasion—the passing of an individual. It is, therefore, a very important garment. This year, we prepared suui for the yundal, or leap month. The leap month is seen as a time when no misfortune can occur, and it is traditionally believed to be a fortuitous time to prepare for important life events, including the preparation of the sui." She explained that while a leap month occurs in three- to four-year intervals, this year's leap month, which falls July 25-Aug. 22, is a special leap month, occurring every 100 years. Lee also highlighted the importance of yundal in Korean tradition. 'In the past, people would prepare the suui in the yundal month to ensure long life for their elders and a peaceful journey for the deceased. It's a special month, one that is believed to be free of misfortune. Preparing the suui during this time carries significant cultural and spiritual meaning,' Lee said. Cultural significance of hanbok Through the exhibition, Lee hopes to raise awareness of the deeper, spiritual meanings attached to traditional Korean attire. 'Hanbok isn't just clothing; it's part of a larger cultural framework,' she asserted. 'Each garment has a story to tell and a purpose beyond what is seen on the surface. Hanbok represents our culture's values of respect, dignity and the acknowledgment of life's transience.' Visitors to the exhibition will have the chance to explore how Korean traditional clothing serves as a medium of communication, conveying wishes for prosperity, good health and longevity. Lee believes that these garments are not merely for ceremonial occasions but are integral to understanding the Korean worldview and spiritual life. Lee's contribution to the global understanding of Korean culture extends beyond this exhibition. She has showcased hanbok on international stages, including in the US and Italy. Her role as a cultural ambassador has made her a key figure in the promotion of traditional Korean fashion worldwide. Lee recalled a particularly poignant moment during a fashion show in Rome when critics described the hanbok collection as 'unimaginably beautiful.' As the designer explains, the connection between Korean tradition and modern fashion has become a defining theme of her career. "Through my work, I have witnessed how the global fashion world embraces and admires the beauty of hanbok. At the same time, I feel a responsibility to preserve and share the deep cultural significance of these garments.' She continued, 'One of my proudest moments was during the 140th anniversary of diplomatic relations between Korea and Italy, where I had the honor of presenting hanbok at a fashion show in Rome. The experience solidified my belief in the global appeal of our cultural heritage.' Future beyond tradition The current exhibition offers a glimpse into Lee's vision for the future of hanbok. The designer's daughter Chang Ha-eun, who runs the contemporary hanbok brand OUWR, is working to bridge the gap between traditional and modern fashion. 'My daughter is leading a new wave of innovation, bringing hanbok into the modern era by working with famous K-pop artists such as Blackpink and NewJeans while still honoring its traditional roots. The fusion of past and future is something I am very proud of,' Lee said. With this exhibition, Lee hopes to create a lasting dialogue between the past and the future, inviting both Koreans and foreigners to engage with and appreciate the deeper meaning embedded in the clothing that shapes a person's journey through life. The exhibition is open to the public at Chuihandang in Samcheonggak, Seoul.

[Exclusive] BTS to come back in March: Hybe source
[Exclusive] BTS to come back in March: Hybe source

Korea Herald

timea day ago

  • Korea Herald

[Exclusive] BTS to come back in March: Hybe source

Group to return with labelmate Tomorrow X Together in mid-March, according to another source Big Hit Music says comeback schedule for boy group has yet to be finalized BTS is set to make its long-awaited full-group comeback in March next year, multiple industry sources confirmed to The Korea Herald. With all seven members completing their mandatory 18-month military service by this weekend — Suga is scheduled for discharge on Saturday — speculation has been mounting among fans and the wider K-pop industry over when the group would reunite and resume full-scale activities. 'BTS' comeback date is set for March next year,' a Hybe official confirmed through The Korea Herald's source recently. Two additional sources based overseas also said the biggest K-pop act in history is preparing to return as a full group early next year. 'While the exact date is unknown, I think it will be mid-March. I heard BTS is returning in the same month as their brother group Tomorrow X Together,' one source told The Korea Herald. 'It could be BTS first, then TXT — or the other way around.' Another source said that Enhypen, a boy group under Belift Lab, had initially planned its comeback for March, but moved it to January to avoid overlapping with BTS' return. Belift Lab is a Hybe subsidiary under its multilabel system along with Big Hit Music, which manages BTS. Big Hit said no confirmation has been made on the group's comeback schedule. While March may seem distant, Hybe CEO Lee Jae-sang previously signaled a longer timeline during the company's shareholder meeting in March this year. He stated that the BTS members would need time for preparation and creative work after their military discharge. 'We're preparing alongside top-tier producers, but the artists also need time to reflect and prepare,' Lee said. Meanwhile, Jin is scheduled to kick off his solo fan concert tour 'Runseokjin_EP.Tour' starting June 28-29 in Goyang, Gyeonggi Province. The tour will take him to nine cities, including Chiba and Osaka in Japan, Anaheim, Dallas, Tampa and Newark in the US, as well as London and Amsterdam, with 18 shows planned through Aug. 10 — making a BTS comeback this year unlikely. However, industry insiders see a possibility of a prerelease single or other project dropping before the group's official return. [단독] 방탄소년단, 내년 3월 완전체 컴백…하이브 관계자 '복귀 시점 정해져' 그룹 방탄소년단(BTS)이 내년 3월 완전체로 돌아올 전망이다. 하이브 소속사 관계자를 포함한 복수의 업계 관계자들이 최근 코리아헤럴드에 'BTS의 컴백 시점이 내년 3월로 정해졌다'고 전했다. 오는 토요일 슈가의 소집해제를 끝으로 멤버 전원이 18개월간의 군 복무를 마치게 되면서, BTS의 활동 재개 시점에 대한 기대감이 높아지고 있다. 해외에 기반을 둔 또 다른 관계자는 '정확한 날짜는 정해지지 않았지만 3월 중순이 될 가능성이 크다'며 '형제 그룹인 투모로우바이투게더(TXT)와 같은 시기에 돌아올 것으로 들었다. BTS가 먼저일 수도 있고, TXT가 먼저일 수도 있다'고 밝혔다. 또 다른 소식통에 따르면 하이브 산하 빌리프랩 소속 보이그룹 엔하이픈은 당초 내년 3월 컴백을 계획했으나, BTS와의 일정이 겹치는 것을 피하기 위해 컴백 시기를 1월로 앞당겼다. BTS가 소속된 빅히트뮤직 역시 하이브의 멀티 레이블 체제에 속해 있다. 이와 관련해 빅히트뮤직은 '컴백 일정은 확정된 바 없다'고 밝혔다. 3월이라는 시점이 아직 9개월여 남아 있는 만큼 다소 늦은 복귀처럼 느껴질 수 있지만, 하이브 이재상 대표는 지난 3월 주주총회에서 '멤버들이 전역 후 준비와 창작을 위한 시간이 필요하다'고 밝힌 바 있다. 이 대표는 '최상위급 프로듀서들과 함께 준비하고 있지만, 아티스트들도 자신을 돌아보고 정비하는 시간이 필요하다'고 전했다. 한편, 맏형 진은 오는 6월 28~29일 경기도 고양에서 솔로 팬 콘서트 투어 'Runseokjin_EP.Tour'의 포문을 연다. 이번 투어는 일본 지바·오사카, 미국 애너하임·댈러스·탬파·뉴어크, 영국 런던, 네덜란드 암스테르담 등 9개 도시에서 총 18회에 걸쳐 8월 10일까지 이어진다. 이에 따라 연내 완전체 컴백 가능성은 낮은 상황이다.

DOWNLOAD THE APP

Get Started Now: Download the App

Ready to dive into a world of global content with local flavor? Download Daily8 app today from your preferred app store and start exploring.
app-storeplay-store